Macready swung the tiller, and they pivoted in a fan of spray into the lee of a tall white-faced building which lifted a full twenty storeys out of the water. The roof of an adjacent smaller block served as a jetty, next to which was moored a rusty white-hulled power cruiser. The raked perspex windows of the driving cabin were cracked and stained, and the exhaust vents leaked a scaly oil onto the water.
As the cutter jockeyed in behind the power cruiser under Macready's expert hand, they clambered over to the wire door, jumped down onto the jetty and crossed a narrow metal gangway that led into the apartment block. The walls of the corridor were slick with moisture, huge patches of mould feeding on the plaster, but the elevator was still working, powered by an emergency diesel. They rose slowly towards the roof, and stepped out on to the upper level of the duplex, then walked down a service corridor to the outer deck.
Directly below them was the lower level, a small swimming pooi with a covered patio, bright deck chairs drawn up in the shade by the diving board. Yellow venetian blinds masked the windows around three sides of the pool, but through the vanes they could see the cool shadows in the interior lounge, the glint of cut-glass and silver on the occasional tables. In the dim light under the striped blue awning at the rear of the patio was a long chromium counter, as inviting as an air-conditioned bar seen from a dusty street, glasses and decanters reflected in a diamond-paned mirror. Everything in this private haven seemed clean and discreet, thousands of miles away from the fly-blown vegetation and tepid jungle water twenty storeys below.
Beyond the far end of the pool, screened by an ornamental balcony, was a wide open view of the lagoon, the city emerging from the encroaching jungle, flat sheets of silver water expanding towards the green blur along the southern horizon. Massive silt banks lifted their backs through the surface, a light yellow fur along their spines marking the emergence of the first giant bamboo groves.
The helicopter rose from its platform on the roof of the base and arced upwards into the air towards them, the pilot swinging the tail as he changed direction, then roared overhead, two men in the open hatchway searching the rooftops with binoculars.
Beatrice Dahl lay back on one of the deck chairs, her long oiled body gleaming in the shadows like a sleeping python. The pink-tipped fingers of one hand rested lightly on an ice-filled glass on a table beside her, while the other hand turned slowly through the pages of a magazine. Wide blue-black sunglasses hid her smooth sleek face, but Kerans noted the slightly sullen pout of her firm lower lip. Presumably Riggs had annoyed her, forcing her to accept the logic of his argument.
The Colonel paused at the rail, looking down at the beautiful supple body with ungrudging approval. Noticing him, Beatrice pulled off her sunglasses, then tightened the loose back-straps of her bikini under her arms. Her eyes glinted quietly.
"All right, you two, get on with it. I'm not a strip show."
Riggs chuckled and trotted down the white metal stairway, Kerans at his heels, wondering how he was going to persuade Beatrice to leave her private sanctuary.
"My dear Miss Dahl, you should be flattered that I keep coming to see you," Riggs told her, lifting back the awning and sitting down on one of the chairs. "Besides, as the military governor of this area—" here he winked playfully at Kerans "—I have certain responsibilities towards you. And vice versa."
Beatrice regarded him briefly with a jaundiced eye and reached out to turn up the volume of the radiogram behind her. "Oh God... " She muttered some further, less polite imprecation under her breath and looked up at Kerans. "And what about you, Robert? What brings you out so early in the day?"
Kerans shrugged, smiling at her amiably. "I missed you."
"Good boy. I thought perhaps that the gauleiter here had been trying to frighten you with his horror stories."
"Well, he has, as a matter of fact." Kerans took the magazine propped against Beatrice's knee and leafed through it idly. It was a forty-year-old issue of Paris Vogue, from its icy pages evidently kept somewhere in cold storage. He dropped it on the green-tiled floor. "Bea, it looks as if we'll all have to leave here in a couple of days' time. The Colonel and his men are pulling out for good. We can't very well stay on after he's gone."
"We?" she repeated dryly. "I didn't know there was any chance of your staying behind?"
Kerans glanced involuntarily at Riggs, who was watching him steadily. "There isn't," he said firmly. "You know what I mean. There'll be a lot to do in the next forty-eight hours, try not to complicate things by making a last emotional stand."
