Christopher Sykes
London
July 2011
LIST OF ILLUSTRATIONS
ILLUSTRATIONS IN THE TEXT
Man, 1964. Lithograph (photolithograph from a drawing on paper). Edition: 60, 18″ × 22¼″ © David Hockney itr.1
Kenneth and Laura Hockney’s wedding, 1929, photograph © David Hockney 1.1
Bradford Town Hall © Mary Evans Picture Library/Francis Frith 1.2
Kenneth Hockney, circa 1928, photograph © David Hockney 1.3
“Untitled” (date unknown). Drawing © David Hockney 1.4
Sunday Lunch, Hutton Terrace. Picture supplied by Derek Stafford 2.1
“Untitled” (date unknown). Drawing © David Hockney 2.2
“Untitled” (date unknown). Drawing © David Hockney 2.3
Hockney at about ten, in his Cub cap, photograph © David Hockney 2.4
Self Portrait, 1954. Pencil on paper, 15″ × 11″ © David Hockney/Photo Credit: Richard Schmidt 2.5
David Hockney and John Loker. Hockney family photograph 3.1
Breakdown en route to Aldermaston, photograph © Rod Taylor, fellow student and author 3.2
Skeleton, 1959. Charcoal and gouache, 15⅝″ × 22″ © David Hockney/ Photo Credit: Richard Schmidt 3.3
David Hockney in Painting School. Photograph © Geoffrey Reeve 3.4
David Hockney and Derek Boshier in Painting School, photograph © Geoffrey Reeve 3.5
Portrait of John Kasmin 4.1
Peter Crutch with Peter C, photograph © Geoffrey Reeve 4.2
The Diploma, 1962. Etching and aquatint in two colours © David Hockney 4.3
Bradford, 1962, photograph © David Hockney/Photo Credit: Richard Schmidt 4.4
Andy Warhol, Henry Geldzahler, David Hockey, Jeff Goodman, 1963. Gelatin silver print, 16″ × 24″ © The Dennis Hopper Trust. Courtesy of The Dennis Hopper Trust. 5.1
John Kasmin and Lord Dufferin in the Kasmin Gallery, photograph © by Snowdon, Camera Press London 5.2
Christopher Isherwood, photograph © Peter Schlesinger 6.1
Patrick Procktor, photograph by Peter Rand for Vogue © Peter Rand 6.2
In the Dull Village from Illustrations for Fourteen Poems from C. P. Cavafy, 1966–67. Etching, 22½″ × 15½″ © David Hockney 7.1
Polish Army from Ubu Roi, 1966. Crayon © David Hockney/Collection of the Museum of Modern Art (MOMA), New York 7.2
Peter Schlesinger and David Hockney, colour photograph © David Hockney/Photo Credit: Richard Schmidt 7.3
Peter in Carennac, 1967. Ink on paper, 14″ × 17″ © David Hockney 8.1
Peter, 1969. Etching in black © David Hockney 9.1
Paris, December 1967, © David Hockney/Photo Credit: Richard Schmidt 9.2
Mr. and Mrs. Ossie Clark, Linden Gardens, London, 1970 © David Hockney/Tate, London 2011 10.1
David Hockney with Pentax, photograph © Camilla McGrath 11.1
Gregory Evans and Nicholas Wilder, Appian Way, Hollywood, 1973, photo collage © David Hockney/Photo Credit: Richard Schmidt 11.2
Artist and Model, 1973–74. Etching © David Hockney 12.1
Henry Geldzahler and David Hockney, photograph © Camilla McGrath 12.2
David Hockney and Mo McDermott, photograph © David Hockney/Photo Credit: Richard Schmidt 12.3
Yves-Marie, New York, 1974. Crayon on paper © David Hockney/Photo Credit: Richard Schmidt 12.4
