He nodded. “Good. You deserve to be at peace, too.”
“Thanks,” I said. “Mostly I am now. Except when I’m looking over my shoulder for a vengeful medical examiner. Listen, I hope we can stay in touch. Maybe keep tabs on each other’s progress. Form our own twelve-step program for griefaholics.”
“We can try,” he said, “but we might have to hold the meetings by telephone for a while. Me and Chief Deputy Waylon here got us some cockfightin’ and pot-growin’ and meth-cookin’ scoundrels to track down, don’t we, Waylon?”
Waylon frowned. “Let’s not be too hasty about them cockfights. TBI might want to keep workin’ ’em undercover.” O’Conner snorted, but Waylon seemed unfazed. “Doc, Cousin Vern says to tell you ‘hey.’ Wanted you to know he’s gettin’ into a new line of farming—raising sang ’stead of weed, up at Jim’s place. The sang don’t grow near as fast, but it’s a mite safer.” I felt safer myself, knowing Waylon didn’t need to booby-trap the ginseng operation.
“Vernon’s got quite a gift for horticulture, too,” said O’Conner. “I think Cooke County Black Ginseng is going to make a big splash next fall over in China.”
Waylon fidgeted in his uniform. “Vern’s boy’s doing real good since you got him in to see that doctor at Children’s Hospital, too.” I nodded, glad that what I’d diagnosed as leukemia had proved to be merely salmonella poisoning plus a kidney infection. “Oh! and he’s got him a new pup, too—another redbone hound. Sweet little thing—named her Duchess in memory of Duke.”
I smiled. “You give Cousin Vern my best,” I said. “If you don’t care to.” Waylon nodded and clapped me on the shoulder, nearly sending me sprawling. “Hell no, I don’t care to.”
O’Conner caught Waylon’s eye and nodded at the Jeep. “We better head on back,” he said. “I’m afraid to leave the county for more than an hour at a time. I’m not sure I’ll be back this way until I get another deputy hired and up to speed, so don’t be surprised if you don’t see me for a while. On the other hand, probably won’t be long before some unidentified, varmint-chewed, vermin-infested body turns up in some backwoods hollow or chop-shop junkyard. We are talking Cooke County, after all.”
“Well, I reckon I could find my way back to your neck of the woods if duty calls,” I said. “And you know where to find me. Either under the stadium or out here communing with the dead.”
He grinned and nodded. We shook hands again, and he climbed back into the Cherokee and backed out the gate.
I checked my watch and realized I should be going, too. I was expected at Jeff’s house for dinner in a couple of hours, and it wouldn’t do to show up reeking of corpses. Besides, after I got cleaned up, I’d need to swing by the Hilton to pick up Jess Carter, who was back in town to do another autopsy. “My God, is this a date?” Jeff had asked when I asked if I could bring her along.
“I don’t know,” I said. “She might still be happily lesbian.”
He laughed. “That could make a difference, Dad. You might want to find out at some point.”
“I intend to, son,” I said. “Should be interesting.” He concurred.
As I swung the gates shut and snapped the locks onto their chains, I looked up at the barren branches ringing the facility. Above them, a narrow ray of sunshine threaded a gap in the clouds. The light caught and backlit the wing of a buzzard. The bird was gliding effortlessly, patiently above the Body Farm, riding the wind, the scent, and his own mysterious yearnings.
He might not fully comprehend why he was drawn to delve into the messy details of death. But delve he did—with grace and gusto.
I couldn’t help but admire that.
Reprinted from Human Osteology: A Laboratory and Field Manual (Fourth Edition), by William M. Bass. © Missouri Archaeological Society, Inc., 1995.
ACKNOWLEDGMENTS
Some novels are pure fiction; others are fiction that is built on a foundation of facts. This book is of the latter type. Although the story is fictional, the science is factual, and some of the places and events described here contain a sizable kernel of reality. Many of the real-world forensic cases my graduate students and I have examined during the past thirty-five years have occurred in East Tennessee, where this story is based. It would be impossible (or at least foolish) to write a story that was not shaped and colored by those experiences.
