‘What’s going on?’ Tresco said, squatting behind the tree where he couldn’t be seen. ‘Hey – you need to put a bit more welly into it. Go on. Up and over, dosie do –’
‘I’m doing the best I fucking can,’ Tamara said, out of the corner of her mouth.
The proles had noticed Tamara and Thomas, skipping and dancing around each other. They had stopped where they were, and were casting looks at the edge of the forest. But in a moment they turned away again, definite that the posh rich kids weren’t worth their attention. Perhaps it was a decision; perhaps they were unable to see the spectacle behind the wall, remote from jeans and Wreck and trainers and semi-detached houses in yellow brick. ‘Not working,’ Tresco said. ‘Wish I’d brought my gun.’
‘I can’t believe it,’ Tamara said, pausing and puffing with breathlessness.
‘I’ve got an idea,’ Tresco said. ‘They’ve not seen Josh, have they?’
‘I don’t want to,’ Josh said. ‘I won’t make them do anything. I’m not putting on Faunties or anything.’
Tresco took his branch – a two-foot club – and poked Josh hard. Josh stumbled upright so as not to fall into the mud. ‘Go on,’ Tresco said. ‘Just go and wave at them or something. No one expects you to do anything intensely dramatic.’
Tamara and Thomas started laughing. Josh felt tearful; he had forgotten that, sooner or later, the cousins would move on from being vile to him to being vile about Mummy.
‘Oh, for fuck’s sake,’ Tamara said. ‘If you don’t come up here now, this second, I’m going to come and drag you out.’
It would not work, Josh was sure; all he had to do was go and stand at the wall and be ignored in the same way that the proles were ignoring his cousins. It was as easy as that, and then the cousins would get bored and go and find something else to do. He stood up properly, and went to the wall where Tamara and Thomas had been dancing. Tamara, a firm look on her face, took him with a solid grip and pushed him forward. She raised her arm and pointed at him, grinning like a mud-spattered loon in a ball-gown. By their side, Thomas continued to caper.
‘Do you know what Josh does?’ Tresco said. He was talking half to Tamara and Thomas, and half for Josh’s benefit. Over their heads, the music of disdain in what Tresco was saying floated, across the Wreck, to be caught by the proles. ‘Josh touches things. He’s always touching things. Have you seen that? When he comes into a room, he can’t stop and sit down, like a Christian, until he’s been right round, picking up this and that, putting his hand on the Staffordshire dogs and the photos on the piano. Do you reckon he does that at home? Or is it just when he’s taken out? Do you think it’s a Brighton thing? They can’t stand it, the seniors. They bite their lips. They try not to say anything about Josh having to touch everything. I saw him once bend down and touch the tassels on the Turkey carpet in the drawing room. I bet they think he’s bringing his Brighton ways into the house.’
‘Stand there,’ Tamara said to Josh. ‘Just like that.’ She took Thomas by the hand, firmly, and walked back a few paces. The proles were standing now. They had seen Josh. One of them shouted something, and then the biggest of them was sprinting towards the wood, maddened, leading a ragged troop. They had endured and accepted Tamara in her ball-gown, Thomas prancing in his Faunties, but the sight of Josh, dressed just as they were, standing behind the stone wall within the purchased woodland acres, had been too much to bear. Their howls were terrible.
‘Run,’ Tresco said. ‘Fucking run!’
They ran, Josh jumping after Tamara, her skirts clutched in her fists. She was going towards the end of the woods where the Pit was. Thomas was already far ahead of them; Tresco had not moved an inch. The proles were over the stone wall now, and their howls within the estate. Somewhere behind them, through the trees, there was a confusion of movement and stumbling; somewhere behind that was Tresco. He must have armed himself somehow because quite suddenly there were shrieks of alarm within the roar of rage – a pitchfork, a gun? Josh stumbled, was grabbed by Tamara. He had almost fallen into the Pit. And here came the proles, with Tresco behind; he had smeared his face with mud, was clutching a terrible weapon; a glint of metal on the end of a pole, a kitchen knife. The littlest of the proles turned as he ran, placating with his hands, screaming, and one of the others seized him – was it the child’s sister? She tripped, stumbled, and two, three of them fell exactly as Tresco had wanted them to, into the mud and shit and filth of the Pit. As if nothing at all had happened, Tresco slowed to a walk, hoicked the pole underneath his arm and turned away. At the same moment, Josh found himself seized from behind, by Tamara. She had a plan for him. It was Thomas who started to bind his wrists; Josh surrendered himself to it. It would be easier. The morning’s task was over. Behind them, as they started to make their way to the house, the sound of some prole puking, or so Tamara jauntily observed. It was the sight of Josh they couldn’t stand, in the end.
