"Maybe the architect vetoed the idea."
"Nobody vetoes him. He knows exactly what he wants and he gets it." She laid a finger on an unmarked area just off reception. "Couldn't there be space behind this wall ?"
I went back in my mind and pictured the gallery of paintings and the trompe l'oeil effect created by the diminishing sizes of objects as the eye traced them down the hall. I looked back at the floor plan. "I don't think so. If there's a room there, how the heck do you get in? There aren't any doors in that wall that I remember."
"My recollection, too. Because I counted off five offices and Onni's was in the middle. After Jude's office - you know the one with all the black-and-white photographs?"
"Right, right."
"Yeah, well, the gallery picked up from there and that wall had to be a good twenty-five feet long."
"What about that room where they kept office supplies?"
"That's right there. I went around this part twice and there weren't any doors there either, so if it's a room, it's been sealed."
"Maybe it's something to do with the building infrastructure. All the nuts-and-bolts stuff. Don't you have plans any later than this?"
Reba shook her head. "I was in prison by then."
We were both silent for a moment. Then I said, "Too bad we don't have plans for the offices below his. You're just assuming that's a room, but it could be a mechanical chase or something that goes all the way down."
She curled the plans together and made a cylinder of them, replacing the rubber band. She tossed them into the backseat and turned the key in the ignition. "Only one way to find out."
Reba drove around the block, slowly circling Passages Shopping Plaza, peering across me through the passenger-side window as she scanned the exterior. On the south side of the mall she pulled over to the curb, her attention taken up by an entrance marked "Deliveries." A steep ramp led down into the shadows and out of sight.
"Hang on. I gotta see this," she said. She killed the engine and got out on her side of the car while 1 got out on mine. We walked down the ramp, which descended two levels to what must have been a subbasement. At the foot of the ramp was a portcullis secured with a big handsome padlock. Through the grillwork, we could see ten parking spaces, a blank double door at the end of a cul-de-sac, and a single metal door to the right. I said, "You think this is the only way in?"
"Can't be. When merchandise is delivered, there has to be some way to distribute goods to the individual stores."
We retraced our steps, huffing and puffing slightly as we made the climb. When we reached the sidewalk, she backed up a few steps, her gaze tracking the length of the building. At street level, along this aspect of the fortresslike structure, there were no shop windows and no access to retail establishments. "Second ramp just like this down the block," she remarked. "Oh, wait a minute. I got it. Let's just see if I'm correct."
I looked at her. "Are you going to tell me or not?"
"If I'm right, of course. If I'm wrong, you don't need to know."
"You're very tedious." She smiled, unfazed.
We returned to the car. She started the engine and glanced over her left shoulder to check for oncoming cars. She pulled out and continued her circuit of the mall, passing the twin of the entrance we'd just seen. She turned right at the corner and headed north on Chapel.
At Passages there was no charge for parking on weekends, probably to encourage spending. The gate to the underground parking lot was Up. Reba turned in and eased her car down the ramp. At the bottom she hung a right and drove the length of the garage, parking in a space near the darkened glass doors that marked the lower-level entrance to Macy's. The store at this hour was still closed and wouldn't open until 10:00.
Reba pointed. Ten car lengths to our right there was a nondescript door marked "Service. No Admittance." Beyond that, the ramp for second-, third-, and fourth-level parking spiraled up and out of sight.
"Won't that be locked?" I asked, feeling that queasy sense of excitement at the notion of going where we weren't supposed to be.
"For sure. I told you I did some reconnoitering before, but I couldn't get in. Now I have these." She held up the chunky ring of keys she'd snitched from Onni's desk. She sorted through the keys one by one, smiling at the sight. "My, oh my. I'm sorry for every mean thing I ever said about the girl. Catch this."
Onni, Little Miss Compulsive, had labeled every key with a strip of neatly embossed tape: OFFICE, BECK'S, CNFRCE ROOM, SRVICE COR, WRHSE, S.ELE., S.DEPOSIT MID-CITY, S. DEPOSIT, ST SV'CS & LO. Reba pinched the two safe-deposit keys together and jangled the rest. "Bet these contain a shitload of information. Safe-deposit box is where Beck keeps his second set of books."
"A second set? That's not smart."
"Not real books. The information's all on disks. He's over there every couple of days, dropping off the updates. What's he going to do? He's a businessman. Even if what he's doing is illegal, he still has to keep records. You think he doesn't have to provide a full accounting to Salustio ?"
"Sure, but it still seems risky."
"Beck adores taking risks. He's addicted to the rush."
"I can relate to that."
Reba continued to finger the safe-deposit keys. "Wonder if there's any way to get Into these boxes... "
"Reba..."
"I didn't say I'd do it. He changed banks the minute I went to prison, so I wouldn't be a signatory in any event. It's probably Marty now."
"Swear you're going to put those back."
"I told you I would. As soon as I've made dupes."
"Goddamn it, Reba. Are you totally out of your mind?"
