Curtains for Three

Home > Mystery > Curtains for Three > Page 9
Curtains for Three Page 9

by Rex Stout


  This gathering in the office, on this Tuesday eve in October, had its own special angle of interest, tiund Keyes, top-drawer industrial designer, had en murdered the preceding Tuesday, just a week I had read about it in the papers and had also and an opportunity to hear it privately discussed by ay friend and enemy Sergeant Purley Stebbins of lomicide, and from the professional-detectivejslant it ack me as a lulu.

  It had been Keyes’ custom, five days a week at sixty in the morning, to take a walk in the park, and to it the hard and silly way by walking on four legs i instead of two. He kept the four legs, which he owned 1 which were named Casanova, at the Stillwell Rid; Academy on Ninety-eighth Street just west of the Ijiark. That morning he mounted Casanova as usual, omptly at six-thirty, and rode into the park. Forty nutes later, at seven-ten, he had been seen by a nted cop, in the park on patrol, down around ty-sixth Street. His customary schedule would fgj&ye had him about there at that time. Twenty-five nutes later, at seven-thirty-five, Casanova, with his I saddle uninhabited, had emerged from the park uptown and strolled down the street to the academy. Cu 78 Rex Stout

  riosity had naturally been aroused, and in three quarters of an hour had been satisfied, when a park cop had found Keyes’ body behind a thicket some twenty yards from the bridle path in the park, in the latitude of Ninety-fifth Street. Later a .38-caliber revolver bullet had been dug out of his chest. The police had concluded, from marks on the path and beyond its edge, that he had been shot out of his saddle and had crawled, with difficulty, up a little slope toward a paved walk for pedestrians, and hadn’t had enough life left to make it.

  A horseman shot from his saddle within sight of the Empire State Building was of course a natural for the tabloids, and the other papers thought well of it too. No weapon had been found, and no eyewitnesses. No citizen had even come forward to report seeing a masked man lurking behind a tree, probably because very few New Yorkers could possibly explain being up and dressed and strolling in the park at that hour of the morning.

  So the city employees had had to start at the other end and look for motives and opportunities. During the week that had passed a lot of names had been mentioned and a lot of people had received official callers, and as a result the glare had pretty well concentrated on six spots. So the papers had it, and so I gathered from Purley Stebbins. What gave the scene in our office that Tuesday afternoon its special angle of interest was the fact that five of the six spots were there seated on chairs, and apparently what they wanted Wolfe to do was to take the glare out of their eyes and get it aimed exclusively at the sixth spot, not present.

  Curtains for Three 79

  l IV

  “Permit me to say,” Frank Broadyke offered in a cultivated baritone, “that Mr. Pohl has put it badly. The situation is this, Mr. Wolfe, that Mr. Pohl got us tori gether and we found that each of us feels that he is being harassed unreasonably. Not only that he is unjustly suspected of a crime he did not commit, but that in a full week the police have accomplished nothing and aren’t likely to, and we will be left with this unjust suspicion permanently upon us.”

  Broadyke gestured with a hand. More than his bar

  ritone was cultivated; he was cultivated all over. He

  was somewhat younger than Pohl, and ten times as

  elegant. His manner gave the impression that he was

  finding it difficult just to be himself because (a) he was

  in the office of a private detective, which was vulgar,

  i (b) he had come there with persons with whom one

  I. doesn’t ordinarily associate, which was embarrassing,

  ; and (c) the subject for discussion was his connection

  /with a murder, which was preposterous.

  ; He was going on. “Mr. Pohl suggested that we con

  j^sult you and engage your services. As one who will

  gladly pay my share of the bill, permit me to say that

  what I want is the removal of that unjust suspicion. If

  you can achieve that only by finding the criminal and

  evidence against him, very well. If the guilty man

  proves to be Victor Talbott, again very well.”

  “There’s no if about it!” Pohl blurted. “Talbott did it, and the job is to pin it on him!”

  “With me helping, Ferdy, don’t forget,” Dorothy Keyes told him softly. “Aw, can it!”

  Eyes turned to the speaker, whose only contribution up to that point had been the remark, “They’re off

  80 Rex Stoat

  again.” Heads had to turn too because he was seated to the rear of the swing of the arc. The high pitch of his voice was a good match for his name, Wayne Safford, but not for his broad husky build and the strong big bones of his face. According to the papers he was twenty-eight, but he looked a little older, about my age.

