in Boethius’s Singende Muse an der Pleisse frontispiece 8.1, 8.2
cantorate situation before Bach’s appointment 6.1, 6.2
churches: Bach’s scheme for distributing the forty-four ‘necessary singers’ 6.1; at centre of Leipzig society 8.1; congregational problems 8.2; Georgenkirche 8.3; Good Friday Vespers liturgy 11.1n; Neukirche 6.2, 8.4, 8.5, 8.6, 10.1, 10.2; Nikolaikirche 6.3, 6.4, 6.5, 7.1n, 8.7, 8.8n, 9.1, 9.2, 10.3, 10.4, 10.5, 14.1; Paulinerkirche 8.9; Petrikirche 8.10; and the role of music 10.6; Thomaskirche 1.1, 2.1, 4.1, 6.6, 6.7, 7.2n, 7.3, 8.11, 8.12, 8.13, 8.14, 8.15, 9.3, 9.4, 10.7, 10.8, 11.2, 11.3, 11.4, 11.5, 14.2
coffee-houses 8.1, 8.2, 8.3, 8.4, 8.5, 8.6, 8.7; Schlaffs Haus 8.8, 8.9; Zimmermann’s 8.10, 8.11, 8.12, 8.13, 8.14; Zum Kaffeebaum 8.15
collegia musica 4.1, 8.1, 8.2, 8.3, 8.4, 10.1n, 14.1
concert tradition origins
conservativism 10.1, 11.1, 11.2
Council/councillors 6.1, 6.2, 6.3, 7.1, 7.2, 8.1, 8.2, 8.3, 8.4, 8.5, 8.6, 9.1, 9.2, 11.1n, 13.1, 14.1, 14.2, 14.3
Easter trade fair (Ostermesse)
Gewandhaus Concert Hall
Großes Concert performance account
hommage to Friedrich August II 8.1
music and the city’s image
opera house 8.1, 8.2, 8.3, 9.1, 9.2, 10.1, 11.1
orchestra
Pietists 2.1n, 8.1
plague 22
and the Second Silesian War
Stadtpfeifer 3.1, 7.1, 8.1, 8.2, 12.1
street music 6.1, 6.2
street oil lamps 8.1
and Telemann 4.1, 4.2, 6.1, 6.2, 8.1, 10.1, 10.2
Thomaner 4.1n, 6.1, 6.2n, 6.3, 6.4, 8.1, 9.1, 9.2, 10.1, 11.1, 12.1, 14.1, 14.2, 14.3; auditions 6.5
Thomasschule 6.1, 6.2, 6.3, 6.4, 6.5, 7.1, 7.2, 8.1, 9.1, 13.1n, 14.1, 14.2; regulations 6.6, 6.7, 6.8, 7.3n, 7.4
Well-Designed and Abridged Housekeeping Magazine
witchcraft trials
Leipzig Radio Chorus
Leonhardt, Gustav
Leopold, Prince of Anhalt-Cöthen 6.1n, 6.2, 6.3, 6.4, 12.1
Lessing, Gotthold Ephraim 8.1n, 8.2
Lévi-Strauss, Claude
Levin, Robert 9.1, 11.1n, 14.1n
Lippi, Filippino 9.1, 12.1
Lotti, Antonio 13.1, 13.2
Louis XIV 2.1n, 2.2, 3.1, 3.2, 4.1n, 9.1n
Lübeck
Lully, Jean-Baptiste 4.1, 14.1
Lüneburg 2.1, 3.1, 3.2, 6.1
Chorus Symphoniacus n
Luther, Martin 2.1, 2.2, 2.3, 5.1, 5.2n, 5.3, 10.1n, 10.2, 11.1, 12.1
and the atonement
and Bach 5.1, 5.2, 5.3n, 5.4, 5.5n, 5.6, 10.1, 11.1, 12.1; and the John Passion 10.2; and the Matthew Passion 11.2
Bible translation 5.1, 5.2n
Christ lag in Todesbanden 5.1, 5.2; Bach’s setting 5.3
complete works
and death 5.1, 5.2, 5.3, 5.4, 5.5, 5.6, 5.7
and education 2.1, 6.1n; see also Latin Schools
‘Ein feste Burg ist unser Gott’
and Latin texts
on listening
‘Meditation on Christ’s Passion’ 10.1n, 11.1
on music 11.1; and the prophets 2.1n
‘penitential exaltation’
Table Talk/Tischreden 2.1, 5.1
Lutheranism 2.1, 2.2, 5.1, 10.1
ars moriendi 5.1, 12.1, 13.1, 14.1
