Let me quickly emphasize that Plato is describing an ideal course of life, since by no means do all humans set the soul free to begin its journey back to the world of ideas. Most people cling to the sensory world’s “reflections” of ideas. They see a horse—and another horse. But they never see that of which every horse is only a feeble imitation. (They rush into the kitchen and stuff themselves with gingerbread cookies without so much as a thought as to where they came from.) What Plato describes is the philosophers’ way. His philosophy can be read as a description of philosophic practice.
When you see a shadow, Sophie, you will assume that there must be something casting a shadow. You see the shadow of an animal. You think it may be a horse, but you are not quite sure. So you turn around and see the horse itself—which of course is infinitely more beautiful and sharper in outline than the blurred “horse-shadow.” Plato believed similarly that all natural phenomena are merely shadows of the eternal forms or ideas. But most people are content with a life among shadows. They give no thought to what is casting the shadows. They think shadows are all there are, never realizing even that they are, in fact, shadows. And thus they pay no heed to the immortality of their own soul.
Out of the Darkness of the Cave
Plato relates a myth which illustrates this. We call it the Myth of the Cave. I’ll retell it in my own words.
Imagine some people living in an underground cave. They sit with their backs to the mouth of the cave with their hands and feet bound in such a way that they can only look at the back wall of the cave. Behind them is a high wall, and behind that wall pass human-like creatures, holding up various figures above the top of the wall. Because there is a fire behind these figures, they cast flickering shadows on the back wall of the cave. So the only thing the cave dwellers can see is this shadow play. They have been sitting in this position since they were born, so they think these shadows are all there are.
Imagine now that one of the cave dwellers manages to free himself from his bonds. The first thing he asks himself is where all these shadows on the cave wall come from. What do you think happens when he turns around and sees the figures being held up above the wall? To begin with he is dazzled by the sharp sunlight. He is also dazzled by the clarity of the figures because until now he has only seen their shadow. If he manages to climb over the wall and get past the fire into the world outside, he will be even more dazzled. But after rubbing his eyes he will be struck by the beauty of everything. For the first time he will see colors and clear shapes. He will see the real animals and flowers that the cave shadows were only poor reflections of. But even now he will ask himself where all the animals and flowers come from. Then he will see the sun in the sky, and realize that this is what gives life to these flowers and animals, just as the fire made the shadows visible.
The joyful cave dweller could now have gone skipping away into the countryside, delighting in his new-found freedom. But instead he thinks of all the others who are still down in the cave. He goes back. Once there, he tries to convince the cave dwellers that the shadows on the cave wall are but flickering reflections of “real” things. But they don’t believe him. They point to the cave wall and say that what they see is all there is. Finally they kill him.
What Plato was illustrating in the Myth of the Cave is the philosopher’s road from shadowy images to the true ideas behind all natural phenomena. He was probably also thinking of Socrates, whom the “cave dwellers” killed because he disturbed their conventional ideas and tried to light the way to true insight. The Myth of the Cave illustrates Socrates’ courage and his sense of pedagogic responsibility.
Plato’s point was that the relationship between the darkness of the cave and the world beyond corresponds to the relationship between the forms of the natural world and the world of ideas. Not that he meant that the natural world is dark and dreary, but that it is dark and dreary in comparison with the clarity of ideas. A picture of a beautiful landscape is not dark and dreary either. But it is only a picture.
The Philosophic State
The Myth of the Cave is found in Plato’s dialogue the Republic. In this dialogue Plato also presents a picture of the “ideal state,” that is to say an imaginary, ideal, or what we would call a Utopian, state. Briefly, we could say that Plato believed the state should be governed by philosophers. He bases his explanation of this on the construction of the human body.
According to Plato, the human body is composed of three parts: the head, the chest, and the abdomen. For each of these three parts there is a corresponding faculty of the soul. Reason belongs to the head, will belongs to the chest, and appetite belongs to the abdomen. Each of these soul faculties also has an ideal, or “virtue.” Reason aspires to wisdom, Will aspires to courage, and Appetite must be curbed so that temperance can be exercised. Only when the three parts of the body function together as a unity do we get a harmonious or “virtuous” individual. At school, a child must first learn to curb its appetites, then it must develop courage, and finally reason leads to wisdom.
Plato now imagines a state built up exactly like the tripartite human body. Where the body has head, chest, and abdomen, the State has rulers, auxiliaries, and laborers (farmers, for example). Here Plato clearly uses Greek medical science as his model. Just as a healthy and harmonious man exercises balance and temperance, so a “virtuous” state is characterized by everyone knowing their place in the overall picture.
Like every aspect of Plato’s philosophy, his political philosophy is characterized by rationalism. The creation of a good state depends on its being governed with reason. Just as the head governs the body, so philosophers must rule society.
