A Day in the Life of a Smiling Woman

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A Day in the Life of a Smiling Woman Page 5

by Margaret Drabble


  It was in the week before Christmas that she decided to go and have a look at Mrs Smithson. The idea occurred to her at lunchtime one day, in the middle of a lunchtime business Christmas party. She stood there, drinking too much and not getting enough to eat, defeated as ever by the problems of buffet technique, and as she listened to a very nice man whom she had known and liked for several years describe to her the felicities of his new central heating, she suddenly decided to go and look at Mrs Smithson. After all, she said to herself, what could be more harmless, what more undetectable? All I need to do is to knock on her door and ask, say, for Alice. And then I would know. I don’t know what I would know, but I would know it. And she smiled at the man, and allowed her glass to be once more filled, and then told him politely all about some other friends of hers whose central heating had entirely ruined all their antique furniture, and split all the antique panelling of their rather priceless house. And as she talked, she was already in her heart on her way to Mrs Smithson’s, already surrendering to the lure of that fraught, romantic, painful world, which seemed to call her, to call her continually from the endurable sorrows of daily existence to some possible other country of the passions, a country where she felt she would recognize, though strange to it, the scenery and landmarks. She thought often of this place, as of some place perpetually existing, and yet concealed: and she could describe it to herself only in terms of myth or allegory, unsatisfactory terms, she felt, and perniciously implanted in her by her classical education. It was a place other than the real world, or what she felt to be the real world, and it was both more beautiful and more valid, though valid in itself only: and it could be entered not at will, but intermittently, by accident, and yet always with some sense of temptation and surrender. Some people, she could see, passed most of their lives in its confines, and governed by its laws only, like that old man, himself a poet, who had first defined for her the nature of her expectations. There were enough of such people in the world to keep alive before her the possibility of a permanent, irreversible entry through those mysteriously inscribed and classic gates: a poet, a drunken Frenchman, a girl she had known who said one day: ‘I will go to Baghdad,’ and went. They crossed her path, these people, or their names came to her, garlanded with wreaths of that unfamiliar foliage: Yves was seen in Marseilles carrying a lobster, Esther was seen in a bookshop in New York wearing a fur coat and with diamonds in her hair, Esther was in Marrakesh, living in one room with an Arab, Yves had gone to Ireland and started a lobster farm. Oh, messages from a foreign country, oh, disquieting glimpses of brightness. Helen gulped down the remains of her fourth glass of wine, and looked at her watch, which said that it was five past three; and said to the central-heating man that she must go.

  She walked to Victoria Place, pausing dazed at traffic lights, stumbling at each irregularity of the pavement, running her hand idly along grimy railings. It was cold, but she could not feel the cold: her face was burning. She knew her way because she had looked Victoria Place up a month ago, the day after she had posted the letter, in her A to Z Guide to London: she remembered the moment when she had done so, because she had pretended to herself that she was doing no such thing, and her mind had not known what her hands and eyes were doing. But her mind now remembered what it had then refused to acknowledge, and she took herself there as though entranced, the trance persisting long after the effects of walking had dispelled the effects of so much drink on so empty a stomach. I must be mad, she said to herself more than once: I must be mad. And at the very end of the journey she began, very slightly, to lose her nerve: she thought that she would not dare to knock upon the door, she thought that perhaps after all only insignificant disaffection could await her, that she could do no more than dispel what had already in its own way been perfection.

  But there was no need to knock at the door. Victoria Place, when she reached it, was a short main street of tall terraced houses, either newly recovered or so smart that they had never lapsed: the number 24 was brightly illuminated, shining brightly forth into the gathering darkness. She walked slowly towards it, realizing that she would be able to see whatever there was to see without knocking: realizing that fate had connived with her curiosity by providing a bus stop directly outside the house, so that she could stand there and wait without fear of detection. She took her place at the bus stop, and stood there for a moment before she gathered her courage to turn around, and then she turned. The lights were on in the two lower floors, and she could see straight into the basement, a room which most closely resembled in shape the one where she herself lived. The room seemed at first sight to be full of people, and there was so much activity that it took some time to sort them out. There were two women, and four children; no, five children, for there was a baby sitting in a corner on a blue rug. The larger children were putting up a Christmas tree, and one of the women was laying the table for tea, while the other, her back to the window, one elbow on the mantelpiece, appeared to be reading aloud a passage from a book. It was a large, bright room, with a green carpet, and white walls, and red-painted wooden furniture; even the table was painted red. A children’s room. It shone, it glittered. A mobile of golden fishes hung from the ceiling, and the carpet was strewn with coloured glass and tinsel decorations for the tree. The plates on the table were blue and white, and the silver knives caught the light; on the mantelpiece stood two many-faceted cut glasses and an open bottle of wine. Two of the children had fair hair, and the other three were dark: and the woman laying the table had red hair, a huge coil of dark red hair from which whole heavy locks escaped, dragging down the back of her neck, falling against her face at each movement, and she moved endlessly, restlessly, vigorously, taking buns out of a bag, slicing bread, pouring blackcurrant juice into beakers, turning to listen to the other woman, and suddenly laughing, throwing back her head with a kind of violence and laughing: and the other woman at the mantelpiece laughed too, her thin shoulders shaking, and the children, irritated by their mother’s laughter, flung themselves at her, clinging angrily onto her knees, shouting, until the red-haired woman tried to silence them with slices of bread and butter, which were rejected and flung around the floor: so she followed them up with the iced buns, tossing them round and yet talking, all the time talking, to the other woman and not to the children, intent upon some point, some anecdote too precious to lose, and the children chewed at the buns while she scooped up the torn pieces of bread and bestowed them all, with a smile of such lovely passing affection, upon the baby, a smile so tender and amused and solicitous that Helen, overseeing it, felt her heart stand still.

