by Rex Stout
“Of course, I could have done some of this work in my own boodwar, but I wanted to use Devlin’s typewriter, and besides, I had a feeling it would be more gentlemanlike to do everything right there in the office. It somehow seemed natural and right to sign a man’s name on his own desk with his own pen and ink.
“When Devlin come back I had the letter all ready to mail stowed away in my pocket.
“ ‘Have you got that twelve hundred?’ says he.
“ ‘No,’ says I, ‘but I’ll get it in three days or bust.’
“ ‘You’d better,’ says he, ‘for when Jetmore says three days he don’t mean four.’
“I mailed the letter and check in Ironton that afternoon, and next day—that was Friday—I goes over to Horton on the very first train, and pedestrinates into Jetmore’s office on the stroke of ten.
“Jetmore met me cordial like a mule that’s just found something to kick. He’d smelled my money.
“ ‘Did you get it?’ says I.
“He pulled out the check I’d mailed in Ironton the day before. I looked at it over his shoulder, him holdin’ on with both hands.
“ ‘I guess about fifty of that belongs to you,’ says I.
“ ‘Fifty!’ says he. ‘Fifty!’
“ ‘No,’ says I, ‘I only said it once.’
“That’s what comes of gettin’ into the clutches of one of them grafters, Bendy. They’ll do you every time. But I let it go at a hundred to preserve my own interests. I couldn’t afford no argument.
“ ‘Well,’ says I, ‘give me the check.’
“ ‘Give me my hundred,’ says he.
“ ‘I ain’t got it,’ says I.
“ ‘Then we’ll cash the check,’ says he, and puts on his coat and hat.
“Bendy, ain’t that pitiful? Ain’t it pitiful? It was comin’ so easy I yawned right in his face. Says he, ‘then we’ll cash the check.’ Oh, the big fat boob!
“We goes down to the bank, and Jetmore steps up to the window.
“ ‘Good morning, Mr. Jetmore,’ says the teller, obsequies-like.
“Jetmore takes a pen, endorses the check, and passes it through the window.
“ ‘Give it to us in hundreds,’ says he.
“ ‘Not for me,’ says I, steppin’ up. ‘Make it twenties.’ You know, Bendy, centuries is all right, but they ain’t enough of ’em. They’re too scarce to be safe.
“The teller counts out ten twenties, slaps ’em on top of a pile with a bandage on ’em, and shoves ’em through the window to Jetmore. He counts off five and I sticks the rest in my pocket.
“ ‘Better count ’em,’ says Jetmore.
“ ‘I’ll take a chance,’ says I. “The young man looks honest.’ The truth is, I was beginning to get the shivers. They always come on me when I feel the stuff.
“Me and Jetmore turned to go. Just as we reached the door I felt that pile of twenties jump right out of my pocket and slap me in the face. Standin’ there lookin’ at us was Devlin.
“ ‘Hello, Jetmore,’ says he. ‘Good morning, Mr. Delman.’
“Bendy, stand up. No man can sit unrespectful while I relate the sequence. It fills my eyes with tears to think of it. I’ve been a modest man, but this is too much for me. I must tell the truth.
“I was in a hole, all right, but I still had hold of the rope. I knew that Devlin thinks I’m Leo and Jetmore thinks I’m Abe, and as long as they didn’t get a chance to chin on it I was safe.
“ ‘Mr. Devlin,’ says I, ‘I’m glad to see you. There’s a little matter I want to ask you about.’
“Jetmore started to spout before Devlin could answer and I interspersed.
“ ‘It’s an important matter,’ says I, ‘and I won’t keep you long.’
“Devlin stood lookin’ at us like he didn’t understand. Of course, Jetmore knew I knew Devlin, because I’d told him he was mine and Leo’s lawyer before the fight.
“Jetmore pulls out his watch and starts to go.
“ ‘I’ve got an appointment,’ says he. ‘I’ll see you later. Drop around to the office about one.’ Then he turns to me. ‘Come in and say good-by,’ says he, and off he goes.