Before the girl could cut back at Kerans, Riggs added smoothly: "The temperature is still going up, Miss Dahl, you won't find it easy to stand one hundred and thirty degrees when the fuel for your generator runs out. The big Equatorial rain belts are moving northward, and they'll be here in a couple of months. When they leave, and the cloud cover goes, the water in that pool—" he indicated the tank of steaming, insect-strewn fluid "—will damn nearly boil. What with the Type X Anopheles, skin cancers and the iguanas shrieking all night down below, you'll get precious little sleep." Closing his eyes, he added pensively: "That is, assuming that you still want any."
At this last remark the girl's mouth fretted slightly. Kerans realised that the quiet ambiguity in Riggs' voice when he asked how the biologist slept had not been directed at his relationship with Beatrice.
The Colonel went on: "In addition, some of the human scavengers driven northward out of the Mediterranean lagoons won't be too easy to deal with."
Beatrice tossed her long black hair over one shoulder. "I'll keep the door locked, Colonel."
Irritated, Kerans snapped: "For God's sake, Beatrice, what are you trying to prove? These self-destructive impulses may be amusing to play with now, but when we've gone they won't be so funny. The Colonel's only trying to help you—he doesn't really give a hoot whether you stay behind or not."
Riggs let out a brief laugh. 'Well, I wouldn't say that. But if the thought of my personal concern worries you so much, Miss Dahl, you can just put it down to my over-developed sense of duty."
"That's interesting, Colonel," Beatrice commented sarcastically. "I've always understood that our duty was to stay on here as long as possible and make every sacrifice necessary to that end. Or at least–" here the familiar gleam of sharp humour crossed her eyes "–that was the reason my grandfather was given when the government confiscated most of his property." She noticed Riggs peering over his shoulder at the bar. "What's the matter, Colonel? Looking for your punkahwallah? I'm not going to get you a drink, if that's what you're after. I think you men only come up here to booze."
Riggs stood up. "All right, Miss Dahl. I give in. I'll see you later, Doctor." He saluted Beatrice with a smile. "Some time tomorrow I'll send the cutter over to collect your gear, Miss Dahl."
When Riggs had gone Kerans lay back in his chair, watching the helicopter circle over the adjacent lagoon. Now and then it dived along the water's edge, the down-draught from its rotor blades beating through the flapping fronds of the fern trees, driving the iguanas across the rooftops. Beatrice brought a drink from the bar and sat down on the chair at his feet.
"I wish you wouldn't analyse me in front of that man, Robert." She handed him the drink and then leaned against his knees, resting her chin on one wrist. Usually she looked sleek and well-fed, but her expression today seemed tired and wistful.
"I'm sorry," Kerans apologised. "Perhaps I was really analysing myself. Riggs' ultimatum came as a bit of a surprise; I wasn't expecting to leave so soon."
"You are going to leave then?"
Kerans paused. The automatic player in the radiogram switched from Beethoven's Pastoral to the Seventh, Toscanini giving way to Bruno Walter. All day, without a break, it played through the cycle of nine symphonies. He searched for an answer, the change of mood, to the sombre opening motif of the Seventh, overlaying his indecision.
"I suppose I want to, but I haven't yet found an adequate reason. Satisfying one's emotional need
s isn't enough. There's got to be a more valid motive. Perhaps these sunken lagoons simply remind me. of the drowned world of my uterine childhood—if so, the best thing is to leave straight away. Everything Riggs says is true. There's little hope of standing up to the rainstorms and the malaria."
He placed his hand on her forehead, feeling her temperature like a child. "What did Riggs mean when he said you wouldn't sleep well? That was the second time this morning he mentioned it."
Beatrice looked away for a moment. "Oh, nothing. I've just had one or two peculiar nightmares recently. A lot of people get them... Forget it. Tell me, Robert, seriously—if I decide to stay on here, would you? You could share this apartment."
Kerans grinned. "Trying to tempt me, Bea? What a question. Remember, not only are you the most beautiful woman here, but you're the only woman. Nothing is more essential than a basis for comparison. Adam had no aesthetic sense, or he would have realised that Eve was a pretty haphazard piece of work."
