by Paulo Coelho
Another half an hour passes. My grandfather, who was an engineer, liked to teach me the laws of physics while we were out having fun together: ‘After a lightning flash, count the seconds before the next peal of thunder and multiply by 340 metres, which is the speed of sound. That way, you’ll always know how far off the thunder is.’ A little complicated, perhaps, but I’ve been doing that calculation since I was a child, and I know that, right now, this storm is two kilometres away.
There is still enough light for me to be able to see the shape of the clouds. They are the sort pilots refer to as Cb – cumulonimbus. These are shaped like anvils, as if a blacksmith were hammering the skies, forging swords for furious gods who must, at this moment, be immediately over the town of Tarbes.
I can see the storm approaching. As with any storm, it brings with it destruction, but it also waters the fields; and, with the rain, falls the wisdom of the heavens. As with any storm, it will pass. The more violent the storm, the more quickly it will pass.
I have, thank God, learned to face storms.
Some Final Prayers
Dhammapada (attributed to Buddha)
It would be better if, instead of a thousand words,
There was only one, a word that brought Peace.
It would be better if, instead of a thousand poems,
There was only one, a poem that revealed true Beauty.
It would be better if, instead of a thousand songs,
There was only one, a song that spread Happiness.
Mevlana Jelaluddin Rumi (thirteenth century)
Outside, beyond what is right and wrong, there exists a vast field.
We will find each other there.
The Prophet Mohammed (seventh century)
Oh, Allah, I turn to you because you know everything, even what is hidden.
If what I am doing is good for me and for my religion, for my life now and hereafter, then let that task be easy and blessed.
If what I am doing is bad for me and for my religion, for my life now and hereafter, remove me from that task.
Jesus of Nazareth (Matthew 7: 7–8)
Ask, and it will be given you; seek, and you will find; knock, and it will be opened to you. For everyone who asks receives, and he who seeks finds, and to him who knocks it will be opened.
Jewish Prayer for Peace
Come let us go up to the mountain of the Lord that we may walk in His paths. And we shall beat our swords into ploughshares and our spears into pruning hooks.
Nation shall not lift up sword against nation, neither shall they learn war anymore.
And none shall be afraid, for the mouth of the Lord of Hosts has spoken.
Lao Tsu, China (sixth century BC)
If there is to be peace in the world, the nations must live in peace.
If there is to be peace among nations, the cities must not rise up against each other.
If there is to be peace in the cities, neighbours must understand each other.
If there is to be peace among neighbours, there must be harmony in the home.
If there is to be peace in the home, we must each find our own heart.
More about Paulo Coelho
Author Biography: Paulo Coelho
Paulo Coelho was born in Rio in August 1947, the son of Pedro Queima Coelho de Souza, an engineer, and his wife Lygia, a homemaker. Early on, Coelho dreamed of an artistic career, something frowned upon in his middleclass household. In the austere surroundings of a strict Jesuit school, Coelho discovered his true vocation: to be a writer. Coelho’s parents, however, had different plans for him. When their attempts to suppress his devotion to literature failed, they took it as a sign of mental illness. When Coelho was seventeen, his father twice had him committed to a mental institution, where he endured sessions of electroconvulsive ‘therapy’. His parents brought him back to the institution once more, after he became involved with a theatre group and started to work as a journalist.
Coelho was always a nonconformist and a seeker of the new. When, in the excitement of 1968, the guerrilla and hippy movements took hold in a Brazil ruled by a repressive military regime, Coelho embraced progressive politics and joined the peace and love generation. He sought spiritual experiences travelling all over Latin America in the footsteps of Carlos Castaneda. He worked in the theatre and dabbled in journalism, launching an alternative magazine called 2001. He began to collaborate with music producer Raul Seixas as a lyricist, transforming the Brazilian rock scene. In 1973 Coelho and Raul joined the Alternative Society, an organization that defended the individual’s right to free expression, and began publishing a series of comic strips, calling for more freedom. Members of the organization were detained and imprisoned. Two days later, Coelho was kidnapped and tortured by a group of paramilitaries.
This experience affected him profoundly. At the age of twenty-six, Coelho decided that he had had enough of living on the edge and wanted to be ‘normal’. He worked as an executive in the music industry. He tried his hand at writing but didn’t start seriously until after he had an encounter with a stranger. The man first came to him in a vision, and two months later Coelho met him at a café in Amsterdam. The stranger suggested that Coelho should return to Catholicism and study the benign side of magic. He also encouraged Coelho to walk the Road to Santiago, the medieval pilgrim’s route.
In 1987 a year after completing that pilgrimage, Coelho wrote The Pilgrimage. The book describes his experiences and his discovery that the extraordinary occurs in the lives of ordinary people. A year later, Coelho wrote a very different book, The Alchemist. The first edition sold only nine hundred copies and the publishing house decided not to reprint it.
