Poems of the Great War

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Poems of the Great War Page 3

by Luigi Pirandello


  For this will stand in our Market-place–

  Who’ll sell, who’ll buy

  (Will you or I

  Lie each to each with better grace)?

  While looking into every busy whore’s and huckster’s face

  As they drive their bargains, is the Face

  Of God: and some young, piteous, murdered face.

  SIEGFRIED SASSOON

  Stretcher Case

  He woke; the clank and racket of the train

  Kept time with angry throbbings in his brain.

  Then for a while he lapsed and drowsed again.

  At last he lifted his bewildered eyes

  And blinked, and rolled them sidelong; hills and skies,

  Heavily wooded, hot with August haze,

  And, slipping backward, golden for his gaze,

  Acres of harvest.

  Feebly now he drags

  Exhausted ego back from glooms and quags

  And blasting tumult, terror, hurtling glare,

  To calm and brightness, havens of sweet air.

  He sighed, confused; then drew a cautious breath;

  This level journeying was no ride through death.

  ‘If I were dead,’ he mused, ‘there’d be no thinking –

  Only some plunging underworld of sinking,

  And hueless, shifting welter where I’d drown.’

  Then he remembered that his name was Brown.

  But was he back in Blighty? Slow he turned,

  Till in his heart thanksgiving leapt and burned.

  There shone the blue serene, the prosperous land,

  Trees, cows and hedges; skipping these, he scanned

  Large, friendly names, that change not with the year,

  Lung Tonic, Mustard, Liver Pills and Beer.

  EDWARD THOMAS

  This is No Case of Petty Right or Wrong

  This is no case of petty right or wrong

  That politicians or philosophers

  Can judge. I hate not Germans, nor grow hot

  With love of Englishmen, to please newspapers.

  Beside my hate for one fat patriot

  My hatred of the Kaiser is love true: –

  A kind of god he is, banging a gong.

  But I have not to choose between the two,

  Or between justice and injustice. Dinned

  With war and argument I read no more

  Than in the storm smoking along the wind

  Athwart the wood. Two witches’ cauldrons roar.

  From one the weather shall rise clear and gay;

  Out of the other an England beautiful

  And like her mother that died yesterday.

  Little I know or care if, being dull,

  I shall miss something that historians

  Can rake out of the ashes when perchance

  The phoenix broods serene above their ken.

  But with the best and meanest Englishmen

  I am one in crying, God save England, lest

  We lose what never slaves and cattle blessed.

  The ages made her that made us from dust:

  She is all we know and live by, and we trust

  She is good and must endure, loving her so:

  And as we love ourselves we hate her foe.

  ISAAC ROSENBERG

  Dead Man’s Dump

  The plunging limbers over the shattered track

  Racketed with their rusty freight,

  Stuck out like many crowns of thorns,

  And the rusty stakes like sceptres old

  To stay the flood of brutish men

  Upon our brothers dear.

  The wheels lurched over sprawled dead

  But pained them not, though their bones crunched,

  Their shut mouths made no moan.

  They lie there huddled, friend and forman,

  Man born of man, and born of woman,

  And shells go crying over them

  From night till night and now.

  Earth has waited for them,

  All the time of their growth

  Fretting for their decay:

  Now she has them at last!

  In the strength of their strength

  Suspended – stopped and held.

  What fierce imaginings their dark souls lit?

  Earth! have they gone into you!

  Somewhere they must have gone,

  And flung on your hard back

  Is their soul’s sack

  Emptied of God-ancestralled essences.

  Who hurled them out? Who hurled?

  None saw their spirits’ shadow shake the grass,

  Or stood aside for the half used life to pass

  Out of those doomed nostrils and the doomed mouth,

  When the swift iron burning bee

  Drained the wild honey of their youth.

  What of us who, flung on the shrieking pyre,

  Walk, our usual thoughts untouched,

  Our lucky limbs as on ichor fed,

  Immortal seeming ever?

  Perhaps when the flames beat loud on us,

  A fear may choke in our veins

  And the startled blood may stop.

  The air is loud with death,

  The dark air spurts with fire,

  The explosions ceaseless are.

  Timelessly now, some minutes past,

  These dead strode time with vigorous life,

  Till the shrapnel called ‘An end!’

  But not to all. In bleeding pangs

  Some borne on stretchers dreamed of home,

  Dear things, war-blotted from their hearts.

  Maniac Earth! howling and flying, your bowel

  Seared by the jagged fire, the iron love,

  The impetuous storm of savage love.

  Dark Earth! dark Heavens! swinging in chemic smoke,

  What dead are born when you kiss each soundless soul

  With lightning and thunder from your mined heart,

  Which man’s self dug, and his blind fingers loosed?

  A man’s brains splattered on

  A stretcher-bearer’s face;

  His shook shoulders slipped their load,

  But when they bent to look again

  The drowning soul was sunk too deep

  For human tenderness.

