by Эмиль Золя
Doctor Pascal
Эмиль Золя
Emile Zola. Doctor Pascal
Produced by David Widger, Dagny, and John Bickers
DOCTOR PASCAL
BY
EMILE ZOLA
TRANSLATED BY
MARY J. SERRANO
I.
In the heat of the glowing July afternoon, the room, with blinds carefully closed, was full of a great calm. From the three windows, through the cracks of the old wooden shutters, came only a few scattered sunbeams which, in the midst of the obscurity, made a soft brightness that bathed surrounding objects in a diffused and tender light. It was cool here in comparison with the overpowering heat that was felt outside, under the fierce rays of the sun that blazed upon the front of the house.
Standing before the press which faced the windows, Dr. Pascal was looking for a paper that he had come in search of. With doors wide open, this immense press of carved oak, adorned with strong and handsome mountings of metal, dating from the last century, displayed within its capacious depths an extraordinary collection of papers and manuscripts of all sorts, piled up in confusion and filling every shelf to overflowing. For more than thirty years the doctor had thrown into it every page he wrote, from brief notes to the complete texts of his great works on heredity. Thus it was that his searches here were not always easy. He rummaged patiently among the papers, and when he at last found the one he was looking for, he smiled.
For an instant longer he remained near the bookcase, reading the note by a golden sunbeam that came to him from the middle window. He himself, in this dawnlike light, appeared, with his snow-white hair and beard, strong and vigorous; although he was near sixty, his color was so fresh, his features were so finely cut, his eyes were still so clear, and he had so youthful an air that one might have taken him, in his close-fitting, maroon velvet jacket, for a young man with powdered hair.
"Here, Clotilde," he said at last, "you will copy this note. Ramond would never be able to decipher my diabolical writing."
And he crossed the room and laid the paper beside the young girl, who stood working at a high desk in the embrasure of the window to the right.
"Very well, master," she answered.
She did not even turn round, so engrossed was her attention with the pastel which she was at the moment rapidly sketching in with broad strokes of the crayon. Near her in a vase bloomed a stalk of hollyhocks of a singular shade of violet, striped with yellow. But the profile of her small round head, with its short, fair hair, was clearly distinguishable; an exquisite and serious profile, the straight forehead contracted in a frown of attention, the eyes of an azure blue, the nose delicately molded, the chin firm. Her bent neck, especially, of a milky whiteness, looked adorably youthful under the gold of the clustering curls. In her long black blouse she seemed very tall, with her slight figure, slender throat, and flexible form, the flexible slenderness of the divine figures of the Renaissance. In spite of her twenty-five years, she still retained a childlike air and looked hardly eighteen.
"And," resumed the doctor, "you will arrange the press a little. Nothing can be found there any longer."
"Very well, master," she repeated, without raising her head; "presently."
Pascal had turned round to seat himself at his desk, at the other end of the room, before the window to the left. It was a plain black wooden table, and was littered also with papers and pamphlets of all sorts. And silence again reigned in the peaceful semi-obscurity, contrasting with the overpowering glare outside. The vast apartment, a dozen meters long and six wide, had, in addition to the press, only two bookcases, filled with books. Antique chairs of various kinds stood around in disorder, while for sole adornment, along the walls, hung with an old salon Empire paper of a rose pattern, were nailed pastels of flowers of strange coloring dimly visible. The woodwork of three folding-doors, the door opening on the hall and two others at opposite ends of the apartment, the one leading to the doctor's room, the other to that of the young girl, as well as the cornice of the smoke-darkened ceiling, dated from the time of Louis XV.
An hour passed without a sound, without a breath. Then Pascal, who, as a diversion from his work, had opened a newspaper-Le Temps -which had lain forgotten on the table, uttered a slight exclamation:
"Why! your father has been appointed editor of the Epoque, the prosperous republican journal which has the publishing of the papers of the Tuileries."
This news must have been unexpected by him, for he laughed frankly, at once pleased and saddened, and in an undertone he continued:
"My word! If things had been invented, they could not have been finer. Life is a strange thing. This is a very interesting article."
