Novel 1972 - Callaghen (v5.0)

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by Louis L'Amour

“Good. Although I doubt if Major Sykes will accept his word for it. Both the Delaware and MacBrody are known to be friends of yours.”

  Captain Marriott put his hand inside his coat. “There is this, of course. It had arrived, and I believe it was to be delivered to you at the earliest possible moment, so I took it upon myself to do so.”

  His face was expressionless. “You have been a good soldier, Sergeant, and I respect that. From all I have heard, if Sprague were here he would add his word to that. I believe you will have no trouble.”

  Callaghen glanced at the paper…his discharge…dated almost three weeks earlier. Allowing for time for it to arrive at Camp Cady…

  “Thank you, Captain,” he said. “Thank you very much.”

  He started to move away slowly, for he was sore in every part of his body, and he was only now beginning to realize what a rough go Champion had given him.

  Champion, guarded by two soldiers, his face battered and scarred, stood still when he saw him. “Hear you’re gettin’ out soon. If you ever need a partner…say to hunt for a lost mine or somethin’, you just call on Champion.”

  “Sorry.” Callaghen shook his head, smiling. “I might have to lick you again, and I’m not sure I could do it.”

  THE DESERT WAS still. They saw no Indians on the long ride back to Camp Cady. The air was hot, but it held no malice. They made stops at Rock Springs, at Marl, Soda Lake, and Cave Canyon.

  Callaghen nodded toward the walls of Cave Canyon. “There are places back yonder where a man can stand and look up three or four hundred feet. You’d think you were in a cathedral.”

  The fluted columns were pink, beige, and gray, with darker shadows where the hollows were filled with mystery.

  Malinda rode beside him. “Mort, what now?” she asked.

  “Why, maybe I’ll find a town where they need a marshal, and while doing that job I might study law. You had a point there.”

  “There’s the desert,” Malinda said.

  “Yes, and I’ll wake up in the night and remember it. As it is now, and as it should always be.”

  “What about the River of Gold?”

  “I’ll think about it from time to time. I am sure it is there, and I think I know where it is, but when I follow a dream for thirty years like some of these desert rats, there’s got to be more at the end than a pot of gold.”

  The mountains stretched their shadows over the desert, a wind played with the sand on a slope, wearied of it, and let it fall. The Mohave River, along which they rode, from time to time made a ripple over rocks, hurrying onward to its destiny in the Sinks far ahead. There it disappeared in the sand, and reappeared in the dark, silent caverns far underground. Here and there on its way it dropped a few flakes of gold.

  “I hope nobody ever finds it,” Malinda said. “It should always be there, just to be looked for.”

  1The old holes are now dry. The spring issues from a pipe at the end of the mountain, flowing into a tank cattlemen built.

  Return to text.

  About Louis L’Amour

  “I think of myself in the oral tradition—

  as a troubadour, a village tale-teller, the man

  in the shadows of the campfire. That’s the way

  I’d like to be remembered as a storyteller.

  A good storyteller.”

  IT IS DOUBTFUL that any author could be as at home in the world re-created in his novels as Louis Dearborn L’Amour. Not only could he physically fill the boots of the rugged characters he wrote about, but he literally “walked the land my characters walk.” His personal experiences as well as his lifelong devotion to historical research combined to give Mr. L’Amour the unique knowledge and understanding of people, events, and the challenge of the American frontier that became the hallmarks of his popularity.

  Of French-Irish descent, Mr. L’Amour could trace his own family in North America back to the early 1600s and follow their steady progression westward, “always on the frontier.” As a boy growing up in Jamestown, North Dakota, he absorbed all he could about his family’s frontier heritage, including the story of his great-grandfather who was scalped by Sioux warriors.

  Spurred by an eager curiosity and desire to broaden his horizons, Mr. L’Amour left home at the age of fifteen and enjoyed a wide variety of jobs including seaman, lumberjack, elephant handler, skinner of dead cattle, miner, and an officer in the transportation corps during World War II. During his “yondering” days he also circled the world on a freighter, sailed a dhow on the Red Sea, was shipwrecked in the West Indies and stranded in the Mojave Desert. He won fifty-one of fifty-nine fights as a professional boxer and worked as a journalist and lecturer. He was a voracious reader and collector of rare books. His personal library contained 17,000 volumes.

  Mr. L’Amour “wanted to write almost from the time I could talk.” After developing a widespread following for his many frontier and adventure stories written for fiction magazines, Mr. L’Amour published his first full-length novel, Hondo, in the United States in 1953. Every one of his more than 120 books is in print; there are nearly 270 million copies of his books in print worldwide, making him one of the bestselling authors in modern literary history. His books have been translated into twenty languages, and more than forty-five of his novels and stories have been made into feature films and television movies.

