“I’m sure they do,” and he knew there was no way that line was going to come across as anything but a leer. Bradley cringed. He’d grown up talking to actresses. He wasn’t usually this gauche.
That’s because your gonads are talking, you dope. And she thinks you’re a freak so shut up!
She surprised him by saying, “I’ve never had a decent meal or good time in Santa Monica. Maybe I need native guide. Nice meeting you.” She gave a little wave with the tips of her perfectly manicured fingernails and walked away.
A freak whose daddy is a director, Finn’s cynical side amended.
Still, Finn figured he’d get her number. He was male and twenty-three, and she might be adventurous.
Finn came trotting down the sidewalk toward his Spanish bungalow apartment, and checked at the sight of the man standing in the shade of the trailing bougainvillea. It wasn’t that he looked threatening. No one that short could be threatening. It was more the fact that he looked like a garden gnome.
The man’s face was a full moon with the wide, surprised eyes of a child. A fringe of graying brown hair ringed a bald pate. An open necked shirt revealed a mat of graying chest hairs mashed flat by a tangle of gold chains. The barrel chest was supported on an even broader belly. Finn noted the Rolex watch and the expensive slacks, then boggled at the sight of the high topped red tennis shoes.
The man surged out from beneath the brilliant red flowers with the rolling gait of a sailor. “Harry Gold,” he announced, and Finn found a card thrust into his hand.
Shiny slick red paper with the name embossed in gold and the title PRODUCER beneath the name.
“I don’t have any input with my father on his projects,” Finn said automatically.
“I don’t want your dad . . . not that he isn’t a great director, but I don’t want him. I want you.”
“I have an agent.” Finn began sidestepping toward the safety of his front door.
“Of course you do. You’re a savvy kid, but I knew he wasn’t going to let me get near you,” Gold replied. “So I decided to talk to you myself.”
Far from being alarmed by this admission, Bradley found himself amused. He now had a pretty good idea of the kind of movies that Harry Gold produced. There was a bubble of laughter filling his chest. He forced it down, and propped his hindquarters on a nearby planter.
“That’s right, take a load off, though it’s gotta be easier with four than two,” Gold said. “Where was I?”
“Wanting to talk to me.”
“I don’t want to just talk to you. I want you to star in my next film. What do you think of that?” The little man’s chest puffed out like a satisfied pigeon’s.
The devil was in Finn prompting him to ask, “A speaking role?”
“Absolutely. That’s what makes you so perfect. You can talk.”
“Harry, do you make porno movies?” Finn asked.
The little man drew himself up. “I make male art films.”
Finn heaved himself back onto all four feet. “Thanks, but I’m not interested.”
“I’ll pay you ten thousand dollars.”
It was a ton of money for a porno flick. And you’d get some, said the bad Elmer Fudd who suddenly appeared on Finn’s left shoulder. He pictured his father and mother’s reaction. How would they ever know?
Because some teamster or grip would talk.
Finn hunched his shoulders, trying to dislodge his baser self. “Sorry, Harry, can’t do it.” He unlocked the door of his apartment.
“You’ve got to. You know how hard it is to train a real pony?” came the disconsolate cry as Finn closed the door.
“The frightening thing is that a woman would probably rather fuck a pony than a joker,” Goathead said the next morning when Finn finished telling them about his meeting with Gold. They were in the extras’ make-up area. Clops flushed to his eyebrow at the use of the profanity, and cocked his head significantly toward the joker woman seated near-by.
“What?” Goathead demanded. Clops cocked his head further this time and waggled his eyebrow. “Them? Hell, they don’t want to fuck a joker either,” Goathead said, upping the volume even further.
Finn sighed and looked up at the rafters. Goathead’s attitude was definitely starting to wear thin. On the other hand, Goathead had grown up poor in Detroit while Finn had grown up in Bel Aire, a child of privilege blessed with parents who had never treated him as different. He had had playmates and girlfriends. . . .
And how many of them were with you because your daddy is a famous director? came the hateful little voice. They did always end up wanting to be “friends” and only one had ever put out, and Finn later heard she’d been busted in one of L.A.’s more notorious sex clubs.