  Wolfe nodded at him. “I quite agree, Mr. Safford.” Wolfe’s eyes swept the arc. “Mr. Pohl wants too much for his money. You can hire me to catch a fish, ladies and gentlemen, but you can’t tell me which fish. You can tell me what it is I’m after—a murderer—but you can’t tell me who it is unless you have evidence, and in that case why pay me? Have you got evidence?”

  No one said anything.

  “Have you got evidence, Mr. Pohl?”

  “No.”

  “How do you know it was Mr. Talbott?”

  “I know it, that’s all. We all know it! Even Miss Keyes here knows it, but she’s too damn contrary to admit it.”

  Wolfe swept the arc again. “Is that true? Do you all know it?”

  No word. No “yes” and no “no.” No nods and no shakes.

  ‘Then the identity of the fish is left to me. Is that understood? Mr. Broadyke?”

  “Yes.”

  “Mr. Safford?”

  “Yes.”

  “Miss Rooney?”

  “Yes. Only I think it was Vie Talbott.”

  “Nothing can stop you. Miss Keyes?”

  “Yes.”

  Curtains for Three 81

  “Mr. Pohl?”

  No answer.

  “I must have a commitment on this, Mr. Pohl. If it proves to be Mr. Talbott you can pay extra. But in any case, I am hired to get facts?”

  “Sure, the real facts.”

  “There is no other kind. I guarantee not to deliver any unreal facts.” Wolfe leaned forward to press a button on his desk. “That is, indeed, the only guaranty I can give you. I should make it plain that you are responsible both collectively and individually for this engagement with me. Now if—”

  The door to the hall had opened, and Fritz Brenner entered and approached.

  “Fritz,” Wolfe told him, “there will be five guests at dinner.”

  “Yes, sir,” Fritz told him without a blink and turned to go. That’s how good Fritz is, and he is not the kind to ring in omelets or canned soup. As he was opening the door a protest came from Frank Broadyke.

  “Better make it four. I’ll have to leave soon and I have a dinner engagement.”

  “Cancel it,” Wolfe snapped.

  “I’m afraid I can’t, really.”

  “Then I can’t take this job.” Wolfe was curt. “What do you expect, with this thing already a week old?” He glanced at the clock on the wall. “I’ll need you, all of you, certainly all evening, and probably most of the night. I must know all that you know about Mr. Keyes and Mr. Talbott. Also, if I am to remove this unjust suspicion of you from the minds of the police and the public, I must begin by removing it from my own mind. That will take many hours of hard work.”

  “Oh,” Dorothy Keyes put in, her brows going up, “you suspect us, do you?”

  82 Rex Stout

  Wolfe, ignoring her, asked Broadyke, “Well, sir?”

  “I’ll have to phone,” Broadyke muttered.

  “You may,” Wolfe conceded, as if he were yielding a point. His eyes moved, left and right and left again, and settled on Audrey Rooney, whose chair was a little in the rear, to one side of Wayne Safford
’s. “Miss Rooney,” he shot at her, “you seem to be the most vulnerable, since you were on the scene. When did Mr. Keyes dismiss you from his employ, and what for?”

  Audrey had been sitting straight and still, with her lips tight. “Well, it was—” she began, but stopped to clear her throat and then didn’t continue because of an interruption.

  The doorbell had rung, and I had left it to Fritz to answer it, which was the custom when I was engaged with Wolfe and visitors, unless superseding orders had been given. Now the door to the hall opened, and Fritz entered, closed the door behind him, and announced. “A gentleman to see you, sir. Mr. Victor Talbott.”

  The name plopped in the middle of us like a paratrooper at a picnic.

  “By God!” Wayne Safford exclaimed.

  “How the devil—” Frank Broadyke started, and stopped.

  “So you told him!” Pohl spat at Dorothy Keyes.

  Dorothy merely raised her brows. I was getting fed up with that routine and wished she would try something else.

  Audrey Rooney’s mouth was hanging open.

  “Show him in,” Wolfe told Fritz.

