Guardians of The Flame: To Home And Ehvenor (The Guardians of the Flame #06-07)
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She nodded. "She was somewhere around," she said, gesturing vaguely. "Is that why you're down here?" she asked. "What's going on?"
It felt like I was missing something, but I wasn't sure what. "I was just talking to Ahira. Just for the sake of discussion, how would you feel about a field trip?" I asked, hoping she would say no.
If we were going to look into whatever was happening on the edge of Faerie, we'd need somebody capable of working magic. If I could get Andy to turn us down, it shouldn't be a problem turning Ahira's notion off—there were perhaps half a dozen minor wizards in Holtun-Bieme, all of whom had the typical wizard's nervousness about going in harm's way, none of whom I'd trust anyway. That would leave Henrad, formerly Andy's apprentice, but Henrad had been out in the field with Ahira and me before; I suspected that he hadn't regained any taste for it. Things had gotten a bit messy for sensitive types like Henrad—and me, for that matter.
"Where?" she asked.
"Toward Faerie, maybe as far as Ehvenor."
"Check out the rumors?" she asked, just a touch too eager. At my nod, she smiled. "I'd love to." She reached over to her worktable and fingered a gem, working it between thumb and forefinger. "With some study, I could work up the spells that would let me take some readings and, just maybe, see what's going on. But it wouldn't be a good idea—I've been trying to cut down, and you know how that goes."
There Are Some Things Man Is Not Meant To Do. You can tell which they are because they're bad either for you or for somebody else. Nobody ever is better off by doing heroin, and doing magic seems to affect some people about the same way: they get hooked on it, go crazy for it. Stable magicians can hold themselves to a maintenance dose, but maybe Andy had overdone it, trying to Locate Karl. More likely grief—compounded by lack of exercise, food, and sleep—had overwhelmed her.
Still, she was looking good.
"You're wondering if it's a seeming," she said, standing hand on hip.
"No." Not if she had been working naked—a fascinating notion in and of itself. I didn't know enough about magic to know if her seeming would delude her as well as others, but it didn't matter. I knew Andrea: she wouldn't have been working without clothes if the sight of her real body bothered her, and even if she had put up a seeming, she would know what she really looked like.
I guess I didn't sound convincing: she shook her head, denying an accusation I hadn't made. "It's no seeming, Walter. Rest, food, exercise, and—"
"The hair didn't come from exercise."
"—and a bit of dye," she said, taking a step toward me. "I don't like the look of gray. Turns the men off." She reached up and touched my temple, just where I was going rather, well, handsomely gray. "It looks better on you."
I guess that was my cue to reach for her, but I'm not sure that either of us really wanted to. We'd been lovers—once, or twice, or five times, depending on what you're counting; I'd rather enjoy than count—almost twenty years before, and there was still something between us.
I was tempted, for a lot of reasons. Forget hormones for a moment—although I think I spend too much time thinking with my testicles for my own good. Andy and I had quite properly loved each other for years and years, and her husband, my friend, was dead, and maybe we needed to celebrate his life in a very private and personal way.
But not under the same roof as my wife.
It occurred to me that I was being noble, silly as that idea sounds, in trying to talk her into staying off the road. Both Andy and I knew what was likely to happen if and when we were out in the field together, and perhaps I had just persuaded her, albeit indirectly, to stay safely home.
I took her hand in mine, her fingers soft and warm, and brought them to my lips.
"Old friend," I said, "it's good to see you looking good."
Screw nobility. Just remember that Walter Slovotsky is somebody who cares about his friends. Andy was, apparently for the first time since Karl was reported dead, doing well. I wasn't going to fuck around with that. In any sense.
* * *
Well, when you don't know what to do, it's probably a good idea to take a nap, eat a meal, or go to bed with somebody you like. Some combinations work well, too.
Kirah's and my rooms were empty; I stripped to the buff and stretched out under the down comforter and fell asleep.
Interlude:
The Dream Is the Same
The nightmare is always the same:
We're trying to make our escape from Hell, millions of us streaming across the vast plain. Everybody I've ever loved is there, along with faces familiar and strange.