Clops looked pained. “I don’t think that’s true. There are whole magazines about us.” He held up a copy of Aces to prove his point.
Goathead stuck a nicotine stained finger under the title. “A. C. E. S.,” he spelled. “Aces. You see a magazine called Joker?!, you dumb shit? No.”
“Would you sit still?” the make-up man grumbled, trying to glue on Goathead’s horns. Despite the legs and hooves of a goat, the joker lacked horns, and Corman wanted big horns on his satyr.
Clops shook his head. “I think women pick men because of what’s on the inside, not on the outside.”
“Oh, God you are such a goober,” Goathead said. “And like how often are you getting any?” Clops flushed again and ducked his head. “Never? Right?”
The make-up man made a moue of distaste. “You’re done. Go away.” He made shooing motions with both hands, and Goathead went clattering away on his cloven hooves. Finn reflected that they were going to have to refinish the ancient wood floors after eight weeks of his and Goathead’s hooves.
The terribly sweet boy who was doing Finn’s make-up smoothed the foundation over his nose, and reached for the powder. “Did you hear about the commotion over on the Lieutenant set?” He punctuated every word with a little gusting breath.
Finn knew it was stupid. It was just a movie. But it was his dad’s movie, so he felt his stomach clench down into a small tight ball. “What?”
“Somebody broke into the production offices last night.”
Finn blinked. He had been prepared for a dead star, a fire on the set, lost film. “Was anything taken?”
“They don’t think so. The files drawers were all open, and they found the petty cash box by the open window, but all the money was there.”
It was an odd enough occurrence that Bradley decided to talk to his dad when the Argonauts broke for lunch.
There was a cafeteria on the Warner’s lot where extras, day players and the below-the-line people went to eat. The food was plentiful and cheap. You would often see writers in there, which said something about the self-image of Hollywood writers.
Then there was The Warner’s Restaurant. Table clothes, linen napkins, wines and gourmet food. This was where the powerful “did lunch.” Finn swung on down the street to the entrance to that restaurant. Steps led up to the etched glass doors. The doors opened out, and he had to lower his hindquarters down a step to make room for the swing of the door. Eventually he was inside. They had just repainted the place in azure blue and cream with pale blue upholstery on the furniture. Beneath the scent of fresh cut gardenias in a vase on the maitre d’s desk there was the tang of newly dried paint.
Tony, the maitre d’, grinned. “Hear you been slumming over at the cafeteria.”
Finn slapped his gut beneath the Hawaiian shirt. “I couldn’t take too many more gourmet meals and keep my boyish figure. Dad here?”
Tony indicated the direction with a cock of his head. “Corner right.”
“Thanks.”
Finn minced his way between the tables, exchanging hellos with various actors, directors, producers and studio heads. He had practically grown up on this lot, and in fact been the focus of a law suit between Disney and Warner’s in the late fifties. Warner’s had used Finn in some of their
promotional material, and Disney had screamed infringement of trademark, citing Fantasia. Since Finn had been two at the time, he wasn’t sure how it had all been resolved. He just knew it was a favorite dinner tale of his father’s.
His dad was eating with Ester Flannigan, the most perfect of personal assistants. There was a slight frown on his long, lantern jawed face, and he seemed to be talking more than he was eating. Which meant Ester was taking shorthand instead of eating. Finn came up behind her, placed his hands on her shoulders, and gave her a kiss one wrinkled cheek. “Doesn’t the union have something to say about working through lunch?”
Benton Finn looked down at their virtually untouched plates and gave Ester an apologetic smiles. “Sorry, we’ll finish this after lunch.”
“What’s got your shorts in a twist?” Finn asked as he swiped a cherry tomato off his dad’s salad plate. He bit down and savored the tart/sweet explosion. He swallowed and added, “The break in?”
“So it’s all over the lot, is it?” Finn asked.
“I don’t know. It’s at Corman’s.”
“It’s all over the lot,” Ester broke in. “Jenny called to ask about it, and she’s over in the bungalows.”