Let us attempt a simple illustration of the relationship between the three parts of man and the state:
Plato’s ideal state is not unlike the old Hindu caste system, in which each and every person has his or her particular function for the good of the whole. Even before Plato’s time the Hindu caste system had the same tripartite division between the auxiliary caste (or priest caste), the warrior caste, and the laborer caste. Nowadays we would perhaps call Plato’s state totalitarian. But it is worth noting that he believed women could govern just as effectively as men for the simple reason that the rulers govern by virtue of their reason. Women, he asserted, have exactly the same powers of reasoning as men, provided they get the same training and are exempt from child rearing and housekeeping. In Plato’s ideal state, rulers and warriors are not allowed family life or private property. The rearing of children is considered too important to be left to the individual and should be the responsibility of the state. (Plato was the first philosopher to advocate state-organized nursery schools and full-time education.)
After a number of significant political setbacks, Plato wrote the Laws, in which he described the “constitutional state” as the next-best state. He now reintroduced both private property and family ties. Women’s freedom thus became more restricted. However, he did say that a state that does not educate and train women is like a man who only trains his right arm.
All in all, we can say that Plato had a positive view of women—considering the time he lived in. In the dialogue Symposium, he gives a woman, the legendary priestess Diotima, the honor of having given Socrates his philosophic insight.
So that was Plato, Sophie. His astonishing theories have been discussed—and criticized—for more than two thousand years. The first man to do so was one of the pupils from his own Academy. His name was Aristotle, and he was the third great philosopher from Athens.
I’ll say no more!
While Sophie had been reading about Plato, the sun had risen over the woods to the east. It was peeping over the horizon just as she was reading how one man clambered out of the cave and blinked in the dazzling light outside.
It was almost as if she had herself emerged from an underground cave. Sophie felt that she saw nature in a completely different way after reading about Plato. It was rather like having been color-blind. She had seen some shadow
s but had not seen the clear ideas.
She was not sure Plato was right in everything he had said about the eternal patterns, but it was a beautiful thought that all living things were imperfect copies of the eternal forms in the world of ideas. Because wasn’t it true that all flowers, trees, human beings, and animals were “imperfect”?
Everything she saw around her was so beautiful and so alive that Sophie had to rub her eyes to really believe it. But nothing she was looking at now would last. And yet—in a hundred years the same flowers and the same animals would be here again. Even if every single flower and every single animal should fade away and be forgotten, there would be something that “recollected” how it all looked.
Sophie gazed out at the world. Suddenly a squirrel ran up the trunk of a pine tree. It circled the trunk a few times and disappeared into the branches.
“I’ve seen you before!” thought Sophie. She realized that maybe it was not the same squirrel that she had seen previously, but she had seen the same “form.” For all she knew, Plato could have been right. Maybe she really had seen the eternal “squirrel” before—in the world of ideas, before her soul had taken residence in a human body.
Could it be true that she had lived before? Had her soul existed before it got a body to move around in? And was it really true that she carried a little golden nugget inside her—a jewel that cannot be corroded by time, a soul that would live on when her own body grew old and died?
The Major’s Cabin
…the girl in the mirror winked with both eyes…
It was only a quarter past seven. There was no need to hurry home. Sophie’s mother always took it easy on Sundays, so she would probably sleep for another two hours.
Should she go a bit farther into the woods and try to find Alberto Knox? And why had the dog snarled at her so viciously?
Sophie got up and began to walk down the path Hermes had taken. She had the brown envelope with the pages on Plato in her hand. Wherever the path diverged she took the wider one.
Birds were chirping everywhere—in the trees and in the air, in bush and thicket. They were busily occupied with their morning pursuits. They knew no difference between weekdays and Sundays. Who had taught them to do all that? Was there a tiny computer inside each one of them, programming them to do certain things?
The path led up over a little hill, then steeply down between tall pine trees. The woods were so dense now that she could only see a few yards between the trees.
Suddenly she caught sight of something glittering between the pine trunks. It must be a little lake. The path went the other way but Sophie picked her way among the trees. Without really knowing why, she let her feet lead her.
The lake was no bigger than a soccer field. Over on the other side she could see a red-painted cabin in a small clearing surrounded by silver birches. A faint wisp of smoke was rising from the chimney.
Sophie went down to the water’s edge. It was very muddy in many places, but then she noticed a rowboat. It was drawn halfway out of the water. There was a pair of oars in it.
Sophie looked around. Whatever she did, it would be impossible to get around the lake to the red cabin without getting her shoes soaked. She went resolutely over to the boat and pushed it into the water. Then she climbed aboard, set the oars in the rowlocks, and rowed across the lake. The boat soon touched the opposite bank. Sophie went ashore and tried to pull the boat up after her. The bank was much steeper here than the opposite bank had been.
She glanced over her shoulder only once before walking up toward the cabin.
She was quite startled at her own boldness. How did she dare do this? She had no idea. It was as if “something” impelled her.
Sophie went up to the door and knocked. She waited a while but nobody answered. She tried the handle cautiously, and the door opened.
“Hallo!” she called. “Is anyone at home?”
