A Kiss at Midnight

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A Kiss at Midnight Page 32

by Eloisa James


  Not everyone in Carthage was sane, as evidenced by the rapid pattering of feet around the pile of shards waiting in the sun to be catalogued.

  “Oh Christ,” Gabriel moaned. “He’s at it again. Nanny must have let him loose.”

  “Do something,” Kate murmured. “I can’t move.”

  “Don’t move,” he said, pressing a kiss onto the nape of her neck. “You lie there and let that baby girl grow fat and happy.”

  “Little Merry is baking,” she said, rubbing her rounded tummy. It wasn’t a complaining groan, since Kate had discovered that she much preferred the sunny warmth of Tunis to the chill of an English winter.

  “We’ll be back in England in a couple of months and you’ll be telling me how cold the castle is.” He gave her another kiss. “I’m sure you could use a massage . . .” He gave her a little nip, right at the smooth part at the back of her neck, then soothed it with a kiss.

  Whatever Kate might have replied was lost when a small form burst into the tent, waving a shard. “I found something wonderful, Papa! Look what I found!”

  A very small princeling named Jonas ran over, followed by a small yapping dog, and put the broken pottery piece in Gabriel’s hand. He was named for his favorite uncle, Mr. Jonas Berwick. “See, Papa,” he cried. “It’s a bird. I found a bird!” His stubby finger traced an arch that might well have been a wing, a dent that might have been an eye, a crack that looked something like a beak.

  “That’s amazing,” Gabriel said slowly.

  Something in his voice made Kate raise her head.

  Without speaking, but with a very solemn face, he handed her the bird. But, like Gabriel, her eyes didn’t fasten on the beak, but on the ancient Greek letters.

  She puzzled over it for a moment. She had spent the last few years devouring the languages and books that she never had access to when younger, but her knowledge of the Greek alphabet was still shaky. “Oh my God,” Kate whispered. “It says DIDO!”

  Gabriel burst out laughing.

  “What is it, Papa?” Jonas called, jumping about on one leg. “Why are you laughing? Have you seen how good I am on one leg?”

  “You’re just like Biggitstiff!” Gabriel chortled.

  “It says Dido,” Kate protested, lying back down and holding the shard up in the light so she could see it better. “It does have a wing, darling.”

  “That’s not the wing,” Jonas said disapprovingly. “That’s the bird’s bottom. See, it’s been dropping poop right there.” He pointed to a tiny mark at the bottom of the o for Dido.

  “And that,” Gabriel said, “is an alpha, rather than an omega, as you assumed, m’dear. Jonas’s poop is the wiggle that turns an alpha to an omega.”

  “So what does the word mean, then?” Kate asked sleepily.

  “My guess is the shard spells half of didascalos,” Gabriel said, “meaning pupil or disciple. Which is interesting in itself, given that we were speculating over whether there might have been an organized school on the grounds.”

  “It’s a bird,” Jonas said disapprovingly, taking it back.

  “Fly the bird outside and find Nanny,” Gabriel said, giving him a little push. “Mama needs a nap. Take Freddie with you.”

  Barring the fact that he couldn’t seem to stay out of a shard pile when he saw it, Jonas was a fairly well-behaved boy, so he trotted away, leaving a dusky tent, an amorous prince, and a drowsy princess.

  Who found herself tempted . . . and woke up.

  Epilogue

  In the wondrously various world of Cinderellas, the prince always manages to find his cinders girl, and carries her off to his castle. Sometimes the evil stepsisters are banished, sometimes they become housemaids in the castle, and once in a blue moon, they transform into house fairies. The wicked stepmother is never seen again, the pumpkin rots in the garden, and the rats are set free to wander whither they wish.

  This particular Cinderella ends a bit differently. Of course, the prince did manage to find his cinders girl and carry her off to his castle, except for those months when they happily migrated to warmer, less rainy climes. The evil stepsister, who wasn’t really evil at all, moved to a country estate with her inestimable husband, where they raised eight children. None of Lord Dimsdale’s offspring was very bright, but they were cheerful and extraordinarily beautiful. Even more important, they were very kind, taking after their papa and, indeed, their mama as well.

