by Adam Haslett
Or like all of this coming to me now in the car after I’ve handed out the surprise boxes and earned a lull in the children’s impatience for a while, with the windows down and the salt air rushing in on us. Remembering being at a packed, loud party at the flat with John’s roommates, everyone in ties and dresses, on the evening that the fire engines appeared at the building, and we all had to scurry down the four flights of stairs with our sloshing glasses, John running back up to grab his jacket in case the press appeared to cover the impending blaze—a jest to prevent the good cheer from dissipating on the sidewalk, which worked, keeping the laughter going until we got the all-clear and clambered back up to keep drinking.
It was almost grave the way he kissed me in the beginning. His nerves showed like they never did with friends; with them, words were the only currency that mattered. The contrast seduced me as much as anything. The American boys I’d dated in college and immediately afterward brought their offhand confidence into the bedroom, where it struck the same slightly false note that it did in company. John might have wanted to be that smooth, but with me he couldn’t manage it. Which I’ve always decided to take as a compliment. And then, as if he’d betrayed himself in the dark, he’d up the gallantry the next day, appearing at my door with a picnic basket and a borrowed car and driving us into the countryside, where even if no one was around he still wouldn’t try to touch me, as if it proved something about his character. I fell in love watching him do that. I knew the starkness of the difference between his savoir-faire and his wordless, heavy-breathing grasp in private owed something to his never knowing exactly where he stood with me, because he couldn’t interpret me as easily as he could an Englishwoman. By the same token, I couldn’t help wondering if my being an outsider in his world was what drew him most. Which could make me skeptical of him, parsing his words and deeds for signs that he’d noticed or appreciated something about me other than my foreignness.
It was all part of what kept up a sense of mystery between us at the start. That tension of not knowing but wanting to know. You’d think that after seventeen years of being together and three children and moving together from London to a small town in Massachusetts, this kind of mystery would be dead and gone, the ephemera of early love washed out by practicality. And much of it is. He doesn’t charm me anymore. I see how he charms others, how far his accent alone goes in this country to distract and beguile, but it’s not the kind of effect that lasts in a marriage. And I am certainly no escape for him anymore, not in the simple sense of being a departure from familiarity. We fight. We disagree. He indulges the children to curry favor with them, suspending my bans on this or that, leaving me to stand alone as the enforcer. I resent not knowing when or if he’ll decide the time has come for us to go back to Britain, and I resent that it depends on his work. Not all the time, and not that I can fault him for it entirely, but I’m not quiet about it when it gets to me. Like when I’m rummaging through old furniture in my mother’s garage for dressers or side tables because the ones we bought together after our wedding are sitting in storage an ocean away and he doesn’t want to ship it all here since maybe we’ll be returning soon.
And yet there remains mystery between us. What I want to say is that we still don’t know each other, that we’re still discovering each other, and of course because it’s no longer the beginning it isn’t always, or even mostly, a romantic proposition—the not knowing, the wanting to know—but there is the wanting. Certainly there are times when I think maybe it’s one-sided, that he knows just about all of me that he cares to, and that I’m the one who’s still deciphering, which can be its own source of resentment.
Whatever it is, it’s not about nationalities anymore, or his family or mine. It’s what all that stood in for at the beginning without my realizing it. At least until his episode shortly before our wedding.
That autumn of ’63 after our engagement I could tell something was getting to him at work because whenever we met up he’d be more distracted than usual and have less to say. He was the fastest-talking person I’d ever met, that is before Michael started talking, and in the right mood I could just sit back and listen to him go on about the complacency of Harold Macmillan or the latest news in the Profumo affair, he and his friends interrupting and talking over one another, dashing and clever and well oiled with drink. I’d think of my friends who’d gotten married, junior or senior year, to men just like the ones they’d grown up with, headed now to Wall Street or law school, some of them already with three- and four-year-olds, and I’d think, Thank God! I’m not a doll in the house of my mother’s imaginings. I got out. And far.
But during that October John’s clock began to run more slowly. It wasn’t dramatic at first. He didn’t talk much about his work but I imagined it was some pressure there that was tiring him out, making him less inclined to spend evenings with friends. He just appeared let down, that was all. Harold Macmillan resigning as prime minister was the sort of thing he would usually have been reading and talking about furiously but he showed barely any interest. It was the evening Kennedy was shot—evening in Britain—that I thought to myself something must be the matter with him because when I appeared at his flat in tears he hugged me and sat me down on the couch and tried to calm me, yet it didn’t seem to have reached him at all. I didn’t expect him to cry—it wasn’t his president—but it was as if I’d told him a distant uncle of mine had expired, obliging him to pat me on the shoulder. It was unnatural.
Three weeks later I sailed back to New York for Christmas. I stayed just under a month. We wrote several times a week. Daily bits and pieces but lots of fond things, too. There were some particularly ardent ones from him—as strong about how he loved me as he’d ever said or written before.
I didn’t understand what his flatmate was saying when I called the day I got back to London and he told me that John had been admitted to the hospital.
“Has he had an accident?” I said.
