The Mapping of Love and Death: A Maisie Dobbs Novel

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The Mapping of Love and Death: A Maisie Dobbs Novel Page 30

by Jacqueline Winspear


  "First, I will deal with the issue of Dr. Blanche's clinics. It was his wish that the work continue as long as there is a need for such medical services. If that need should diminish--as you know, he believed that it is a weak country that does not take care of its own, and he hoped for developments in that regard--he has outlined plans for the closure of the clinics, with any funds remaining to form bequests to a series of charitable concerns listed in his instructions, which form a codicil to the will." He nodded to the junior clerk, who handed out a clutch of pinned papers to each person present. "As you will see, Dr. Andrew Dene is to be brought onto the Board of Governors, which will now be set on a firmer footing. Miss Dobbs will also join Lord Julian and Lady Rowan Compton and Viscount James Compton as members of the board. I will not go into the necessary details at this point, but suggest a board meeting within the week so that all parties can peruse my notes, and discussion can be embarked upon at a time when we are refreshed by time and rest. However, there is a bequest to Dr. Dene of two thousand pounds, in addition to an annual stipend in recognition of his work on behalf of the clinics--an amount of two hundred pounds per annum."

  Maisie watched as Dene struggled to keep his composure, rubbing his jaw back and forth. He had come to Maurice's clinic as a boy with his very ill mother, who had subsequently died. Maurice had given him work, and when he realized the boy's innate talent for medicine, sponsored his education and his training in medical school. He was now an admired orthopedic surgeon.

  "Dr. Dene, I am sure you have questions; however, at this juncture, you are free to leave. Thank you."

  Dene bade his farewells and left the room.

  Klein smiled at the housekeeper and explained that Maurice had provided excellent references, and she would be welcome to remain at The Dower House until the new owner took possession of the property, though he felt sure she could expect her service to continue. In addition, she would receive an annual pension which, if she wished, could take the form of a single bequest. He pointed out that the pension was a most generous one.

  Mrs. Bromley was soon racked with sobs, so Maisie leaned across to soothe her. When she was given notice that she could leave, Maisie stood along with her to accompany her to the door.

  "Miss Dobbs, I require your presence here. My clerk will see that the lady is looked after."

  The junior clerk placed an arm around the housekeeper's shoulders and escorted her from the room, though her keening could still be heard through the closed door some moments later.

  "Now then, almost there."

  Maisie looked at the Compton family and hoped she would be free to leave soon. The air in the room seemed to press down on her, and she wanted nothing more than for the day to be over. If Maurice had left her a bequest in connection with the curatorship of his papers, hopefully Klein would get to it next, and she would be released from the meeting--she could hardly breathe.

  "Finally, the estate." He again turned towards the senior clerk, who distributed several sheets of paper. "Miss Dobbs--Lord Julian and Lady Rowan will remain, as they are coexecutors of Maurice's last will and testament, and Viscount James Compton will have a future interest in decisions made regarding The Dower House, per Maurice's instructions. The following will serve to clarify."

  Maisie at once felt as if she were on ground that was less than solid, yielding to her weight in a way she could not fathom.

  "Now, you each have a listing of key assets, which form a not-inconsiderable estate. Dr. Blanche had no brothers or sisters, and was the son of parents who in turn had no siblings. Thus he had in earlier years inherited properties in France from his father, and significant wealth on his mother's side--she was, as you may know, the only daughter of Frederick MacLean, the shipbuilder."

  Maisie's eyes widened as she realized how little she knew of Maurice's own parentage. Though Lady Rowan had known him from early years and had talked about her brother bringing his friend, Maurice, home from boarding school, Maisie could not imagine him as a boy.

  "There are several properties in France, including a house in Paris under long-term lease to the British government--Maurice retained the upper apartments for use during his visits to the city. The land belonging to Item B on page two--a large chateau-type property in the Dordogne region currently leased to a diplomat--is worked by a local family of farmers. My firm liaises with Maurice's Paris lawyers to see that all monies collected from leases and agricultural profits contribute to the upkeep of those properties and residue used to support the clinics--I should add that there is also one in a poor area of Paris. Now, moving down the page, the property in Glasgow--it was his grandfather's home--is on indefinite loan to the university at no charge and is used to accommodate academic staff visiting from abroad. There are tax advantages to such an arrangement."

  Klein reached for a glass of water and, over his spectacles, seemed to use the moment to take the measure of those seated before continuing.

  "On the next page, you will see a complete inventory of the property known as The Dower House, including the house and gardens, plus two farms with long-standing tenant farmers, Mr. Arthur Lodge and Mr. Cecil Button. The acreage is given, along with terms etc., etc. Dr. Blanche's instructions are as follows." Again he peered over his glasses at the listeners in turn, but focused his attention upon Maisie as he went on, barely consulting his notes.

  "All properties in France, Scotland, and England, together with monies held in investment and bank accounts, I leave to Miss Maisie Dobbs, my daughter in kind, if not in name. Should Miss Dobbs see fit to sell The Dower House, the property should first be offered to Lord Julian Compton, and if he predeceases such divestment, to Viscount James Compton, so that, if desired, it may once again become part of the Chelstone Manor Estate."

