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it should be parked."
"We're all going in?" Jenner asks, looking around.
"Except for Mr. Park," Preston says. "He'll drive the truck."
Jenner grins. "I'm ready," he says, stretching out his arms. Giffey watches
the young man's scalp, then jerks his gaze away. Pickwenn and Pent walk up
to the board and examine the sketch.
"You wouldn't happen to have complete plans, would you?" Pickwenn asks,
moistening his dark lips with a pale pink tip of tongue.
"Sorry, no," Giffey says. "We presume the hibernacula are above the fifth
floor."
"And the emergency elevators go to those levels as well?" Pent asks.
"One may," Giffey says. "If it doesn't, we'll have to commandeer a main
elevator."
"How do we do that?" Pickwenn asks dubiously. "Your... thinker is in
charge of them, and presumably will know about us by then."
"Let's look at the stuff," Jenner suggests. "Mr. Giffey, these folks aren't
familiar with what we can do. They'll settle down once we tell them."
"Good idea," Hale says. "It just looks like a lot of barrels and boxes now."
In the back of the warehouse, they gather around a pallet five feet on each side,
deposited on the concrete floor in an empty corner. The pallet is wrapped in
reflective plastic, anonymous, unmarked. A few tears in the plastic reveal Jenner's
earlier investigation of the contents.
"Tear it open," Giffey tells Jenner. The young man deftly slips a knife from
his pocket and sets to work. He slices the tough plastic and pulls it away,
revealing four drumlike wax-lined metal canisters of military grade nano, and
two canisters of WEPPON--Weapons and Equipment Programming Package,
Ordnance Nano. Military complete paste.
Patiently, Giffey begins to explain these tools. Pent and Pickwenn listen
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watching her expression. Of all the people here, she seems the most intelligent,
even the calmest; he wonders why Hale is in charge and she isn't. Hale, after
making an initial good impression, has dropped quite a bit in his estimation.
Something about the man's body language, his questions... Not enough
probing questions.
Preston is nervous, concerned. Good girl, Giffey thinks. This isn't going to be
a piece of cake. Most of us are probably never going to see that tunnel.
Jenner pulls out a plastic probe, unscrews the cap of the first MGN canister,
and dips the probe in. He proceeds to the second canister, querying the nano.
A faint smell of yeast and iodine fills the room.
Military grade nano is a living beast from another world. It tolerates our atmosphere,
our world, but it's always hungry.
Giffey tries to remember who told him that, and when; but the memory
doesn't come quickly and soon he stops trying.
"It's perking and ready to go," Jenner reports.
"Lets go over it again," Hale says. "What can this stuff work from?"
Jenner gleefully obliges. He puts on an expert military tone, clipped, precise.
"MGN is a living substance designed to thrive in a wartime environment,
specifically, a high-tech battlefield. Supply it metal, flexfuller, organics, any
plastics, anything but glass or gold. It absorbs nitrogen and CO2 from the air.
Might be quite a suck if we're low on organics." He folds his arms, self-impressed.
"There's a cafeteria unit in the building. It might be best to set it
loose in there."
"Organics?" Preston says.
Giffey had deliberately not covered this topic.
e
"It's designed to absorb and recycle battlefield casualties," Giffey says quietly.
"Mechanical and otherwise."
"Jesus," says Kim Lou Park, grimacing.
"We'll set it on the pharaohs," Jenner says, poking his finger into the air.
"We'll treat them with kid gloves, actually," Hale says. "They're something
we didn't count on. We'll be better off using them as shields and
hostages."
That's the first really intelligent thing Giffey has heard Hale say.
"How will we unload the stuff?" Pickwenn asks.
"We're going right into the VIP garage, through the armor, through outside
security, limo and all," Hale says, smiling. "That's the beauty of it. These folks
aren't as smart as we thought."
Giffey expresses no opinion on the matter. The setup does indeed seem
sweet, much better than he had hoped.
But all too clearly, he remembers the sweet deal of the night before.
/
SLANT 159
GODSTREAM I
THE MULTIWAY CHRISTIAN NEWS FIBE
NEWS BLAST: SATAN ON THE MARCH, Edition 216
Hideous sex-selected abortions in India and China have led to the death of
300,000,000 (that's three hundred million) unborn female children. Satan is
laughing now! Tens of millions of Chinese and Indian men cannot find wives. Satan
is ready for the next step! The governments of India and South China, and
even of Northern Enclave China, have caved in to enormous public pressure and
are forcing ten million adult men and boys a year to undergo sex change transformations,
to become WOMEN! THE SIN OF MURDER BEGETS EVEN
GREATER SIN!
