Pounds seemed to make a point of not looking at Lewis or Clarke or Edgar. He'd make this decision on his own. It produced a slight glimmer of respect in Bosch, like a candle set out in the eye of a hurricane of incompetence. Pounds opened his desk drawer and pulled out an old wooden ruler. He fiddled with it with both hands. He finally looked at Edgar.
"That right, what Bosch says?"
Edgar nodded.
"You know it makes him look bad, like he was trying to keep the case for himself, conceal the connections from you?"
"He told me he knew Meadows. He was up front all the way. It was a Sunday. We weren't going to get anybody to come out and take it off us on account of him knowing the guy twenty years ago. Besides, most of the people who end up dead in Hollywood the police have known one way or the other. This stuff about the bank and all, he must've found out after I left. I'm finding it all out sitting here."
"Okay," Pounds said. "You got any of the paper on this one?"
Edgar shook his head.
"Okay, finish up what you've got on the—what did you call it?—Spivey, yeah, the Spivey case. I'm assigning you a new partner. I don't know who, but I'll let you know. Okay, go on, that's all."
Edgar let out one more audible breath and stood up.
Harvey "Ninety-eight" Pounds let things settle in the room for a few moments after Edgar left. Bosch wanted a cigarette badly, even to just hold one unlit in his mouth. But he wouldn't show them such a weakness.
"Okay, Bosch," Pounds said. "Anything you want to tell us about all this?"
"Yeah. It's bullshit."
Clarke smirked. Bosch paid no mind. But Pounds gave the IAD detective a withering look that further increased his stock of respect with Bosch.
"The FBI told me today I was no suspect," Bosch said. "They looked at me nine months ago because they looked at anybody around here who'd worked the tunnels in Vietnam. They found some connection to the tunnels back there. Simple as that. It was good work, they had to check out everybody, So they looked at me and went on. Hell, I was in Mexico—thanks to these two goons— when the bank thing went down. The FBI just—"
"Supposedly," Clarke said.
"Shove it, Clarke. You're just angling for a way to take your own vacation down there, at taxpayers' expense, checking it out. You can check with the bureau and save the money."
Bosch then turned back to Pounds and adjusted his chair so his back was to the IAD detectives. He spoke in a low voice to make it clear he was talking to Pounds, not them. "The bureau wants me off it because, one, I threw a curve at 'em when I showed up there today to ask about the bank caper. I mean, I was a name from the past, and they panicked and called you. And two, they want me off the case because they probably fucked it up when they let Meadows skate last year. They blew their one chance at him and don't want an outside department to come in and see that or to break the thing they couldn't break for nine months."
"No, Bosch, that's what's bullshit," Pounds said. "This morning I received a formal request from the assistant special agent in charge who runs their bank squad, a guy named—"
"Rourke."
"You know him. Well, he asked that—"
"I be removed from the Meadows case forthwith. He says I knew Meadows, who just happened to be the prime suspect in the bank job. He ends up dead and I'm on the case. Coincidence? Rourke thinks not. I'm not sure myself."
"That's what he said. So that's where we start. Tell us about Meadows, how you knew him, when you knew him, don't leave one thing out."
Bosch spent the next hour telling Pounds about Meadows, the tunnels, the time Meadows called after almost twenty years and how Bosch got him into VA Outreach in Sepulveda without ever seeing him. Just phone calls. At no time did Bosch address the IAD detectives or acknowledge that they were even in the room.
"I didn't make it a secret that I knew him," he said at the end. "I told Edgar. I walked right in and told the FBI. You think I would have done that if I was the one who did Meadows? Not even Lewis and Clarke are that dumb."
"Well, then, Jesus Christ, Bosch, why didn't you tell me?" Pounds boomed. "Why isn't it in the reports in this book? Why do I have to hear it from the FBI? Why does Internal Affairs have to hear it from the FBI?"