  And as she stood there, out there in the cold, and watched, she felt herself stiffen slowly into the breathlessness of attention: because it seemed to her that she had been given, freely, a vision of something so beautiful that its relevance could not be measured. The hints and arrows that had led her here took on the mysterious significance of fate itself: she felt that everything was joined and drawn together, that all things were part of some pattern of which she caught by sheer chance a sudden hopeful sense: and that those two women, and their children, and the man on the train, and the bright and radiant uncurtained room, an island in the surrounding darkness, were symbols to her of things too vague to name, of happiness, of hope, of brightness, warmth and celebration. She gazed into that room, where emotion lay, like water unimaginably profound. The red-haired woman was kneeling now, on the green carpet, rubbing with a corner of the tea towel at a buttery mark on the carpet, and at the same time looking up and listening, with an expression upon her face in which vexation with the children, carelessness of her own vexation and a kind of soft rapt delight in the other woman’s company were inextricably confused; and the other woman had turned slightly, so that Helen from the window could see her face, and she was twisting in her hands a length of red-and-silver tinsel, idly pulling shreds from it as she spoke. And Helen thought of all the other dark cold rooms of London and the world, of loneliness, of the blue chilly flickerings o
f television sets, of sad children, silenced mothers and unmarried girls; and she wondered if so much delight were truly gathered up and concentrated into one place, or whether these windows were not windows through which she viewed the real huge spacious anterior lovely world. And it seemed possible to see them so, because she did not know that house, nor those women, nor their names, nor the name of the man who had led her there: the poetry of inspiration being to a certain extent, as she knew, the poetry of ignorance, and the connections between symbols a destructive folly to draw. She did not even know which of these women was Mrs Smithson, whom she had come to see, for if one woman had laid the table, the other cleared it, equally at home. She knew nothing, and could therefore believe everything, drawing faith from such a vision, as she had drawn faith from unfamiliar cities: drawing faith from the passionate vision of intimacy, where intimacy itself failed her; as Wordsworth turned from his life to his keener recollections, and Yeats to lions and towers and hawks.

  By the time that one of the children was sent to draw the curtains, she was stiff and white with cold. She turned away, as the child, a small girl with straight dark hair and a face suddenly grave with the weight of her task, began to struggle with the heavy floor-length hangings, shutting inch by inch away from her the coloured angles of refracted light, the Christmas tree, the airy fishes, the verdant green, the small angelic innocent faces, the shining spheres of glass and those two young worn women: and as she turned she felt the first snowflakes of the year settle softly on her skin, and looking up, she saw the dim blue sky full of snow. She glanced back, to see if the child had seen it, but the curtains were already drawn, and she saw nothing but her own image, pale in the glass. So she started to walk down the street, away from the house, away from the bus stop, but before she had taken ten steps a car drew up, just by her side, a slow yard from her, and there was the man from the train, sitting there and looking at her. She paused, and he opened the door, and sitting there still he said to her, ‘I don’t know what to say to you, you look so fragile that a word might hurt you.’ And she smiled at him, a slow dazed smile, knowing that as he for her, so she for him was some mysterious apparition, some faintly gleaming memorable image: and she turned away, and walked down the street away from him into the snowy darkness, and he got out of his car and went into the house.

  She walked carefully, because her ankles were so brittle from the cold that she feared that if she stumbled, they would snap.

  (1967)

  3

  Faithful Lovers

  There must have been a moment at which she decided to go down the street and around the corner and into the café. For at one point she was walking quite idly, quite innocently, with no recollection or association in her head but the dimmest shadow of long-past knowledge, and within ten yards she had made up her mind that she would go and have her lunch in that place where they had had lunch together once a fortnight or so over that long and lovely year. It was the kind of place where nobody either of them knew would ever see them. At the same time, it was not impossibly inconvenient, not so very far from Holborn, where they both had good reason to be from time to time. They had felt safe there – as safe as they could ever feel – yet at the same time aware that they had not allowed themselves to be driven into grotesque precautions.