“It took me about two minutes to explain to Devlin that I’d come up to Horton to try to get Jetmore to chop off a hundred on the settlement. Devlin laughed.
“ ‘Jetmore don’t do no choppin’,’ says he.
“ ‘Right you are,’ says I. ‘He won’t even give me no extra time.’
“ ‘What was it you wanted to ask me?’ says he.
“ ‘Mr. Devlin,’ says I, ‘I’m a poor man. Whether I get that twelve hundred I don’t know. But I got some friends in Pittsburgh what’s got it, and if you’ll let me have that fifty back for railroad fare I’ll make it a hundred when I settle up.’
“Devlin blinked hard, and I thought he’d jumped it. But bein’ a grafter, that hundred looked too good to lose. He pulls out a big black wallet, counts out five tens, and hands ’em to me careful-like.
“ ‘Delman,’ says he, ‘I know you’re an honest man. I can tell it by your eyes. I feel sure you’ll get the money.’
“ ‘Mr. Devlin,’ says I, holdin’ his hand in one hand and the fifty in the other, ‘I will get the money.’ And I leaves him standin’ there in the bank, watchin’ me through the window.
“Did you go to Pittsburgh?” asked Bendy.
“Bendy,” said Dudd, “don’t be factious in the presence of genius. You offend me.”
“Forgive me,” said Bendy, humbly. “Let me see the fifty, Dudd. I just want to touch it.”
Pamfret and Peace
PAMFRET WAS HAPPY. TO BE BACK in the world again, to feel once more that old sense of incompleteness—what could be more delightful? He laughed aloud as he recollected how Satan had warned him that the earth might not prove so attractive after all.
For Pamfret was no ordinary mortal. In 1910 he had died, and as he had done some things and left undone some others, he had been sent with slight ceremony to the land of darkness. Of his existence there we have no knowledge, save that he found it somewhat darker and a great deal more interesting than he had imagined. Nor do we know the exact nature of the service he rendered the Prince; but it was an important one, and Satan rewarded him with ten years more of life. Pamfret was wildly grateful, and almost incurred the Prince’s displeasure by his eagerness to return to the world above. Once there he forgot everything but the joy of mortality.
He was considerably surprised when he found that the world had gotten as far as 1970. Sixty years! Everything, of course, was changed. But he felt that just to be alive was enough. It was really very silly of Satan to give him that vial, he thought—as if there were any chance of his wishing to return before the ten years ended.
It was noon of his first day. As he walked along Fifth Avenue and noted the many changes and additions, the absence of old landmarks and the encroachments of commercialism, he experienced little of that feeling of unreality he had expected. After all, it was only natural that there should be changes. The world does not stand still. At Forty-second Street he stopped at the library, and felt a strange pleasure in renewing old acquaintances on its shelves. Two blocks farther on he was delighted to find that Sherry’s had remained faithful to its old corner, and congratulated himself that he had not yet lunched.
He passed through the outer hall into the dining room on the left, intending to find a table near the orchestra, but found that the place formerly set aside for the musicians had been rearranged and furnished for diners. When he had found a seat and summoned a waiter, “Is there no orchestra?” he asked.
The waiter looked surprised. “Certainly not.”
“Why certainly?”
“But it would cause disagreement. Some people like music and some do not. But Monsieur is jesting?”
Pamfret could see no joke. But at least they still had a menu. “Bring me some clams.”
“Yes, sir.”
“And some cold turkey with jelly.”
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br /> “Yes, sir.”
“And—have you any alligator pears?”
“No, sir.”
“Well, then Salad Macédoine, and a pot of coffee.”
“Yes, sir,” and the waiter hurried away.
“That waiter has no imagination,” thought Pamfret. “He had not a single suggestion to offer.” And he leaned back in his chair the better to watch the crowd.
There was a curious air of calm about the room. Everyone was talking, but no one seemed at all interested in what anyone said. There was no animation, nothing of piquancy in either face or gesture. “What stupid people!” said Pamfret to himself.
Seated at the next table were a man and a girl. “I don’t care to go,” the girl was saying. “I adore opera but I hate plays.”
