by Эмиль Золя
Cadine and Marjolin were sure of meeting Claude between four and five in the afternoon at the wholesale auction of the bullocks' lights. He was always there amidst the tripe dealers' carts backed up against the kerb-stones and the blue-bloused, white-aproned men who jostled him and deafened his ears by their loud bids. But he never felt their elbows; he stood in a sort of ecstatic trance before the huge hanging lights, and often told Cadine and Marjolin that there was no finer sight to be seen. The lights were of a soft rosy hue, gradually deepening and turning at the lower edges to a rich carmine; and Claude compared them to watered satin, finding no other term to describe the soft silkiness of those flowing lengths of flesh which drooped in broad folds like ballet dancers' skirts. He thought, too, of gauze and lace allowing a glimpse of pinky skin; and when a ray of sunshine fell upon the lights and girdled them with gold an expression of languorous rapture came into his eyes, and he felt happier than if he had been privileged to contemplate the Greek goddesses in their sovereign nudity, or the chatelaines of romance in their brocaded robes.
The artist became a great friend of the two young scapegraces. He loved beautiful animals, and such undoubtedly they were. For a long time he dreamt of a colossal picture which should represent the loves of Cadine and Marjolin in the central markets, amidst the vegetables, the fish, and the meat. He would have depicted them seated on some couch of food, their arms circling each other's waists, and their lips exchanging an idyllic kiss. In this conception he saw a manifesto proclaiming the positivism of art-modern art, experimental and materialistic. And it seemed to him also that it would be a smart satire on the school which wishes every painting to embody an "idea," a slap for the old traditions and all they represented. But during a couple of years he began study after study without succeeding in giving the particular "note" he desired. In this way he spoilt fifteen canvases. His failure filled him with rancour; however, he continued to associate with his two models from a sort of hopeless love for his abortive picture. When he met them prowling about in the afternoon, he often scoured the neighbourhood with them, strolling around with his hands in his pockets, and deeply interested in the life of the streets.
They all three trudged along together, dragging their heels over the footways and monopolising their whole breadth so as to force others to step down into the road. With their noses in the air they sniffed in the odours of Paris, and could have recognised every corner blindfold by the spirituous emanations of the wine shops, the hot puffs that came from the bakehouses and confectioners', and the musty odours wafted from the fruiterers'. They would make the circuit of the whole district. They delighted in passing through the rotunda of the corn market, that huge massive stone cage where sacks of flour were piled up on every side, and where their footsteps echoed in the silence of the resonant roof. They were fond, too, of the little narrow streets in the neighbourhood, which had become as deserted, as black, and as mournful as though they formed part of an abandoned city. These were the Rue Babille, the Rue Sauval, the Rue des Deux Ecus, and the Rue de Viarmes, this last pallid from its proximity to the millers' stores, and at four o'clock lively by reason of the corn exchange held there. It was generally at this point that they started on their round. They made their way slowly along the Rue Vauvilliers, glancing as they went at the windows of the low eating-houses, and thus reaching the miserably narrow Rue des Prouvaires, where Claude blinked his eyes as he saw one of the covered ways of the market, at the far end of which, framed round by this huge iron nave, appeared a side entrance of St. Eustache with its rose and its tiers of arched windows. And then, with an air of defiance, he would remark that all the middle ages and the Renaissance put together were less mighty than the central markets. Afterwards, as they paced the broad new streets, the Rue du Pont Neuf and the Rue des Halles, he explained modern life with its wide footways, its lofty houses, and its luxurious shops, to the two urchins. He predicted, too, the advent of new and truly original art, whose approach he could divine, and despair filled him that its revelation should seemingly be beyond his own powers.
