The Year's Best Science Fiction & Fantasy, 2012 Edition

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The Year's Best Science Fiction & Fantasy, 2012 Edition Page 21

by Fowler, Karen Joy


  His shirt stuck to his chest and his neck was stiff. He felt his throat. There was a damp, painless tear in the flesh on one side.

  “Crystal is a messy eater, but don’t worry, that will heal quickly.” Odette, perched on a chair by the end of the settee, held the miniature bike in her hands. “I think you brought this for me? Thank you, Josh. It’s very beautiful.”

  He sat up. His mouth tasted sharply metallic, but nothing hurt.

  “Where’s Crystal?”

  “She ran off,” Odette said. “She knows she’s in serious trouble with me for killing you. Remember what I said about adolescent impulsiveness? Now you see what I meant. She won’t last long on her own, not with others of the Quality starting to show up here and my protection withdrawn. It’s too bad, but frankly it’s for the best. I’m tired of her tantrums.”

  He felt a slow, chilly ripple of fear. “Killing me?”

  “Effectively, yes, but I arrived in time to divert the process. The taste in your mouth is my blood. It’s a necessary exchange that also provides a soothing first meal for you, in your revivified state. You don’t want to begin your undead life crazed and stupid with hunger.”

  He licked his front teeth, which had a strange feel, like too much. His stomach churned briefly. “I thought you didn’t want to . . . turn . . . ”

  She sniffed. “Of course not. Who needs another teenaged vampire? But dead young bodies raise questions, and Crystal already left one lying around out by the airport. Besides, with her gone I have a job opening. Your selection of this”—she carefully set the little bike on the table at her elbow—“shows an educable eye, at least. With coaching, I suppose you can be made into a passable member of the Quality.”

  Coaching? He might as well have gone back to school!

  She stood, smoothing down her skirt, and picked up his canvas tote from the floor at her feet. “I found this in your locker. The sweatshirt is yours, isn’t it? Take off that T-shirt and put this on. It’s none too clean, but you can’t walk around looking like a gory movie zombie. Then you must leave a note for your family. Say you’ve gone to seek your fortune.”

  Thoughts lit up like silent sheet lightning in his mind while he worked the blood-crusted T-shirt off over his head.

  His life, his friends, his home—all that was over, and she’d just been trying to get rid of him when she’d said, before, about killing his parents. But there was no going back. The upside was, he would be getting out of here at last, traveling with Odette out into the real world.

  Was that why he felt high, instead of all bleak and tortured about waking up undead?

  Then it hit him: undead? He was finally going to get to live.

  He punched the air and whooped. “Look out, Colin Meloy! Josh Burnham’s songs are coming down!”

  Pawing around inquisitively in the tote bag, Odette glanced up. “Forget about your songs, Josh. You died. The undead do not create: not babies, not art, not music, not even recipes or dress designs. I’m sorry, but that’s our reality.”

  “You don’t get it!” he crowed. “Listen, I’m still a beginner, but I’m good—I know I am. Now I have years—centuries even—to turn myself into the best damn singer-songwriter ever! So what if I never mature past where I am now, like you said about Crystal? Staying young is success in the music business! I can use the Eye to get top players to work with me, to teach me—”

  “You can learn skills,” she said with forced patience. “You can imitate. But you can’t create, not even if you used to have the genius of a budding Sondheim, which you did not. According to Crystal, your lyrical gift was . . . let’s say, minor. I hope you’re not going to be tiresome about this, Josh.”

  “Crystal’s just jealous!” Buoyed by the exhilaration of getting some payback at last for his weeks of helpless servitude, he shouted, “You’re jealous! She told me about you, how you made jewelry for rich people—”

  Odette snapped, “That’s someone else. I designed tapestries. As a new made, you’re entitled to a little rudeness, but at least take the trouble to get the facts right.”

  “But the thing is, you were already old—your talent was all used up by the time you got turned, wasn’t it? So now you can’t stand to admit that anybody else still has it!”

  “My talent,” she said icily, “which was not just considerable but still unfolding, was extinguished completely and forever—just like yours—when I became what you are now.” She fixed him with a dragon glare and hissed, “Stupid boy, why do you think I collect?”