“I have heard that this is a very good play, and I shall go,” said the man.
“Very well, then I shall return home. Goodby,” and she rose to go.
“Oh, are you finished?” asked the man. “All right. Goodby.”
Pamfret was astonished. “The girl is pretty and the man is a fool,” he declared; but the arrival of his waiter with a plate of clams put a stop to his soliloquy.
Three o’clock found Pamfret seated in the grandstand at the Polo Grounds. It was a day of glorious sunshine, and promised still more glorious sport. The old rivalry between New York and Chicago had been heightened by time, and the Cubs were even now battling with the Giants for first place. Pamfret felt a joyous excitement. He turned to his nearest neighbor. “The Giants are really the stronger team, aren’t they?” he queried.
“That is a matter of opinion,” replied his neighbor.
“Are you from Chicago?”
“No.”
Pamfret subsided.
At three-thirty the game was called. “Now there’ll be something doing,” thought Pamfret.
The first inning passed quickly. The play was snappy, but there were no runs made, and there was no applause. In the second inning Chicago’s batters were soon disposed of. The first man up for New York drew a base on balls, and then—the next batter hit a triple to left, scoring the runner. The crowd was silent. Pamfret clapped his hands furiously.
An usher approached and handed Pamfret a printed card. Pamfret turned it over and read as follows:
INTERNATIONAL PEACE CONGRESS.
COMMITTEE ON ATHLETICS.
Rule 19. It shall be unlawful for a spectator at any athletic game to show preference to any contestant by any manner of applause or derision.
Pamfret was so bewildered that he forgot to watch the game. So that was the cause of this curious silence. He wondered what was the penalty, and decided, inasmuch as he was not disturbed further, that a warning was considered sufficient for a first offense.
Then he heard the crack of the bat against the ball, and looked just in time to see the little leather sphere bound against the left field fence and roll back onto the field. The runner tore wildly around the bases, while the crowd uttered not a sound. On past second he dashed, and rounded third just as the ball was being returned by the fielder. He flew down the home stretch with the speed of an arrow, and reached the plate the merest fraction of a second before the ball landed in the catcher’s mitt.
“Out!” called the umpire.
“Robber!” shrieked Pamfret. “Thief! Robber!”
The crowd gazed at Pamfret in dismay. Again the usher approached and handed him a card. Pamfret, partially realizing what he had done, took it in a rather shamefaced manner, and read:
INTERNATIONAL PEACE CONGRESS.
COMMITTEE ON ATHLETICS.
Rule 26. It shall be unlawful for a spectator at any athletic game to show either approval or disapproval of any decision of the umpire or referee. Penalty: ejection from the grounds.
A silver gong sounded somewhere under the grandstand. Pamfret looked up. The entire mass of spectators was standing, each with bowed head and arm raised, pointing with outstretched finger to the outer gates. On the field each player had stopped still in his position and turned to point. Pamfret was confused; he wanted to laugh; but the air of solemnity about the whole proceeding forbade it. There could be no doubt about the meaning of this universal gesture, and he descended from the grandstand and started across the field toward the gates. As he arrived there, he turned and looked back. Thirty thousand fingers were pointing at him in a sort of contemptuous scorn. As he passed through the gates he heard the silver gong ring out as before.
“What the devil,” he thought, as he boarded a downtown car, “is the world coming to? Or rather, what has the world come to? I don’t believe I’m going to have such a good time after all”; and he sighed for the day when a close decision meant tears and threats unsurpassed even in Hell.
He began to long for someone to talk to—loneliness assailed him. A baby in the arms of a woman opposite him began to cry, and on a signal from the conductor the woman arose and left the car at the next corner. The man seated next to him—an awkward-looking man with a beard—was engaged in conversation with his neighbor on the other side. “The English,” he was saying, “are a wonderful people.”
“The Americans,” replied the other, “are a very wonderful people.”
“The English,” said the bearded man, “are great artists.”
“The Americans are a race of geniuses.”
“The British Empire is indissoluble.”
“America is the Land of Freedom.”
“England is the greatest country in the world.”