So Pounds hadn't made the call to IAD. Rourke had. Bosch wondered if Eleanor Wish had known that and had lied, or if Rourke called out the goons on his own. He hardly knew the woman—he didn't know the woman— but he found himself hoping she hadn't lied to him.
"I only started the reports this morning," Bosch said. "I was going to bring them up to date after seeing the FBI. Obviously, I didn't get the chance."
"Well, I'm saving you the time," Pounds said. "It's been turned over to the FBI."
"What has? The FBI has no jurisdiction over this. This is a murder case."
"Rourke said they believe the slaying is directly related to their ongoing investigation of the bank job. They will include this in their investigation. We will assign our own case officer through an interdepartmental liaison. If and when the time comes to charge someone in the murder, the appointed officer will take it to the DA for state charges."
"Christ, Pounds, there is something going on. Don't you see that?"
Pounds put the ruler back in the drawer and closed it.
"Yes, something is going on. But I don't see it your way," he said. "That's it, Bosch. That's an order. You are off. These two men want to talk to you and you are on a desk till Internal Affairs is finished with its investigation."
He was quiet a moment before beginning again in a solemn tone. A man unhappy with what be had to say.
"You know, you were sent out here to me last year and I could have put you anywhere. I could have put you on the goddam burglary table, handling fifty reports a week, just buried you in paper. But I didn't. I recognized your skills and put you on homicide, what I thought you wanted. They told me last year that you're good but you don't stay in the lines. Now I see they were right. How this will hurt me, I don't know. But I'm not worrying about what's best for you anymore. Now, you can either talk to these guys or not. I don't really care. But that's it. We're done, you and me. If somehow you ride this one out, you better see about getting a transfer, because you won't be on my homicide table anymore."
Pounds picked up the blue binder off his desk and stood up. As he headed out of the office he said, "I have to get somebody to take this over to the bureau. You men can have the office as long as you need it."
He closed the door and was gone. Bosch thought about it and decided he really couldn't fault Pounds for what he had said, or done. He took out a cigarette and lit it.
"Hey, no smoking, you heard the man," Lewis said.
"Fuck off," Bosch said.
"Bosch, you're dead," Clarke said. "We're going to toast your ass right this time. You aren't the hero you once were. No PR problems this time. Nobody's going to give a shit about what happens to you."
Then he stood up and turned the tape recorder back on. He recited the date, the names of the three men present and the Internal Affairs case number assigned to the investigation. Bosch realized the number was about seven hundred higher than the case number from the internal investigation nine months earlier that sent him to Hollywood. Nine months, and seven hundred other cops have been through the bullshit wringer, he thought. One day there will be no one left to do what it says on the side of every patrol car, to serve and protect.
"Detective Bosch"—Lewis took over then in a modulated, calm tone—"we would like to ask you questions regarding the investigation of the death of William Meadows. Will you tell us of any past association with or knowledge you had of the decedent."
"I refuse to answer any questions without an attorney present," Bosch said. "I cite my right to representation under California's Policeman's Bill of Rights."
"Detective Bosch, the department administration does not recognize that aspect of the Policeman's Bill of Rights. You are commanded to answer these questions, and if you do not y
ou will be subject to suspension and possible dismissal. You—"
"Can you loosen these handcuffs, please?" Bosch said.
"What?" Lewis cried out, losing his calm, confident tone.
Clarke stood up and went to the tape recorder and bent over it.
"Detective Bosch is not handcuffed and there are two witnesses here who can attest to that fact," he said.
"Just the two that cuffed me," Bosch said. "And beat me. This is a direct violation of my civil rights. I request that a union rep and my attorney be present before we continue."
Clarke rewound the tape and turned the recorder off. His face was almost purple with anger as he carried it back to his partner's briefcase. It was a few moments before words came to either one of them.
Clarke said, "It's going to be a pleasure to do you, Bosch. We'll have the suspension papers on the chief's desk by the end of the day. You'll be assigned to a desk at Internal Affairs where we can keep an eye on you. We'll start with CUBO and work our way up from there, maybe even to murder. Either way, you're done in the department. You're over."