"Pretty much." She glanced back over her shoulder at the vast empty garage. "We better get going before someone else shows up."
We got out of the car and walked to the service door, our footsteps echoing against the bare concrete walls. Reba tried the knob, locked as anticipated, and then used the key Onni had so thoughtfully designated. The door opened into a stairwell. We walked down a flight and discovered two additional doors about ten feet apart. Reba said, "The lady or the tiger? You pick."
I pointed to the left. She shrugged and handed me the keys. I had to do a bit of experimenting to find the right one. Onni's paucity of imagination had resulted in her labeling some of the keys numerically. I tried three before I came to the one that worked. I unlocked the door and opened it. We found ourselves in the same ten-parking-space cul-de-sac we'd seen from the street.
Reba said, "Aha!" We closed the first door and moved to the second. "Your turn," I said. "I'd go for the key marked number four."
"No sweat. I already know what's behind this one." She eased the key into the lock, turned it, and pushed the door open. We stood looking into a long windowless corridor. Flats of fluorescent lights affixed to the ceiling lent a bluish cast to the air. At regular intervals, oversize metal doors on either side of the hall opened into the shipping and receiving departments of the various shops along the mall, some of which fronted on Chapel Street and some on the mall's interior esplanade. Signs above the doors indicated the respective retailers: the luggage shop, a children's clothing store, an Italian pottery outlet, the jewelry store, and so on down the line.
I studied the layout. There was no sign of the two elevators I'd seen in the lobby above, but a solid wall of concrete suggested the bottom of the shaft that housed them. A short distance away, a mirror located in the upper right-hand corner was tilted to reveal the alcove, reflecting an image of the service elevator and the second elevator I'd noticed on the lobby level. I started to move forward, but Reba extended her arm, effectively blocking me like the gate at a railroad crossing. She put a finger to her lips and pointed up and to the right.
I spotted a corner-mounted security camera, its aperture focused squarely on the far end of the hall. There was a telephone attached to the wall, presumably to facilitate communication between the front desk and deliverymen. We backed up and eased the door shut. Even so, she dropped her voice t
o an almost inaudible murmur. "After you dropped me off last night, I picked up my car and came back so I could chat with Willie. He's nice, not as tight-assed as you'd think. Big chess I buff. Plays duplicate bridge, and I swear to god, he bakes sourdough bread. Says he's had the same starter for nine years. Whole time we're yakking, I'm checking out the monitors - all ten of 'em - so I'll know what he sees. I was catching flashes of this view, but I didn't know where it was until we opened the door down here. Upstairs, he's got line of sight in both directions on all the hallways, but nothing in the elevators and nothing on the roof."
"What about Beck's offices?"
"Oh, please. Beck wouldn't put up with that Big Brother shit. He doesn't mind Willie spying on his tenants, but not on him."
"Seems like heavy security for a building this size."
"Interesting, isn't it? I thought so myself."
"So where'd the elevators disappear to?"
"The public elevators stop at lobby level. Clearly, Beck doesn't want anyone to have access to his offices from down here," she said. "One elevator does a short loop between the parking garage and the lobby. Anybody who needs to reach floors two, three, or four has to exit into the lobby and cross to the public elevators. That way, Willie can intercept them and quiz them. You better have a pretty good reason for being in the building or you're out of luck. If you need to take an elevator down this far, you have to have a key. There isn't any button you can push."
"But if the service elevator originates down here, can't someone hop on down here and bypass Willard altogether?" I asked. "I mean, even with the cameras rolling he can't be watching all ten monitors at once."
"In theory, you're right, but it'd be tricky. For one thing, all these passageways are kept locked - "
"Which didn't keep us out."
"And for another," she said, plowing right on, "there's a security code for every floor. You could risk the service elevator - assuming Willie didn't spot you in the corridor down here - but you couldn't get off unless you knew the code for the alarm panel on any given floor. Mess up the numbers and all hell breaks loose."
"Which means what to us, exactly?"
"Which means we better impose on Willie's good nature and retrieve your purse before the end of his shift."
21
We retraced our steps, emerging from the service corridor in the parking garage near Macy's. We crossed to the escalator and went up one level to the esplanade. When we reached the front entrance to the Beckwith Building, Reba pushed the door and discovered that it was locked. She cupped her hands to the plate glass. "Hey, Willie. Over here."
She tapped on the glass to get the security guard's attention. The minute he looked up, she gave him an enthusiastic wave and pantomimed his unlocking of the door. Willard shook her off, like a pitcher shaking off a sign. Reba motioned him over with an exaggerated rolling of her arm. He stared at her, unmoved, and she clasped her hands together earnestly as though in prayer. Reluctantly he left his perch at the desk and crossed to the door, where he said, "Building's closed!" from his side of the glass.
"Come onnn. Open up," she said.