Augsburg Confession
Bach’s Lutheran faith see Bach, Johann Sebastian, man and musician: faith
and Calvinism
education, Latin Schools 2.1, 2.2; theology 2.3
eschatology, and Bach’s music
Formula of Concord
Hutter’s Compendium 2.1
Latin Schools 2.1, 2.2; see also Latin Schools
lectionary 9.1n, 9.2
in Leipzig
and music 1.1, 1.2, 2.1, 8.1, 8.2; and Bach’s B minor Mass 13.1; Bach’s cantatas based on Lutheran chorales 9.1, 12.1; Bach’s choral works and Lutheran eschatology 12.2; and Bach’s John Passion 10.1; chorales 2.2, 9.2, 9.3, 9.4, 12.3; Italian 2.3, 5.1n; in Latin Schools 2.4; and the liturgy 2.5, 3.1, 9.5, 9.6 (see also cantatas of J. S. Bach: cycles); and the Pietists 2.6, 8.3, 8.4, 10.2
Orthodox 2.1, 2.2; Orthodox–Pietist tension 2.3, 2.4
Pietist 8.1, 12.1; and music 2.1, 8.2, 8.3, 10.1; Orthodox–Pietist tension 2.2, 2.3
and science
theology of the cross
Ma, Yo-Yo n
Mabey, Richard n
Magno, Carlo
Mahler, Gustav
Maintenon, Madame de
Mainwaring, John 4.1, 13.1n
Malcolm, George
Mancini, Francesco 13.1, 13.2n
Manfredini, Francesco Onofrio
Manichaeans
Marchand, Louis 6.1, 13.1
Marissen, Michael n
Marius, Richard n
Marshall, Robert L. prf.1, 5.1n, 6.1n, 7.1, 7.2, 7.3n
Martius, Johann Georg n
Marvell, Andrew n
Mass in B minor by J. S. Bach 1.1, 1.2, 4.1, 7.1, 9.1, 11.1, 12.1, 479–524
Agnus Dei 13.1, 13.2, 13.3; Dona nobis 13.4
and C. P. E. Bach 13.1, 13.2
Credo (Symbolum Nicenum) 12.1n, 13.1, 13.2, 13.3; Confiteor 13.4; Crucifixus 13.5, 13.6; Et expecto resurrectionem 13.7, 13.8; Et in spiritum 13.9; Et incarnatus 13.10; Et resurrexit 13.11
Gloria 13.1, 13.2; Cum sancto spiritu 12.1, 13.3; Domine Deus 13.4; Et in terra pax 13.5; Gloria in excelsis 13.6; Gratias agimus tibi 13.7, 13.8, 13.9; Laudamus te 13.10; Qui sedes 13.11; Qui tollis 13.12, 13.13; Quoniam tu solus 13.14
Kyrie 13.1, 13.2, 13.3; Christe eleison 13.4
origins in 1733 Dresden Missa 13.1
Sanctus 13.1; Bach’s MS 7.1; Benedictus 13.2, 13.3; Osanna 13.4, 13.5
and stile antico 13.1, 13.2, 13.3, 13.4
structure, and Luther’s articles of belief
and the ‘war trauma’ hypothesis 13.1, 13.2
Mattheson, Johann 3.1, 4.1, 4.2, 4.3, 4.4, 4.5n, 5.1n, 6.1n, 7.1, 7.2, 8.1, 8.2, 9.1n, 10.1, 10.2n, 12.1, 12.2, 12.3, 13.1n, 14.1, 14.2, 14.3
engraving after a mezzotint by Wahll 4.1
and Handel
Lied des Lammes 10.1n
Matthew Passion 1.1, 1.2, 5.1, 6.1, 7.1, 9.1n, 397–433, 14.1
Affekte 11.1, 11.2, 11.3, 11.4
autograph score
and Bach’s cantatas: BWV 101 cantata 9.1; BWV 127 cantata 9.2; Second Leipzig Cycle 11.1, 11.2
chorales 11.1, 11.2, 11.3, 11.4, 11.5, 11.6, 11.7, 11.8, 11.9
completion deferral 9.1, 9.2, 11.1n
da capo form 11.1, 11.2
dramatic impact
first-time listeners
first performance: date 11.1n; deferral 9.1, 9.2
