by Brand, Max
Gus tossed the noose a little wider, and gathered himself for the throw, but it seemed as if the wolf saw or heard the movement. He stopped suddenly and stood with his head high; behind him the rider checked the black horse; all three waited.
"He's tryin' to get the wind," chuckled Waldron, "but the wind is ag'in' our faces!"
It was only a slight breeze, but it came directly against the lurking three; and moreover the scent of the sage was particularly keen at this time of the day, and quite sufficient to blur the scent of man even in the keen nostrils of Black Bart. Only for a second or so he stood there sniffing the wind, a huge animal, larger than any wolf the three had ever seen; his face wise in a certain bear-like fashion from the three gray marks in the center of his forehead. Now he trotted ahead, and the stallion broke into a gallop behind.
"My God," whispered Sliver to Gus, "don't spoil that hoss when you daub the rope on him! Look at that action; like runnin' water!"
They came more rapidly. As if the rider knew that a point of danger was there to be passed, he spoke to his mount, and Satan lengthened into a racing gait that blew the brim of the rider's hat straight up. On they came. The wolf-dog darted past. Then as the horse swept by, Gus Reeve rose from behind his bush and the rope darted snakelike from his hand. The forefeet of Satan landed in the noose, and the next instant the back-flung weight of Gus tightened the rope, and Satan shot over upon his side, flinging the master clear of the saddle.
It sent him rolling over and over in the dust, and Sliver Waldron was on his feet with both guns in action, sending bullet after bullet towards the tumbling body. Gus Reeve was running towards the stallion, his rope in action to entangle one of the hindfeet and make sure of his prey; Ronicky Joe had leaped up with a yell and blazed away at Black Bart.
It was no easy mark to strike, for the moment the rope shot out from the hand of Gus, the wolf-dog whirled in his tracks and darted straight for the scene of action. It was that, perhaps, which troubled the aim of Ronicky more than anything else, for wild animals do not whirl in this fashion and run for an assailant. He had expected to find himself plugging away at a flying target in the distance; instead, the black monster was rushing straight for him, silently. Indeed, all that followed was in silence after that first wild Indian yell from Ronicky Joe. His gun barked, but Black Bart was running like a football player down a broken field, swerving here and there with uncanny speed. Again, again, Joe missed, and then flung up his arm toward the flying danger. But Black Bart shot from the ground to make his kill. He could bring down the strongest bull in the herd. What was the arm of a man to him? His snake-like head shot through that futile guard; his teeth cut off the screams of Ronicky Joe. Down they went. The gun flew from the hand of Ronicky; for an instant he struggled with hands and writhing legs, and then the murderous teeth of Bart sank deeper, found the life. The dead body was limp, but Bart, shaking his hold deeper to make sure, glared across to the fallen master.
The third man had died for Grey Molly.
All this had happened in a second, and the body of Barry was still rolling when a gun flashed in his hand, drawn while he tumbled. It spat fire, and Sliver Waldron staggered forward drunkenly, waved both his armed hands as if he were trying to talk by signal, and pitched on his face into the dust.
The fourth man had died for Grey Molly.
No gun was destined for Gus Reeve, however. Black Bart had left the lifeless body of his victim and was darting towards the third man; the master was on his knee, raising his gun for the last shot; but Gus Reeve was blind to all that had happened. He saw only the black stallion, the matchless prize of horseflesh. He tossed a loop in the taut rope to entangle a bind foot, but that slackening of the line gave Satan his instant's purchase, and a moment later he was on his feet, whirled, and two iron-hard hoofs crushed the whole framework of the man's chest like an egg-shell. The impact lifted him from his feet, but before that body struck the ground the life was fled from it. The fifth man had died for Grey Molly.