  He almost laughed: What was this, some weird horror-movie version of fighting with his mother? Fine, he was stoked. “It’s different for me! I’m just getting started, and now I can go on getting better and better forever!”

  With a shrug, she turned back to the contents of the tote bag. “You can try; who knows, you might even have some commercial success—”

  She stopped, holding up a fantasy-style chalice he’d made in ceramics class at the arts center. It was a sagging blob that couldn’t even stand solidly on its crooked foot.

  “What’s this?”

  “You should know,” he muttered, embarrassed. “You’re the expert on valuable things. It’s arts and crafts, that’s all, from back when I was still trying to find my way, my art. I brought all that stuff in here to try to sell it, only I forgot—I’ve been kind of distracted, you know?”

  “You made this.” She ran the ball of her thumb along the thickly glazed surface, which he had decorated with sloppy swirls of lemon and indigo.

  “So what?” he said. “Here, just toss that whole bag of crap.” There was a trash can outside the office door. He shoved it toward her with his foot.

  Odette gently put the cup aside. She reached back into the tote bag and drew from the bottom a wad of crumpled fabric.

  Oh, no, not that damned needlepoint!

  In his fiber arts class, he had been crazy enough to try to reproduce an Aztec cape, brilliant with the layered feathers of tropical birds, like one he’d seen in the museum. He’d just learned the basic diagonal stitch, so the rectangular canvas had warped into a diamond-like shape. Worse, frustrated that the woolen yarns weren’t glossy enough, he’d added splinters of metal, glazed pottery, and glass, shiny bits and pieces knotted and sewn onto the unevenly stitched surface.

  That wiseass Mickey Craig had caught him working on it once and had teased him for “sewing, like a girl.” That was when Josh had quit the class and hidden the unfinished canvas in his closet where nobody would ever see it.

  Yeah; his luck.

  Maybe he could convince Odette that his mother had made it.

  “God in heaven,” Odette said flatly. “God. In. Heaven. If I ever catch up with that girl, I will tear off her head.”

  Her eyes glared from a face tense with fury; but he saw a shine of moisture on her cheek.

  Odette was crying.

  And there it was, the kernel of the first great song of his undead life, a soul-ripping blast about losing everything and winning everything, to mark the end of his last summer as a miserable, live human kid: “Tears of a Vampire.” All he had to do was come up with a couple of starter lines, and then find a tune to work with.

  All he had to do was . . . why couldn’t he think?

  All he had to do . . . his thoughts hung cool and still as settled fog. He found himself staring at the crude, lumpy canvas, vivid and glowing, stretched between Odette’s bony fists.

  He began to see it, this cockeyed thing that his own fumbling, amateurish hands had made. Its grimy, raveling edges framed a rich fall of parrot-bright colors, all studded with glittering fragments.

  He hadn’t even finished it, but it was beautiful.

  Oh, he thought. Oh . . .

  This was it—this was what he should have been doing all along—not drawing comics or struggling with song lyrics, but crafting this kind of mind-blowing interplay of colors, shapes, and textures. This was his true art, his breakout talent.

  So why couldn’t
he picture it as a finished piece? He stretched his eyes wide open, squinted them almost shut, but he could only see it right there in front of him exactly as it was, abandoned and incomplete. His mind, flat and gray and quiet, offered nothing, except for a faint but rising tremor of dread.

  Because although he couldn’t describe the stark look on Odette’s face in clever lyrics anymore, he understood it perfectly now—from the inside. It was the expression of someone staring into an endless future of absolute sterility, unable to produce one single creation of originality, beauty, or inspiration ever again.

  If Josh wanted all that back—originality, inspiration, and beauty, only everything he had ever really wanted—he would have to get it the same way that Odette, or any of the Quality, got it.

  He would have to begin collecting.

  The Choice

  Paul McAuley

  In the night, tides and a brisk wind drove a raft of bubbleweed across the Flood and piled it up along the north side of the island. Soon after first light, Lucas started raking it up, ferrying load after load to one of the compost pits, where it would rot down into a nutrient-rich liquid fertilizer. He was trundling his wheelbarrow down the steep path to the shore for about the thirtieth or fortieth time when he spotted someone walking across the water: Damian, moving like a cross-country skier as he traversed the channel between the island and the stilt huts and floating tanks of his father’s shrimp farm. It was still early in the morning, already hot. A perfect September day, the sky’s blue dome untroubled by cloud. Shifting points of sunlight starred the water, flashed from the blades of the farm’s wind turbine. Lucas waved to his friend and Damian waved back and nearly overbalanced, windmilling his arms and recovering, slogging on.