Gregory, Palatine, Roma, December 1974. Ink on paper © David Hockney/Photo Credit: Richard Wedemeyer 13.1
The Glyndebourne Picnic, 1975. Painting by Bob Marchant 13.2
PLATES
Self Portrait, 1954. Oil on board, 14″ × 14″ © David Hockney plate.1
Self Portrait, 1954. Edition 5 (approximately). Lithograph in five colours, 11½″ × 10¼″ © David Hockney plate.2
Portrait of My Father, 1955. Oil on canvas, 20″ × 16″ © David Hockney. Photo Credit: Richard Schmidt plate.3
Doll Boy, 1960–61. Oil on canvas, 48″ × 39″ © David Hockney/Collection of Hamburger Kunsthalle. Photo Credit: Paul Oszvald plate.4
We Two Boys Together Clinging, 1961. Oil on board, 48″ × 60″ © David Hockney/Collection of Arts Council, Southbank Centre, London. Photo Credit: Prudence Cuming Associates plate.5
The Most Beautiful Boy in the World, 1961. Oil on canvas, 70″ × 39½″ © David Hockney plate.6
Flight into Italy–Swiss Landscape, 1962. Oil on canvas, 72″ × 72″ © David Hockney/Collection of The Museum of Modern Art (Kunstmuseum), Düsseldorf plate.7
Life Painting for a Diploma, 1962. Oil on canvas with charcoal on paper collage, 70⅞″ × 70⅞″ © David Hockney. Photo Credit: Sotheby’s, London plate.8
Man in a Museum (or You’re in the Wrong Movie), 1962. Oil on canvas, 60″ × 60″ © David Hockney/Collection of The British Council plate.9
David Hockney. Photograph by Snowdon/Vogue, Camera Press London plate.10
Picture Emphasizing Stillness, 1962. Oil and Letraset on canvas, 62″ × 72″ © David Hockney plate.11
The Second Marriage, 1963. Oil, gouache and collage on canvas, 77¾″ × 90″ © David Hockney/Collection of National Gallery of Victoria, Melbourne plate.12
Play Within a Play, 1963. Oil on canvas and plexiglass, 72″ × 78″ © David Hockney plate.13
Domestic Scene, Los Angeles, 1963. Oil on canvas, 60″ × 60″ © David Hockney plate.14
Domestic Scene, Notting Hill, 1963. Oil on canvas, 72″ × 72″ © David Hockney plate.15
Shell Garage, Luxor, 1963. Colored crayon, 12¼″ × 19¼″ © David Hockney plate.16
Great Pyramid at Giza with Broken Head from Thebes, 1963. Oil on canvas, 72″ × 72″ © David Hockney plate.17
California Art Collector, 1964. Acrylic on canvas, 60″ × 72″ © David Hockney plate.18
Boy About to Take a Shower, 1964–69. Acrylic on canvas, 36″ × 36″ © David Hockney plate.19
Picture of a Hollywood Swimming Pool, 1964. Acrylic on canvas, 36″ × 48″ © David Hockney plate.20
Rocky Mountains and Tired Indians, 1965. Acrylic on canvas, 67″ × 99½″ © David Hockney/Collection of National Galleries of Scotland, Edinburgh plate.21
A Hollywood Collection, 1965 © David Hockney plate.22
Top Row, Left to Right:
Picture of a Still Life that has an Elaborate Silver Frame. Lithograph in seven colours. Edition: 85. 30¼″ × 22¼″ plate.22
Picture of a Landscape in an Elaborate Gold Frame. Lithograph in six colours. Edition: 85. 30¼″ × 22¼″ plate.22
Picture of a Portrait in a Silver Frame. Lithograph in five colours. Edition: 85. 30¼″ × 22¼″ plate.22
Bottom Row, Left to Right:
Picture of Melrose Avenue in an Ornate Gold Frame. Lithograph in six colours. Edition: 85. 30¼″ × 22¼″ plate.22