"You are being frank today." Beatrice stood up and went over to the edge of the pool. She swept her hair back off her forehead with both hands, her long supple body gleaming against the sunlight. "But is there as much urgency as Riggs claims? We've got the cruiser."
"It's a wreck. The first serious storm will split it open like a rusty can.
Nearing noon, the heat on the terrace had become uncomfortable and they left the patio and went indoors. Double venetian blinds filtered a thin sunlight into the low wide lounge, and the refrigerated air was cool and soothing. Beatrice stretched out on a long pale-blue elephant-hide sofa, one hand playing with the fleecy pile of the carpet. The apartment had been one of her grandfather's pied a terres, and Beatrice's home since her parents' death shortly after her birth. She had been brought up under the supervision of the grandfather, who had been a lonely, eccentric tycoon (the sources of his wealth Kerans had never established; when he asked Beatrice, shortly after he and Riggs stumbled upon her penthouse eyrie, she replied succinctly: "Let's say he was in money") and a great patron of the arts in his earlier days. His tastes leaned particularly towards the experimental and bizarre, and Kerans often wondered how far his personality and its strange internal perspectives had been carried forward into his granddaughter. Over the mantelpiece was a huge painting by the early 20th century surrealist Delvaux, in which ashen-faced women danced naked to the waist with dandified skeletons in tuxedos against a spectral bonelike landscape. On another wall one of Max Ernst's self-devouring phantasmagoric jungles screamed silently to itself, like the sump of some insane unconscious.
For a few moments Kerans stared quietly at the dim yellow annulus of Ernst's sun glowering through the exotic vegetation, a curious feeling of memory and recognition signalling through his brain. Far more potent than the Beethoven, the image of the archaic sun burned against his mind, illuminating the fleeting shadows that darted fitfully through its profoundest deeps.
"Beatrice."
She looked up at him as he walked across to her, a light frown crossing her eyes. "What's the matter, Robert?"
Kerans hesitated, suddenly aware that, however brief and imperceptible, a moment of significant time had elapsed, carrying him forward with its passage into a zone of commitment from which he would not be able to withdraw.
"You realise that if we let Riggs go without us we don't merely leave here later. We stay."
CHAPTER THREE
TOWARDS A NEW PSYCHOLOGY
Berthing the catamaran against the landing stage, Kerans shipped the outboard and then made his way up the gangway into the base. As he let himself through the screen hatch he looked back over his shoulder across the lagoon, and caught a brief glimpse through the heat waves of Beatrice standing at her balcony rail. When he waved, however, she characteristically turned away without responding.
"One of her moody days, Doctor?" Sergeant Macready stepped from the guard cubicle, a trace of humour relaxing his beak-like face. "She's a strange one, all right."
Kerans shrugged. "These tough bachelor girls, you know, Sergeant. If you're not careful they frighten the wits out of you. I've been trying to persuade her to pack up and come with us. With a little luck I think she will."
Macready peered shrewdly at the distant roof of the apartment house. "I'm glad to hear you say so, Doctor," he ventured noncommittally, but Kerans was unable to decide if his scepticism was directed at Beatrice or himself.
Whether or not they finally stayed behind, Kerans had resolved to maintain the pretense that they were leaving—every spare minute of the next three days would be needed to consolidate their supplies and steal whatever extra equipment they required from the base stores. Kerans had still not made up his mind—once away from Beatrice his indecision returned (ruefully he wondered if she was deliberately trying to confuse him, Pandora with her killing mouth and witch's box of desires and frustrations, unpredictably opening and shutting the lid)—but rather than stumble about in a state of tortured uncertainty, which Riggs and Bodkin would soon diagnose, he decided to postpone a final reckoning until the last moment possible. Much as he loathed the base, he knew that the sight of it actually sailing off would act as a wonderful catalyst for emotions of fear and panic, and any more abstract motives for staying behind would soon be abandoned. A year earlier, he had been accidentally marooned on a small key while taking an unscheduled geomagnetic reading, the departure siren muffled by his headphones as he crouched over his instruments in an old basement bunker. When he emerged ten minutes later and found the base six hundred yards away across a widening interval of flat water he had felt like a child parted forever from its mother, barely managed to control his panic in time to fire a warning shell from his flare pistol.