John Passion compared with 10.1, 10.2n, 10.3, 11.1
Mendelssohn’s revival of 9.1, 10.1, 12.1
modern performance
music–word relationship 11.1, 11.2
Nietzsche’s reaction to
oboe da caccia in 9.1, 11.1, 11.2, 11.3, 11.4
opening
pacing
and Picander 11.1, 11.2, 11.3, 11.4n, 11.5, 11.6, 11.7, 11.8
revisions 11.1, 11.2
spiritual impact/intent 11.1, 11.2, 11.3, 11.4, 11.5
structural outline
Maul, Michael 6.1n, 8.1n, 8.2n, 13.1n
Mayhew, Mr and Mrs
Mazzocchi, Domenico
Meckbach, Conrad
Meder, Johann Valentin 2.1, 10.1n, 10.2
Meiningen court 5.1n, 12.1
Meissner, Christian Gottlob
Melamed, Daniel R. 10.1n, 11.1n, 12.1n
Melanchthon, Philipp 2.1, 5.1n
Mellers, Wilfrid 10.1n, 10.2n, 10.3n, 10.4n, 13.1n, 13.2n, 13.3, 13.4n, 13.5n
Mendel, Arthur n
Mendelssohn(-Bartholdy), Felix 7.1, 12.1
Matthew Passion revival 9.1, 10.1, 12.1
Menser, Herr
Messiaen, Olivier: Quartet for the End of Ti
me 12.1
Metastasio, Pietro n
Michael, archangel 3.1, 12.1
Miller, Jonathan
Milton, John: Paradise Lost 5.1
Mizler, Lorenz 7.1, 14.1
epigraph
Moller, Martin n
Montaigne, Michel de 5.1, 12.1
Montanists
Monteverdi, Claudio 2.1, 3.1, 4.1, 4.2, 4.3, 4.4, 4.5, 10.1, 10.2n, 14.1
Il ballo delle ingrate 4.1n
Lamento della ninfa 4.1n, 4.2
L’incoronazione di Poppea
L’Orfeo
and Schütz 4.1, 4.2
seconda prattica
stile concitato 9.1, 10.1
Vespro della Beata Vergine 1.1, 4.1
Monteverdi Choir 1.1, 1.2, 1.3, 1.4, 1.5
Monteverdi Orchestra 1.1, 1.2
Morrison, Blake n
Mozart, Wolfgang Amadeus 6.1, 8.1, 11.1, 12.1, 12.2, 14.1n, 14.2
La clemenza di Tito
Idomeneo
Muhammad
Mühlhausen 2.1, 5.1, 5.2, 5.3n, 5.4, 6.1n, 6.2, 9.1, 9.2, 14.1
Müller, Heinrich 9.1, 10.1n, 12.1
Himmlicher Liebes-Kuss 5.1
Liebes-Kuss 14.1, 14.2
Munich Bach Choir
Munrow, David
music-drama
Bach’s drammi per musica/sound dramas 4.1; John Passion and drama 10.1, 10.2, 11.1; Matthew Passion and drama 11.2; secular cantatas 6.1, 205n, 7.1n, 8.1, 8.2, 8.3, 8.4, 9.1, 13.1, 14.1
and the emergence of opera 4.1, 4.2; see also opera
English Restoration
‘mutant’ forms 4.1, 4.2, 9.1
oratorio see oratorio
as a ‘replicator’
musical education, Latin Schools 2.1, 6.1
musical receptivity see receptivity, musical
Mystery Plays
Nantes, Edict of n
Naples 3.1, 4.1
Naumann, Johann Gottlieb n
Nekrolog (obituary, Agricola and C. P. E. Bach) prf.1, 3.1, 3.2, 3.3, 3.4, 7.1, 8.1, 9.1, 12.1, 14.1, 14.2n, 14.3
Neues vollständiges Eisenachisches Gesangbuch
Neumark, Georg
Neumeister, Erdmann 11.1n, 12.1
Newton, Isaac 2.1, 2.2, 2.3
Nicene Creed 13.1, 13.2
Nichelmann, Christoph
Nicholas of Cusa
Nicolai, Philipp n
Niedt, Friedrich Erhard
Nietzsche, Friedrich
Notke, Bernt
Obergleichen, Count of
Oberman, Heiko n
oboes
da caccia (‘hunting oboes’) 7.1n, 9.1, 9.2, 9.3, 9.4, 9.5, 9.6, 9.7, 10.1, 11.1, 11.2, 11.3, 11.4, 12.1