Chapter XXIII. Bad News
News of the Killing at Alder, as they call that night's slaughter to this day in the mountain-desert, traveled swiftly, and lost nothing of bulk and burden on the way; so that two days later, when Lee Haines went down for mail to the wretched little village in the valley, he heard the store-keeper retailing the story to an awe-stricken group. How the tale had crossed all the wild mountains which lay between in so brief a space no man could say, but first there ran a whisper and then a stir, and then half a dozen men came in at once, each with an elaboration of the theme more horrible than the last. The store-keeper culled the choicest fragments from every version, strung them together with a narrative of his own fertile invention, polished off the tale by a few rehearsals in his home, and then placed his product on the open market. The very first day he kept the store-room well filled from dawn until dark.
And this was the creation to which Lee Haines had to listen, impatient, sifting the chaff from the grains of truth. Down upon Alder, exactly at midnight, had ridden a cavalcade headed by that notorious, half-legendary man-slayer, Dan Barry—Whistling Dan. While his crew of two-score hardened ruffians held the doors and the windows with leveled rifles, Barry had entered with a gun and a wolf—a wild wolf, and had butchered ten men, wantonly. To add to the mystery, there was no motive of robbery for the crime. One sweeping visitation of death, and then the night-riders had rushed away. Nor was this all, for Sheriff Pete Glass, hearing of the tragedy, had ridden to Rickett, the county seat, and from this strategic point of vantage he was sending out a call for the most practised fighters on the mountain-desert. He wanted twenty men proved beyond the shadow of question for courage, endurance, speed, and surety in action.
"And," concluded the store-keeper, fixing his eye upon Lee Haines, "if you want a long ride free of charge, and ten bucks a day with chow thrown in—some of you gents ought to go to Rickett and chin with Pete."
Haines waited to hear no more. He even forgot to ask for the Barry mail, swung into his saddle, and rode with red spurs back to the cabin in the mountains. There he drew Buck Daniels aside, and they walked among the rocks while Haines told his story. When it was ended they sat on adjoining boulders and chucked pebbles aimlessly into the emptiness beyond the cliff.
"Maybe," said Buck suddenly, "it wasn't Dan at all. He sure wouldn't be ridin' with no crowd of gents like that."
"A fool like that store-keeper could make a crowd of Indians out of one papoose," answered Haines. "It was Dan. Who else would be traipsing around with a dog that looks like a wolf—and hunts men?"
"I remember when Dan cornered Jim Silent in that cabin, and all Jim's gang was with him. Black Bart—"
"Buck," cut in Haines, "you've remembered plenty."
After a moment: "When are you going in to break the news to Kate?"
Buck Daniels regarded him with angry astonishment.
"Me?" he cried. "I'd sooner cut my tongue out!" He drew a great breath. "I feel like—like Dan was dead!"
"The best thing for Kate if he were."
"That's a queer thing to say, Lee. The meat would be rotted off your bones six years ago in Elkhead if it hadn't been for Whistlin' Dan."
"I know it, Buck. But I'll tell you straight that I could never feel towards Dan as if he were a human being, but a wolf in the hide of a man. He turned my blood cold; he always has."
Buck Daniels groaned aloud as thoughts poured back on him.
"Of all the pals that ever a man had," he said sadly, "there never was a partner like Whistlin' Dan. There was never another gent that would go through hell for you jest because you'd eaten meat with him. The first time I met him I tried to double-cross him, because I had my orders from Silent. And Dan played clean with me—by God, he shook hands with me when he left."
He straightened a little.
"So help me God, Lee, I've never done a crooked thing more since I shook hands with Dan that day." He sat silent, but breathing hard. "Well, this is the end of Whistlin' Dan. The law will never let
up on him now; but I tell you, Haines, I'm sick inside and I'd give my right hand plumb to the wrist to set him straight and bring him back to Kate. Go in and tell her, Lee. I—I'll wait for you here."
"You'll be damned," cried Haines. "I've done my share by bringing the word this far. You can relay it."
Buck Daniels produced a silver dollar.
"Heads or tails?"
"Heads!" said Haines.
The dollar spun upwards, winking, and clanked on the rocks, tails up. Haines stared at it with a grisly face.
"Good God," he muttered, "what'll I do, Buck, if she faints?"
"Faints?" echoed Daniels, "there's no fear of that! The first thing you'll have to do is to saddle her horse."