  And now, after so long, after three years, she found herself there – and at lunchtime, too. She was hungry. There is nothing more to it than that, she said to herself. I happened to be near, and the fact that I wanted my lunch reminded me of this place, and moreover, there is nowhere else possible within a five-minute walk. She had done enough walking, she thought – from the Old Street tube station to the place where they had made her new tooth. She ran her tongue over the new front tooth, reassuringly, and was slightly ashamed by the immense relief that she felt at being once more presentable, no longer disfigured by that humiliating gap. She had always made much of caring little for her beauty, and was always disturbed by the accidents that brought her face to face with her own vanity – by the inconvenient pimple, by the unperceived smudge on the cheek, by the heavy cold. And that lost tooth had been something of a test case ever since she had had it knocked out, while still a child at school. Her dentist had made her the most elaborate and delicate bridge then, but the night before last she had fallen after a party and broken it. She had rung up her dentist in the morning, and he had promised her a temporary bridge to last her until he could make her a new one. When he had told her the name of the place she should go to collect the bridge, she had noticed in herself a small flicker of recollection. He went on explaining to her, obliging yet irritable. ‘You’ve got that then, Mrs Harvey? Eighty-two St Luke’s Street? You go to Old Street Station, then turn right …’ And he had explained to her that she should express her gratitude to the man at the laboratory, in view of the shortness of the notice. And she had duly expressed it to the man when, ten minutes ago, he handed her the tooth.

  Then she had come out and walked along this street. And as she paused at the café door, she knew that she had been thinking of him and of that other year all this time, that she could not very well have avoided the thought of him, among so much familiar scenery. There they had sat in the car and kissed, and endlessly discussed the impossibility of their kissing; there they had stood by that lamp-post, transfixed, unable to move. The pavement seemed still to bear the marks of their feet. And yet it was all so long ago, so thoroughly slaughtered and decayed. It was two years since she had cared, more than two years since she had suffered.

  She was content, she was occupied, she had got her tooth back, everything was under control. And in a way it made her almost happy to be back in this place, to find how thoroughly dead it all was. She saw no ghosts of him here; for a year after their parting she had seen him on every street corner, in every passing car, in shapes of heads and hands and forms of movement, but now he was nowhere any more, not even here. For as long as she had imagined that she saw him, she had imagined that he had remembered. Those false ghosts had been in some way the projected shadows of his love; but now she knew that surely they had both forgotten.

  She pushed open the door and went in. It looked the same. She went to the side of the room that they had always favoured, away from the door and the window, and sat at the corner table, where they had always sat when they could, with her back to the door. She sat there and looked down at the red-veined Formica tabletop, with its cluster of sugar bowl, salt and pepper, mustard and ketchup, and an ashtray. Then she looked up at the dark yellow ceiling, with its curiously useless trelliswork hung with plastic lemons and bananas, and then at the wall, papered in a strange, delicate, dirty flowered print. On the wall hung the only thing that was different. It was a calendar, a gift from the garage, and the picture showed an Alpine hut in snowy mountains, for all that the month was May. In their day the calendar had been one donated by a fruit-juice firm, and they had seen it through three seasons; she recalled the anguish with which she had seen its leaves turn, more relentless even than those leaves falling so ominously from real trees, and she recalled that at the time of their parting the calendar showed an appalling photograph of an autumn evening in a country garden, with an old couple sitting by their ivy-covered doorway.

  They had both been merciless deliverers of ultimatums, the one upon the other. And she had selected in her own soul the month, and the day of that month, and had said, ‘Look, on the twenty-third, that’s it, and I mean it this time.’ She wondered if he had known that this time it was for real. Because he had taken her at her word. It was the first time that she had not relented, nor he persisted; each other time they had parted forever, a telephone call had been enough to reunite them; each time she had left him, she had sat by the telephone biting her nails and waiting for it to ring. But this time it did not ring.

  The menu, when it was brought to her, had not altered much. Though she never knew why she bothered to read menus, for she always ate the same lunch – a cheese omelette and chips. So she
ordered her meal, and then sat back to wait. Usually, whenever left alone in a public place, she would read, and through habit she propped a book up against the sugar bowl and opened it. But she did not look at the words. Nor was she dwelling entirely upon the past, for a certain pleasurable anxiety about that evening’s show was stealing most of her attention, and she found herself wondering whether she had adequately prepared her piece about interior decoration for the discussion programme she’d been asked to appear on, and whether David Rathbone, the producer, would offer to drive her home, and whether her hair would look all right. And most of all, she wondered if she ought to wear her grey skirt. She was not at all sure that it was not just a little bit too tight. If it wasn’t, then it was perfect, for it was the kind of thing that she always looked marvellous in. Then she said to herself: The very fact that I’m worrying about it must mean that it must be too tight after all, or the thought of its being too tight wouldn’t have crossed my mind, would it? And then she saw him.

  What was really most shocking about it was the way they noticed each other simultaneously, without a chance of turning away or in any way managing the shock. Their eyes met, and they both jerked, beyond hope of dissimulation.

  ‘Oh, God,’ he said, after a second, and he stood there looking at her.

  And she felt at such a loss, sitting there with her book propped up against the sugar bowl, and her head full of thoughts of skirts and false teeth, that she said, hurriedly, throwing away what might after all have been really quite a moment, ‘Oh, Lord, oh, well, since you’re there, do sit down.’ And she moved up the wooden bench, closing up her book with a snap, averting her eyes, confused, unable to look.

 

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