So many people contribute to a story like this, it’s impossible to acknowledge everyone by name. First and foremost, this book could not have been written without Jon Jefferson, a fine collaborator and eager student of forensic anthropology. I also want to thank my hundreds of graduate students, the many local and state law enforcement officers I’ve worked with, the members of the media who have produced accurate accounts of our investigations, and the thousands of loyal readers who are interested in my work and my stories. We hope you enjoy reading this book as much as we’ve enjoyed writing it.
—WMB III
Truth is not only stranger than fiction, it’s much easier to write, I now realize. Thanks to the many people who have helped me navigate the new territory of fiction. Arthur Bohanan—the real-life Art—gave us gracious and good-humored permission to borrow his name, his reputation, and a few of his accomplishments, in return for nothing more than a promise to call attention to the urgent need for more research on finding ways to detect children’s fingerprints. Thanks, Art—that’s a promise we’re privileged to keep. Dr. Jim Corbin, of the North Carolina Department of Agriculture—a pioneering scientist in the fight against ginseng poaching—answered numerous questions about ’sang; lest his reputation suffer, I’ll hasten to absolve him of all blame for the fictional liberties I’ve taken on the subject of cultivation. For helicopter and air ambulance research—on the ground and in the air—I’m indebted to the flight crews of Smoky Mountain Helicopters and the University of Tennessee Medical Center’s LifeStar air ambulance program. Thanks also to Dr. Sandra Elkins of the Regional Forensic Center; to Dr. Ed Uthman, via his website and emails; and to Lynn Faust, John, and Rick.
Many members of local, state, and federal law enforcement agencies were kind enough to answer myriad questions. Among them: KPD firearms examiner Patty Resig; sheriff’s deputy (and K9 trainer extraordinaire) Art Wolff; District Attorney General Al Schmutzer; Assistant District Attorney Marsha Mitchell; Assistant U.S. Attorney Guy Blackwell; DEA agent Tim Wilson; TBI agent Greg Monroe; and half a dozen members of the FBI’s Knoxville district office—Special Agent in Charge Joe Clark, Assistant Special Agent in Charge Tim Cox, Special Agents Gary Kidder, Beth O’Brien, and Robert Gibson III, and Chief District Counsel James Van Pelt.
Thanks also to my stepsons (and firearms consultants), Adam and Lee Robinson; to our energetic and capable literary agent, Giles Anderson; and to our intrepid editor at William Morrow, Sarah Durand.
As ever, working with Dr. Bill Bass remains a great pleasure, an amazing education, and a high honor.
—JWJ
About the Author
Jefferson Bass is the writing team of Dr. Bill Bass and Jon Jefferson. Dr. Bass, a world-renowned forensic anthropologist, founded the University of Tennessee’s Anthropology Research Facility—the Body Farm—a quarter-century ago. He is the author or coauthor of more than two hundred scientific publications, as well as a critically acclaimed memoir about his career, Death’s Acre. Dr. Bass is also a dedicated teacher, honored as National Professor of the Year by the Council for Advancement and Support of Education. Jefferson is a veteran journalist, writer, and documentary filmmaker. His writings have been published in the New York Times, Newsweek, USA Today, and Popular Science and broadcast on National Public Radio. The coauthor of Death’s Acre, he is also the writer and producer of two highly rated National Geographic documentaries about the Body Farm.
www.jeffersonbass.com
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Credits
Jacket design by Tom Lau
Jacket photograph by J
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Copyright
This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.
Carved in Bone. Copyright © 2006 by Jefferson Bass, LLC. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
ePub Edition © JANUARY 2006 ISBN: 9780061804885
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Library of Congress Cataloging-in-Publication Data
Jefferson Bass
Carved in bone / Jefferson Bass.—1st ed.
p. cm.
ISBN-13: 978-0-06-075981-0
ISBN-10: 0-06-075981-X
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