Behind us, stretching across the horizon, there's a screaming pack of demons, some in cartoony shapes, some that look like misshapen wolves, all of whom have me scared so bad I can hardly breathe the freezing air.
The exit is up ahead, the gold ladder up through the clouds, and already there are people climbing it, a steady stream that reaches up into the fluffy whiteness, and beyond. I can't tell who's gone through, but I can only hope that my kids are among them. Please let it be my kids.
Some have already climbed through the clouds, but there's no way that all of us are going to: the demons are approaching too quickly, and they're going to catch some of us.
And then I see him: Karl Cullinane, Jason's father, standing tall, face beaming, his hands, chest, and beard streaked with blood and gore.
"We're going to have to hold the perimeter," Karl says. "Who's with me?"
He smiles, as though he's been waiting his whole life for this, the fucking idiot.
"I'm with you," somebody says.
Figures push out of the crowd, some bloodied, some bent.
Jefferson and Franklin work their way through, accompanied by a thick old black woman, her shoulders stooped from too many years of hard labor, her hair bound back in a blue kerchief. Or maybe it isn't Jefferson—his hair is kind of a dusty red instead of white. Doesn't matter—he belongs here.
"Please, Madame," he says, his voice tight, "go with the others."
She snorts. "I only spent thirty-seven years on my knees scrubbing white folks' floors to put food on the table fo' six children, and put those six children through school." Her fingers clench into fists. "Think I let them get at my babies, motherfucker?"
Franklin chuckles. "He begs your pardon, Madame."
Jefferson bows deeply. "Indeed, I do."
Another man, massive brows looming over eyes that see everything, his walrus mustache white as snow, bites his cigar through, then discards it with a muttered oath. "We can hold it," he said, his voice squeakier than I thought it would be. But he sounds like himself, not Hal Holbrook. "But we need more."
Karl looks at me—they all look at me: Jefferson, Twain, Ahira, mad old Semmelweis, all of them look at me—his bloody face puzzled. "Walter? What are you waiting for?"
* * *
Then I wake up.
CHAPTER THREE
In Which Hiccups Are Cured,
Dinner Is Eaten, and an Excursion
Is Arranged
The blazing evidence of immortality is our dissatisfaction with any other solution.
—RALPH WALDO EMERSON
Wanting it doesn't make it so. If it did, we'd all learn to want harder. I can already want quite vigorously, thank you very much.
—WALTER SLOVOTSKY
It's called the pathetic fallacy, but that's only the technical term; nothing pathetic about it.
I remember when I started personalizing things—I was about five, or six.
It runs in the family. Stash—I thought of him as Daddy, then—still had the Big Car, the 1957 Buick Starfire 98 he had bought in Las Vegas, on his one and only trip there. It was among the last and absolutely the best of the standard American bigmobiles, a huge car pulled around by a three-hundred-horsepower V8, easily enough for the job—a monster engine, it would roar like a lion. Two-toned, black and yellow like a bumblebee, wraparound windshield, curved fenders, and a rear deck large enough to camp out on.
<
br /> The Big Car had bench seats like a couch. It was big as a house, and when I rode in it, held down by the big-buckled seat belts Daddy and his friend Mike had spent a weekend putting in, I felt as safe as I did on a couch in my house.
Sometimes, people in Volkswagens would honk at us, derisively.
Daddy would just chuckle. "They don't get it, eh, Em?"
And then Mom would give out her sigh, the deep one that meant here he goes again, and then she'd say, "What don't they get?"
He'd say something like, "How this metal all around us protects us, how if we're in a crash with one of them little shitmobiles—"
"Stash. Shhh."
"—it's going to spray them all over the landscape, but old Beauty here's gonna protect us."
It was kind of a mantra for the two of them, although I doubt that either of them would have recognized the word.
They stopped repeating the mantra the day that some idiot in a blue Corvair plowed into us head-on as we were coming home, just about to pull into our driveway. We were jerked hard—windshield starred all over in an instant; full ashtray flung its contents into the air, blinding me until I could cry the ashes out; the buckle of my seat belt left bruises on my right hip that flared purple and yellow for weeks—but we were okay. The worst hurt of us was Steve, my brother—he had gotten bashed against the back of the front seat—and all he had was a bloody nose.