  His hardcover bestsellers include The Lonesome Gods, The Walking Drum (his twelfth-century historical novel), Callaghen, Last of the Breed, and The Haunted Mesa. His memoir, Education of a Wandering Man, was a leading bestseller in 1989. Audio dramatizations and adaptations of many L’Amour stories are available on cassette tapes from Bantam Audio publishing.

  The recipient of many great honors and awards, in 1983 Mr. L’Amour became the first novelist ever to be awarded the Congressional Gold Medal by the United States Congress in honor of his life’s work. In 1984 he was also awarded the Medal of Freedom by President Reagan.

  Louis L’Amour died on June 10, 1988. His wife, Kathy, and their two children, Beau and Angelique, carry the L’Amour publishing tradition forward.

  Bantam Books by Louis L’Amour

  NOVELS

  Bendigo Shafter

  Borden Chantry

  Brionne

  The Broken Gun

  The Burning Hills

  The Californios

  Callaghen

  Catlow

  Chancy

  The Cherokee Trail

  Comstock Lode

  Conagher

  Crossfire Trail

  Dark Canyon

  Down the Long Hills

  The Empty Land

  Fair Blows the Wind

  Fallon

  The Ferguson Rifle

  The First Fast Draw

  Flint

  Guns of the Timberlands

  Hanging Woman Creek

  The Haunted Mesa

  Heller with a Gun

  The High Graders

  High Lonesome

  Hondo

  How the West Was Won

  The Iron Marshal

  The Key-Lock Man

  Kid Rodelo

  Kilkenny

  Killoe

  Kilrone

  Kiowa Trail

  Last of the Breed

  Last Stand at Papago Wells

  The Lonesome Gods

  The Man Called Noon

  The Man from Skibbereen

  The Man from the Broken Hills

  Matagorda

  Milo Talon

  The Mountain Valley War

  North to the Rails

  Over on the Dry Side

  Passin’ Through

  The Proving Trail

  The Quick and the Dead

  Radigan

  Reilly’s Luck

  The Rider of Lost Creek

  Rivers West

  The Shadow Riders

  Shalako

  Showdown at Yellow Butte

  Silver Canyon

  Sitka

  Son of a Wanted
Man

  Taggart

  The Tall Stranger

  To Tame a Land

  Tucker

  Under the Sweetwater Rim

  Utah Blaine

  The Walking Drum

  Westward the Tide

  Where the Long Grass Blows

  SHORT STORY COLLECTIONS

  Beyond the Great Snow Mountains

  Bowdrie

  Bowdrie’s Law

  Buckskin Run

  Dutchman’s Flat

  End of the Drive

  From the Listening Hills

  The Hills of Homicide

  Law of the Desert Born

  Long Ride Home

  Lonigan

  May There Be a Road

  Monument Rock

  Night over the Solomons

  Off the Mangrove Coast

  The Outlaws of Mesquite

  The Rider of the Ruby Hills

  Riding for the Brand

  The Strong Shall Live

  The Trail to Crazy Man

  Valley of the Sun

  War Party

  West from Singapore

  West of Dodge

  With These Hands

  Yondering

  SACKETT TITLES

  Sackett’s Land

  To the Far Blue Mountains

  The Warrior’s Path

  Jubal Sackett

  Ride the River

  The Daybreakers

  Sackett

  Lando

  Mojave Crossing

  Mustang Man

  The Lonely Men

  Galloway

  Treasure Mountain

  Lonely on the Mountain

  Ride the Dark Trail

  The Sackett Brand

  The Sky-Liners

  THE HOPALONG CASSIDY NOVELS

  The Riders of the High Rock

  The Rustlers of West Fork

  The Trail to Seven Pines

  Trouble Shooter

  NONFICTION

  Education of a Wandering Man

  Frontier

  The Sackett Companion: A Personal Guide to the Sackett Novels

  A Trail of Memories: The Quotations of Louis L’Amour, compiled by Angelique L’Amour

  POETRY

  Smoke from This Altar

  CALLAGHEN

  A Bantam Book / February 2004

  PUBLISHING HISTORY

  Bantam edition published February 1972

  Bantam reissue / July 1998

  All rights reserved.

  Copyright © 1972 by Louis & Katherine L’Amour Trust

  No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the publisher, except

  where permitted by law. For information address:

  Bantam Books New York, New York.

  Bantam Books and the rooster colophon are registered trademarks of Random House, Inc.

  eISBN 0-553-89897-3

  Please visit our website at www.bantandell.com

  v1.0

  eBook Info

  Title:

  Callaghen

  Creator:

  Louis L’Amour

  Publisher:

  Bantam Books

  Format:

  OEB

  Date:

  2003-04-29

  Subject:

  ?

  Identifier:

  Lamo_0553898973

  Language:

  en

  Table of Contents

  Cover page

  Title page

  A Time to Die

  Dedication

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Footnotes

  About the Author

  Bantam Books by Louis L’Amour

  Copyright Page

  *

  Return to text.

 

 

 


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