d’amore 9.1, 9.2, 9.3, 10.1, 12.1, 12.2, 12.3, 12.4, 12.5, 13.1n, 13.2
Ohrdruf 2.1, 3.1, 3.2, 3.3, 6.1
school register 3.1, 6.1
Olearius, Johann Gottfried 5.1, 5.2
opera
and Bach 4.1, 4.2, 8.1n, 8.2, 11.1
church singing incorporating operatic elements 4.1, 8.1, 8.2
and the Class of ’85 (major composers born around 1685) 4.1, 4.2, 4.3, 4.4, 4.5, 4.6, 14.1, 14.2
da capo arias 4.1, 4.2, 4.3
English Restoration music-drama
Hamburg Opera 3.1, 4.1, 4.2, 4.3
hybrids 4.1n, 4.2n
music-drama and the emergence of
mutant 4.1, 4.2, 9.1
recitative 4.1n, 4.2, 4.3, 4.4
spread of theatres n
Venetian 4.1, 4.2, 4.3
see also specific works under a composer’s name
oratorio 4.1, 8.1
Passions by Bach: John see John Passion; Mark (lost) 14.1; Matthew see Matthew Passion
see also specific works under a composer’s name
Orchestre Révolutionnaire et Romantique
Origen
Österreich, Georg 2.1, 5.1, 6.1n
Pachelbel, Johann 3.1, 3.2, 3.3, 3.4, 3.5n
Paczkowski, Szymon n
Palestrina, Giovanni Pierluigi da
Missa sine nomine 13.1, 13.2
Papists 10.1, 12.1
Parmentier, Antoine-Augustin
Passions by Bach
John Passion see John Passion
Mark Passion (lost)
Matthew Passion see Matthew Passion
Pater, Jean-Baptiste
pathopoeia
patronage
paysage moralisé
Peachum, Henry
Pelagians
performance of Bach see entries at Bach, Johann Sebastian, works: performance
Pergolesi, Giovanni Battista: Stabat Mater 13.1, 13.2
Petzoldt, Martin
Pezel, Johann Christoph
Pezold, Carl Friedrich
Pfeiffer, August n
Pfeiffer, Johann
Picander (Christian Friedrich Henrici) 6.1n, 7.1, 8.1, 8.2, 11.1, 14.1
Die Weiberprobe
Matthew Passion 11.1, 11.2, 11.3, 11.4n, 11.5, 11.6, 11.7, 11.8
Pinnock, Trevor
Pisendel, Johann Georg 8.1n, 13.1n, 13.2, 13.3, 13.4
Pitschel, Theodor Leberecht
plague 2.1n, 22, 3.1, 3.2, 3.3, 3.4, 9.1, 12.1
Playford, John: The English Dancing Master 12.1
Platz, Councillor n
Pope, Alexander
Porpora, Nicola
Postel, Christian Heinrich n
potatoes
Potsdam 3.1, 7.1, 8.1, 13.1, 14.1
Powers, Thomas n
Praetorius, Michael 3.1, 9.1
Price, Curtis n
Printz, Wolfgang Caspar
Ptolemy
Pufendorf, Samuel von 2.1, 2.2, 2.3
Pullman, Philip 3.1n, 5.1, 7.1, 9.1n, 11.1n
Purcell, Henry 4.1, 4.2, 4.3, 4.4, 4.5, 5.1n, 9.1
Dido and Aeneas 4.1, 4.2
Fairy Queen
Jehovah, quam multi sunt hostes
King Arthur
Saul and the Witch of Endor
and Schütz
Puritans
Pythagoras
Pythagorean harmony
Quantz, Johann
Quinney, Robert prf.1n, 6.1n, 10.1n, 14.1n
Ramachandran, V. n
Rambach, prefect
Rameau, Jean-Philippe 4.1, 4.2, 4.3, 4.4, 4.5, 5.1, 11.1, 14.1
Les Boréades
Ramsay, Robert n
Rausch, Gottfried
receptivity, musical
and Affektenlehre 8.1, 14.1
and awareness of musical/mathematical patterns and images 10.1, 10.2