  Curtains for Three 83

  Like millions of my fellow citizens, I had done some sizing up of Victor Talbott from pictures of him in the papers, and within ten seconds after he had joined us in the office I had decided the label I had tied on him .could stay. He was the guy who, at a cocktail party or before dinner, grabs the tray of appetizers and passes it around, looking into eyes and making cracks.

  Not counting me, he was easily the best-looking male in the room.

  Entering, he shot a glance and a smile at Dorothy Keyes, ignored the others, came to a stop in front of Wolfe’s desk, and said pleasantly, “You’re Nero Wolfe, of course. I’m Vie Talbott. I suppose you’d rather not shake hands with me under the circumstances—that is, if you’re accepting the job these people eame to offer you. Are you?”

  ; “How do you do, sir,” Wolfe rumbled. “Good heavens, I’ve shaken hands with—how many murderers, Archie?”

  “Oh—forty,” I estimated.

  “At least that. That’s Mr. Goodwin, Mr. Talbott.”

  Evidently Vie figured I might be squeamish too, for he gave me a nod but extended no hand. Then he turned to face the guests. “What about it, folks? Have you hired the great detective?”

  “Nuts,” Wayne Safford squeaked at him. “You come prancing in, huh?”

  Ferdinand Pohl had left his chair and was advancing on the gatecrasher. I was on my feet, ready to move. There was plenty of feeling loose in the room, and I didn’t want any of our clients hurt. But all Pohl did was to tap Talbott on the chest with a thick forefinger and growl at him, “Listen, my boy. You’re not go 84 Rex Stoat

  ing to sell anything here. You’ve made one sale too many as it is.” Pohl whirled to Wolfe. “What did you let him in for?”

  “Permit me to say,” Broadyke put in, “that it does seem an excess of hospitality.”

  “By the way, Vie”—it was Dorothy’s soft voice— “Ferdy says I was your accomplice.”

  The remarks from the others had made no visible impression on him, but it was different with Dorothy. He turned to her, and the look on his face was good for a whole chapter in his biography. He was absolutely all hers unless I needed an oculist. She could lift her lovely brows a thousand times a day without feeding him up. He let his eyes speak to her and then wheeled to use his tongue for Pohl. “Do you know what I think of you, Ferdy? I guess you do!”

  “If you please,” Wolfe said sharply. “You don’t need my office for exchanging your opinions of one another; you can do that anywhere. We have work to do. Mr. Talbott, you asked if I’ve accepted a job that has been offered me. I have. I have engaged to investigate the murder of Sigmund Keyes. But I have received no confidences and can still decline it. Have you a better offer? What did you come here for?”

  Talbott smiled at him. “That’s the way to talk,” he said admiringly. “No, I have nothing to offer in the way of a job, but I felt I ought to be in on this. I figured it this way: they were going to hire you to get me arrested for murder, so naturally you would like to have a look at me and ask me some questions—and here I am.”

  “Pleading not guilty, of course. Archie. A chair for Mr. Talbott.”

  “Of course,” he agreed, thanking me with a smile for the chair I brought, and sitting down. “Otherwise

  Curtains for Three 85

  lyou’d have no job. Shoot.” Suddenly he flushed. “Un Ider the circumstances, I guess I shouldn’t have said ‘shoot.’”

  “You could have said ‘Fire away,’” Wayne Safford Epiped up from the rear.

  “Be quiet, Wayne,” Audrey Rooney scolded him. “Permit me—” Broadyke began, but Wolfe cut him off.

  “No. Mr. Talbott has invited questions.” He focused I on the inviter. “These other people think the police are H handling this matter stupidly and ineffectively. Do you I agree, Mr. Talbott?”

  Vie considered a moment, then nodded. “On the whole, yes,” he assented. “Why?”

  “Well—you see, they’re up against it. They’re used to working with clues, and while they found plenty of H dues to show what happened, like the marks -on the bridle path and leading to the thicket, there aren’t any that help to identify the murderer. Absolutely none whatever. So they had to fall back on motive, and right away they found a man with the best motive in the world.”

  Talbott tapped himself on the necktie. “Me. But then they found that his man—me—that I couldn’t possibly have done it because I was somewhere else. They found I had an alibi that was—” “Phony!” From Wayne Safford. “Made to order.” From Broadyke. “The dumbheads!” From Pohl. “If they had brains enough to give that switchboard girl—”

  “Please!” Wolfe shut them up. “Go ahead, Mr. Talbott. Your alibi—but first the motive. What is the best motive in the world?”