The idiot in the Corvair got taken away in an ambulance, so badly battered that I can't to this day decide whether it was a man or a woman.
Blood was everywhere, and the harsh smells of gasoline and smoldering oil hung in the air. Mom, one hand on the back of Steve's neck, had taken him inside the house, but nobody thought to chase me away.
I waited with Daddy while the man with the wrecker hauled away our car. Our car.
God, it was mangled. It wasn't just that the fender and hood had been crumpled, and the glass broken, but the front wheels twisted out at funny angles, as though the axle had been smashed, and the body overhung the frame on one side.
The wrecker man shook his head as he pulled the lever that lifted the front of the car up and into the air.
"Buy it new, Mr. Slovotsky?" he asked, over the futile protest of the metal.
"Stash," Daddy said, absently. "Everybody calls me Stash. Short for Stanislaus. And yeah," Daddy said. "I bought it new. Ten years ago." He patted the mutilated steel, then pulled his hand away as though embarrassed.
The wrecker man shook his head once, quickly, jerkily, as though to say, It's okay. I understand. "Yeah. Good machines. Wish they still made them," he said, starting to turn away.
"It's just a machine."
"Sure, Stash." The wrecker man smiled. He didn't believe Daddy any more than I did.
Or any more than Daddy believed himself. Stash ran blunt, gentle fingers through my hair. "I drove your mother to the hospital in this car when we were having you, Cricket."
"Can they fix it, Daddy?" I asked, still clutching at my side, rubbing at my hip.
He shook his head, tears he didn't notice working their way down through the five-o'clock shadow on his cheeks.
"No," he said. "It's broken too bad to fix. But you and Steve and Mom are okay, Cricket, and that's what matters. That's the only damn thing that ever matters." He gripped my hand tight.
"No, I'm not okay," I said, probably whining. "I'm hurt."
"Yeah. Just hurt. Bruised maybe. And I'm real sorry about that, Cricket, honest I am, but we all could be dead, dead, dead."
Muttering something in Polish, he let go of my hand and gently stroked the car's metal flank as the wrecker pulled it away from the curb. I never learned much Polish, and I don't remember the words, but I know what they meant.
They meant: "Thank you, thou good and faithful servant."
We watched until the wrecker turned the corner and the Big Car was gone, and then we just stood there and watched a long while longer, until our eyes were dry.
* * *
When I woke, Kirah was across from the bed, watching me.
I had already been vaguely aware of her, but, suspicious though it is, my hindbrain didn't want to wake me for that.
A bit spooky: she was sitting in an overstuffed armchair by the window, her legs curled up beneath her, the sun through the bars striping her face in gold and dark. Only one corner of her mouth was visible, upturned in a smile that could have been friendly or forced. I couldn't tell; my wife learned her dissimulation skills before she ever met me.
"Good afternoon, darling," she said. She was sewing: white cloth heaped in her lap, needle darting in and out.
I stretched, then wiped at my eyes. "Hi there." I took a pair of shorts from the bureau next to the bed and slipped into them before I levered myself out of bed and padded across the carpet to bend over—slowly, gently, carefully—and kiss her, careful to clasp my hands behind me. She couldn't help it; and I had to.
She tossed her head, perhaps for display, perhaps in nervousness; I backed off a half-step and was saddened at the way the tension flowed out of her.
"Sleep well?" she asked me, in her ever-so-slightly-halting English.
"Nah. I've never been very good at it," I said. It was an old joke between us. Sometimes, when the center falls apart, you hold onto the forms.
"You cried out a couple of times," she said. "I couldn't make it out."
That was just as well. "Bad dream," I said.