and awareness of theological subtexts
German reverence in listening to Bach 8.1, 8.2n
in Leipzig at time of Bach 8.1, 8.2, 8.3, 10.1, 10.2, 11.1
and the listener’s beliefs
Reichardt, Adam Andreas
Reichardt, Johann Friedrich n
Reiche, Gottfried
Reichsstande
Reichstädte
Reichstag
Reincken, Johann Adam 3.1, 3.2, 3.3, 4.1, 6.1
religion
atonement theories 10.1, 10.2
Calvinist see Calvinism
Catholic see Catholicism
and ‘collective effervescence’
‘danced’
Lutheran see Lutheranism
musical receptivity and religious belief
and science
and secular theatre
theological education, Latin Schools
see also Bible; Christianity; spirituality
Rembrandt 4.1, 10.1, 10.2, 12.1, 13.1, 14.1
Reyher, Andreas 2.1, 6.1
Rhode, Erwin
Richter, Karl 1.1, 1.2
Riemer, Johannes
Rietz, Julius n
Rifkin, Joshua 11.1n, 13.1n
Rigatti, Giovanni
Ringwaldt, Bartholomäus
Rist, Johann 3.1, 9.1
Rizzolatti, Giacomo n
Robscheit, Pastor 5.1, 5.2
Rohr, Julio B
ernhard von 8.1, 8.2, 12.1
Roman Catholicism see Catholicism
Romanus, C. F.
Rome 4.1, 4.2, 4.3, 4.4, 4.5n
and the Scarlattis 3.1, 4.1
Romstet, Christian
Rörer, Johann Günther, hymnal
Rosen, Charles
Rosenbusch, Johann Conrad
Rosenmüller, Johann 2.1, 4.1n, 8.1
Ross, Alex
Rossini, Gioachino Antonio
Rost, Johann Christoph n
Rubens
Rüetz, Caspar 1.1n, 8.1n, 13.1n
Runciman, Steven n
Sabbagh, Karl n
Sagan, Carl
Said, Edward
St John/Matthew Passions see John Passion; Matthew Passion
Sangerhausen
Sarro, Domenico 13.1, 13.2n
Saxe-Weimar Duchy
Ernst August 6.1, 6.2, 6.3
Johann Ernst III 3.1, 3.2, 6.1, 6.2
Wilhelm Ernst 6.1, 6.2, 6.3, 6.4, 6.5, 6.6
Saxony 1.1, 2.1, 2.2, 2.3, 22, 2.4, 6.1, 6.2, 7.1, 8.1, 9.1
Scandello, Antonio: John Passion 10.1n
Scarlatti, Alessandro 3.1, 4.1, 4.2
Scarlatti, Anna Maria
Scarlatti, Domenico 3.1, 4.1, 4.2, 4.3, 4.4, 8.1, 14.1
Scarlatti, Melchiorra
Scarlatti, Pietro
Scarlatti family
Schama, Simon n
Scheibe, Johann Adolph 4.1, 7.1, 7.2, 7.3, 7.4, 8.1n, 8.2, 8.3, 9.1n, 10.1n, 12.1, 13.1n, 14.1, 14.2
Der Engel des Herrn 7.1n
Scheibel, Gottfried Ephraim 4.1n, 4.2, 8.1, 10.1, 12.1, 14.1
Schein, Johann Hermann 2.1, 6.1
five-part circular canon 2.1
Schelle, Johann 6.1, 6.2, 9.1
Schering, Arnold 10.1n, 12.1, 14.1n
Schneegass, Cyriacus n
Schneider, Johann n
Schnitger, Arp
Scholze, Johann Sigismund (Sperontes) n
Schott, Georg Balthasar 8.1n, 10.1n
Schrön, Magister
Schröter, C. G.
Schubert, Franz
Schumann, Robert Alexander 9.1, 11.1
on Brahms
on the John Passion 10.1
Schürmann, Georg Caspar 2.1, 4.1n, 5.1
Schuster, Joseph n
Schütz, Heinrich 2.1, 2.2, 3.1, 3.2, 4.1, 4.2, 4.3, 4.4, 5.1n, 10.1, 12.1
biblical scenas and dialogues 4.1
Ich beschwöre euch 11.1n
Luke Passion 10.1n
and Luther’s ‘penitential exaltation’
Bach: Music in the Castle of Heaven Page 83
