The Bourne Ultimatum jb-3

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The Bourne Ultimatum jb-3 Page 28

by Robert Ludlum


  "I've been trying to find you, frankly not knowing if you were still alive," said the Frenchman.

  "We're not using the radios unless we have to." Jason walked away from the wall. "I thought you got the message."

  "I did and it was right. Carlos may have his own radio by now. He's not alone, you know. It's why I've been wandering around looking for you. Then it occurred to me that you and your brother-in-law might be up here in his office, a headquarters, as it were."

  "It's not very smart for you to be walking around out in the open."

  "I'm not an idiot, monsieur. I would have perished long before now if I were. Wherever I walked I did so with great caution. ... In truth, it's why I made up my mind to find you, assuming you were not dead."

  "I'm not and you found me. What is it? You and the judge are supposed to be in an empty villa somewhere, not wandering around."

  "We are; we were. You see, I have a plan, a stratageme, I believe would interest you. I discussed it with Brendan-"

  "Brendan?"

  "His name, monsieur. He thinks my plan has merit and he's a brilliant man, very sagace-"

  "Shrewd? Yes, I'm sure he is, but he's not in our business."

  "He's a survivor. In that sense we are all in the same business. He thinks there is a degree of risk, but what plan under these circumstances is without risk?"

  "What's your plan?"

  "It is a means to trap the Jackal with minimum danger to the other people here."

  "That really worries you, doesn't it?"

  "I told you why, so there's no reason to repeat it. There are men and women together out there-"

  "Go on," broke in Bourne, irritated. "What's this strategy of yours, and you'd better understand that I intend to take out the Jackal if I have to hold this whole goddamned island hostage. I'm not in a giving mood. I've given too much."

  "So you and Carlos stalk each other in the night? Two crazed middle-aged hunters obsessed with killing each other, not caring who else is killed or wounded or maimed for life in the bargain?"

  "You want compassion, go to a church and appeal to that God of yours who pisses on this planet! He's either got one hell of a warped sense of humor or he's a sadist. Now either talk sense or I'm getting out of here."

  "I've thought this out-"

  "Talk!"

  "I know the monseigneur, know the way he thinks. He planned the death of my woman and me but not to coincide with yours, not in a way that would detract from the high drama of his immediate victory over you. It would come later. The revelation that I, the so-called hero of France, was in reality the Jackal's instrument, his creation, would be the final proof of his triumph. Don't you see?"

  Briefly silent, Jason studied the old man. "Yes, I do," he replied quietly. "Not that I ever figured on someone like you, but that approach is the basis of everything I believe. He's a megalomaniac. In his head he's the king of hell and wants the world to recognize him and his throne. By his lights, his genius has been overlooked, relegated to the level of punk killers and Mafia hit men. He wants trumpets and drums, when all he hears are tired sirens and weary questions in police lineups."

  "C'est vrai. He once complained to me that almost no one in America knew who he was."

  "They don't. They think he's a character out of novels or films, if they think about him at all. He tried to make up for that thirteen years ago, when he flew over from Paris to New York to kill me."

  "Correction, monsieur. You forced him to go after you."

  "It's history. What's all this got to do with now, tonight ... your plan?"

  "It provides us with a way to force the Jackal to come out after me, to meet with me. Now. Tonight."

  "How?"

  "By my wandering around the grounds very much in the open where he or one of his scouts will see me and hear me."

  "Why would that force him to come out after you?"

  "Because I will not be with the nurse he had assigned to me. I will be with someone else, unknown to him, someone who would have no reason at all to kill me."

  Again Bourne looked at the old Frenchman in silence. "Bait," he said finally.

  "A lure so provocative it will drive him into a frenzy until he has it in his possession-has me in his grip so he can question me. ... You see, I'm vital to him-more specifically, my death is vital-and everything is timing to him. Precision is his ... his diction, how is it said?"

  "His byword, his method of operation, I suppose."

  "It is how he has survived, how he has made the most of each kill, each over the years adding to his reputation as the assassin supreme. Until a man named Jason Bourne came out of the Far East ... he has never been the same since. But you know all that-"

  "I don't care about all that," interrupted Jason. "The 'timing.' Go on."

  "After I'm gone he can reveal who Jean Pierre Fontaine, the hero of France, really was. An impostor, his impostor, his creation, the instrument of death who was the snare for Jason Bourne. What a triumph for him! ... But he cannot do that until I'm dead. Quite simply, it would be too inconvenient. I know too much, too many of my colleagues in the gutters of Paris. No, I must be dead before he has his triumph."

  "Then he'll kill you when he sees you."