“Rule 142,” said the American, calmly. “No comparisons allowed in an argument.”
“I beg your pardon,” said the Englishman.
But Pamfret was already on his feet. He had always hated the English. “Argument!” he shouted. “Argument! Do you call that an argument? Tell him he lies!”
“Rules 207, 216, and 349,” said the Englishman and American in unison. “No contradictions, no personalities, and no loud talking.”
The conductor touched Pamfret on the arm and signalled him to leave the car. Pamfret’s first impulse was to throw him through a window; this continual restraint was becoming irksome. But he thought better of it, and besides, they had reached Sixty-sixth Street. He alighted at the next corner, and started south on Central Park West.
At Sixty-fifth Street was a restaurant, and he stopped for dinner. The room was crowded; but finally Pamfret found a table over against the wall, sat down and called a waiter, who seemed a little worried as he caught sight of him.
“Table d’hote?” asked Pamfret.
“Yes, sir.”
“Very well. Make the selection yourself,” and the waiter hurried away, still with the worried look on his face.
A man and woman entered the restaurant and walked straight to the table where Pamfret was sitting. They seemed surprised on seeing him seated there, looked around in a disconcerted manner, and finally sat down on a small divan placed against the wall. Pamfret thought he understood. He got up from his chair and bowed to the man.
“I beg your pardon, sir, but is this your table?”
The man nodded. “Yes—that is, we—we had it reserved,” he answered.
“Well, then,” said Pamfret, “I wouldn’t think of appropriating it. The waiter should have told me. Of course you will take it?”
“But surely you know that would be against the law,” exclaimed the other, horrified. “We couldn’t.”
“But that is exactly what I do not know,” said Pamfret. “At least,” he added, “I trust you will allow me to share it with you?”
The man looked at the woman inquiringly. She nodded. Pamfret found another chair, and all three sat down at the table together. The waiter appeared with a plate of soup, and seeming relieved to find the couple seated, took their order.
“I am surprised—” began the man.
“Of course you are,” interrupted Pamfret. “But I really don’t know the first thing about these beastly—these laws. The truth is—I have lived nearly all m
y life in China, where everything is different.”
“But I thought the peace laws were universal.”
“They are, they are,” Pamfret replied hastily. “But I was alone most of the time—er—scientific explorations, you know. Besides they do this sort of thing better in China. There is no—”
“Rule 142. No comparisons,” interrupted the woman.
There was silence for a while. Finally Pamfret tried again.
“Those broiled mushrooms were delicious,” he declared. “Don’t you think so?”
“I beg your pardon, but I’m afraid I can’t answer you,” replied the man. “Rule 207, you know. No contradictions.”
Pamfret was becoming desperate. He had given his head so many bumps against this immovable wall of Peace that he was unable even to think. Silence, he decided, was his only refuge.
As the dessert came on he heaved a sigh of relief, and foolishly ventured a question.
“You know,” he said, “I have been out of the world for a number of years, and I hope you won’t mind if I ask you a question. How long has this peace thing been in power?”
“Really,” answered the man, “you amaze me. Discussion of history is strictly forbidden.”
Pamfret could stand it no longer. He threw a bill on the table; took up his hat and stick and rushed wildly out of the restaurant.
A car was passing the door. Pamfret ran to the next corner ahead of it and waved his cane at the motorman. The car went by without stopping, and as it passed the conductor tossed a card out of the window. It fell on the pavement at Pamfret’s feet. He picked it up and read:
INTERNATIONAL PEACE CONGRESS.
COMMITTEE ON PUBLIC TRANSPORTATION.
Rule 96. The motorman or engineer of a public vehicle shall ignore signals to stop for passengers, if such signals are boisterous or agitated, or made in any but a thoroughly peaceful manner.
Pamfret tore the card in a dozen pieces. “Well, of all the—” he began, then he was silent. He was afraid to talk even to himself where there was a chance of being overheard. He wanted to be alone, to have time to consider this strange, this impossible world to which he had been so eager to return. He started to walk downtown, intending to get a room in the first hotel he saw.