Cadine and Marjolin, however, preferred the provincial quietness of the Rue des Bourdonnais, where one can play at marbles without fear of being run over. The girl perked her head affectedly as she passed the wholesale glove and hosiery stores, at each door of which bareheaded assistants, with their pens stuck in their ears, stood watching her with a weary gaze. And she and her lover had yet a stronger preference for such bits of olden Paris as still existed: the Rue de la Poterie and the Rue de la Lingerie, with their butter and egg and cheese dealers; the Rue de la Ferronerie and the Rue de l'Aiguillerie (the beautiful streets of far-away times), with their dark narrow shops; and especially the Rue Courtalon, a dank, dirty by-way running from the Place Sainte Opportune to the Rue Saint Denis, and intersected by foul-smelling alleys where they had romped in their younger days. In the Rue Saint Denis they entered into the land of dainties; and they smiled upon the dried apples, the "Spanishwood," the prunes, and the sugar-candy in the windows of the grocers and druggists. Their ramblings always set them dreaming of a feast of good things, and inspired them with a desire to glut themselves on the contents of the windows. To them the district seemed like some huge table, always laid with an everlasting dessert into which they longed to plunge their fingers.
They devoted but a moment to visiting the other blocks of tumble-down old houses, the Rue Pirouette, the Rue de Mondetour, the Rue de la Petite Truanderie, and the Rue de la Grande Truanderie, for they took little interest in the shops of the dealers in edible snails, cooked vegetables, tripe, and drink. In the Rue de la Grand Truanderie, however, there was a soap factory, an oasis of sweetness in the midst of all the foul odours, and Marjolin was fond of standing outside it till some one happened to enter or come out, so that the perfume which swept through the doorway might blow full in his face. Then with all speed they returned to the Rue Pierre Lescot and the Rue Rambuteau. Cadine was extremely fond of salted provisions; she stood in admiration before the bundles of red-herrings, the barrels of anchovies and capers, and the little casks of gherkins and olives, standing on end with wooden spoons inside them. The smell of the vinegar titillated her throat; the pungent odour of the rolled cod, smoked salmon, bacon and ham, and the sharp acidity of the baskets of lemons, made her mouth water longingly. She was also fond of feasting her eyes on the boxes of sardines piled up in metallic columns amidst the cases and sacks. In the Rue Montorgueil and the Rue Montmartre were other tempting-looking groceries and restaurants, from whose basements appetising odours were wafted, with glorious shows of game and poultry, and preserved-provision shops, which last displayed beside their doors open kegs overflowing with yellow sour-krout suggestive of old lacework. Then they lingered in the Rue Coquilliere, inhaling the odour of truffles from the premises of a notable dealer in comestibles, which threw so strong a perfume into the street that Cadine and Marjolin closed their eyes and imagined they were swallowing all kinds of delicious things. These perfumes, however, distressed Claude. They made him realise the emptiness of his stomach, he said; and, leaving the "two animals" to feast on the odour of the truffles-the most penetrating odour to be found in all the neighbourhood-he went off again to the corn market by way of the Rue Oblin, studying on his road the old women who sold green-stuff in the doorways and the displays of cheap pottery spread out on the foot- pavements.
Such were their rambles in common; but when Cadine set out alone with her bunches of violets she often went farther afield, making it a point to visit certain shops for which she had a particular partiality. She had an especial weakness for the Taboureau bakery establishment, one of the windows of which was exclusively devoted to pastry. She would follow the Rue Turbigo and retrace her steps a dozen times in order to pass again and again before the almond cakes, the savarins, the St. Honore tarts, the fruit tarts, and the various dishes containing bunlike babas redolent of rum, eclairs combining the finger biscuit with chocolate, and choux a la crème , little rounds of pastry overflowi
ng with whipped white of egg. The glass jars full of dry biscuits, macaroons, and madeleines also made her mouth water; and the bright shop with its big mirrors, its marble slabs, its gilding, its bread-bins of ornamental ironwork, and its second window in which long glistening loaves were displayed slantwise, with one end resting on a crystal shelf whilst above they were upheld by a brass rod, was so warm and odoriferous of baked dough that her features expanded with pleasure when, yielding to temptation, she went in to buy a brioche for two sous.