7.
‘You won’t believe this,’ Blossom’s voice called from the great hall.
She was trying to find out where Catherine was, and Catherine called back, ‘Yes?’ from where she had removed herself to, the dining room. She had worked out that nobody came here in the mornings. It had a pleasant view out towards the woods that divided the house’s grounds from the village.
‘You won’t believe this,’ Blossom said, coming in, papers in one hand, her glasses in the other. ‘I’ve been tracking down my brother. He’s definitely in Sheffield. In the meantime, the arrangement about meeting you and poor little Josh – he’d never heard of it. But listen. When I tracked him down in Sheffield he was full of such alarming news I really think I’m going to hotfoot it up there. I could perfectly well take Josh with me.’
‘It’s not your mother, is it?’
‘It’s always Mummy,’ Blossom said briefly. ‘She’s not dying, or not imminently. Gracious heavens, what on earth have those awful children of mine been up to?’
A scene of apocalypse was approaching the house across the lawn. Their faces were smeared with mud and filth; their clothes, once party clothes, wedding uniforms, pageboy and miniature princess, were torn and smeared with earth or worse. They wore expressions of sheer joy, waving sticks that might have been meant for spears in a celebratory greeting. It was not directed at them, but at someone fifty feet to the left. Stephen must have seen them and opened the study window to call to them. Only at the back, trailing in his ordinary clothes, was there a dissentient presence; behind Thomas Josh came, his shoulders shrunk and beaten. Catherine saw with a shock that he was being pulled by the others; his wrists were bound together and he was being dragged along by a rope, or perhaps merely a thick string.
‘How adorable,’ Blossom said. ‘They’ve been playing captives, and Josh is on the losing side. He’ll be the pirate king or something. Conquered by the imperial forces, or by savage natives, one of the two. It’ll be his turn to rule and conquer next.’
‘Poor old Josh,’ Catherine said, attempting lightness in her tone. But something in the way she said it made Blossom turn to her, a half-smile of amused dismissal quickly forming. Poor old Josh, she was clearly thinking. A little bit less of that, a little bit less encouragement of Josh to stick in his ways and run from ordinary little-man savage pursuits that any child, surely, would like.
‘I have no idea,’ Blossom said, with dry amusement, ‘how – or if it’s even possible – to get mud and blood out of pale-blue velvet Faunties. I could simply kill Thomas for putting it on to romp around in the woods. They were for the Atwood wedding, those Faunties. They very sweetly asked Thomas if he’d be a pageboy.’
Across the lawn, like a cavalcade of shame, misery and death, came the children, panting, filthy and prancing. Their teeth glittered like those of carnivores, fresh from a pile of flesh and blood. They waved to the man upstairs, the father of three of them. He was yowling into the end of the morning over the lawns, lands, woods and gardens he had made the money to possess, singing his children home fro
m a triumph, somewhere out there in the shadows of the woods.
MUMMY’S TIME WITH LEO
This would have been in 1969, or maybe 1970. It was just a bag – that was all it was – and ten shillings. What was it then that kept rattling around his head years later, occupying brain cells that could have been used for preserving other facts instilled at school, how to draw a box with perspective and what the chemical symbol for beryllium was and how the passive went in German – the consequences of the playground event that kept him in dread for weeks, just sitting there like a useful lesson for survival learnt at school? It must have been 1969 or 1970, but definitely it must have been after school, because that was when
Here
Here over here
Dave it’s to me
Run and grab it there there’s a
Stuart Stuart Stuart
Grab it then it goes to Stuart that kid from Crookes is
Grab it grab it then
The kid was standing there looking at what was in his hands. It was his sports bag – a black plastic one like everyone’s, with a sports-shoe logo on the side. He looked up in rage – it was that kid Gavin who was in Mrs Tucker’s class – and pushed Leo, hard, with his bag in his fists. It was almost a punch. Leo was sweating, though it was a cold day, the air puffing into steam from their mouths even now in the late afternoon. Around them the others loosened their scarves and dropped their own sports bags.