Clotilde made no answer, as if her thoughts were a hundred leagues away from what her uncle was saying. And he did not speak again, but taking his scissors after he had read the article, he cut it out and pasted it on a sheet of paper, on which he made some marginal notes in his large, irregular handwriting. Then he went back to the press to classify this new document in it. But he was obliged to take a chair, the shelf being so high that he could not reach it notwithstanding his tall stature.
On this high shelf a whole series of enormous bundles of papers were arranged in order, methodically classified. Here were papers of all sorts: sheets of manuscript, documents on stamped paper, articles cut out of newspapers, arranged in envelopes of strong blue paper, each of which bore on the outside a name written in large characters. One felt that these documents were tenderly kept in view, taken out continually, and carefully replaced; for of the whole press, this corner was the only one kept in order.
When Pascal, mounted on the chair, had found the package he was looking for, one of the bulkiest of the envelopes, on which was written the name "Saccard," he added to it the new document, and then replaced the whole under its corresponding alphabetical letter. A moment later he had forgotten the subject, and was complacently straightening a pile of papers that were falling down. And when he at last jumped down off the chair, he said:
"When you are arranging the press, Clotilde, don't touch the packages at the top; do you hear?"
"Very well, master," she responded, for the third time, docilely.
He laughed again, with the gaiety that was natural to him.
"That is forbidden."
"I know it, master."
And he closed the press with a vigorous turn of the key, which he then threw into a drawer of his writing table. The young girl was sufficiently acquainted with his researches to keep his manuscripts in some degree of order; and he gladly employed her as his secretary; he made her copy his notes when some confrere and friend, like Dr. Ramond asked him to send him some document. But she was not a savante; he simply forbade her to read what he deemed it useless that she should know.
At last, perceiving her so completely absorbed in her work, his attention was aroused.
"What is the matter with you, that you don't open your lips?" he said. "Are you so taken up with the copying of those flowers that you can't speak?"
This was another of the labors which he often intrusted to her-to make drawings, aquarelles, and pastels, which he afterward used in his works as plates. Thus, for the past five years he had been making some curious experiments on a collection of hollyhocks; he had obtained a whole series of new colorings by artificial fecundations. She made these sorts of copies with extraordinary minuteness, an exactitude of design and of coloring so extreme that he marveled unceasingly at the conscientiousness of her work, and he often told her that she had a "good, round, strong, clear little headpiece."
But, this time, when he approached her to look over her shoulder, he uttered a cry of comic fury.
"There you are at your nonsense! Now you are off in the clo
uds again! Will you do me the favor to tear that up at once?"
She straightened herself, her cheeks flushed, her eyes aglow with the delight she took in her work, her slender fingers stained with the red and blue crayon that she had crushed.
"Oh, master!"
And in this "master," so tender, so caressingly submissive, this term of complete abandonment by which she called him, in order to avoid using the words godfather or uncle, which she thought silly, there was, for the first time, a passionate accent of revolt, the revindication of a being recovering possession of and asserting itself.
For nearly two hours she had been zealously striving to produce an exact and faithful copy of the hollyhocks, and she had just thrown on another sheet a whole bunch of imaginary flowers, of dream-flowers, extravagant and superb. She had, at times, these abrupt shiftings, a need of breaking away in wild fancies in the midst of the most precise of reproductions. She satisfied it at once, falling always into this extraordinary efflorescence of such spirit and fancy that it never repeated itself; creating roses, with bleeding hearts, weeping tears of sulphur, lilies like crystal urns, flowers without any known form, even, spreading out starry rays, with corollas floating like clouds. To-day, on a groundwork dashed in with a few bold strokes of black crayon, it was a rain of pale stars, a whole shower of infinitely soft petals; while, in a corner, an unknown bloom, a bud, chastely veiled, was opening.
"Another to nail there!" resumed the doctor, pointing to the wall, on which there was already a row of strangely curious pastels. "But what may that represent, I ask you?"
She remained very grave, drawing back a step, the better to contemplate her work.