Another shop, one in front of the Square des Innocents, also filled her with gluttonous inquisitiveness, a fever of longing desire. This shop made a specialty of forcemeat pasties. In addition to the ordinary ones there were pasties of pike and pasties of truffled foie gras; and the girl would gaze yearningly at them, saying to herself that she would really have to eat one some day.
Cadine also had her moments of vanity and coquetry. When these fits were on her, she bought herself in imagination some of the magnificent dresses displayed in the windows of the "Fabriques de France" which made the Pointe Saint Eustache gaudy with their pieces of bright stuff hanging from the first floor to the footway and flapping in the breeze. Somewhat incommoded by the flat basket hanging before her, amidst the crowd of market women in dirty aprons gazing at future Sunday dresses, the girl would feel the woollens, flannels, and cottons to test the texture and suppleness of the material; and she would promise herself a gown of bright-coloured flannelling, flowered print, or scarlet poplin. Sometimes even from amongst the pieces draped and set off to advantage by the window-dressers she would choose some soft sky-blue or apple-green silk, and dream of wearing it with pink ribbons. In the evenings she would dazzle herself with the displays in the windows of the big jewellers in the Rue Montmartre. That terrible street deafened her with its ceaseless flow of vehicles, and the streaming crowd never ceased to jostle her; still she did not stir, but remained feasting her eyes on the blazing splendour set out in the light of the reflecting lamps which hung outside the windows. On one side all was white with the bright glitter of silver: watches in rows, chains hanging, spoons and forks laid crossways, cups, snuff- boxes, napkin-rings, and combs arranged on shelves. The silver thimbles, dotting a porcelain stand covered with a glass shade, had an especial attraction for her. Then on the other side the windows glistened with the tawny glow of gold. A cascade of long pendant chains descended from above, rippling with ruddy gleams; small ladies' watches, with the backs of their cases displayed, sparkled like fallen stars; wedding rings clustered round slender rods; bracelets, broaches, and other costly ornaments glittered on the black velvet linings of their cases; jewelled rings set their stands aglow with blue, green, yellow, and violet flamelets; while on every tier of the shelves superposed rows of earrings and crosses and lockets hung against the crystal like the rich fringes of altar-cloths. The glow of this gold illumined the street half way across with a sun-like radiance. And Cadine, as she gazed at it, almost fancied that she was in presence of something holy, or on the threshold of the Emperor's treasure chamber. She would for a long time scrutinise all this show of gaudy jewellery, adapted to the taste of the fish-wives, and carefully read the large figures on the tickets affixed to each article; and eventually she would select for herself a pair of earrings -pear-shaped drops of imitation coral hanging from golden roses.
One morning Claude caught her standing in ecstasy before a hair- dresser's window in the Rue Saint Honore. She was gazing at the display of hair with an expression of intense envy. High up in the window was a streaming cascade of long manes, soft wisps, loose tresses, frizzy falls, undulating comb-curls, a perfect cataract of silky and bristling hair, real and artificial, now in coils of a flaming red, now in thick black crops, now in pale golden locks, and even in snowy white ones for the coquette of sixty. In cardboard boxes down below were cleverly arranged fringes, curling side-ringlets, and carefully combed chignons glossy with pomade. And amidst this framework, in a sort of shrine beneath the ravelled ends of the hanging locks, there revolved the bust of a woman, arrayed in a wrapper of cherry-coloured satin fastened between the breasts with a brass brooch. The figure wore a lofty bridal coiffure picked out with sprigs of orange blossom, and smiled with a dollish smile. Its eyes were pale blue; its eyebrows were very stiff and of exaggerated length; and its waxen cheeks and shoulders bore evident traces of the heat and smoke of the gas. Cadine waited till the revolving figure again displayed its smiling face, and as its profile showed more distinctly and it slowly went round from left to right she felt perfectly happy. Claude, however, was indignant, and, shaking Cadine, he asked her what she was doing in front of "that abomination, that corpse-like hussy picked up at the Morgue!" He flew into a temper with the "dummy's" cadaverous face and shoulders, that disfigurement of the beautiful, and remarked that artists painted nothing but that unreal type of woman nowadays. Cadine, however, remained unconvinced by his oratory, and considered the lady extremely beautiful. Then, resisting the attempts of the artist to drag her away by the arm, and scratching her black mop in vexation, she pointed to an enormous ruddy tail, severed from the quarters of some vigorous mare, and told him she would have liked to have a crop of hair like that.