Bosch stood up and so did the two IAD detectives. Bosch took a last drag on his cigarette, dropped it on the floor in front of Clarke and stepped on it, grinding it into the polished linoleum. He knew they would clean it up rather than let Pounds know they had not controlled the interview or the interviewee. He stepped between them then, exhaled the smoke and walked out of the room without saying a word. Outside, he heard Clarke's barely controlled voice call out.
"You stay away from the case, Bosch!"
Avoiding the eyes that followed him, Bosch walked through the squad room and dropped into his seat at the homicide table. He looked across at Edgar, who was seated at his own space.
"You did good," Bosch said. "You should come out all right."
"What about you?"
"I'm off the case and those two assholes are going to put paper in on me. I've got the afternoon and that's about it before I get the ROD."
"God damn."
The deputy chief in charge of IAD had to sign off on all Relieved of Duty orders and temporary suspensions. Stiffer penalties had to be recommended to a police commission subcommittee for approval. Lewis and Clarke would go for a temporary ROD, for conduct unbecoming an officer, or CUBO, as it was known. Then they'd work on something stiffer to take to the commission. If the deputy chief signed an ROD on Bosch, he would have to be notified according to union regs. That meant in person or in a tape-recorded phone conversation. Once notification was made, Bosch could be assigned to a desk at IAD in Parker Center or to his home until the conclusion of the investigation. But as they had just promised, Lewis and Clarke would go for assignment to IAD. That way they could put him on display like a trophy.
"You need anything from me on Spivey?" he asked Edgar.
"No. I'm set. I'm gonna start typing it up if I can get a machine."
"Did you happen to check like I asked on Meadows's job on the subway project?"
"Harry, you . . ." Edgar must have thought better of saying what he wanted to say. "Yeah, I checked it out. For what it's worth, they said they haven't had anyone named Meadows on the job. There is a Fields, but he's black and he was at work today. And Meadows probably wasn't working under any other name because they aren't running a midnight shift. The project is ahead of schedule, if you can believe that shit." Edgar then called out, "I got dibs on the Selectric."
"No way," called back an autos detective named Minkly. "I'm on deck with that one."
Edgar started looking around for another candidate. Late in the day, the typewriters in the office were like gold. There were a dozen machines for thirty-two detectives: that was if you included the manual jobs and the electrics with nervous tics like moving borders or jumpy space bars.
"Okay then," Edgar called out. "I got dibs after you, Mink." Then Edgar lowered his voice and turned to Bosch. "Who you think he'll put me with?"
"Pounds? I don't know." It was like guessing who your wife would marry after you punched the time clock for the last time. Bosch wasn't all that interested in speculating who would be partnered with Edgar. He said, "Listen, I have to do some things."
"Sure, Harry. You need any help, anything from me?" Bosch shook his head and picked up the phone. He called his lawyer and left a message. It usually took three messages before the guy would call back, and Bosch made a note to call again. Then he turned his Rolodex, got a number and called the U.S. Armed Services Records Archive in St. Louis. He asked for a law enforcement clerk and got a woman named Jessie St. John. He put in a priority request for copies of all of Billy Meadows's military records. Three days, St. John said. He hung up thinking that he would never see the records. They'd come but he wouldn't be in this office, at this table, on this case. Next he called Donovan at SID and learned there had been no latent prints on the needle kit found in Meadows's shirt pocket and only smears on the can of spray paint. The light-brown crystals found in the straining cotton in the kit came back as 55 percent pure heroin, Asian blend. Bosch knew that most heroin dealt on the street and shot into the vein was about 15 percent pure. Most of it was tar heroin made by Mexicans. Somebody had given Meadows a very hot shot. In Harry's mind, that made the tox tests he was waiting for a formality. Meadows had been murdered.