“Why is this a deal?” Finn asked. “Nothing was stolen.”
“Because everything on Lieutenant has to go smoothly and if you look close enough at any production you’ll find problems, and Coppola will use it,” Ester said in sing song voice while Benton glared at her.
Finn gave his dad a look. “Wow, you are being paranoid.”
“Coppola wanted this movie, and Bernie told me Coppola told the Chairman I didn’t know how to pull something new and fresh out of Kelly. Kelly doesn’t need to be new and fresh. She just needs to be Kelly.”
“You’ve directed her in three other films. These other guys don’t know how to work with someone from that generation,” Finn soothed.
Ester closed her eyes briefly, then mouthed to Finn wrong thing to say.
“Meaning what?” Benton asked low and cold. “That I’m also from that generation so I know how?”
“No, that you’re a gentleman and Kelly is a real lady,” Finn babbled, and hoped his dad would accept this statement of the public’s view of Kelly even though everyone in the industry knew she slept with every hot young star who came along. “These young . . . er, new guys don’t know how to work with someone like that.”
Benton looked mollified. “You’re sure right about that. These new guys are punks. They have no respect for the institutions. . . .”
Finn cocked a back foot for greater comfort and settled in to listen. He also helped himself to the sole almadin on his dad’s plate.
Finn heard the sharp clatter of high heels on concrete, and suddenly an arm was slipped beneath his. The redhead from the Lieutenant set had attached herself limpet-like to his side.
“Hi.” The word emerged on a puff of coffee scented breath. “Sorry I had to run off back there. By the way, I’m Julie.”
“Pleased to meet you,” Bradley said.
He waited to see if Red would ask for his name, but apparently she had discovered that the joker with the pony’s body was the director’s son, and she wasn’t bright enough to realize that she needed to pretend that she hadn’t. Finn had long ago stopped being angry over these sudden shifts in attitude from eager young starlets. What he hadn’t totally resolved was whether to laugh or cry about them.
“So, are you in the business?” she asked as she tried to adjust her steps to match Finn’s length of stride.
“No, not really.” He watched the glow of interest in her eyes die. “I’m in medical school.” A touch of interest returned. So we’ve established what motivates you, Julie. Looks like . . . money. Which is probably good because you sure can’t act.
“So, how do you like it out here as compared to the Bronx?” Bradley asked.
Julie pouted. “Oh, pooh! I’ve been working so hard to lose the accent.”
In your dreams, baby. “And you have,” Finn said diplomatically. “It’s more intuition. Native Angelinos are few and far between.”
“So you were born like . . . here,” the girl suddenly amended.
“Yeah, born at the Hollywood Presbyterian hospital. Went to Hollywood High. And I expressed my wild card moments after birth. Which was good, because if it had happened in the birth canal I would have killed my mother, and that would have really sucked.” He smiled at her brightly. She blanched at the image his words had elicited. Which showed she had some imagination.
“So it sounds like you really know the ropes here, and that’s good because I could sure use some advice.” It was the dogged delivery of a rehearsed line, whether it fit into the conversational flow or not. It also made it very clear relationship she envisioned—friend, mentor, confidant.
“Sure,” Finn answered. “My cards are in my briefcase on the Jason set. I just keep a wallet in my pocket.” He taped the breast pocket on his Hawaiian shirt. Julie’s eyes flicked toward his gleaming palomino haunches.
Years ago the sisters at his elementary school had forced him to wear pants. His father had declared that Finn looked like a bad clown act, and they’d found another school. Finn was careful to keep his penis sheathed, but nothing could hide his balls, and even pony sized they were still the envy of every male and a terror to most women.
“Why don’t you come back after shooting, and I’ll get you a card.” His bad angel prodded him to add. “We could have dinner.”
“Uh, I’m busy tonight. Sorry. I’ll get the card . . . later.” She glanced hastily at her wristwatch. “Well, gotta go.” She gave him a perky smile, waved, and hurried off between the stages.
Finn allowed himself a laugh. It felt a little hollow.