"Dr. Bodkin asked me to call you as soon as you arrived, sir. Lieutenant Hardman hasn't been too happy this morning."
Kerans nodded, glancing up and down the empty deck. He had taken lunch with Beatrice, knowing that the base was deserted in the afternoons. Half the crew were away with either Riggs or the helicopter, the rest asleep in their bunks, and he had hoped to carry out a private tour of the stores and armoury. Now unluckily, Macready, the Colonel's ever-alert watch-dog, was hanging about at his heels, ready to escort him up the companionway to the sick-bay on B-Deck.
Kerans studiously examined a pair of Anopheles mosquitos which bad slipped through the wire hatch behind him. "They're still getting in," he pointed out to Macready. 'What's happened to the double screening you were supposed to be putting up?"
Swatting at the mosquitos with his forage cap, Macready looked around uncertainly. A secondary layer of screening around the wire mesh enclosing the base had long been one of Colonel Riggs' pet projects. At times he would tell Macready to detail a squad to carry out the work, but as this involved sitting on a wooden trestle in the open sunlight in the centre of a cloud of mosquitos only a few token sections around Riggs' cabin had been completed. Now that they were moving northward the utility of the project had. faded, but Macready's Presbyterian conscience, once roused, refused to let him rest.
"I'll get the men on to it this evening, Doctor," he assured Kerans, pulling a ball-pen and note-book from his hip pocket.
"No hurry, Sergeant, but if you've nothing better to do, I know the Colonel's very keen." Kerans left him squinting along the metal louvres and walked off along the deck. As soon as he was out of sight he stepped through the first doorway.
C-Deck, the lowest of the three decks comprising the base, contained the crew's quarters and galley. Two or three men lay about among their tropical gear in the cabins, but the recreation room was empty, a radio playing to itself by the table-tennis tournament board in the corner. Kerans paused, listening to the strident rhythms of the guitar music, overlayed by the distant blare of the helicopter circling over the next lagoon, then made his way down the central stair-well which led to the armoury and workshops housed in the pontoon.
Three-quarters of the hull was occupied by the 2,000 hp. diesels which powered the twin screws, and by
the oil and aviation fuel tanks, and the workshops had been temporarily transferred during the final aerial sweeps to two vacant offices on A-Deck, beside the officers' quarters, so that the mechanics could service the helicopter with the maximum speed.
The armoury was closed when Kerans entered, a single light burning in the tech, corporal's glass-walled booth. Kerans gazed around the heavy wooden benches and cabinets lined with carbines and submachine-guns. Steel rods through the trigger guards locked the weapons into their cases, and he idly touched the heavy stocks, doubting whether he could handle any of the weapons even if he stole one. In a drawer at the testing station was a Colt .45 and fifty rounds issued to him three years earlier. Once a year he made an official return on the ammunition discharged—in his case none—and exchanged the unused shells for a fresh issue, but he had never tried to fire the pistol.
On his way out he scanned the dark green ammunition boxes stacked around the wall below the cabinets, all of them doublepadlocked. He was passing the booth when the light through the door illuminated the dusty labels on a row of metal cartons below one of the work benches.
'Hy-Dyne.' On an impulse Kerans stopped, pushed his fingers through the wire cage and brushed the dust off a label, tracing the formula with his fingers. 'Cyclotrime-thylenetrinitramine: Gas discharge speed—8,000 metres/second.'
Speculating on the possible uses of the explosive—it would be a brilliant tour de force to sink one of the office buildings into the exit creek after Riggs had left, blocking any attempt to return—he leaned his elbows on the bench, playing absent-mindedily with a 4-inch-diameter brass compass that had been left for repair. The calibrated annulus was loose and had been rotated a full 180 degrees, the point emphasised with a chalked cross.
Still thinking about the explosive, and the possibility of stealing detonators and fuse-wire, Kerans rubbed away the blunt chalk marks and then lifted the compass and weighed it in his hand. Leaving the armoury, he began to climb the stairway, uncaging the compass and letting the pointer dance and float. A sailor walked past along C-Deck, and Kerans quickly slipped the compass into his jacket pocket.
The Drowned World Page 3