"I know nothing about it; it is beautiful."
At this moment appeared Martine, the only servant, become the real mistress of the house, after nearly thirty years of service with the doctor. Although she had passed her sixtieth year, she, too, still retained a youthful air as she went about, silent and active, in her eternal black gown and white cap that gave her the look of a nun, with her small, white, calm face, and lusterless eyes, the light in which seemed to have been extinguished.
Without speaking, she went and sat down on the floor before an easy-chair, through a rent in the old covering of which the hair was escaping, and drawing from her pocket a needle and a skein of worsted, she set to work to mend it. For three days past she had been waiting for an hour's time to do this piece of mending, which haunted her.
"While you are about it, Martine," said Pascal jestingly, taking between both his hands the mutinous head of Clotilde, "sew me fast, too, this little noodle, which sometimes wanders off into the clouds."
Martine raised her pale eyes, and looked at her master with her habitual air of adoration?"
"Why does monsieur say that?"
"Because, my good girl, in very truth, I believe it is you who have stuffed this good little round, clear, strong headpiece full of notions of the other world, with all your devoutness."
The two women exchanged a glance of intelligence.
"Oh, monsieur! religion has never done any harm to any one. And when people have not the same ideas, it is certainly better not to talk about them."
An embarrassed silence followed; this was the one difference of opinion which, at times, brought about disagreements among these three united beings who led so restricted a life. Martine was only twenty-nine, a year older than the doctor, when she entered his house, at the time when he made his debut as a physician at Plassans, in a bright little house of the new town. And thirteen years later, when Saccard, a brother of Pascal, sent him his daughter Clotilde, aged seven, after his wife's death and at the moment when he was about to marry again, it was she who brought up the child, taking it to church, and communicating to it a little of the devout flame with which she had always burned; while the doctor, who had a broad mind, left them to their joy of believing, for he did not feel that he had the right to interdict to any one the happiness of faith; he contented himself later on with watching over the young girl's education and giving her clear and sound ideas about everything. For thirteen years, during which the three had lived this retired life at La Souleiade, a small property situated in the outskirts of the town, a quarter of an hour's walk from St. Saturnin, the cathedral, his life had flowed happily along, occupied in secret great works, a little troubled, however, by an ever increasing uneasiness-the collision, more and more violent, every day, between their beliefs.
Pascal took a few turns gloomily up and down the room. Then, like a man who did not mince his words, he said:
"See, my dear, all this phantasmagoria of mystery has turned your pretty head. Your good God had no need of you; I should have kept you for myself alone; and you would have been all the better for it."
But Clotilde, trembling with excitement, her clear eyes fixed boldly upon his, held her ground.
"It is you, master, who would be all the better, if you did not shut yourself up in your eyes of flesh. That is another thing, why do you not wish to see?"
And Martine came to her assistance, in her own style.
"Indeed, it is true, monsieur, that you, who are a saint, as I say everywhere, should accompany us to church. Assuredly, God will save you. But at the bare idea that you should not go straight to paradise, I tremble all over."
He paused, for he had before him, in open revolt, those two whom he had been accustomed to see submissive at his feet, with the tenderness of women won over by his gaiety and his goodness. Already he opened his mouth, and was going to answer roughly, when the uselessness of the discussion became apparent to him.
"There! Let us have peace. I would do better to go and work. And above all, let no one interrupt me!"
With hasty steps he gained his chamber, where he had installed a sort of laboratory, and shut himself up in it. The prohibition to enter it was formal. It was here that he gave himself up to special preparations, of which he spoke to no one. Almost immediately the slow and regular sound of a pestle grinding in a mortar was heard.
"Come," said Clotilde, smiling, "there he is, at his devil's cookery, as grandmother says."
And she tranquilly resumed her copying of the hollyhocks. She completed the drawing with mathematical precision, she found the exact tone of the violet petals, striped with yellow, even to the most delicate discoloration of the shades.
