by Dan Abnett
‘You’re wondering why a servant of the ordos has just walked into your booth,’ I finished for him. Bakunin’s mind was like an open book. There was, I saw at once, no guile there, except for the natural money-making trickery of a fairground rogue. Whatever else he was, Bakunin was no heretic.
‘You took a portrait of Lord Froigre at the fete held on his lands just the other day?’ I said, thinking of the picture on the harpsichord back at the hall.
‘I did,’ he said. ‘His lordship was pleased. I made no charge for the work, sir. It was a gift to thank his lordship for his hospitality. I thought perhaps some of his worthy friends might see the work and want the like for themselves, I...’
He doesn’t know, I thought. He has no clue what this is about. He’s trying to work out how he might have drawn this investigation to himself.
‘Lord Froigre is dead,’ I told him.
He went pale. ‘No, that’s… that’s...’
‘Master Bakunin... do you know if any other of your previous subjects have died? Died soon after your work was complete?’
‘I don’t, I’m sure. Sir, what are you implying?’
‘I have a list of names,’ I said, unclipping my data-slate. ‘Do you keep records of your work?’
‘I keep them all, all the exposed plates, in case copies or replacements are needed. I have full catalogues of all pictures.’
I showed him the slate. ‘Do you recognise any of these names?’
His hands were shaking. He said, ‘I’ll have to check them against my catalogue,’ but I knew for a fact he’d recognised some of them at once.
‘Let’s do that together,’ I said. Alizebeth followed us as we went through the back of the tent into the trailer. It was a dark, confined space, and Bakunin kept apologising. Every scrap of surface, even the untidy flat of his little cot bed, was piled with spares and partly disassembled cameras. There was a musty, chemical stink, mixed with the scent of Penshel seeds. Bakunin’s pipe lay in a small bowl. He reached into a crate under the cot and pulled out several dog-eared record books.
‘Let me see now,’ he began.
There was a door at the end of the little room.
‘What’s through there?’
‘My dark room, along with the file racks for the exposed plates.’
‘It has a door to the outside?’
‘Yes,’ he said.
‘Locked?’
‘No...’
‘You have an assistant then, someone you ordered to hold the door shut?’
‘I have no assistant...’ he said, puzzled.
‘Open this door,’ I told him. He put down the books and went to the communicating door. Just from his body language, I could tell he had been expecting it to open easily.
‘I don’t understand,’ he said. ‘It’s never jammed before.’
‘Stand back,’ I said, and drew Barbarisater. The exposed blade filled the little trailer with ozone, and Bakunin yelped.
I put the blade through the door with one good swing, and ripped it open. There was a loud bang of atmospheric decompression, and foetid air swept over us. A dark, smoky haze drifted out.
‘Emperor of Mankind, what is that?’
‘Warpcraft,’ I said. ‘You say you mix your own oxides and solutions?’
‘Yes.’
‘Where do you get your supplies from?’
‘Everywhere, here and there, sometimes from apothecaries, or market traders or...’
Anywhere. Bakunin had experimented with all manner of compounds over the years to create the best, most effective plates for his camera. He’d never been fussy about where the active ingredients came from. Something in his workshop, something in his rack of flasks and bottles, was tainted.
I took a step towards the darkroom. In the half-light, things were flickering, half-formed and pale. The baleful energies lurking in Bakunin’s workshop could sense I was a threat, and were trying to protect themselves by sealing the doors tight to keep me out.
I crossed the threshold into the darkroom. Alizebeth’s cry of warning was lost in the shrieking of tormented air that suddenly swirled around me. Glass bottles and flasks of mineral tincture vibrated wildly in metal racks above Bakunin’s work bench. Jars of liquid chemicals and unguent oils shattered and sprayed their contents into the air. The little gas-jet burner flared and ignited, its rubber tube thrashing like a snake. Glass plates, each a square the size of a data-slate, and each sleeved in a folder of tan card, were jiggling and working themselves out of the wooden racks on the far side of the blacked-out room. There were thousands of them, each one the master exposure of one of Bakunin’s hololiths. The first yanked clear of the shelf as if tugged by a sucking force, and I expected it to shatter on the floor, but it floated in the air. Quickly, others followed suit. Light from sources I couldn’t locate played in the air, casting specks and flashes of colour all around. The air itself became dark brown, like tobacco.
