Page 265: John Singer Sargent (1856–1925), Mrs. Gardner (1840–1924) in White. Watercolor on paper. © Isabella Stewart Gardner Museum, Boston, MA, U.S.A./The Bridgeman Art Library.
Insert
Page 1, above: Anthony van Dyck (1599–1641), James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1634–35. Oil on canvas, 85×501⁄4 in. (215.9×127.6cm). Marquand Collection, Gift of Henry G. Marquand, 1889 (89.15.16). The Metropolitan Museum of Art, New York, NY, U.S.A. Image copyright © The Metropolitan Museum of Art / Art Resource, NY.
Page 1, below: John Singer Sargent, American (1856–1925), Elizabeth Allen Marquand, 1887. Oil on canvas, 169×107cm (669⁄16×421⁄8 in.). Princeton University Art Museum. Gift of Eleanor Marquand Delanoy, granddaughter of the sitter (Y1977–77). © Photo: Trustees of Princeton University. May not be reproduced without permission in writing from Princeton University Art Museum, Princeton, NJ 08544.
Page 2, above: Johannes Vermeer (1632–75), Young Woman with a Water Pitcher, ca. 1662. Oil on canvas, 18×16 in. (45.7×40.6cm). Marquand Collection, Gift of Henry G. Marquand, 1889 (89.15.21). The Metropolitan Museum of Art, New York, NY, U.S.A. Image copyright © The Metropolitan Museum of Art / Art Resource, NY.
Page 2, below: Johannes Vermeer (1632–75), The Concert, ca.1665. Oil on canvas. © Isabella Stewart Gardner Museum, Boston, MA, U.S.A./The Bridgeman Art Library.
Page 3, above: John Singer Sargent (1856–1925), Isabella Stewart Gardner (1840–1924), 1888. Oil on canvas. © Isabella Stewart Gardner Museum, Boston, MA, U.S.A./The Bridgeman Art Library.
Page 3, below: Rembrandt Harmensz. van Rijn (1606–69), Self Portrait, 1629. Oil on panel. © Isabella Stewart Gardner Museum, Boston, MA, U.S.A./The Bridgeman Art Library.
Page 4: Titian (Tiziano Vecellio) (ca. 1488–1576), Europa, 1560–62. Oil on canvas. © Isabella Stewart Gardner Museum, Boston, MA, U.S.A./The Bridgeman Art Library.
Page 5, above: Raphael (Raffaello Sanzio) (1483–1520), Madonna and Child Enthroned with Saints. Altarpiece, ca. 1504. Oil and gold on wood; main panel, overall 677⁄ 8×677⁄8in. (172.4×172.4cm), painted surface 663⁄4×661⁄2in. (169.5×168.9cm); lunette, overall 291⁄2×707⁄8in. (74.9×180cm), painted surface 251⁄2×671⁄2in. (64.8×171.5cm). Gift of J. Pierpont Morgan, 1916 (16.30ab). The Metropolitan Museum of Art, New York, NY, U.S.A. Image copyright © The Metropolitan Museum of Art / Art Resource, NY.
Page 5, below: Sir Joshua Reynolds, British (1723–92), Lady Elizabeth Delmé and Her Children, 1777–79. Oil on canvas, 239.2×147.8cm (941⁄8×581⁄8in.) Andrew W. Mellon Collection, 1937.1.95. Image courtesy of the Board of Trustees, National Gallery of Art, Washington, D.C.
Page 6, above: El Greco (1541–1614), Portrait of a Cardinal, Probably Cardinal Don Fernando Niño de Guevara (1541–1609), ca. 1600. Oil on canvas, 671⁄4×421⁄2in. (170.8×108cm). H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.5). The Metropolitan Museum of Art, New York, NY, U.S.A. Image copyright © The Metropolitan Museum of Art / Art Resource, NY.
Page 6, below: Edgar Degas, At the Louvre, ca. 1879. Pastel on seven pieces of paper joined together, 28×211⁄4in. (17×54cm), Vente stamp lower right. Private Collection. Courtesy Sotheby’s, New York.
Page 7, above: Rembrandt Harmensz. van Rijn (1606–69), The Polish Rider, ca. 1655. Oil on canvas, 46×531⁄8in. (116.84×134. 94cm). Henry Clay Frick Bequest. 1910.1.98. Copyright The Frick Collection, New York.
Page 7, below: Rembrandt Harmensz. van Rijn (1606–69), Self-Portrait, 1658. Oil on canvas, 525⁄8×407⁄8in. (133.67×103.82cm). Henry Clay Frick Bequest. 1906.1.97. Copyright The Frick Collection, New York.
Page 8, above: Giovanni Bellini (ca. 1430–1516), St. Francis in the Desert, 1480. Oil and tempera on poplar panel, 49×557⁄8in. (124.46×141.92cm). Henry Clay Frick Bequest. 1915.1.03. Copyright The Frick Collection, New York.
Page 8, below: Giovanni Bellini, Venetian (ca. 1430/1435–1516). Titian, Venetian (ca. 1490–1576), The Feast of the Gods, 1514/1529. Oil on canvas, 170.2×188cm (67×74in.). Widener Collection, 1942.9.1 Image courtesy of the Board of Trustees, National Gallery of Art, Washington, D.C.
Old Masters, New World Page 41