Meanwhile, the demand for that Hell-spawned and all-pervasive sin called
Pornography (the night-sweats of Onan himself!) in India and China outstrips the
rest of the world! Western-produced and now Eastern-produced pornographic
material accounts for fully one third of ALL PURCHASES in India and China!
Prostitution has always thrived in India, and now is rampant throughout Asia, but
the perverse combination of robots and pornography has led to a TENFOLD INCREASE
IN PROSTHETUTION, the use of robot sex surrogates! These prosthetutes,
also known as whorebots and sexbeiters, are manufactured in Japan and
Thailand. Satanic mechanical sex temptresses have been invading our shores
and despoiling our youth for over twenty years!
SODOM AND GOMORRAH WERE PIKERS! Can anyone deny that the end is
near? BIBLICAL PROPHECY POINTS TO THE REAL ENDTIME! SATAN HOODWINKED
US IN 2000 AND AGAIN IN 2048!
JESUS IS RACING TOWARD US LIKE A FIERY LION, AN AVENGING COMET
SOAKED IN GASOLINE!
TAP THIS BU'ON TO MAKE AN INSTANT CONTRIBUTION FROM YOUR
GOVERNMENT UNEMPLOYMENT FUND. ONLY THE GENEROUS WILL BE
LAUGHING WHEN GOD'S WRATH SWALLOWS THE EARTH!
COME TO GREEN IDAHO, GOD'S LAST FOOTPRINT ON EARTH!
Jonathan walks into his wife's hospital room. Pale blue cloth curtains in a
circle around the bed ripple with a light breeze scented like a pine forest. There
are five other patients in this bloc, but he can hear none of them; no conver-
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GREG BEAR
sations, no coughing or moaning. Chloe is silent as well. She has eaten breakfast
and stares with grim determination at nothing.
Her body is filled with a new set of monitors, these directed from outside
rather than operating autonomously. They are trying to find an explanation
for her condition. The probe receiver hangs from the ceiling on a narrow track,
and a small cord leads from the receiver to a silver spot behind her left ear.
This, he realizes, is a medical-grade plug. It could also be feeding her soothing
/> impulses. Even with her eyes open, she might be asleep.
He almost dreads the possibility she is awake. Walking into her room is
like going before a judge. He has always been very sensitive about criticism,
especially from Chloe; he has always been extremely careful not to do anything
that might merit her anger.
She does not seem to see him.
"Hello," he says softly. "How are you?"
"Like shit," she snaps and her face tightens, lines dragging the edges of her
lips down. This makes her look much older. She looks like a female villain in
an old Disney vid, hard, sexless, and bitterly angry.
"I've talked to the doctor. She isn't sure what happened."
"Isn't she?" Chloe asks flatly.
"Nobody is. There seems to be something going around."
"Good, Jonathan. Never blame yourself."
Jonathan halts his slow, cautious progress into the room one step from the
side of Chloe's bed. She is not well, he tells himself. There will be a lingering
aura of her collapse. He will not let himself fall victim to her off-center affect.
"A lot of people are becoming ill," Jonathan says, his voice rough. "Nobody
nows why."
"I'm as healthy as a horse. It's my sou/that has bootprints all over it."
"I know it hurts," Jonathan says, barely a whisper. He starts to take that last
step, to stand beside the bed, but she jerks her head and stares at him with the
glassy eyes and wooden expression of a puppet. "God damn you," she says flatly.
Jonathan stops. His mouth goes soft and his tongue seems to fill the space
behind his jaws, dry and gummy. His eyes close to slits and he can barely see
her beyond a light-beading film of tears.
"You've been pushing me since we had Hiram and I'm sick because of it."
He can say nothing to this. He tries to tell himself that she is not well, that
the woman he loves and who mothered his children, the woman with whom
he has slept in bed almost eight thousand times, and with whom he has made
love at least two thousand times, would not use these words, this voice. Chloe
has become someone else and this person will soon go away.
"What is it?" she asks, breaking the silence of half a minute or more. "Why
are you here?"
"I hope you feel better soon." Jonathan looks around for some button to
nuh. some cord to pull to call in human help, to keep him from saying
/
SLANT 161
anything, but the words erupt. The room feels hot. "You had therapy after we
met but you didn't tell me."
"Why should I?" Chloe asks.
'"Why did you need therapy?"
"Because I kept wanting men, lots of men, and they kept hurting me,"
Chloe says. "An excess of #esire. Why should I ever feel desire again?"
He sees the chair and turns, sits before his knees go rubbery. Part of him
wants to leave immediately and let the professionals treat her; another part is
guilty for ever expecting anything from a mother, the mother of his chi/tire, for
God's sake, and he knows he deserves this condign punishment.
But this has nothing to do with what he says to her. "You've never liked
to lose control," he says.
"Look what it gets me." She gestures at the bed, the curtains.