I raised my sword. A negative plate flew at my head, and I struck at it. Shards of glass flew in all directions. Another came at me, and I smashed that too. More flew from the shelves like a spray of playing cards, whipping through the air towards me. I made a series of quick uwe sar and ulsar parries, bursting the glass squares as they struck in. I missed one, and it sliced my cheek with its edge before hitting the wall behind me like a throwing knife.
‘Get him out of here!’ I yelled to Alizebeth. The trailer was shaking. Outside there was a crash of thunder, and rain started to hammer on the low roof. The hurtling plates were driving me back, and Barbarisater had become a blur in my hands as it struck out to intercept them all.
Then the ghosts came. Serious men in formal robes. Gentlewomen in long gowns. Solemn children with pale faces. A laughing innkeeper with blotchy cheeks. Two farmhands, with their arms around each other’s shoulders. More, still more, shimmering in the dirty air, made of smoke, their skins white, their clothes sepia, their expressions frozen at the moment they had been caught by the camera. They clawed and tugged at me with fingers of ice, pummelled me with psychokinetic fists. Some passed through me like wraiths, chilling my marrow. The malevolence hiding in that little trailer was conjuring up all the images Bakunin had immortalised in his career, ripping them off the negative plates and giving them form.
I staggered back, tears appearing in my cloak. Their touch was as sharp as the edges of the glass plates. Their hollow screaming filled my ears. Then, with a sickening lurch, the world itself distorted and changed. The trailer was gone. For a moment I was standing on a sepia shoreline, then I was an uninvited guest at a country wedding. My sword hacking and flashing, I stumbled on into a baptism, then a colourised view of the Atenate Mountains, then a feast in a guild hall. The ghosts surged at me, frozen hands clawing. The innkeeper with the blotchy cheeks got his icy fists around my throat, though his face was still open in laughter. I chopped Barbarisater through him, and he billowed like smoke. A sad-faced housemaid pulled at my arm, and a fisherman struck at me with his boat hook.
I began to recite the Litany of Salvation, yelling it into the leering faces that beset me. A few crumpled and melted like cellulose exposed to flame. I heard gunshots. Gabon was to my right, firing his weapon. He was standing on the pier at Dorsay at sunset, in the middle of an inter-village game of knockball, and a harvest festival, all at the same time. The conflicting scenes blurred and merged around him. A bride and her groom, along with five mourners from a funeral and a retiring Arbites constable in full medals, were attacking him.
‘Get back!’ I yelled. Barbarisater was glowing white-hot. Thunder crashed again, shaking the earth. Gabon shrieked as the bride’s fingers ripped through his face, and as he stumbled backwards, whizzing glass plates chopped into him like axe heads.
His blood was in the air, like rain. It flooded into the ghosts and stained their sepia tones crimson and their pale flesh pink. I felt fingers like knives draw across the flesh of my arms and back. There were too many of them. I couldn’t trust my eyes. A
ccording to them, I was standing on a riverbank, and also the front steps of an Administratum building.
The locations overlaid each other impossibly, and neither was real.
I leapt, and lashed out with my blade. I hit something, tore through and immediately found myself rolling on the rain-sodden turf behind the trailer.
Lightning split the darkness overhead, and the rain was torrential. The storm and the bizarre activity around Bakunin’s booth had sent the commonfolk fleeing from the meadow. The trailer was still vibrating and shaking, and oily brown smoke was gushing from the hole in the side wall I’d cut to break my way out. Inside, lights crackled and flashed, and the phantom screaming continued. The warptaint was berserk.
Bakunin appeared, looking desperate, with Alizebeth close behind him. He put his hands to his mouth in shock at the sight of me torn and bloodied.
‘Where is it?’ I snarled.