  They left this dead with the older dead,

  Stretched at the cross roads.

  Burnt black by strange decay

  Their sinister faces lie,

  The lid over each eye,

  The grass and coloured clay

  More motion have than they,

  Joined to the great sunk silences.

  Here is one not long dead;

  His dark hearing caught our far wheels,

  And the choked soul stretched weak hands

  To reach the living word the far wheels said,

  The blood-dazed intelligence beating for light,

  Crying through the suspense of the far torturing wheels

  Swift for the end to break

  Or the wheels to break,

  Cried as the tide of the world broke over his sight.

  Will they come? Will they ever come?

  Even as the mixed hoofs of the mules,

  The quivering-bellied mules,

  And the rushing wheels all mixed

  With his tortured upturned sight.

  So we crashed round the bend,

  We heard his weak scream,

  We heard his very last sound,

  And our wheels grazed his dead face.

  IVOR GURNEY

  To His Love

  He’s gone, and all our plans

  Are useless indeed.

  We’ll walk no more on Cotswold

  Where the sheep feed

  Quietly and take no heed.

  His body that was so quick

  Is not as you

  Knew it, on Severn river

  Under the blue

  Driving our small boat through.

  You would not know him
now …

  But still he died

  Nobly, so cover him over

  With violets of pride

  Purple from Severn side.

  Cover him, cover him soon!

  And with thick-set

  Masses of memoried flowers –

  Hide that red wet

  Thing I must somehow forget.

  WILFRED OWEN

  Insensibility

  I

  Happy are men who yet before they are killed

  Can let their veins run cold.

  Whom no compassion fleers

  Or makes their feet

  Sore on the alleys cobbled with their brothers.

  The front line withers,

  But they are troops who fade, not flowers

  For poets’ tearful fooling:

  Men, gaps for filling

  Losses who might have fought

  Longer; but no one bothers.

  II

  And some cease feeling

  Even themselves or for themselves.

  Dullness best solves

  The tease and doubt of shelling,

  And Chance’s strange arithmetic

  Comes simpler than the reckoning of their shilling.

  They keep no check on Armies’ decimation.

  III

  Happy are these who lose imagination:

  They have enough to carry with ammunition.

  Their spirit drags no pack.

  Their old wounds save with cold can not more ache.

  Having seen all things red,

  Their eyes are rid

  Of the hurt of the colour of blood for ever.

  And terror’s first constriction over,

  Their hearts remain small drawn.

  Their senses in some scorching cautery of battle

  Now long since ironed,

  Can laugh among the dying, unconcerned.

  IV

  Happy the soldier home, with not a notion

  How somewhere, every dawn, some men attack,

  And many sighs are drained.

  Happy the lad whose mind was never trained:

  His days are worth forgetting more than not.

  He sings along the march

  Which we march taciturn, because of dusk,

  The long, forlorn, relentless trend

  From larger day to huger night.

  V

  We wise, who with a thought besmirch

  Blood over all our soul,

  How should we see our task

  But through his blunt and lashless eyes?

  Alive, he is not vital overmuch;

  Dying, not mortal overmuch;

  Nor sad, nor proud,

  Nor curious at all.

  He cannot tell

  Old men’s placidity from his.

  VI

  But cursed are dullards whom no cannon stuns,

  That they should be as stones.

  Wretched are they, and mean

  With paucity that never was simplicity.

  By choice they made themselves immune

  To pity and whatever mourns in man

  Before the last sea and the hapless stars;

  Whatever mourns when many leave these shores;

  Whatever shares

  The eternal reciprocity of tears.

  EDMUND BLUNDEN

  Illusions

  Trenches in the moonlight, in the lulling moonlight

  Have had their loveliness; when dancing dewy grasses

  Caressed us passing along their earthy lanes;

  When the crucifix hanging over was strangely illumined,

  And one imagined music, one even heard the brave bird

  In the sighing orchards flute above the weedy well.

  There are such moments; forgive me that I note them,

  Nor gloze that there comes soon the nemesis of beauty,

  In the fluttering relics that at first glimmer wakened

  Terror – the no-man’s ditch suddenly forking:

  There, the enemy’s best with bombs and brains and courage!

  – Softly, swiftly, at once be animal and angel –

  But O no, no, they’re Death’s malkins dangling in the wire

  For the moon’s interpretation.

  EDWARD THOMAS

  Tears

  It seems I have no tears left. They should have fallen –

  Their ghosts, if tears have ghosts, did fall – that day

  When twenty hounds streamed by me, not yet combed out

  But still all equals in their rage of gladness

  Upon the scent, made one, like a great dragon

  In Blooming Meadow that bends towards the sun

  And once bore hops: and on that other day

  When I stepped out from the double-shadowed Tower

  Into an April morning, stirring and sweet

  And warm. Strange solitude was there and silence.