  86 Rex Stout

  Vie looked surprised. “It’s been printed over and over again.”

  “I know. But I don’t want journalistic conjectures when I’ve got you—unless you’re sensitive about it.”

  Talbott’s smile had some bitterness in it. “If I was,” he declared, “I’ve sure been cured this past week. I guess ten million people have read that I’m deeply in love with Dorothy Keyes or some variation of that. All right, I am! Want a shot—want a picture of me saying it?” He turned to face his fiancee. “I love you, Dorothy, better than all the world, deeply, madly, with all my heart.” He returned to Wolfe. “There’s your motive.”

  “Vie, darling,” Dorothy told his profile, “you’re a perfect fool, and you’re perfectly fascinating. I really am glad you’ve got a good alibi.”

  “You demonstrate love,” Wolfe said dryly, “by killing your beloved’s surviving parent. Is that it?”

  “Yes,” Talbott asserted. “Under certain conditions. Here was the situation. Sigmund Keyes was the most celebrated and successful industrial designer in America, and—”

  “Nonsense!” Broadyke exploded, without asking permission to say.

  Talbott smiled. “Sometimes,” he said, as if offering it for consideration, “a jealous man is worse than any jealous woman. You know, of course, that Mr. Broadyke is himself an industrial designer—in fact, he practically invented the profession. Not many manufacturers would dream of tooling for a new model —steamship, railroad train, airplane, refrigerator, vacuum cleaner, alarm clock, no matter what—without consulting Broadyke, until I came along and took over the selling end for Sigmund Keyes. Incidentally, that’s why I doubt if Broadyke killed Keyes. If he had got

  Curtains for Three 87

  that desperate about it he wouldn’t have killed Keyes, he would have killed me.”

  “You were speaking,” Wolfe reminded him, “of love as a motive for murder under certain conditions.”

  “Yes, and Broadyke threw me off.” Talbott cocked his head. “Let’s see—oh, yes, and I was doing the selling for Keyes, and he
couldn’t stand the talk going around that I was mostly responsible for the big success we were having, but he was afraid to get rid of me. And I loved his daughter and wanted her to marry me, and will always love her. But he had great influence with her, which I did not and do not understand— anyway, if she loved me as I do her that wouldn’t have mattered, but she doesn’t—”

  “My God, Vie,” Dorothy protested, “haven’t I said a dozen times I’d marry you like that”—she snapped her fingers—“if it weren’t for Dad? Really, I’m crazy about you!”

  “All right,” Talbott told Wolfe, “there’s your motive. It’s certainly old-fashioned, no modern industrial design to it, but it’s absolutely dependable. Naturally that’s what the police thought until they ran up against the fact that I was somewhere else. That got them bewildered and made them sore, and they haven’t recovered their wits, so I guess my good friends here are right that they’re being stupid and ineffective. Not that they’ve crossed me off entirely. I understand they’ve got an army of detectives and stool pigeons hunting for the gunman I hired to do the job. They’ll have to hunt hard. You heard Miss Keyes call me a fool, but I’m not quite fool enough to hire someone to commit a murder for me.”

  “I should hope not.” Wolfe sighed. “There’s nothing better than a good motive. What about the alibi? Have the police given up on that?”

  88 Rex Stout

  “Yes, the damn idiots!” Pohl blurted. “That switchboard girl—”

  “I asked Mr. Talbott,” Wolfe snapped.

  “I don’t know,” Talbott admitted, “but I suppose they had to. I’m still trembling at how lucky I was that I got to bed late that Monday night—I mean a week ago, the night before Keyes was killed. If I had been riding with him I’d be in jail now, and done for. It’s a question of timing.”

  Talbott compressed his lips and loosened them. “Oh, boy! The mounted cop saw Keyes riding in the park near Sixty-sixth Street at ten minutes past seven. Keyes was killed near Ninety-sixth Street. Even if he had galloped all the way he couldn’t have got there, the way that bridle path winds, before seven-twenty. And he didn’t gallop, because if he had the horse would have shown it, and he didn’t.” Talbott twisted around. “You’re the authority on that, Wayne. Casanova hadn’t been in a sweat, had he?”

 

‹ Prev