Picture of a Simply Framed Traditional Nude. Lithograph in four colours. Edition: 85. 30¼″ × 22¼″ plate.22
Picture of a Pointless Abstraction Framed under Glass. Lithograph in six colours. Edition: 85. 30¼″ × 22¼″ plate.22
Beverly Hills Housewife, 1966–67. Acrylic on canvas, 72″ × 144″ © David Hockney. Photo Credit: Richard Schmidt plate.23
A Bigger Splash, 1967. Acrylic on canvas, 96″ × 96″ © David Hockney/ Collection of The Tate Gallery, London plate.24
The Room, Tarzana, 1967. Acrylic on canvas, 96 × 96″ © David Hockney plate.25
The Room, Manchester Street, 1967. Acrylic on canvas, 96″ × 96″ © David Hockney plate.26
Christopher Isherwood and Don Bachardy, 1968. Acrylic on canvas, 83½″ × 119½″ © David Hockney plate.27
Henry Geldzahler and Christopher Scott, 1969. Acrylic on canvas, 84″ × 120″ © David Hockney plate.28
Le Parc des Sources, Vichy, 1970. Acrylic on canvas, 84″ × 120″ © David Hockney. Photo Credit: Chatsworth House Trust plate.29
Mr. and Mrs. Clark and Percy, 1970–71. Acrylic on canvas, 84″ × 120″ © David Hockney/Collection of The Tate Gallery, London p
late.30
Sur la Terrasse, 1971. Acrylic on canvas, 180″ × 84″ © David Hockney plate.31
Portrait of an Artist (Pool with Two Figures), 1972. Acrylic on canvas, 84″ × 120″ © David Hockney. Photo Credit: Steven Sloman plate.32
Contre-jour in the French Style, 1974. Etching, 39″ × 36″ © David Hockney plate.33
Celia in a Black Dress with Red Stockings, 1973. Crayon on paper, 25½″ × 19½″ © David Hockney/Collection of National Gallery of Australia, Canberra plate.34
Celia Half Nude, 1975. Crayon on paper, 30″ × 22″ © David Hockney plate.35
Drop Curtain for The Rake’s Progress. From The Rake’s Progress, 1975–79. Ink and collage on cardboard, 14″ × 20½″ © David Hockney. Photo Credit: Richard Schmidt plate.36
Bedlam. From The Rake’s Progress, 1975. Ink on cardboard, 16″ × 21″ × 12″ (model) © David Hockney plate.37
Endpapers
Top Row, Left to Right:
The Gospel Singing (Good People) Madison Square Garden. From A Rake’s Progress (Portfolio of Sixteen Prints), 1961–63. Etching, aquatint. Edition: 50. 15½″ × 22½″ © David Hockney end.1
The Seven Stone Weakling. From A Rake’s Progress (Portfolio of Sixteen Prints), 1961–63. Etching, aquatint. Edition: 50. 16¾″ × 20½″ © David Hockney end.2
Bottom Row, Left to Right:
Cast Aside. From A Rake’s Progress (Portfolio of Sixteen Prints), 1961–63. Etching, aquatint. Edition: 50. 19½″ × 24½″ © David Hockney end.3
Bedlam. From A Rake’s Progress (Portfolio of Sixteen Prints), 1961–63. Etching, aquatint. Edition: 50. 17¾″ × 11½″ © David Hockney end.4
A NOTE ABOUT THE AUTHOR
Christopher Simon Sykes is a photographer and writer. He specializes in architectural and garden photography, and writes on architecture and social history. Sykes worked with Eric Clapton on his autobiography, Clapton, and his work has appeared in publications such as Vogue, Vanity Fair, Town & Country, and Architectural Digest. He lives with his wife and daughter in North London.