During the long rambles when Claude, Cadine, and Marjolin prowled about the neighbourhood of the markets, they saw the iron ribs of the giant building at the end of every street. Wherever they turned they caught sudden glimpses of it; the horizon was always bounded by it; merely the aspect under which it was seen varied. Claude was perpetually turning round, and particularly in the Rue Montmartre, after passing the church. From that point the markets, seen obliquely in the distance, filled him with enthusiasm. A huge arcade, a giant, gaping gateway, was open before him; then came the crowding pavilions with their lower and upper roofs, their countless Venetian shutters and endless blinds, a vision, as it were, of superposed houses and palaces; a Babylon of metal of Hindoo delicacy of workmanship, intersected by hanging terraces, aerial galleries, and flying bridges poised over space. The trio always returned to this city round which they strolled, unable to stray more than a hundred yards away. They came back to it during the hot afternoons when the Venetian shutters were closed and the blinds lowered. In the covered ways all seemed to be asleep, the ashy greyness was streaked by yellow bars of sunlight falling through the high windows. Only a subdued murmur broke the silence; the steps of a few hurrying passers-by resounded on the footways; whilst the badge-wearing porters sat in rows on the stone ledges at the corners of the pavilions, taking off their boots and nursing their aching feet. The quietude was that of a colossus at rest, interrupted at times by some cock-crow rising from the cellars below.
Claude, Cadine, and Marjolin then often went to see the empty hampers piled upon the drays, which came to fetch them every afternoon so that they might be sent back to the consignors. There were mountains of them, labelled with black letters and figures, in front of the salesmen's warehouses in the Rue Berger. The porters arranged them symmetrically, tier by tier, on the vehicles. When the pile rose, however, to the height of a first floor, the porter who stood below balancing the next batch of hampers had to make a spring in order to toss them up to his mate, who was perched aloft with arms extended. Claude, who delighted in feats of strength and dexterity, would stand for hours watching the flight of these masses of osier, and would burst into a hearty laugh whenever too vigorous a toss sent them flying over the pile into the roadway beyond. He was fond, too, of the footways of the Rue Rambuteau and the Rue du Pont Neuf, near the fruit market, where the retail dealers congregated. The sight of the vegetables displayed in the open air, on trestle-tables covered with damp black rags, was full of charm for him. At four in the afternoon the whole of this nook of greenery was aglow with sunshine; and Claude wandered between the stalls, inspecting the bright-coloured heads of the saleswomen with keen artistic relish. The younger ones, with their hair in nets, had already lost all freshness of complexion through the rough life they led; while the older ones were be
nt and shrivelled, with wrinkled, flaring faces showing under the yellow kerchiefs bound round their heads. Cadine and Marjolin refused to accompany him hither, as they could perceive old Mother Chantemesse shaking her fist at them, in her anger at seeing them prowling about together. He joined them again, however, on the opposite footway, where he found a splendid subject for a picture in the stallkeepers squatting under their huge umbrellas of faded red, blue, and violet, which, mounted upon poles, filled the whole market-side with bumps, and showed conspicuously against the fiery glow of the sinking sun, whose rays faded amidst the carrots and the turnips. One tattered harridan, a century old, was sheltering three spare-looking lettuces beneath an umbrella of pink silk, shockingly split and stained.