‘Third shelf up, above the workbench,’ he stammered. ‘The green bottle. I needed tincture of mercury, years ago, years ago, and an old woman in one of the villages gave it to me and said it would do as well. I use it all the time now. The emulsions it mixes are perfect. My work has never been better.’
He looked down at the grass, shaking and horrified.
‘I should have realised,’ he muttered. ‘I should have realised. No matter how much I used, the bottle never emptied.’
‘Third shelf up?’ I confirmed.
‘I’ll show you,’ he said, and sprang to the trailer, clambering in through the hole I had smashed.
‘Bakunin! No!’
I followed him inside, tumbling back into the jumble of landscapes and the maelstrom of screaming ghosts. Just for a moment, a brief moment, I saw Aen Froigre amongst them.
Then I was falling through another wedding, a hunting scene, a stockman’s meeting, a farrier’s smithy, the castle of Elempite by moonlight, a cattle market, a–
I heard Bakunin scream.
I deflected three more deadly hololith plates, and slashed through the thicket of howling ghosts. Spectral, as if it wasn’t there, I saw the workbench and the shelves. The green bottle, glowing internally with jade fire. I raised Barbarisater and smashed the bottle with the edge of the shivering blade.
The explosion shredded the inner partition wall and lurched the trailer onto its side. Dazed, I lay on the splintered wall, sprawled amongst the debris of glass and wood.
The screaming stopped.
Someone had called the local Arbites. They moved through the crowds of onlookers as the last of the rain fell and the skies began to clear.
I showed them my credentials, and told them to keep the crowd back while I finished my work. The trailer was already burning, and Alizebeth and I threw the last few hololith prints into the flames.
The pictures were fading now. Superimposed on each one, every portrait, every landscape, every miniature, was a ghost exposure. An after-image.
Bakunin, screaming his last scream forever.
THE STRANGE DEMISE OF TITUS ENDOR
The city was a hollow, failing place that was trying to turn its fortunes around, so it was apt that Titus Endor should wash up there. He’d long since lost the lustre that had made him one of the ordo’s rising stars. Like a counterfeit coin, his value had been exposed as short weight. None of it had been his fault, just circumstances.
Titus Endor took another drink, and reflected that life could be worse.
It had seemed to have been winter for two or three years. Snow fell all the time, but the city streets were so warm and busy, nothing lay for long. Slush filled the gutters, and the edges of the kerbs were crusted with polished deposits of old grey ice. Tiny snowflakes freighted the air, caught in the streetlights. They drifted like random thoughts, or disconnected clues.
The city’s name was Marisberg. Or perhaps it was Chericoberg, or Zsammstadd? They were all alike, the brute towns clinging to the oily edge of Karoscura’s western continent. The drifting clues had dragged him from one conurbation to the next, from one drab residentiary to another, and they all blurred into one: the same streets, the same sallow faces in the street lights, the same bars and dining halls, the same smell of wet rockcrete, the same snow. He walked alone, after hours, ate alone in eating rooms where the other tables were stacked with chairs, made calls and asked questions, and reviewed the notes he’d scribbled in his copy books.
There were a lot of copy books. He disliked data-slates, and never threw his papers away. They formed the bulk of his luggage. He always made sure he had a spare crown or two to tip the next poor concierge confronted with the task of lugging his possessions from the street to a newly rented room.
Gonrad Maliko had been a professor of ethnic diversity at Sarum, specialising in taboos and stratified eating. Endor had a potted biography of him written out in one of the copy books. In another, a green-covered book marked 435, were the case notes of Maliko’s crime, a shameless affront on Eustis Majoris involving eleven sub-adult males.
Endor had almost snared Maliko in the arctic city of Cazzad, but the timing had been out, and the tip-off too vague. None of it had been his fault, just circumstances.
Titus Endor had inherited a fondness for symphonic music from his first master, the late Hapshant. Hapshant had been a real character. Installed at a bar, in the late evening, a glass in his hand, Endor would riff tirelessly about Hapshant. ‘Believe you me, a real character,’ he would say to his conversation partner, usually the barman, or any solitary drinker with a spare seat beside him. ‘Mad as a fiddle, in the end,’ Endor always added, tapping his brow, ‘worms in the head, you see.’