‘You did that,’ Gavin said to Leo, pushing him again. ‘You did that. You little dwarf, you bloody did that.’
‘Sod off,’ Leo said. But Gavin was pushing his bag into Leo’s face and the others were looking concerned, grave, worried as trainee oncologists in a small circle. The bag was torn at the handle, a raw gash of cardboard under the smooth black plastic surface.
‘You bloody did that,’ Gavin said. ‘You’re going to pay for that, you dwarf.’
‘Piss off, you crater-faced TCP addict,’ Leo said. But he had done it – he had felt the handle tear under his grip as he pulled at it, hardly knowing whose bag he was tugging at. Gavin, the dour kid who always wore a shirt two days running, who sat in front of him in French and never knew the right answer, the kid with the worst acne in the year, the one they’d tried antibiotics on. He’d torn his bag.
‘It’s nothing to do with me,’ Leo said. ‘It was torn already.’
‘You did, though,’ Stuart said. ‘I saw, you know, Leo. You really tore it.’
‘Everyone was grabbing it,’ Leo said. Then he remembered why everyone had been grabbing at it – that boy Gavin, he’d taken Andy’s copy of The New Poetry. Everyone had seen him do it; it was because he hadn’t had his own copy this week and hadn’t had it last week and not the week before that. He’d lost it – Mr Batley had pointed it out and Gavin had said he’d forgotten it. And this week Mr Batley had said it again and Gavin had said it again and then at the end of class, after sharing Paul’s copy, he’d turned round and, when he thought no one was looking, he’d just picked up Andy’s copy and put it into his bag. That was why they were chasing after him and why he’d taken his bag and why it was torn now. But everyone had forgotten that, apparently. They weren’t bothered about A. Alvarez and his anthology of urgency and suffering.
‘I don’t care,’ Leo said. ‘Don’t be so pathetic.’ He went off, striding out of the school gates and up the road. It really was pathetic.
But the next day there was spotty Gavin, waiting for him when he came into the classroom, and again thrusting his bag into his face. ‘You’re going to have to pay to have that mended,’ he said. There were seven or eight kids sitting around. Of course she was there – She: she was sitting on top of a desk with her two friends and pretending not to notice that he’d come in. That was always the way in the half-hour before the register was called, kids sitting around. Gavin was right up against him, pushing his bag and his concerned, angry-red, pus-weeping face into his, leaning over him, his fists clenched. ‘You tore it. You’re going to pay to have that mended. It’s going to cost you ten shillings.’
‘I’m not paying for something I never did,’ Leo said. ‘Don’t be so pathetic. And what did you do with that book you stole from Andy yesterday?’
‘It’s you that’s pathetic,’ Gavin said. He went back to his desk.
But from the next day Leo lived in different worlds. In one, the main one, no one knew or cared about a torn bag; they had forgotten or never knew. They did not even see the way that Gavin came up to him, hissing. At home, it was as if a world of anger sat at the end of the drive outside the gates. In that other world, Gavin and he were bonded together by the vile and righteous demand, never shifting, never negotiating, just insistent on its correctness. I want that money, you dwarf, it said. Two or three times in the evening Mummy said, ‘You’re very quiet, Leo. Are you all right?’ The little ones, Lavinia and Hugh, they stopped their constant chatter to each other; they looked at their big brother; they were interested.
It took a week before Gavin started saying that new thing. He was slow on the uptake in class. He must have taken some days to work it out. One day, when he came up in his usual way, he said, ‘You owe me ten shillings. And if I don’t get it by the end of the week, I’m going to come and ask your mum and dad for it. I know where you live.’
‘They’d tell you to sod off,’ Leo said bravely. From the outside, it must look as if he and Gavin were just in an urgent, serious, friendly discussion in the corner of the playground, scuffing away at the gravel underneath their feet.
‘They wouldn’t say that to me,’ Gavin said. ‘They’re dwarfs too.’