  He smiled at Maisie. "I should add that there are no mortgages attached to any of the properties listed, which were owned in their entirety by Dr. Blanche. I am sure you would like clarification on multiple points; however, before you and I continue speaking alone, is there anything regarding the foregoing that you wish to discuss in the company of Lord Julian and Lady Rowan, specifically, Maurice's stipulation pertaining to a future possible sale of The Dower House?"

  Maisie stood up, only vaguely aware that her knees were shaking. "If you don't mind, I think I might need some fresh air."

  James Compton was already standing, and caught her as she collapsed.

  When Maisie opened her eyes, her first thought was that she was in her room at her father's cottage. She closed them again when she realized that she was still in The Dower House, resting in the guest room she'd occupied long ago when she first came to live in the house. Mrs. Bromley was by her side, and leaned over to press a cold, damp cloth to her forehead.

  "How are you feeling, mu'um?"

  Maisie shook her head. "Please don't call me that, Mrs. Bromley. You've always called me Miss Dobbs--don't change now."

  "You took quite a turn there. The viscount carried you up the stairs--he's down in the drawing room. Lady Rowan was very worried, and will want to know you've come around."

  "I--I think I've been imagining things."

  The housekeeper shook her head. "No, you haven't, Miss Dobbs. Dr. Blanche was a dark horse--you of all people knew that. But he loved you as if you were his own, and I know he told you as much. So he left you what he would leave to a daughter--and he's done right by you."

  Maisie sat up on the bed and took the glass of water offered. "I'd better go downstairs and show my face. I'm so embarrassed at having fainted."

  Mrs. Bromley took an envelope from her pocket. "Mr. Klein gave me strict instructions to give this to you straightaway, as soon as you were well enough. He said he would telephone tomorrow to make an appointment to come to the house again--he said there's a lot of things to talk about."

  "It's a letter from Maurice."

  Mrs. Bromley stood up and opened the door to leave. "You take your time, Miss Dobbs. I'll make tea for everyone downstairs. I baked some Ecc
les cakes for you this morning--I know they're your favorites."

  Maisie smiled and expressed thanks at such thoughtfulness, and when the door closed and she was on her own, she slipped her finger under the flap of the envelope, and removed Maurice's letter. It was a letter she would read time and again in the weeks and months that followed.

  EPILOGUE

  Maisie sat on the floor in The Dower House conservatory with sun streaming through the glass panes. She was surrounded by a series of boxes, each clearly marked in Maurice's flowing script, with the year cataloged and a description of the contents, be it letters, reports, or case files. Several weeks had passed since the funeral, weeks in which she had felt as if she might flounder. It was clear to her, now, why Lady Rowan had shown such concern, and why she had intimated that Maisie's life would change, though Maisie herself was pleased with the many ways it had not changed, thus far.

  Knowing she needed time to absorb all that had come to pass, she had taken a week of leave from work and instructed Billy to come into the office only to gather the post and be in touch with potential new clients, though otherwise he should consider the time his own. She did not bring him into her confidence regarding the bequest from Maurice, for she considered the matter to be one that required utmost privacy on her part, at least until she had assimilated all that it meant to her life. She had yet to spend a night at The Dower House, preferring to sleep in her father's cottage, or if there were meetings with Maurice's solicitors--who now acted on her behalf--she welcomed the spartan surroundings of her own flat. In any case, The Dower House was being prepared for the arrival of Edward and Martha Clifton, who would spend four or five weeks at the country home so that Mrs. Clifton might convalesce before returning to Boston.

  She had begun to read, again, the letter written by Maurice and lodged with his solicitors before he died. He wrote of his recollections of their early days together as teacher and pupil, days when she supped eagerly from the table of learning he laid out before her. He spoke of his pride at her acceptance to Girton, and his deep respect for her when she gave up her studies to enlist for nursing service in the war. He confided that he had always known she would become his assistant, that they would work together, for he could think of no other student who would best take on the legacy of his life's calling. His reflections became more serious when he looked to the future.

  We have spoken on many an occasion, you and I, of the darkness I fear will envelop Europe once again. You will find in my archive of papers much that will help you in the years to come, for you will be called to service as I was prior to and during the last war. My work in this realm continued until recent months, as you learned when we were in Paris together not two years ago. I believe you are ready and suited to any challenges that come your way, and I predict that they will be the making of you. I have observed your work in recent years and, in my estimation, it does not claim the full measure of your skill or intellect. In time there will be a new path for you to follow. It will not be an easy one, but one for which you are supremely suited. I will say no more on this subject, save that you have received my highest commendations and I have great faith in your ability to assume challenges that stand between you and the quest for what is right and true.

  The letter continued with advice regarding her communications with Bernard Klein, and his recollections of each of his properties and their individual significance in his life.

  I leave my estate in your good hands, Maisie, not only because I know you will comport yourself with excellence in the face of such a change in circumstance, but because you deserve all that I have to leave to you.