"Now, what in hell are you driving at?"
"She'll be thinkin' of Joan. God knows she worried enough because Dan hasn't brought the kid back before this, but when she hears what he's done now, she'll know that he's wild for keeps and she'll be on the trail to bring the young'un home."
He turned his back cleanly on the house and set his shoulders tense.
"Go on, Lee. Be a man."
He heard the steps of Haines start briskly enough for the house, but they trailed away, slowly and more slowly, and finally there was a long pause.
"He's standing at the door," muttered Buck. "Thank God I ain't in his boots."
He jerked out his papers and tobacco, but in the very act of twisting the cigarette tight the door slammed and he ripped the flimsy thing in two. He started to take another paper, but his fingers were so unsteady that he could not pull away the single sheet of tissue which he wanted. Then his hands froze in place.
A faint tapping came out to him.
"He—he's rapping on her door," whispered Buck, and remained fixed in place, his eyes staring straight before him.
The seconds slipped away.
"He's turned yaller," murmured Buck. "He couldn't do it. It'll be up to me!"
But he had hardly spoken the words when a low cry came out to him from the house. Then the silence again, but Buck Daniels began to mop his forehead.
After that, once, twice, and again he made the effort to turn towards the house, but when he finally succeeded it was whole minutes later, and Lee Haines was leading a saddled horse from the coral. Kate stood beside the cabin, waiting.
When he reached her, she was already mounted. He halted beside her, panting, his hand on her bridle.
"Don't do it, Kate!" he pleaded. "Lemme go with you. Lemme go and try to help."
The brisk wind up the gulch set her clothes fluttering, stirred the hair about the rim of her hat, and she seemed to Buck more gracefully, more beautifully young than he had ever seen her; but her face was like stone.
"You'd be no help," she answered. "When I get to the place I may have to meet him! Would you face him, Buck?"
His hand fell away from the bridle. It was not so much what she said as the cold, steady voice with which she spoke that unnerved him. Then, without a farewell, she turned the brown horse around and struck across the meadow at a swift gallop. Buck turned to meet the sick face of Haines.
"Well?" he said.
"Let me have that flask."
Buck produced a metal "life-saver," and Haines with nervous hands unscrewed the top and lifted it to his lips. He lowered it after a long moment and stood bracing himself against the wall.
"It was hell, Buck. God help me if I ever have to go through a thing like that again."
"I see what you done," said Buck angrily. "You walked right in and took your story in both hands and knocked her down with it. Haines, of all the ornery, thick-headed cayuses I ever see, you're the most out-beatin'est!"
"I couldn't help it."
"Why not?"
"When I went in she took one look at me and then jumped up and stood as straight as a pine tree.
"'Lee,' she said, 'what have you heard?'"
"'About what?' I asked her, and I looked sort of indifferent."
"Dan!" snorted Buck. "She could see death an' hell written all over your face, most like."
"I suppose," muttered Haines, "I—I was sick!
"'Tell me!' she said, coming close up.
"'He's gone wild again,' was all I could put my tongue to.
"Then I blurted it out. I had to get rid of the damned story some way, and the quickest way seemed the best—how Dan rode into Alder and did the killing.
"When I got to that she gave one cry."
"I know," said Buck, shuddering. "Like something dying."
"Then she asked me to saddle her horse. I begged her to let me go with her, and she said to me what she just now said to you. And so I stayed. What good could we do against that devil?"
Chapter XXIV. The Music
To the last ravine Kate's horse carried her easily enough, but that mountain pass was impenetrable through all its length to anything except the uncanny agility of Satan, and so she left the cow-pony in the bottom of the gorge and climbed the last rise on foot.
On the mountainside above her, it was not easy to locate the cave, for the slope was clawed into ravines and confused with meaningless criss-cross gulches. Whatever scrub evergreens grew there stood under the shade of boulders which threatened each instant to topple over and go thundering to the base. She had come upon the cave by chance in her ride with Dan, and now she hunted vainly through the great stones for the entrance. A fresh wind, chill with the snows of the upper peaks, pulled and tugged at her and cut her face and hands with flying bits of sand. It kept up a whistling so insistent that it was some time before she recognized in the hum of the gale a different note, not of pleasant music, but a thin, shrill sound that blended with the voice of the wind.