Nothing else from the crime scene was of much use, except Donovan mentioned that the freshly burned match found in the pipe was not torn from the matchbook in Meadows's kit. Bosch gave Donovan the address of Meadows's apartment and asked him to send a team out to process it. He said to check the matches in an ashtray on the coffee table against the book in the kit. Then he hung up, wondering if Donovan would send somebody before word spread that Bosch was off the case or suspended.
The last call he made was to the coroner's office. Sakai said he had made next-of-kin notification. Meadows's mother was still alive and was reached in New Iberia, Louisiana. She had no money to send for him or bury him. She hadn't seen him in eighteen years. Billy Meadows would not be going home. L.A. County would have to bury him.
"What about the VA?" Bosch asked. "He was a veteran."
"Right. I'll check it out," Sakai said and hung up.
Bosch got up and took a small portable tape recorder from one of his drawers in the file cabinets. The bank of files ran along the wall behind the homicide table. He slipped the recorder into his coat pocket with the 911 tape and walked out of the squad room through the rear hallway. He went past the lockup benches and the jail, down to the CRASH office. The tiny office was more crowded than the detective bureau. Desks and files for five men and a woman were crammed into a room no bigger than a second bedroom in a Venice apartment. Down one wall of the room was a row of four-drawer file cabinets. On the opposite wall was the computer and teletype. In between were three sets of two desks pushed side by side. The back wall had the usual map of the city with black lines detailing the eighteen police divisions. Above the map were the Top 10: color eight-by-tens of the ten top assholes of the moment in Hollywood Division. Bosch noticed one was a morgue shot. The kid was dead but still made the list. Now that's an asshole, he thought. And above the photos, black plastic letters spelled out Community Resources Against Street Hoodlums.
Only Thelia King was in, sitting in front of the computer. That was what Bosch wanted. Also known as The King, which she hated, and Elvis, which she didn't mind, Thelia King was the CRASH computer jockey. If you wanted to trace a gang lineage or were just looking for a juvie floating somewhere around Hollywood, Elvis was the one to see. But Bosch was surprised she was alone. He looked at his watch. Just after two, too early for the gang troops to be on the street.
"Where's everybody at?"
"Hey, Bosch," she said, looking away from the screen. "Funerals. We got two different gangs, and I mean warring tribes, planting homeboys in the same cemetery today up in the Valley. They got all hands up there to make sure things stay cool."
"And so why aren't you out there with the boys?"
"Just go
t back from court. So, before you tell me why you are here, Harry, why don't you tell me what happened in Ninety-eight Pounds's office today?"
Bosch smiled. Word traveled faster through a police station than it did on the street. He gave her an abbreviated account of his time in the barrel and the expected battle with IAD.
"Bosch, you take things too seriously," she said. "Why don't you get yourself an outside gig? Something to keep yourself sane, moving in the flow. Like your partner. Too bad that sucker's married. He's making three times selling houses on the side what we make bustin' heads full-time. I need a gig like that."
Bosch nodded. But too much going with the flow is heading us into the sewer, he thought but didn't say. Sometimes he believed that he took things just right and everybody else didn't take them seriously enough. That was the problem. Everybody had an outside gig.
"What do you need?" she said. "I better do it now before they put your paper through. After that, you'll be a leper 'round here."
"Stay where you are," he said, and then he pulled over a chair and told her what he needed from the computer.
The CRASH computer had a program called GRIT, an acronym within an acronym, this one for Gang-Related Information Tracking. The program files contained the vitals on the 55,000 identified gang members and juvenile offenders in the city. The computer also tied in with the gang computer at the sheriff's department, which had about 30,000 of its own gangbangers on file. One part of the GRIT program was the moniker file. This stored references to offenders by their street names and could match them with real names, DOBs, addresses, and so on. All monikers that came to police attention through arrests or shake cards—field interrogation reports—were fed into the computer program. It was said the GRIT file had more than 90,000 monikers in it. You just needed to know which keys to push. And Elvis did.
Bosch gave her the three letters he had. "I don't know if that's the whole thing or a partial," he said. "I think it's a partial."
Harry Bosch 01 - The Black Echo Page 14