“No,” he said. “But perhaps you should call his parents.”
I phoned right away. His mother handed the receiver to her husband with barely a word. “Yes,” he said. “We were rather hoping all this business was done with. His mother finds it most unpleasant.”
I had nothing to prepare me. John sat in what looked like an enormous waiting room with clusters of chairs and coffee tables, all those waiting being men, most of them reading newspapers or playing cards or just gazing through the filmy windows. His face was so drained of spirit I barely recognized him. If he hadn’t moved his eyes I would have thought he was dead.
The room got only northern light and the shades were half pulled. It just made no sense to stay in that tepid, dingy atmosphere so I said, “Why don’t we go for a walk?” I had to leave there to plant my feet back in reality, and to bring him with me.
Of course it wasn’t that simple. It turned out this wasn’t the first time he’d been hospitalized. His second year at Oxford he’d had to leave for a term. Since then—almost ten years—he’d been generally fine. He’d been the man I’d met. Now, utterly unlike that person, he barely spoke. He just held my hand as we walked through Hyde Park, the ghost of John in John’s frame.
He had to rest, he said. He was tired. That was all. But I knew that couldn’t be it, or was only half true. Being the pushy American, I made an appointment to see his doctor. This was most surprising to the staff, “But all right then,” he would speak with me.
I remember the man’s blue checked cardigan and square glasses, and his thick black hair brushed back with Brylcreem. I couldn’t tell if the room where we met was his office or just a space for meetings off the ward. The books on the shelves were arranged in desultory fashion and there were no diplomas on the walls. But he seemed comfortable and settled there and offered me a smoke before showing me to the couch. He sat opposite and attended mostly to the tip of his cigarette, which he flicked frequently against the rim of the sea-green ashtray nestled in its tarnished brass stand.
“He
’s doing reasonably well,” he said, glancing upward with a slight nod of the head, hoping perhaps that would settle it.
“But why is he here? Can you tell me that?”
“How long have the two of you been together?”
“A year and a half.”
He thought about this for a moment, as if deciding how to proceed.
“There’s an imbalance,” he said, crossing his legs and resting the hand that held the cigarette on his knee. He wore cuffed wool pants and brown leather brogues. He must have been twice my age. Between the absence of any white lab coat and the slow, considered pace of his conversation he struck me as a professor more than a doctor.
“You could say his mind closes down. It goes into a sort of hibernation. He needs rest and sometimes a bit of waking up, which may not be necessary right now, but which we can do if it becomes so.”
“And it’s happened before.”
“Yes, it would have done.”
“And that means it’ll happen again?”
“Hard to say. It could well do. But these things aren’t predictable. Stability, family—those things help.”
I think that’s when I was closest to crying. I hadn’t spoken to anyone about what was happening. Not more than to mention and excuse it in the same breath, to say that all was well. But in that room with that man whose English kindliness undid something in me, I suddenly felt afraid and homesick, and probably I did cry for a moment. “We’re supposed to get married this spring,” I said.
He tapped his cigarette again against the lip of the ashtray, then slowly changed the cross of his legs, his shoulders and head remaining perfectly still. He pondered my statement for such a long time that I wondered if he’d heard me. Then he looked up with gentle eyes and asked, “In that case I presume you love him?”
I nodded.
“Well, then, that’s as it should be,” he said.
I went to the ward in Lambeth every afternoon and we took a walk together, even if it was raining. The light in that room was a kind of malpractice. I never saw or spoke to the doctor again. It was hard to get information from anyone. Asking questions wasn’t the proper form. It was the same way a couple of years later when I gave birth to Michael at St. Thomas’s, everyone perfectly pleasant but with nothing but blandishments to offer.
John stayed on the ward for a month. His father visited once, his mother not at all (John was perfect, and she wanted nothing to do with evidence to the contrary). I don’t know what he told his roommates or managers, but it wasn’t that he’d been in a psychiatric hospital. Often during that month I didn’t know which was worse, his dark mood or the shame and frustration it caused him. And he didn’t want to talk about the particulars with me.
I decided not to tell my parents. And certainly not my friends, because they would only worry. My sister, Penny, I did confide in, but swore her to secrecy. In an odd way I felt closer to John. I was the only one who visited regularly, and though it was a strain to be making decisions about a wedding when he barely had the energy to read the news—having to wonder what kind of shape he’d be in by then—there was something about those walks in the park, perhaps precisely because he didn’t talk a blue streak as he usually did, that added a kind of gravity to being in love with him. I’d always wondered before if the mystery that made the beginning of romance enthralling necessarily had to vanish, or if with the right person it just lasted on. I couldn’t have imagined the answer would come in this form, so tied up with trepidation and anger at him for disappearing, in a sense, leaving me with this remnant of himself, but there it was, a mystery deeper than I had guessed at. All his animation and verve could vanish like the weather and stay lost, but then somehow, after six weeks or so, return with such self-forgetting that he didn’t see anything strange about how blithely he led me by the arm into a car showroom to look at MGs, and then took me out to lunch and a bottle of wine, as if nothing had ever happened.