  A mightier charm than any in the Tower

  Possessed the courtyard. They were changing guard,

  Soldiers in line, young English countrymen,

  Fair-haired and ruddy, in white tunics. Drums

  And fifes were playing ‘The British Grenadiers’.

  The men, the music piercing that solitude

  And silence, told me truths I had not dreamed,

  And have forgotten since their beauty passed.

  WILFRED OWEN

  The Dead-Beat

  He dropped, – more sullenly than wearily,

  Lay stupid like a cod, heavy like meat,

  And none of us could kick him to his feet;

  Just blinked at my revolver, blearily;

  – Didn’t appear to know a war was on,

  Or see the blasted trench at which he stared.

  ‘I’ll do ’em in,’ he whined. ‘If this hand’s spared,

  I’ll murder them, I will.’

  A low voice said,

  ‘It’s Blighty, p’raps, he sees; his pluck’s all gone,

  Dreaming of all the valiant, that aren’t dead:

  Bold uncles, smiling ministerially;

  Maybe his brave young wife, getting her fun

  In some new home, improved materially.

  It’s not these stiffs have crazed him; nor the Hun.’

  We sent him down at last, out of the way.

  Unwounded; – stout lad, too, before that strafe.

  Malingering? Stretcher-bearers winked, ‘Not half!’

  Next day I heard the Doc’s well-whiskied laugh:

  ‘That scum you sent last night soon died. Hooray!’

  CHARLES HAMILTON SORLEY

  ‘When you see millions of the mouthless dead’

  When you see millions of the mouthless dead

  Across your dreams in pale battalions go,

  Say not soft things as other men have said,

  That you’ll remember. For you need not so.

  Give them not praise. For, deaf, how should they know

  It is not curses heaped on each gashed head?

  Nor tears. Their blind eyes see not your tears flow.

  Nor honour. It is easy to be dead.

  Say only this, ‘They are dead.’ Then add thereto,

  ‘Yet many a better one has died before.’

  Then, scanning all the o’ercrowded mass, should you

  Perceive one face that you loved heretofore,

  It is a spook. None wears the face you knew.

  Great death has made all his for evermore.

  SIEGFRIED SASSOON

  Enemies

  He stood alone in some queer sunless place

  Where Armageddon ends. Perhaps he longed

  For days he might have lived; but his young face

  Gazed forth untroubled: and suddenly there thronged

  Round him the hulking Germans that I shot

  When for his death my brooding rage was hot.

  He stared at them, half-wondering; and then

  They told him how I’d killed them for his sake –
/>
  Those patient, stupid, sullen ghosts of men;

  And still there seemed no answer he could make.

  At last he turned and smiled. One took his hand

  Because his face could make them understand.

  WILFRED OWEN

  Greater Love

  Red lips are not so red

  As the stained stones kissed by the English dead.

  Kindness of wooed and wooer

  Seems shame to their love pure.

  O Love, your eyes lose lure

  When I behold eyes blinded in my stead!

  Your slender attitude

  Trembles not exquisite like limbs knife-skewed,

  Rolling and rolling there

  Where God seems not to care;

  Till the fierce Love they bear

  Cramps them in death’s extreme decrepitude.

  Your voice sings not so soft, –

  Though even as wind murmuring through raftered loft, –

  Your dear voice is not dear,

  Gentle, and evening clear,

  As theirs whom none now hear

  Now earth has stopped their piteous mouths that coughed.

  Heart, you were never hot,

  Nor large, nor full like hearts made great with shot;

  And though your hand be pale,

  Paler are all which trail

  Your cross through flame and hail:

  Weep, you may weep, for you may touch them not.

  EDMUND BLUNDEN

  Reunion in War

  The windmill in his smock of white

  Stared from his little crest,

  Like a slow smoke was the moonlight

  As I went like one possessed

  Where the glebe path makes shortest way;

  The stammering wicket swung.

  I passed amid the crosses grey

  Where opiate yew-boughs hung.

  The bleached grass shuddered into sighs,

  The dogs that knew this moon

  Far up were harrying sheep, the cries

  Of hunting owls went on.

  And I among the dead made haste

  And over flat vault stones

  Set in the path unheeding paced

  Nor thought of those chill bones.

  Thus to my sweetheart’s cottage I,

  Who long had been away,

  Turned as the traveller turns adry

  To brooks to moist his clay.

  Her cottage stood like a dream, so clear

  And yet so dark; and now

  I thought to find my more than dear

  And if she’d kept her vow.

  Old house-dog from his barrel came

  Without a voice, and knew

  And licked my hand; all seemed the same

  To the moonlight and the dew.

  By the white damson then I took

  The tallest osier wand

  And thrice upon her casement strook,

  And she, so fair, so fond,

  Looked out, and saw in wild delight,

  And tiptoed down to me,

  And cried in silent joy that night

  Beside the bullace tree.

 

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