Self Portrait, 1954. Oil on Board, 18 × 14″ (illustration credit plate.1)
Self Portrait, 1954. Edition 5 (approximately). Lithograph in Five Colours, 11 ½ × 10 ¼″ (illustration credit plate.2)
Portrait of my father, 1955. Oil on Canvas, 20 × 16″ (illustration credit plate.3)
Doll Boy, 1960 – 61. Oil on Canvas, 48 × 39″ (illustration credit plate.4)
We Two Boys Together Clinging, 1961. Oil on Board, 48 × 60″ (illustration credit plate.5)
The Most Beautiful Boy in the World, 1961. Oil on Canvas, 70 × 39 ½″ (illustration credit plate.6)
Flight Into Italy - Swiss Landscape, 1962. Oil on Canvas, 72 × 72″ (illustration credit plate.7)
Life Painting for a Diploma, 1962. Oil on Canvas with Charcoal on Paper Collage, 70 ⅞ × 70 ⅞″ (illustration credit plate.8)
Man in a Museum (Or You’re in The Wrong Movie), 1962. Oil on Canvas, 60 × 60″ (illustration credit plate.9)
(illustration credit plate.10)
Picture Emphasizing Stillness, 1962. Oil and Letraset on Canvas, 62 × 72″ (illustration credit plate.11)
The Second Marriage, 1963. Oil, Gouache and Collage on Canvas, 77 ¾ × 90″ (illustration credit plate.12)
Play Within A Play, 1963. Oil on Canvas and Plexiglass, 72 × 78″ (illustration credit plate.13)
Domestic Scene, Los Angeles, 1963. Oil on Canvas, 60 × 60″ (illustration credit plate.14)
Domestic Scene, Notting Hill, 1963. Oil on Canvas, 72 × 72″ (illustration credit plate.15)
Shell Garage, Luxor, 1963. Colored Crayon, 12 ¼ × 19 ¼″ (illustration credit plate.16)
Great Pyramid at Giza with Broken Head From Thebes, 1963. Oil on Canvas, 72 × 72″ (illustration credit plate.17)
California Art Collector, 1964. Acrylic on Canvas, 60 × 72″ (illustration credit plate.18)
Boy About to Take a Shower, 1964-69. Acrylic on Canvas, 36 × 36″ (illustration credit plate.19)
Picture of a Hollywood Swimming Pool, 1964. Acrylic on Canvas, 36 × 48″ (illustration credit plate.20)
Rocky Mountains and Tired Indians, 1965. Acrylic on Canvas, 67 × 99 ½″ (illustration credit plate.21)
A Hollywood Collection, 1965 (illustration credit plate.22)
Beverly Hills Housewife, 1966-67. Acrylic on Canvas, 72 × 144″ (illustration credit plate.23)
A Bigger Splash, 1967. Acrylic on Canvas, 96 × 96″ (illustration credit plate.24)
The Room, Tarzana, 1967. Acrylic on Canvas, 96 × 96″ (illustration credit plate.25)
The Room, Manchester Street, 1967. Acrylic on Canvas, 96 × 96″ (illustration credit plate.26)
Christopher Isherwood and Don Bachardy, 1968. Acrylic on Canvas, 83 ½ × 119 ½″ (illustration credit plate.27)
Henry Geldzahler and Christopher Scott, 1969. Acrylic on Canvas, 84 × 120″ (illustration credit plate.28)
Le Parc des Sources, Vichy, 1970. Acrylic on Canvas, 84 × 120″ (illustration credit plate.29)
Mr. and Mrs. Clark and Percy, 1970-71. Acrylic on Canvas, 84 × 120″ (illustration credit plate.30)
Sur La Terrasse, 1971. Acrylic on Canvas, 180 × 84″ (illustration credit plate.31)
Portrait of an Artist (Pool with Two Figures), 1972. Acrylic on Canvas, 84 × 120″ (illustration credit plate.32)
Contrejour In The French Style, 1974. Etching, 39 × 36″ (illustration credit plate.33)
Celia in a Black Dress with Red Stockings, 1973. Crayon on Paper, 25 ½ × 19 ½″ (illustration credit plate.34)
Celia Half Nude, 1975. Crayon on Paper, 30 × 22″ (illustration credit plate.35)
Drop curtain for The Rake’s Progress. From The Rake’s Progress, 1975-79. Ink and Collage on Cardboard, 14 × 20 ½″ (illustration credit plate.36)
Bedlam. From The Rake’s Progress, 1975. Ink on Cardboard, 16 × 21 × 12″ (model) (illustration credit plate.37)
(illustration credit end.1)
(illustration credit end.2)
(illustration credit end.3)
(illustration credit end.4)
Also by Christopher Simon Sykes
AS AUTHOR
The Visitors’ Book
Private Palaces
Black Sheep
Country House Camera
The National Trust Country House Album
The Big House
Eric Clapton (with Eric Clapton)
AS AUTHOR AND PHOTOGRAPHER
Ancient English Houses
AS PHOTOGRAPHER
The Front Garden
The Rolling Stones on Tour
The Perfect English House
English Country
Private Landscapes
Scottish Country
Corfu: The Garden Isle
At Home with Books
At Home with Art
Great Houses of England and Wales
Great Houses of Scotland
Great Houses of Ireland
The English Room
English Manor Houses
The Gardens of Buckingham Palace
David Hockney Page 45