Coelho would not surrender his dream. He found another publishing house, a bigger one. He wrote Brida (a work still unpublished in English); the book received a lot of attention in the press, and both The Alchemist and The Pilgrimage appeared on bestseller lists.
Paulo has gone on to write many other bestselling books, including The Valkyries, By the River Piedra I Sat Down and Wept, The Fifth Mountain, Manual of the Warrior of Light, Veronika Decides to Die, Eleven Minutes, The Zahir and The Devil and Miss Prym.
Today, Paulo Coelho’s books appear at the top of bestseller lists worldwide. In 2002 the Jornal de Letras de Portugal, the foremost literary authority in the Portuguese language, bestowed upon The Alchemist the title of most sold book in the history of the language. In 2003 Coelho’s novel Eleven Minutes was the world’s bestselling fiction title (USA Today, Publishing Trends).
In addition to his novels, Coelho writes a globally syndicated weekly newspaper column and occasionally publishes articles on current affairs. His newsletter, The Manual On-Line, has over 70,000 subscribers.
Coelho and his wife, Christina Oiticica, are the founders of the Paulo Coelho Institute, which provides support and opportunities for underprivileged members of Brazilian society.
Paulo Coelho The Witch of Portobello
The following extract is taken from The Witch of Portobello, Paulo Coelho’s gripping new novel, which is set in London.
The Witch of Portobello will be available from April 2007.
Before these statements left my desk and followed the fate I eventually chose for them, I considered using them as the basis for a traditional, painstakingly researched biography, recounting a true story. And so I read various biographies, thinking this would help me, only to realize that the biographer’s view of his subject inevitably influences the results of his research. Since it wasn’t my intention to impose my own opinions on the reader, but to set down the story of the ‘Witch of Portobello’ as seen by its main protagonists, I soon abandoned the idea of writing a straight biography and decided that the best approach would be simply to transcribe what people had told me.
Heron Ryan, 44, journalist
No one lights a lamp in order to hide it behind the door: the purpose of light is to create more light, to open people’s eyes, to reveal the marvels around.
No one sacrifices the most important thing she possesses: love.
No one places her dreams in the hands of those who might destroy them.
No one, that is, but Athena.
A long time after Athena’s death, her former teacher asked me to go with her to the town of Prestonpans in Scotland. There, taking advantage of certain ancient feudal powers which were due to be abolished the following month, the town had granted official pardons to 81 people – and their cats – who were executed in the sixteenth and seventeenth centuries for practising witchcraft.
According to the official spokeswoman for the Barons Courts of Prestoungrange and Dolphinstoun: ‘Most of those persons condemned…were convicted on the basis of spectral evidence – that is to say, prosecuting witnesses declared that they felt the presence of evil spirits or heard spirit voices.’
There’s no point now in going into all the excesses committed by the Inquisition, with its torture chambers and its bonfires lit by hatred and vengeance; however, on our way to Prestonpans, Edda said several times that there was something about that gesture which she found unacceptable: the town and the 14th Baron of Prestoungrange and Dolphinstoun were ‘granting pardons’ to people who had been brutally executed.
‘Here we are in the twenty-first century, and yet the descendants of the real criminals, those who killed the innocent victims, still feel they have the right to grant pardons. Do you know what I mean, Heron?’
I did. A new witch-hunt is starting to gain ground. This time the weapon isn’t the red-hot iron, but irony and repression. Anyone who happens to discover a gift and dares to speak of their abilities is usually regarded with distrust. Generally speaking, their husband, wife, father or child, or whoever, instead of feeling proud, forbids all mention of the matter, fearful of exposing their family to ridicule.
Before I met Athena, I thought all such gifts were a dishonest way of exploiting people’s despair. My trip to Transylvania to make a documentary on vampires was also a way of proving how easily people are deceived. Certain superstitions, however absurd they may seem, remain in the human imagination and are often used by unscrupulous people. When I visited Dracula’s castle, which has been reconstructed merely to give tourists the feeling that they’re in a special place, I was approached by a government official, who implied that I would receive a ‘significant’ (to use his word) gift when the film was shown on the BBC. In the mind of that official, I was helping to propagate the myth, and thus deserved a generous reward. One of the guides said that the number of visitors increased each year, and that any mention of the place would prove positive, even a programme saying that the castle was a fake, that Vlad Dracula was a historical figure who had nothing to do with the myth, and that it was all merely a product of the wild imaginings of one Irishman (Editor’s note: Bram Stoker), who had never even visited the region.
I knew then that, however rigorous I was with the facts, I was unwittingly collaborating with the lie; even if the idea behind my script was to demythologize the place, people would believe what they wanted to believe; the guide was right, I would simply be helping to generate more publicity. I immediately abandoned the project, even though I’d already spent quite a lot of money on the trip and on my research.