"Ah!" murmured Martine, after a moment, again seated on the ground, and occupied in mending the chair, "what a misfortune for a good man like that to lose his soul wilfully. For there is no denying it; I have known him now for thirty years, and in all that time he has never so much as spoken an unkind word to any one. A real heart of gold, who would take the bit from his own mouth. And handsome, too, and always well, and always gay, a real blessing! It is a murder that he does not wish to make his peace with the good God. We will force him to do it, mademoiselle, will we not?"
Clotilde, surprised at hearing her speak so long at one time on the subject, gave her word with a grave air.
"Certainly, Martine, it is a promise. We will force him."
Silence reigned again, broken a moment afterward by the ringing of the bell attached to the street door below. It had been attached to the door so that they might have notice when any one entered the house, too vast for the three persons who inhabited it. The servant appeared surprised, and grumbled a few words under her breath. Who could have come in such heat as this? She rose, opened the door, and went and leaned over the balustrade; then she returned, saying:
"It is Mme. Felicite."
Old Mme. Rougon entered briskly. In spite of her eighty years, she had mounted the stairs with the activity of a young girl; she was still the brown, lean, shrill grasshopper of old. Dressed elegantly now in black silk, she might still be taken, seen from behind, thanks to the slenderness of her figure, for some coquette, or some ambitious woman following her favorite pursuit. Seen in front, her eyes still lighted up her withered visage with their fires, and she smiled with an engaging smile when she so desi
red.
"What! is it you, grandmother?" cried Clotilde, going to meet her. "Why, this sun is enough to bake one."
Felicite, kissing her on the forehead, laughed, saying:
"Oh, the sun is my friend!"
Then, moving with short, quick steps, she crossed the room, and turned the fastening of one of the shutters.
"Open the shutters a little! It is too gloomy to live in the dark in this way. At my house I let the sun come in."
Through the opening a jet of hot light, a flood of dancing sparks entered. And under the sky, of the violet blue of a conflagration, the parched plain could be seen, stretching away in the distance, as if asleep or dead in the overpowering, furnace-like heat, while to the right, above the pink roofs, rose the belfry of St. Saturnin, a gilded tower with arises that, in the blinding light, looked like whitened bones.
"Yes," continued Felicite, "I think of going shortly to the Tulettes, and I wished to know if Charles were here, to take him with me. He is not here-I see that-I will take him another day."
But while she gave this pretext for her visit, her ferret-like eyes were making the tour of the apartment. Besides, she did not insist, speaking immediately afterward of her son Pascal, on hearing the rhythmical noise of the pestle, which had not ceased in the adjoining chamber.
"Ah! he is still at his devil's cookery! Don't disturb him, I have nothing to say to him."
Martine, who had resumed her work on the chair, shook her head, as if to say that she had no mind to disturb her master, and there was silence again, while Clotilde wiped her fingers, stained with crayon, on a cloth, and Felicite began to walk about the room with short steps, looking around inquisitively.
Old Mme. Rougon would soon be two years a widow. Her husband who had grown so corpulent that he could no longer move, had succumbed to an attack of indigestion on the 3d of September, 1870, on the night of the day on which he had learned of the catastrophe of Sedan. The ruin of the government of which he flattered himself with being one of the founders, seemed to have crushed him. Thus, Felicite affected to occupy herself no longer with politics, living, thenceforward, like a dethroned queen, the only surviving power of a vanished world. No one was unaware that the Rougons, in 1851, had saved Plassans from anarchy, by causing the coup d'etat of the 2d of December to triumph there, and that, a few years later, they had won it again from the legitimist and republican candidates, to give it to a Bonapartist deputy. Up to the time of the war, the Empire had continued all-powerful in the town, so popular that it had obtained there at the plebiscite an overwhelming majority. But since the disasters the town had become republican, the quarter St. Marc had returned to its secret royalist intrigues, while the old quarter and the new town had sent to the chamber a liberal representative, slightly tinged with Orleanism, and ready to take sides with the republic, if it should triumph. And, therefore, it was that Felicite, like the intelligent woman she was, had withdrawn her attention from politics, and consented to be nothing more than the dethroned queen of a fallen government.