‘I’m not giving it you,’ Leo said, and walked away. But all that week, it was Gavin at the beginning of the day and at the end of it; the horrible voice, the horrible face, raw with blood-sore swellings, sometimes actually bubbling up with blood or yellow pus; sometimes when Leo was alone, he thought he would dare anything.
That Thursday night, they were all at the table when the doorbell went. Leo knew exactly who it was. The soup spoons paused, halfway to the little ones’ mouths. Daddy continued talking as if nothing had happened. Mummy just said, ‘Oh, God,’ and dropped her spoon. ‘If that’s a patient …’ she went on, walking into the hall, because it had been known for desperate patients to look up the doctor they liked in the phone book. She opened the door and, from the table, Leo could hear the familiar voice. For the first time he realized how much bravado was in it. The story it was recounting was so familiar to Leo that he could hardly tell whether he would have been able to understand it from here. Certainly the others just went on as if they would hear about it sooner or later; Lavinia was poking little Hugh with the corner of the tablecloth, and Daddy was asking Blossom whether she could go to the library on Saturday to take Granny Spinster’s books back. In a moment Mummy put her head in. ‘Money,’ she said to Daddy.
‘How much?’
‘Ten shillings.’
‘In my wallet. Should be a note in there. Or I had a new ten-shilling coin today. Have you seen the ten-shilling coin, Hugh? Be good and Granny might give you a nice shiny one for Christmas.’
‘Just a debt I’d forgotten about,’ Mummy said, coming back in. ‘Have you finished, Blossom?’
Leo thought there would be an inquisition of some sort, but after dinner Mummy didn’t mention it. Nor was it something she was brooding on. The ten shillings had been handed over and now, during the school day, Gavin positively avoided him. All the embarrassment was his now, and he faced the world with some defiance, not speaking to Leo at all. It was a few days before Mummy mentioned it, and she hadn’t been saving it up. It was simply that it only then occurred to her.
‘What was that,’ she said, ‘the other night? That awful spotty boy.’
‘I tore his bag. He thought I ought to pay for it to be mended.’
‘Poor boy,’ Mummy said casually. ‘He hasn’t had much luck in life, I would say. Do you think – Oh, damn …’ She went down the side of the sofa after the
thimble she had dropped, found it, raised the needle and thread critically to the light. ‘That sort of person. My motto is always pay them to go away. Ten shillings and then it’s done. It’s awful, I know.’
‘I didn’t have ten shillings,’ Leo said.
‘Oh, well, there you are, then,’ Mummy said. ‘I don’t suppose that boy is ever going to paint a great picture, or save a life, or build a bridge, or write a book … People who do stuff, they’re never like that. Do you think they had spots and moaned like that, the people who – the people who wrote the Book of Ecclesiastes?’
There must have been something startled in Leo’s expression. He had never heard his mother allude to the Book of Ecclesiastes before. Where had that come from?
‘Oh, you know what I mean,’ Mummy said, laughing, rather shamefully, as if she had alluded to something truly embarrassing. ‘I would always pay someone like that to go away. Can you thread that one with the red cotton, Leo?’
It was 1969 or thereabouts, the year that Leo learnt you could pay people to go away. It was the year when he learnt, too, that his mother thought that was a way you could deal with people. It was many years before he really considered which of these discoveries had shaped his life more – the idea that you could do it, or the knowledge that his mother comfortably believed it.
CHAPTER FOUR
1.
Blossom was no sooner in the house than she said, in her new, booming voice, ‘Is that boy Tom Dick back in Sheffield?’ Behind her, the two boys were stumbling out of the car, pulling heavy suitcases. Leo gave his sister a brisk kiss on the cheek, and bobbed quickly, arms open, to embrace Josh. There was not much bobbing required, these days, and for Blossom’s boy Tresco, none at all – he was as tall as Leo. Blossom was wearing a white blouse with a brilliant velvet scarf knotted about her neck – Georgina von Etzdorf, Leo believed. Had she put on some weight? Or it might just be a new hairdo, falling to her shoulders. It was a flatter, closer one than Blossom’s accustomed chrysanthemum of hair, made big with Elnett. He didn’t recognize what Josh was wearing – a blue shirt rolled up to just below the elbow, and chinos with pink espadrilles. Apart from the colour of the espadrilles, it was what Tresco was wearing.
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