  They met at the water’s edge. Damian, picking his way between floating slicks of red weed, called out breathlessly, “Did you hear?”

  “Hear what?”

  “A dragon got itself stranded close to Martham.”

  “You’re kidding.”

  “I’m not kidding. An honest-to-God sea dragon.”

  Damian stepped onto an apron of broken brick at the edge of the water and sat down and eased off the fat flippers of his Jesus shoes, explaining that he’d heard about it from Ritchy, the foreman of the shrimp farm, who’d got it off the skipper of a supply barge who’d been listening to chatter on the common band.

  “It beached not half an hour ago. People reckon it came in through the cut at Horsey and couldn’t get back over the bar when the tide turned. So it went on up the channel of the old riverbed until it ran ashore.”

  Lucas thought for a moment. “There’s a sand bar that hooks into the channel south of Martham. I went past it any number of times when I worked on Grant Higgins’s boat last summer, ferrying oysters to Norwich.”

  “It’s almost on our doorstep,” Damian said. He pulled his phone from the pocket of his shorts and angled it toward Lucas. “Right about here. See it?”

  “I know where Martham is. Let me guess—you want me to take you.”

  “What’s the point of building a boat if you don’t use it? Come on, L. It isn’t every day an alien machine washes up.”

  Lucas took off his broad-brimmed straw hat, blotted his forehead with his wrist, and set his hat on his head again. He was a wiry boy not quite sixteen, bare-chested in baggy shorts and sandals he’d cut from an old car tire. “I was planning to go crabbing. After I finish clearing this weed, water the vegetable patch, fix lunch for my mother . . . ”

  “I’ll give you a hand with all that when we get back.”

  “Right.”

  “If you really don’t want to go I could maybe borrow your boat.”

  “Or you could take one of your dad’s.”

  “After what he did to me last time? I’d rather row there in that leaky old clunker of your mother’s. Or walk.”

  “That would be a sight.”

  Damian smiled. He was just two months older than Lucas, tall and sturdy,

  his cropped blond hair bleached by salt and summer sun, his nose and the rims of his ears pink and peeling. The two had been friends for as long as they could remember.

  He said, “I reckon I can sail as well as you.”

  “You’re sure this dragon is still there? You have pictures?”

  “Not exactly. It knocked out the town’s broadband, and everything else. According to the guy who talked to Ritchy, nothing electronic works within a klick of it. Phones, slates, radios, nothing. The tide turns in a couple of hours, but I reckon we can get there if we start right away.”

  “Maybe. I should tell my mother,” Lucas said. “In the unlikely event that she wonders where I am.”

  “How is she?”

  “No better, no worse. Does your dad know you’re skipping out?”

  “Don’t worry about it. I’ll tell him I went crabbing with you.”

  “Fill a couple of jugs at the still,” Lucas said. “And pull up some carrots, too. But first, hand me your phone.”

  “The GPS coordinates are flagged up right there. You ask it, it’ll plot a course.”

  Lucas took the phone, holding it with his fingertips—he didn’t like the way it squirmed as it shaped itself to fit in his hand. “How do you switch it off?”

  “What do you mean?”

  “If we go, we won’t be taking the phone. Your dad could track us.”

  “How will we find our way there?”

  “I don’t need your phone to find Martham.”

  “You and your off-the-grid horseshit,” Damian said.

  “You wanted an adventure,” Lucas said. “This is it.”

  When Lucas started to tell his mother that he’d be out for the rest of the day with Damian, she said, “Chasing after that so-called dragon, I suppose. No need to look surprised—it’s all over the news. Not the official news, of course. No mention of it there. But it’s leaking out everywhere that counts.”