I went to the washbasin and splashed some water on my face and chest, then toweled off my face in front of the closet while I picked out some clothes for a semi-formal supper, quickly settling on a short, loose-cut jacket of brown and silver over a ruffled tan shirt, and taupe trousers with silver piping down the seam. I like my formal clothes comfortable, and besides, the cut of the sleeves kept the throwing knife strapped to my left arm handy. Not the sort of thing I've ever needed at a formal dinner, but you never know.
I buckled my formal sword belt tightly around my waist, decided that it fit fine, then unbuckled it and slung the belt over a shoulder.
"Where have you been keeping yourself today?" I asked.
She shrugged. "Around." She bit off a thread and slipped the needle into the cloth, then carefully set down her work before she stood and came to me, gathering her long, golden hair at the nape of her neck.
She stopped just in front of me, not quite touching.
It wasn't just the dress, although that was spectacular: Kirah was in a long gown of white lace over red silk, scooped low in front and cut deeply in back, revealing a lot of soft, creamy skin. I swear, my wife was more beautiful every year. There's a richness of beauty that can come on in a woman's thirties, after all the traces of baby fat and innocence have gone, but before the years have dragged the elasticity from her skin and muscle.
And it was all for show.
No, that wasn't fair. "Really, where were you?"
"I spent the morning helping Andrea."
So, that was what Andy had been keeping from me. I didn't like the sound of any of this, but kept my disapproval off my face, I hope.
Andy was supposed to be keeping her use of magic to a minimum, on Doria's orders. Andy had spent far too much energy in her obsessive need to try to locate Karl, and it's not good for humans, wizard or not, to be around magic a whole lot. Power is dangerous, even when you think you're controlling it.
Now, my own opinion was that Doria was being a bit too much of a Jewish mother, something she was only half equipped for. But even if Doria was right about the danger, it should be relatively safe for Kirah: she couldn't read magic. A page out of Andrea's spellbook would be the same blurry mess to her that it was to me. If you don't have the genes for it, you can't do wizard magic; if you don't have the right relationship with the gods or powers or faerie, you can't do clerical magic, like Doria used to do.
She cocked her head to one side. "I was just starting to debate whether or not to wake you for dinner, or just let you sleep through." She smiled as she took a step
back, then one closer, every move a step in a dance.
"Dinner soon?"
She shook her head. "Not for a while yet. But you always take so long to wake up."
I reached for her and felt her stiffen in my arms. "Sorry." I let my arms fall to my side.
She put her arms around me and laid her head against my chest. That's okay under the rules, sometimes. "No. I'm sorry, Walter."
"You can't help it." I started to bring my arms up, but caught myself. It wasn't her fault. I had to keep reminding her of that.
My hands clenched. It wasn't her fault. It wasn't her fault that if I held her, she'd tense, and if I reached for her she'd scream. But it wasn't mine, either. I've always done my best by her, but whatever I am, I'm not a healer of psyche and spirit. At best, I'm an observer of psyche and spirit.
" 'This, too, shall pass,' " she said, quoting me accurately, not Abe Lincoln inaccurately. I used to say it when she was pregnant, kind of as a mantra.
Kind of funny, really: I'm always politically incorrect. Here, for suggesting that women ought to have roughly the same rights as men; on the Other Side, for—only rarely, rarely, and usually with bad results—pointing out that pregnant women go crazy for about a year, or longer.
Maybe it's not their fault. Maybe nothing's nobody's fault.
"Sure." It could happen. I'm skeptical, mind, but it could happen.
Slowly, carefully, I put my arms around her, not quite holding her, and kissed her on the side of the neck. She took it well: she flinched, but she didn't cry out or push me away.
Some victory, eh? I let my arms drop. "I'll see you at dinner."
It hadn't always been this way. Back in the beginning we'd spent more time in bed than out, in my memory if not possible in reality.
Hell, our first time had been within a couple of hours after Karl and I had pulled her out of the slaver wagon and freed her, along with the rest of that bunch of slaves. Like I always said, this business has always had its fringe benefits.
Even in the early days, though, there had been hints—times when I reached for her in the night and she would shrink away, only to explain that she was just tired, other times when I would come up behind her and put my arms around her affectionately and she would stifle a scream, only to smile in apology for being startled so easily.