The next day Corman was shooting coverage on Jason and his merry band of Argonauts. Finn decided to use the free time to head down to U.C.L.A, and buy his books for the fall semester. He enjoyed medical school, but it seemed like the summer had just started, and he wasn’t quite ready for the grind yet.
He stood between tall bookcases, his arms stretched around a giant stack of books, squinting at the class list perched on top, and realized he only had half the required texts. He wondered if he could make it to the front of the store for a cart, or if he should just leave the books here and come back. But there had only been one copy of the epidemiology text, and some bastard would probably swipe it if he left them.
“Man, these suckers are heavy,” a voice suddenly said. Startled, Finn let out a yell and dropped the precariously balanced stack of books.
Harry Gold was peering around a bookcase like a malevolent leprechaun. He stepped around the case, and began to gather up the strewn books. “You shouldn’t try to carry these things. You’ll herniate yourself. You should get a cart.”
“Thanks,” Finn gritted.
Gold had stopped stacking, arrested by the picture of Dr. Tachyon on the back flap of his introductory text on Joker Medicine. “I hear this guy is a real stud, but he sure looks like a poufftah,” Gold said. “I tried to make a movie about the Four Aces back in the fifties, but Universal shut me down because of their movie. Actually it worked out great because after their movie came out I could do a parody and they couldn’t touch me. The Four Deuces, Golden Hotdog, the Enema, Cock Tease and Black Stallion.” Gold smiled fondly at the memory. He picked up another book and did an elaborate double take at the price. “Seventy-five bucks? These suckers are expensive.”
“Yes, and heavy,” Finn said.
“Look, I’ve been thinking about it, and now that I see the kind of expenses you got I realize I wasn’t being fair. I’ll give you twelve thousand dollars to be in my movie.”
“Mr. Gold. I don’t want to be in your movie. I’m not an actor. . . .”
“I can teach you.”
“Look, Mr. Gold, I was trying to be polite. I’m not interested in being in a porno movie. I couldn’t face my family, my friends, and. . . .”
“You could wear a m
ask.” Gold was charmed with the idea. “Yeah, like Zorro. . . .”
It was hard to get out the words past the laughter. “Like nobody would recognize my big palomino ass bouncing up and down on the screen. How many joker centaurs do you think there are?”
“One. Which is why I need you. Look, I specialize in wild card porn. I got guys with double dicks, and gals with three boobs, but you’re unique.”
“Goodbye, Mr. Gold.”
Finn took the joker medicine text out of the producer’s hands and set it on the top of the stack. He slowly bent his forelegs until he was resting on his knees and picked up the pile of books.
“You’re being very unreasonable about this,” Gold grumbled. “I’m telling you ponies are a pain in the ass.”
I’m sure your star would think so too, Finn thought, but successfully resisted the impulse to say it. Instead he replied, “So get two guys and a horse suit.”
“That would look cheesy,” Harry complained.
Like your movie won’t? Finn thought, but he didn’t say that either.
Benton Finn was footing the bill for a bon voyage party at City, one of L.A.’s more trendy restaurants down on Melrose Boulevard. Personally Bradley hated the place. It bowed to the new trend in interior design which decreed there should be no color, no fabric, no softness and no warmth. There were concrete walls and floors, exposed pipes in the ceiling, gleaming metal track lighting, and black metal tables. The wealth of hard surfaces amplified every sound, so forks connecting with china became a hail storm, the drone of conversation a roar, and the background music an irritating beat with no discernible melody. Worse, from Finn’s point of view, was the footing. The floor offered no traction so he was forced to wear his booties, and while they were practical he thought they looked dorky, especially with a French cuffed shirt, tuxedo jacket and black bow tie.
He spotted Julie sitting with the same group of females from the set. Since two of the four had indicated they would tolerate him he decided to head over. The plump blonde spotted him first, grabbed up her plate and bolted for the buffet. Finn found himself watching her behind in the satin sheath dress and thought nastily a few more runs to the chow line and she’ll be vying for the Shelly Winters roles.
Wild Cards XVI: Deuces Down Page 15