And yet my journey to Transylvania was to have a huge impact on my life, for I met Athena there when she was trying to track down her mother. Destiny – mysterious, implacable Destiny – brought us face to face in the insignificant foyer of a still more insignificant hotel. I was witness to her first conversation with Deidre – or Edda, as she likes to be called. I watched, as if I were a spectator of my own life, as my heart struggled vainly not to allow itself to be seduced by a woman who didn’t belong to my world. I applauded when reason lost the battle, and all I could do was surrender and accept that I was in love.
That love led me to see things I’d never imagined could exist – rituals, materializations, trances. Believing that I was blinded by love, I doubted everything, but doubt, far from paralysing me, pushed me in the direction of oceans whose very existence I couldn’t admit. It was this same energy which, in difficult times, helped me to confront the cynicism of journalist colleagues and to write about Athena and her work. And since that love remains alive, the energy remains, even though Athena is dead, even though all I want now is to forget what I saw and learned. I could only navigate that world while hand in hand with Athena.
These were her gardens, her rivers, her mountains. Now that she’s gone, I need everything to return as quickly as possible to how it used to be. I’m going to concentrate more on traffic problems, Britain’s foreign policy, on how we administer taxes. I want to go back to thinking that the world of magic is merely a clever trick, that people are superstitious, that anything science cannot explain has no right to exist.
When the meetings in Portobello started to get out of control, we had endless arguments about how she was behaving, although I’m glad now that she didn’t listen to me. If there is any possible consolation in the tragedy of losing someone we love very much, it’s the necessary hope that perhaps it was for the best.
I wake and fall asleep with that certainty; it’s best that Athena left when she did rather than descend into the infernos of this world. She would never have regained her peace of mind after the events that earned her the nick-name ‘the witch of Portobello’. The rest of her life would have been a bitter clash between her personal dreams and collective reality. Knowing her as I did, she would have battled on to the end, wasting her energy and her joy on trying to prove something that no one, absolutely no one, was prepared to believe.
Who knows, perhaps she sought death the way a shipwreck victim seeks an island. She must have stood late at night in many a Tube station, waiting for muggers who never came. She must have walked through the most dangerous parts of London in search of a murderer who never appeared or perhaps tried to provoke the anger of the physically strong, who refused to get angry.
Until, finally, she managed to get herself brutally murdered. But, then, how many of us will be saved the pain of seeing the most important things in our lives disappearing from one moment to the next? I don’t just mean people, but our ideas and dreams too: we might survive a day, a week, a few years, but we’re all condemned to lose. Our body remains alive, yet, sooner or later, our soul will receive the mortal blow. The perfect crime – for we don’t know who murdered our joy, what their motives were or where the guilty parties are to be found.
Are they aware of what they’ve done, those nameless guilty parties? I doubt it, because they, too – the depressed, the arrogant, the impotent and the powerful – are the victims of the reality they created.
They don’t understand and would be incapable of understanding Athena’s world. Yes, that’s the best way to think of it – Athena’s world. I’m finally coming to accept that I was only a temporary inhabitant, there as a favour, like someone who finds themselves in a beautiful mansion, eating exquisite food, aware that this is only a party, that the mansion belongs to someone else, that the food was bought by someone else, and that the time will come when the lights will go out, the owners will go to bed, the servants will return to their quarters, the door will close, and we’ll be out in the street again, waiting for a taxi or a bus to restore us to the mediocrity of our everyday lives.
I’m going back, or, rather, part of me is going back to that world where only what we can see, touch and explain makes sense. I want to get back to the world of speeding tickets, people arguing with bank cashiers, eternal complaints about the weather, to horror films and Formula 1 racing. This is the universe I’ll have to live with for the rest of my days. I’ll get married, have children, and the past will become a distant memory, which will, in the end, make me ask myself: How could I have been so blind? How could I have been so ingenuous?
I also know that, at night, another part of me will remain wandering in space, in contact with things as real as the pack of cigarettes and the glass of gin before me now. My soul wil
l dance with Athena’s soul; I’ll be with her while I sleep; I’ll wake up sweating and go into the kitchen for a glass of water. I’ll understand that in order to combat ghosts you must use weapons that form no part of reality. Then, following the advice of my grandmother, I’ll place an open pair of scissors on my bedside table to snip off the end of the dream.
The next day, I’ll look at the scissors with a touch of regret, but I must adapt to living in the world again or risk going mad.
Life is a journey
Make sure you don’t miss a thing. Live it with Paulo Coelho.
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Also by Paulo Coelho
The Alchemist
The Pilgrimage
The Valkyries
By the River Piedra I Sat Down and Wept
The Fifth Mountain
Veronika Decides to Die
The Devil and Miss Prym
Manual of the Warrior of Light
Eleven Minutes
The Zahir
The Witch of Portobello
Copyright
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HarperCollins’ website address is: www.harpercollins.co.uk