He considered the request, his ambivalence clearly evident. I She put her mouth against the glass and made a big sucky kiss. She gave him the big eyes and produced the dimples for effect. "Please, please, please?"
He wasn't happy, but he did pick up the keys attached to the chain on his belt. He unlocked the door and opened it a cautious three inches. "What do you want? I can't be doing this unless you're one of the tenants."
"I know, but Kinsey left her bag upstairs and she needs her car I keys and wallet."
Unimpressed, Willard flicked a look at me. "She can come back on Monday. Building opens at seven."
"How's she going to do that? Without her car keys, she can't even drive. I had to pick her up at her house and bring her over here myself. This is her handbag, Will. Do you know what it's like when a woman's separated from her purse? She's going berserk. She's a private detective. She has her license in there. Plus her address book, makeup, credit cards, checkbook, every nickel she owns. Even her birth control pills. She gets pregnant, the burden's on you, so get ready to raise a kid."
"Okay, okay. Tell me where it is and I'll bring it down to her."
"She doesn't know where it is. That's the point. All she knows is she had it when we went up with Marty last night. Now it's gone and that's the only place she went. It has to be there somewhere. Come on. Be a peach. It won't take five minutes and we'll be out of your hair."
"Can't. The alarm system's on."
"Marty gave me the code. Honest. He said it's fine with him as long as we cleared it with you first."
The long-suffering Willard opened the door and allowed us in. I thought he'd insist on coming upstairs with us, but he was serious about his monitoring duties and didn't want to leave his post. Reba and I took one of the two public elevators, which made the four-floor journey at an agonizingly slow pace.
"You sure you know the code?" I asked.
"I watched Marty do it. Same code we had before when I was working for Beck." "How come he's such a nut about security and so careless about his codes? Sounds like anybody who ever worked for him could get in."
Reba waved the observation away. "We used to change 'em all the time - once a month - but with twenty-five employees, somebody was always messing up. The alarm would go off three and four times a week. The cops came out so many times, they started charging fifty bucks a pop."
The doors slid open and Reba hit the Stop Run button while she stepped out of the elevator. I leaned around and watched as she punched in the seven-digit code: 4-19-1949. "Beck's birthday," she said. "For a while he used Tracy's, but he was the one who kept forgetting that date so he switched to his own."
The status light on the keypad shifted from red to green. She left the elevator on Stop Run, awaiting our return. I followed her into the reception area.
The offices were dead quiet. There were numerous lights on, which oddly contributed to the overall feeling of abandonment. "Bart and Bret, the cleaning twins, were in last night. Check the vacuum cleaner tracks. We better hope whoever comes in here first thing Monday morning doesn't wonder about our footprints running up and down the halls."
"How do you know the vacuuming was done by Bart and Bret and not the guys with the cleaning cart?"
"I'm so glad you asked. Because I'll tell you why. They weren't real cleaning guys, which is something I figured out in the dead of night. Know what bugged me about them?" She paused for effect. "Wrong shoes. What guy mops the floors wearing four-hundred-dollar shiny Italian loafers?"
"You are Sherlock Holmes."
"You're damn straight. You grab your shoulder bag while I satisfy my curiosity. This shouldn't take long."
I made a beeline for the roof, heading down the corridor closest to the stairs. Given Beck's edict about clean surfaces, every desk I spotted en route looked as barren and untouched as an ad for office furniture. I took the steps two at a time and pushed through the big glass door that opened onto the roof. The morning sky was immense, the perfect shade of blue. I slowed and crossed to the parapet, drawn by a desire to see downtown Santa Teresa from this vantage point. The sun had warmed the air in the rooftop garden, coaxing fragrance from the flowering shrubs while a light breeze rustled through the foliage. In the distance, light spilled like pancake syrup across the mountain peaks. I leaned over and looked at the street, which was largely empty at this hour. I tilted my face to the light and took a deep breath before I righted myself and turned back to the task at hand. I retrieved my bag from behind the big potted ficus tree and went downstairs. Reba had been right about my birth control pills. I pulled out my packet and popped two like after-dinner mints.
When I got downstairs, she'd taken out a tape measure and was busy checking the length and breadth of the corridor, one foot on the metal ribbon while she extended the tape to the full. She released the button and I could hear the metal tape sing as she br
ought it zinging back to her hand. The tip-end whipped against her finger and dealt her a nasty blow. "Shit. Son of a bitch!" She sucked on her knuckle.
"You need a medic?"
"Look at that. I'm bleeding to death."
The nick on her index finger was a quarter of an inch long and she studied it with a frown. "Anyway, bet you dollars to donuts the friggin' room is right there. Press your ear to the wall and see if you can hear anything. Minute ago I heard a humming. Like machinery."
"Reba, that's the elevator shaft. You probably caught the sound of the service elevator going down."
"Not from this floor. We're the only ones up here."
"But we can't be the only people in the building. The elevator equipment is right above us. Of course you'd hear it."
Sue Grafton - R Is For Ricochet Page 22