She went in and found herself in a living room. She dared not shut the door behind her.
Somebody was obviously living here. Sophie could hear wood crackling in the old stove. Someone had been here very recently.
On a big dining table stood a typewriter, some books, a couple of pencils, and a pile of paper. A smaller table and two chairs stood by the window that overlooked the lake. Apart from that there was very little furniture, although the whole of one wall was lined with bookshelves filled with books. Above a white chest of drawers hung a large round mirror in a heavy brass frame. It looked very old.
On one of the walls hung two pictures. One was an oil painting of a white house which lay a stone’s throw from a little bay with a red boathouse. Between the house and the boathouse was a sloping garden with an apple tree, a few thick bushes, and some rocks. A dense fringe of birch trees framed the garden like a garland. The title of the painting was “Bjerkely.”
Beside that painting hung an old portrait of a man sitting in a chair by a window. He had a book in his lap. This picture also had a little bay with trees and rocks in the background. It looked as though it had been painted several hundred years ago. The title of the picture was “Berkeley.” The painter’s name was Smibert.
Berkeley and Bjerkely. How strange!
Sophie continued her investigation. A door led from the living room to a small kitchen. Someone had just done the dishes. Plates and glasses were piled on a tea towel, some of them still glistening with drops of soapy water. There was a tin bowl on the floor with some leftover scraps of food in it. Whoever lived here had a pet, a dog or a cat.
Sophie went back to the living room. Another door led to a tiny bedroom. On the floor next to the bed there were a couple of blankets in a thick bundle. Sophie discovered some golden hairs on the blankets. Here was the evidence! Now Sophie knew that the occupants of the cabin were Alberto Knox and Hermes.
Back in the living room, Sophie stood in front of the mirror. The glass was matte and scratched, and her reflection correspondingly blurred. Sophie began to make faces at herself like she did at home in the bathroom. Her reflection did exactly the same, which was only to be expected.
But all of a sudden something scary happened. Just once—in the space of a split second—Sophie saw quite clearly that the girl in the mirror winked with both eyes. Sophie started back in fright. If she herself had winked—how could she have seen the other girl wink? And not only that, it seemed as though the other girl had winked at Sophie as if to say: I can see you, Sophie. I am in here, on the other side.
Sophie felt her heart beating, and at the same time she heard a dog barking in the distance. Hermes! She had to get out of here at once. Then she noticed a green wallet on the chest of drawers under the mirror. It contained a hundred-crown note, a fifty, and a school I.D. card. It showed a picture of a girl with fair hair. Under the picture was the girl’s name: Hilde Møller Knag…
Sophie shivered. Again she heard the dog bark. She had to get out, at once!
As she hurried past the table she noticed a white envelope between all the books and the pile of paper. It had one word written on it: SOPHIE.
Before she had time to realize what she was doing, she grabbed the envelope and stuffed it into the brown envelope with the Plato pages. Then she rushed out of the door and slammed it behind her.
The barking was getting closer. But worst of all was that the boat was gone. After a second or two she saw it, adrift halfway across the lake. One of the oars was floating beside it. All because she hadn’t been able to pull it completely up on land. She heard the dog barking quite nearby now and saw movements between the trees on the other side of the lake.
Sophie didn’t hesitate any longer. With the big envelope in her hand, she plunged into the bushes behind the cabin. Soon she was having to wade through marshy ground, sinking in several times to well above her ankles. But she had to keep going. She had to get home.
Presently she stumbled onto a path. Was it the path she had taken earlier? She stopped to wring out her dress. And then she began to cry.
How
could she have been so stupid? The worst of all was the boat. She couldn’t forget the sight of the rowboat with the one oar drifting helplessly on the lake. It was all so embarrassing, so shameful…
The philosophy teacher had probably reached the lake by now. He would need the boat to get home. Sophie felt almost like a criminal. But she hadn’t done it on purpose.
The envelope! That was probably even worse. Why had she taken it? Because her name was on it, of course, so in a way it was hers. But even so, she felt like a thief. And what’s more, she had provided the evidence that it was she who had been there.
Sophie drew the note out of the envelope. It said:
What came first—the chicken or the “idea” chicken?
Are we born with innate “ideas”?
What is the difference between a plant, an animal, and a human?
Why does it rain?
What does it take to live a good life?
Sophie couldn’t possibly think about these questions right now, but she assumed they had something to do with the next philosopher. Wasn’t he called Aristotle?
When she finally saw the hedge after running so far through the woods it was like swimming ashore after a shipwreck. The hedge looked funny from the other side.
She didn’t look at her watch until she had crawled into the den. It was ten-thirty. She put the big envelope into the biscuit tin with the other papers and stuffed the note with the new questions down her tights.
Her mother was on the telephone when she came in. When she saw Sophie she hung up quickly.
“Where on earth have you been?”
“I…went for a walk…in the woods,” she stammered.
Sophie's World Page 10