"I always thought we were partners, that we could be free with each other... I
didn't know it was hurting you."
She glances at him, pityingly, and to Jonathan that look embodies all the
disapproving looks women have ever given him, from the disappointed anger
of his mother to a girlfriend telling him he is not for her. Wrathscorn. Jonathan pulls his chair closer. She shifts on the bed.
"Please listen," he says. "I'll go soon. Hiram and Penelope want to see you."
"Oh, my God. Hiram. He saw what you were doing to me."
"Don't," Jonathan says, pulling together all his control. "Listen, Chloe. This
is important. No matter what you feel now, it's not real. You've had a thymic
collapse. All your therapy gave way at once. I don't think I was responsible
for that, but if I was, we have to make our decisions after you're out of the
hospital, not now. You need time to rest and recuperate and let the doctors
put things back in place. I'm told that won't take more than a week, but . . .
the hospital is pretty busy now. The experts may not get to you for a few days.
And I want only the best for you. If necessary, I'll take you out of here and
find a specialist myself. The best." He swallows and tries to produce spit to
wet his tongue, but it will not flow. "I won't come back if you don't want me
to... until after you're feeling better."
"I've just come awake, that's all."
Jonathan takes a deep breath. He knows many things intellectually, that he
should not feel anger for these words because they are not truly reflective of
the real woman who is his wife. But he can't help thinking of a snail heaped
high with salt. An earthworm drying in the summer sun. No love, no sex, cut
away from the joys of this Earth; he is a dead man.
She closes her eyes. "I need to rest," she says.
He stands and turns and parts the curtain. In the passageway beyond,
looking at the receding curves of blue curtains beneath the soft glow of the
high ceiling, he can't breathe. He stands there making small choking
noises until his throat clears and his eyes water. He sounds like a dog with
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GREG BEAR
and stops his gasping.
In the visitors' room, Hiram and Penelope are pale and serious and they sit
with hands folded between their knees, as if posed for a photo. Hiram looks
up at Jonathan.
"She's not feeling very well. She's... saying some bitter things," Jonathan
tells them.
His children give him looks of total lack of comprehension. Perhaps they
are being kind.
"I'd like to see her," Penelope says. "We need to talk to her."
"She's resting."
"We'll wait, father," Penelope says, and looks away.
Jonathan agrees. "I have to go now. I'll come back later."
"All right," Penelope says.
Hiram refuses to look at him.
Jonathan kisses them on the tops of their heads and leaves. The hospital
building seems airless, hermetic.
In the open air, beneath the brilliant clouds and patches of blue sky, he
feels no better. Jonathan requests an autobus and waits, stiff and aching, at
the sheltered stop. He must walk carefully. He feels naked and vulnerable.
His own sanity depends now on a plan to walk safely between close walls
of thickly clustered nettles.
PARADISO
PLAYERS: 25,600
GOALS: Gonzo, pLAY-DEFINED
STATUS: You are currently in Space 2. Your avatar/face is MASK I. RECORDING.
COMPANION: Name and status unknown. Also masked.
YOU: I wish there was some way I could explain it to you.., a feeling of perfect
peace, of belonging, of knowing where you are and what's expected of you.
COMPANION: I wish I knew what that felt like.
YOU: But you can! You can come join our Spiritual Therapy Group. We're having
a chat multiway in fifteen minutes in Space 98.
COMPANION: I've been through all of this before. I've been to chats with dozens
of earnest people ganging
up on me, and I ask them tough questions, and they
all fold and go home. You're just a bunch of self-deluding types, what can I say?
/ SLANT 163
COMPANION: Sure. Does he talk inside of you? AH the time? Clear as a bell?
Does he make sure you never do anything wrong?
YOU: No, He doesn't talk inside me all of the time. He lets me make my own
choices, and sometimes I choose wrong.
COMPANION: Well, you don't sound as bad as those others. Are you male or
female?
YOU: Let's stick to the point here.
COMPANION: Yeah, well the point is I'm open to god, I really am. I would love to
have him talk to me and show me where I should be headed. But I'm sick of
waiting. I hate this coy god shit where I have to play some unknown game just to
have him talk to me. That's really cruel. I'm here; I need his help. I'm not being
defiant or shutting myself out. I just don't hear anything!
YOU: Perhaps you need to listen more carefully.
COMPANION: I AM LISTENING! Why do you think I'm here? I keep coming back
here for answers and going away and trying again, and god never talks to me!
YOU: Perhaps He needs a sign from you. Some opening He can use to enter
you.
COMPANION: What, I should mend my ways just to have him talk to me? I need
him to tell me how to mend my ways! I need guidance! It's getting worse every
day, this pain. I thought it was over years ago but it isn't. I need him to help me!