Endor remembered the days, a long time ago, when he would patiently wind up the old voxcordian Hapshant took with him wherever he went, to play some old wax disc of crackling symphonic music to help his master think. Endor had been Hapshant’s pupil, Hapshant’s brightest pupil. As an interrogator, he had served Hapshant right to the end of the great man’s life. There had been two of them, actually, two interrogators, Titus and his friend Gregor. Tight, they’d been, best friends in service and out. Titus, though, had always been the one with a luminous future, because Gregor was too serious and charmless. They had both become inquisitors, and stayed friends. Until, that is, an unfortunate business some years before, a misunderstanding that Gregor had not seen fit to overlook. None of it had been Endor’s fault, just circumstances.
His fondness for the classical repertoire had come from Hapshant. Attending the performances at Marisberg’s Theatricala was therefore not a drudge for Titus Endor. He would arrive at the great, gilded palace, its high windows lit by a thousand yellow globes, brush the snow off his shoulders, and take a drink in the bar before the start of the performance. The grandees would come and go, in their frock coats and silk scarves, their gowns and tiaras, and he’d watch them professionally. Sometimes his copy book would come out of his coat pocket, and he’d scribble a note or two.
The auditorium was painted crimson, with scarlet upholstery and gold woodwork. When the house lights came down, it was like being seated in the ventricle of a heart, a red cavity pumping with sound. He sat in the stalls, never in the same seat. His folded programme and his rented opera glasses lay in his lap.
Maliko’s contact had the use of a private box, to the left of the stage. Endor watched it, night after night, seeing through his glasses the faint brass gleam of the inhabitant’s own opera glasses in the dark balcony as they caught the stage light.
He identified the box: number 435. No matter how early he rose from his seat and went to the street door, he never managed to catch the occupants of 435 leaving the Theatricala. This rankled with him, though it was never his fault, just circumstances.
Liebstrum, his interrogator, had been missing for several days. Endor had sent Liebstrum to the palace of records in Zsammstadd to collate material on Maliko and his associates. The man was overdue, probably padding out his task so that he could waste time in the stews of Zsammstadd, on expenses. Endor had thought Lie
bstrum a promising candidate when he’d first met him, but lately he’d begun to fancy that Liebstrum was an idler, with no appetite for the hard work the ordo demanded. He wondered if he’d ever find himself signing the paperwork approving Liebstrum’s advancement to full rosette. He doubted it.
The orchestra began the overture, a great swirl of busy strings and strident horns. Zoramer’s Oration, one of Hapshant’s favourite works. Endor settled back, and glanced from time to time at the private box, noting the occasional flash and glimmer of raised opera glasses, the only hint of habitation.
His head ached. The volume of the music didn’t help. His head had ached a lot recently, and Endor put that down to the damnable climate he had been forced to endure in the prosecution of the Maliko case.
The stage was bathed in a limed light from directional lamps. As the red curtains spurred back, the dancers came out, performing in front of a hololithic drop of mountains and coppiced woods, in which dwelt a ruined temple or two, halcyon and timeless.
The woodwind section woke up with vigour, and the gauzy dancers swirled, soft and white as snow flakes. One took his attention immediately. Slender, she soared, faultless in her footwork, her arms expressive and immaculate. Her hair was drawn back tightly in a bun, and her face was as implacable as a death mask, powdered white like ivory, with cheek bones that aspired to the perfection of mathematical symmetry.
Endor moved his glasses away from her powerful, springing thighs, and watched the private box. Light on brass. Other eyes were watching her too.
After the performance, he took himself to a bar on Zeik Street, a bright, sparkling hall of mirrors and crystal chandeliers. It was bustling with patrons from the Theatricala.
‘Your pleasure, master?’ asked the uniformed barman.
‘Grain joiliq, with shaved ice, and a sliver of citrus,’ Endor requested. It had been his favourite tipple since the early days, since that place off Zansiple Street where he and Gregor had gone to wash away the day’s efforts. “The Thirsty Eagle”. Yes, that was it, “The Thirsty Eagle”. Ah, how the memories eroded.