In the fifteen years of our marriage, he’s never gone back to a hospital or come anywhere close, in fact. He’s never had to stop working, or gone nearly so low as he did that fall. He has moods, and occasionally a stretch of a few weeks when I notice his energy flagging, and I don’t suppose I’ll ever be able to rid myself of the worry I have then, that it will all get much worse. Which is part of what keeps the mystery between us going. You could call that perverse. Fear playing that role. But it’s not only fear, and what’s hard to explain is that the fear is also a kind of tenderness. I’m the only one who knows in the way I do that he needs someone to watch over him. At the worst moments, when the children are tired and the house is a mess and I see from the pace of his walk up the drive at the end of the day that he’s at a lower ebb, it can seem no better than having a fourth child and I want to walk straight out the door and not come back for a month. But most of the time it’s not like that. I may not be able to tell what he’s thinking, but he reaches for me. And the excitement from the beginning fills me again at those moments. I don’t see how it could if I understood him through and through.
Seventeen years together. Three children.
And here we are, the five of us, floating up Route 1 in this boat of a car, the children beginning to scramble again in the back: Michael calling out additions to his list of a hundred names for Kelsey ending in ator—the eviscerator, the nebulator, the constipator—all of which she answers to from the bucket seat, yelping in response, having ears only for the tone of a voice, causing Celia to climb over the backseat to protect her from Michael’s mockery, while Alec stands up behind his father’s seat and reaches his hand around to play with John’s double chin, asking how much longer it’s going to be, all of them their father’s impatient children.
I’m the only one who doesn’t always want answers. John may never articulate his questions, but they are with him, a way of being. And the children want answers to everything all the time: What’s for breakfast, for lunch, for dinner? Where’s Kelsey? Where’s Dad? Why do we have to come in? Why do we have to go to bed? Some days the only words I speak to them are answers, and reasons I can’t answer, and instructions in place of the answers they want.
The questions won’t stop up here, but once we’re on the island and the three of them are spending most of the day playing on the rocks, or in the boat with their father, or traipsing up and down from the porch to the tide pools and back with their crabs in tin saucepans, the salt water and sun will wear down the edges of their nervous energy, and now and then I’ll get to be with myself long enough that when they come back, or I spy them going about their business, I will actually see them for a moment. Which ordinarily I don’t. Sight isn’t really my sense of them. They’re touch and sound. I can look at pictures from just a few years ago and barely recognize them. But the day starts and ends with their voices and bodies. John is something else. There are parallel worlds. Apparently science says so now, too. I didn’t know it until Michael was born. Now it’s obvious. I was reading a novel the other day and some character said, “We live among the dead until we join them,” something portentous like that, dreary, and I thought, Maybe, but who’s got time for the dead with all this life, all these lives, all jumbled up?
We arrive at the little blue clapboard cabin in Port Clyde in midafternoon and go to the general store to order the propane for the morning and buy groceries. John wants us to get up early again tomorrow to get out to the island as soon as possible. He’d go this evening but by the time we got the house sorted out and the food put away we’d still be making beds by oil lamp. And besides, the children like this mainland cabin too, playing on the granite boulders that jut from its sloping lawn, dashing up and down the aluminum bridgeway that runs over the tidal flat to the jetty. I watch them at it as I get supper ready.
They sense, without noticing, the new world about them, the salted air, the clear light we don’t get farther south until autumn, the brightly painted lobster boats reflected in the rippling mirror of the bay. These are not things to pause over fo
r them, the objects at hand always being what matter most—the chain Michael can put across the bridgeway to try to block the others from coming down, the bushes they hide behind, the tall grass they climb through, which will have Alec and Michael wheezing soon enough.
After supper, Michael and Celia are allowed to stay up for another hour reading. Though he has a room to himself at home, Alec doesn’t like being on his own when he imagines the other two are still conspiring together somewhere in the house. But tonight it’s okay because his father’s telling him a story. John never reads them books. He makes the stories up. I don’t have the energy at the end of the day for that, or his invention. He makes a ghost out of tissue paper, a king out of a wooden block, and Alec will be quieted to the point of trance, by the story, but also because his father’s attention is pouring over him, and only him, like the air of heaven. And when John leans down to kiss him good night, Alec will reach up to feel his double chin again, chubby and warm and a little scratchy, and he’ll be content in a way I can never make him because I am never the exception.
I disappear for twenty minutes into Ford Madox Ford’s The Good Soldier while John does the dishes, fighting past my initial irritation at all the class nonsense and how no one will say anything of significance to anyone else because it’s simply not done to be explicit. Like in James or Wharton. Those novels where you’re screaming at characters to go ahead already and blurt it out, save us a hundred pages of prevarication. But my pique wears off and I sink into the allure of the Ashburnhams at Nauheim, idling on the notion of how someone could so distort his life around an obsessive love, when John comes in having forgotten the dish towel still over his shoulder, and looks across the disarray of the room for the newspaper somewhere in the tote bags. He wouldn’t be able to remember where he stowed it to save his life. I reach into the side pocket of his briefcase and hand it to him.