  They did not take after their maternal grandmother, the wicked stepmother, perhaps because they rarely saw her. Mariana sold her estate to Gabriel, who bequeathed it to his brother Wick. She promptly moved to the city and married a prosperous banker. In a short time she acquired three times as many gowns as she had owned before. She died abruptly, of a lung ailment, leaving her banker impoverished and rather less bereft than he would have thought.

  Kate and Gabriel settled down together in the messy, charming castle full of relatives, assorted children (they had three), and animals. Freddie lived to a ripe old age, traveling back and forth from archaeological sites with aplomb. The elephant lived even longer, though the lion unfortunately ate two shoes one day and expired the next.

  And now I shall borrow from an author of some of the world’s best tales, Rudyard Kipling, to say, O Best Beloved, that every story must come to an end. I leave you with the final, crucial point of fact: They all lived happily ever after.

  Even the pickle-eating dog.

  Historical Note

  A fairy tale exists in a kind of timeless hour, caught between today and yesterday. For that reason, I allowed myself more freedom with language than I have in previous historical novels. A Kiss at Midnight, I cannot emphasize too firmly, is a fairy tale, not an historical novel. There are many ways that princes found wives, but it is doubtful than any of them ended up with a castle and an English bride in just this way. If I had to suggest a date, it would probably be somewhere around 1813, during the Regency.

  My biggest literary debt lies, obviously, in Perrault’s version of Cinderella. Scholars generally think that Perrault mistook the word vair (fur) for verre (glass); I reimagined his slippers as translucent, due to being created from stiffened taffeta. A similar literary mistake is that The School of Venus was wrongly attributed to Aretino for years, and published in England under his name; it was actually written by a student of his, Lorenzo Veniero. Besides those gentlemen, I owe a debt to E. Nesbit’s The Enchanted Castle. While I had no magic ring to transform my characters into living marble, I tried to give Pomeroy Castle some of the delicious joy of Nesbit’s castle.

  Acknowledgments

  My books are like small children; they take a whole village to get them to a literate state. I want to offer my heartfelt thanks to my personal village: my editor, Carrie Feron; my agent, Kim Witherspoon; my website designers, Wax Creative; and last, but not least, my personal team: Kim Castillo, Franzeca Drouin, and Anne Connell. I am so grateful to each of you!

  About the Author

  ELOISA JAMES is the author of eighteen award-winning romances. She’s also a professor of English literature, teaching in New York City, where she lives with her family. With two jobs, two cats, two children, and only one husband, she spends most of her time making lists of things to do—letters from readers are a great escape! Connect with Eloisa on her Facebook page (www.facebook.com/EloisaJamesFans), through her website (www.eloisajames.com), or through e-mail at [email protected].

  Praise

  “Eloisa James’s writing

  is absolutely exquisite.

  She is one of the brightest lights. . . .

  Her writing is truly scrumptious.”

  Teresa Medeiros

  By Eloisa James

  A Kiss at Midnight

  A Duke of Her Own

  This Duchess of Mine

  When the Duke Returns

  Duchess By Night

  An Affair Before Christmas

  Desperate Duchesses

  Pleasure for Pleasure

  The Taming
of the Duke

  Kiss Me, Annabel

  Much Ado About You

  Your Wicked Ways

  A Wild Pursuit

  Fool for Love

  Duchess in Love

  Copyright

  This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

  A KISS AT MIDNIGHT. Copyright © 2010 by Eloisa James. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  EPub Edition August 2010 ISBN: 9780062005366

  10 9 8 7 6 5 4 3 2 1

  About the Publisher

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  United States

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  Table of Contents

  Cover

  Title Page

  Dedication

  Contents

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Epilogue

  Historical Note

  Acknowledgments

  About the Author

  Praise

  By Eloisa James

  Copyright

  About the Publisher

 

 

 


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