The instant she heard it she stopped short on the lee side of a tall rock and looked about her in terror. The mountains walked away on every side, and those resolute masses gave her courage. She listened, for the big rock cut away the breath of the wind about her ears and she could make out the whistling more clearly. It was a strain as delicate as a pin point ray of light in a dark room, but it made Kate tremble.
Until the sound ended she stayed there by the rock, hearkening, but the moment it ceased she gathered her resolution with a great effort and went straight toward the source of the whistling. It was only a moment away, although the wind had made it seem much farther, and she came on the tall, narrow opening with Joan sitting on a rock just within. Instead of the blue cloak, she was wrapped in a tawny hide, and the yellow hair blew this way and that, unsheltered from the wind. The loneliness of the little figure made Kate's heart ache, made her pause on her way, and while she hesitated, Joan's head rested back against the rock, her eyes half closed, her lips pursed, she began to whistle that same keen, eerie music.
It brought Kate to her in a rush.
"Oh Joan!" she cried. "My baby!"
And she would have swept the child into her arms, but Joan slipped out from under her very fingers and stood a little distance off with her hands pressed against the wall on either side of her, ready to dart one way or the other. It was not sudden terror, but rather a resolute determination to struggle against capture to the end, and her blue eyes were blazing with excitement. Kate was on her knees with her arms held out.
"Joan, dear, have you forgotten munner?"
The wildness flickered away from the eyes of the child little by little.
"Munner?" she repeated dubiously.
No shout of welcome, no sudden rush, no arms to fling about her mother. But if her throat was dry and closed Kate allowed no sign of it to creep into her voice.
"Where's Daddy Dan?"
"He's gone away."
"Where?"
"Oh—over there!"
The mother rose slowly to her feet, and looked out across the mountains as if in search of aid. For her mind had harked back to that story her father used to tell of the coming of Dan Barry; how he had ridden across the hills one evening and saw, walking against the sunset, a tattered boy who whistled strangely as he w
ent, and when old Joe Cumberland asked where he was going he had only waved a vague hand toward the north and answered, "Oh—over there. It was sufficient destination for him, it was sufficient explanation now for the child. She remembered how she, herself a child then, had sat at her father's table and watched the brown face of the strange boy with fascination, and the wild, quick eyes which went everywhere and rested in no one place. They were the eyes which looked up to her now from Joan's face, and she felt suddenly divorced from her baby, as if all the blood in Joan were the blood of her father.
"He left you here alone?" she murmured.
The child looked at her with a sort of curious amazement.
"Joan isn't alone."
She whistled softly, and around the corner of the rock peered two tiny, beady-bright eyes, and the sharp nose of a coyote puppy. It disappeared at once at the sight of the stranger, and now all the strength went from Kate. She slipped helplessly down, and sat on a boulder trying to think, trying to master the panic which chilled her; for she thought of the day when Whistling Dan brought home to the Cumberland Ranch the wounded wolf-dog, Black Bart. But the call of Joan had traveled far, and now a squirrel came in at a gallop with his vast tail bobbing behind him, and ran right up the rock until he was on the shoulder of the child. From this point of vantage, however, he saw Kate, and was instantly on the floor of the cave and scurrying for the entrance, chattering with rage.
The wild things came to Joan as they came to her father, and the eyes of the child were the eyes of Dan Barry. It came home to Kate and she saw the truth for the first time in her life. She had struggled to win him away from his former life, but now she knew that it was not habit which controlled him, for he was wild by instinct, by nature. Just as the tang of his untamed blood had turned the child to this; and a few days more of life with him would leave her wild forever.
"He left you alone here!" she repeated fiercely. "Where a thousand things might happen. Thank God I've found you."
Even if her words conveyed little meaning to Joan, the intonation carried a message which was perfectly clear.