  Now, having come to the end of the letter, Maisie folded the pages and placed the envelope in her cardigan pocket. She remembered Maurice's words regarding his letter, that if her personal situation should change, she must not feel beholden to follow his hopes for her to their conclusion. Now at least part of the riddle had been made clear, and in going through each box with care, she was slowly but surely preparing herself for what might come.

  She stood up and walked to the windows to look out across the land. Her land. Though she had visited Maurice many times over the years, she realized that she had never really spent time looking out of the conservatory windows--her attention had always been on Maurice, on his counsel, his opinions, news, and ideas. Now she could see why he loved the room so much, for as he had described to her, from this vantage point he could see for miles. To the right the carriage sweep snaked past the boundary of The Dower House gardens, and she could follow it with her eyes along to the main entrance of Chelstone Manor. The lane that branched off to her father's cottage was in clear view, as was the cottage itself and gardens to the rear, which adjoined the bottom edge of Maurice's rose garden. She could see--as Maurice could in his day--the gate that led from her father's garden up towards the conservatory, and another gate at the bottom of her father's garden opening out into one of several fields that surrounded both their homes. Her gaze followed the path down to the woods, and across to the land rising up on the other side, where sheep were grazing in the late morning light.

  And as she closed her eyes, allowing the warmth of sunshine on glass to envelop her, she thought of Michael Clifton and how he yearned to return to his land, how he ached to rid himself of dark, cold days on the battlefields of France, so far from home. She realized that, in his letters over the years, in his teachings, and in the many pages she would read in the days, weeks, months, and years to come, Maurice would continue to be her guide as she negotiated new terrain. He would not be lost to her forever, and in his own way he had left her with a compass, octant, waywiser, and theodolite, the tools she would need to face a new horizon.

  A cawing of rooks giving chase to a predatory kestrel caused Maisie to open her eyes. She smiled as a whole parliament of the black crows rose up from the trees and gave chase, and as she followed them, her attention was drawn to James Compton, making his way across the field towards the Groom's Cottage. She watched as he came through the gate at the end of the garden, where he stopped to talk to Frankie, who was tending his vegetables. Frankie turned and pointed to The Dower House, and they exchanged a few more words before James walked on, up the path towards the conservatory. He saw Maisie watching him and raised his hand. She waved in return.

  Love, when, so, you're loved again.

  AUTHOR'S NOTE

  To this day, the remains of those listed as missing in the Great War are being unearthed across France and Belgium. For David Bartlett--a former police superintendent in the United Kingdom and an expert on the battlefields--the task of identifying those remains, and ensuring the fallen are laid to rest with honor, has become his life's work. It was a letter sent by David to the Santa Barbara Independent in 2005, in a quest to identify the newly discovered remains of a young soldier--who might have been an American serving with a British regiment--that inspired this novel. The soldier now rests in peace at the Tyne Cot cemetery in Belgium. He has not been identified, and his headstone bears the inscription: A Soldier of the Great War Known Unto God.

  ACKNOWLEDGMENTS

  Thanks must go to Holly Rose for once again being my trusted first reader--what would I do without your highlighter, Hol?

  Maureen Murdock kindly allowed me to use the term "wound agape" from her wonderful book The Heroine's Journey. Thank you so much, Maureen.

  For the term "artillery's astrologers," I must acknowledge Peter Chasseaud's definitive book on the subject of cartographers in the Great War, Artillery's Astrologers: A History of British Survey and Mapping on the Western Front, 1914-1918. The book represents extraordinary scholarship in a field crucial to understanding the war, and greatly increased my knowledge of the work of the cartography units.

  The California Oil Museum, based in the original headquarters of the Union Oil Company in Santa Paula, California, proved to be a wonderful resource in my research into early exploitation of the state's black gold.

  Deepest gratitude to my editor,
Jennifer Barth at Harper Collins. Thank you, Jennifer, working with you is such a joy. You always manage to raise the bar while trusting the author's judgment--it's a gift.

  To my agent, Amy Rennert--thank you, as always, Amy, for your sound counsel, your integrity, and your support. Most of all, thank you so much for these years of friendship.

  And to John Morell--thanks for putting up with me, and those books and maps all over the floor.

  About the Author

  JACQUELINE WINSPEAR is the author of the New York Times bestsellers Among the Mad and An Incomplete Revenge, as well as four other Maisie Dobbs novels. She has won numerous awards for her work, including the Agatha, Alex, and Macavity awards for the first book in the series, Maisie Dobbs. Originally from the United Kingdom, she now lives in California.

  www.jacquelinewinspear.com

  Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

  ALSO BY JACQUELINE WINSPEAR

  Maisie Dobbs

  Birds of a Feather

  Pardonable Lies

  Messenger of Truth

  An Incomplete Revenge

  Among the Mad

  Credits

  Jacket illustration by Andrew Davidson

  Jacket design by Archie Ferguson

  Copyright

  THE MAPPING OF LOVE AND DEATH. Copyright (c) 2010 by Jacqueline Winspear. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

 

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