  His mother was propped against the headboard of the double bed under the caravan’s big end window. Julia Wittsruck, fifty-two, skinny as a refugee, dressed in a striped Berber robe and half-covered in a patchwork of quilts and thin orange blankets stamped with the Oxfam logo. The ropes of her dreadlocks were tied back with a red bandana; her tablet resting in her lap.

  She gave Lucas her best inscrutable look and said, “I suppose this is Damian’s idea. You be careful. His ideas usually work out badly.”

  “That’s why I’m going along. To make sure he doesn’t get into trouble. He’s set on seeing it, one way or another.”

  “And you aren’t?”

  Lucas smiled. “I suppose I’m curious. Just a little.”

  “I wish I could go. Take a rattle can or two, spray the old slogans on the damned thing’s hide.”

  “I could put some cushions in the boat. Make you as comfortable as you like.”

  Lucas knew that his mother wouldn’t take up his offer. She rarely left the caravan, hadn’t been off the island for more than three years. A multilocus immunotoxic syndrome, basically an allergic reaction to the myriad products and pollutants of the anthropocene age, had left her more or less completely bedridden. She’d refused all offers of treatment or help by the local social agencies, relying instead on the services of a local witchwoman who visited once a week, and spent her days in bed, working at her tablet. She trawled government sites and stealthnets, made podcasts, advised zero-impact communities, composed critiques and manifestos. She kept a public journal, wrote essays and opinion pieces (at the moment, she was especially exercised by attempts by multinational companies to move in on the Antarctic Peninsula, and a utopian group that was using alien technology to build a floating community on a drowned coral reef in the Midway Islands), and maintained friendships, alliances, and several rancorous feuds with former colleagues whose origins had long been forgotten by both sides. In short, hers was a way of life that would have been familiar to scholars from any time in the past couple of millennia.

  She’d been a lecturer in phil
osophy at Birkbeck College before the nuclear strikes, riots, revolutions, and netwar skirmishes of the so-called Spasm, which had ended when the floppy ships of the Jackaroo had appeared in the skies over Earth. In exchange for rights to the outer solar system, the aliens had given the human race technology to clean up the Earth, and access to a wormhole network that linked a dozen M-class red dwarf stars. Soon enough, other alien species showed up, making various deals with various nations and power blocs, bartering advanced technologies for works of art, fauna and flora, the secret formula of Coca Cola, and other unique items.

  Most believed that the aliens were kindly and benevolent saviors, members of a loose alliance that had traced ancient broadcasts of I Love Lucy to their origin and arrived just in time to save the human species from the consequences of its monkey cleverness. But a vocal minority wanted nothing to do with them, doubting that their motives were in any way altruistic, elaborating all kinds of theories about their true motivations. We should choose to reject the help of the aliens, they said. We should reject easy fixes and the magic of advanced technologies we don’t understand, and choose the harder thing: to keep control of our own destiny.

  Julia Wittstruck had become a leading light in this movement. When its brief but fierce round of global protests and politicking had fallen apart in a mess of mutual recriminations and internecine warfare, she’d moved to Scotland and joined a group of green radicals who’d been building a self-sufficient settlement on a trio of ancient oil rigs in the Firth of Forth. But they’d become compromised too, according to Julia, so she’d left them and taken up with Lucas’s father (Lucas knew almost nothing about him—his mother said that the past was the past, that she was all that counted in his life because she had given birth to him and raised and taught him), and they’d lived the gypsy life for a few years until she’d split up with him and, pregnant with her son, had settled in a smallholding in Norfolk, living off the grid, supported by a small legacy left to her by one of her devoted supporters from the glory days of the anti-alien protests.

  When she’d first moved there, the coast had been more than ten kilometers to the east, but a steady rise in sea level had flooded the northern and eastern coasts of Britain and Europe. East Anglia had been sliced in two by levees built to protect precious farmland from the encroaching sea, and most people caught on the wrong side had taken resettlement grants and moved on. But Julia had stayed put. She’d paid a contractor to extend a small rise, all that was left of her smallholding, with rubble from a wrecked twentieth-century housing estate, and made her home on the resulting island. It had once been much larger, and a succession of people had camped there, attracted by her kudos, driven away after a few weeks or a few months by her scorn and impatience. Then most of Greenland’s remaining icecap collapsed into the Arctic Ocean, sending a surge of water across the North Sea.

 

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