  "Not until he has his answers, monsieur. Where is his killer nurse? What has happened to her? Did Le Chameleon find her, turn her, do away with her? Have the British authorities got her? Is she on her way to London and MI-Six with all their chemicals, to be turned over at last to Interpol? So many questions. ... No, he will not kill me until he learns what he must learn. It may take only minutes to satisfy him, but long before then I trust that you will be at my side insuring my survival, if not his."

  "The nurse? Whoever it is, she'll be shot."

  "No, not at all. I'll order her away in anger, out of my sight at the first sign of contact. As I walk with her I shall lament the absence of my new dear friend, the angel of mercy who takes such good care of my wife, wondering out loud, What has happened to her? Where has she gone? Why haven't I seen her all day? Naturally, I will conceal on my person the radio, activated, of course. Wherever I am taken-for surely one of Carlos's men will make contact first-I will ask an enfeebled old man's questions. Why am I going here? Why are we there? ... You will follow-in full force, I sincerely hope. If you do so, you'll have the Jackal."

  Holding his head straight, his neck rigid, Bourne walked to St. Jacques's desk and sat on the edge. "Your friend, Judge Brendan what's-his-name, is right-"

  "Prefontaine. Although Fontaine is not my true name, we've decided it's all the same family. When the earliest members left Alsace-Lorraine for America in the eighteenth century with Lafayette, they added the Pre to distinguish them from the Fontaines who spread out all over France."

  "He told you that?"

  "He's a brilliant man, once an honored judge."

  "Lafayette came from Alsace-Lorraine?"

  "I don't know, monsieur. I've never been there."

  "He's a brilliant man. ... More to the point; he's right. Your plan has a lot of merit, but there's also considerable risk. And I'll be honest with you, Fontaine, I don't give a damn about the risk you're taking or about the nurse, whoever it is. I want the Jackal, and if it costs your life or the life of a woman I don't know, it doesn't matter to me. I want you to understand that."

  The old Frenchman stared at Jason with amused rheumy eyes and laughed softly. "You are such a transparent contradiction. Jason Bourne would never have said what you just did. He would have remained silent, accepting my proposition without comment but knowing the advantage. Mrs. Webb's husband, however, must have a voice. He objects and must be heard." Fontaine suddenly spoke sharply. "Get rid of him, Monsieur Bourne. He is not my protection, not the death of the Jackal. Send him away."

  "He's gone. I promise you, he's gone." The Chameleon sprang up from the desk, his neck frozen in pain. "Let's get started."

  The steel band continued its deafening assault, but now restricted to the confines of th
e glass-enclosed lobby and adjacent dining room. The speakers on the grounds were switched off on St. Jacques's orders, the owner of Tranquility Inn having been escorted up from the unoccupied villa by the two Uzi-bearing former commandos along with the Canadian doctor and the incessantly chattering Mr. Pritchard. The assistant manager was instructed to return to the front desk and say nothing to anyone about the things he had witnessed during the past hour.

  "Absolutely nothing, sir. If I am asked, I was on the telephone with the authorities over in 'Serrat."

  "About what?" objected St. Jacques. "Well, I thought-"

  "Don't think. You were checking the maid service on the west path, that's all."

  "Yes, sir." The deflated Pritchard headed for the office door, which had been opened moments before by the nameless Canadian doctor.

  "I doubt it would make much difference what he said," offered the physician as the assistant manager left. "That's a small zoo down there. The combination of last night's events, too much sun today and excessive amounts of alcohol this evening, will augur a great deal of guilt in the morning. My wife doesn't think your meteorologist will have much to say, John."

  "Oh?"

  "He's having a few himself, and even if he's halfway lucid, there aren't five sober enough to listen to him."

  "I'd better get down there. We may as well turn it into a minor carnivale. It'll save Scotty ten thousand dollars, and the more distraction we have, the better. I'll speak to the band and the bar and be right back."

  "We may not be here," said Bourne as his brother-in-law left and a strapping young black woman in a complete nurse's uniform walked out of St. Jacques's private bathroom into the office. At the sight of her, old Fontaine approached.

  "Very good, my child, you look splendid," said the Frenchman. "Remember now, I'll be holding your arm as we walk and talk, but when I squeeze you and raise my voice, telling you to leave me alone, you'll do as I say, correct?"

  "Yes, sir. I am to hurry away quite angry with you for being so unnice."

  "That's it. There's nothing to be afraid of, it's just a game. We want to talk with someone who's very shy."

  "How's the neck?" asked the doctor, looking at Jason, unable to see the bandage beneath the brown shirt.

  "It's all right," answered Bourne.

  "Let's take a look at it," said the Canadian, stepping forward.

  "Thanks but not now, Doctor. I suggest you go downstairs and rejoin your wife."

  "Yes. I thought you'd say that, but may I say something , very quickly?"

  "Very quickly."

  "I'm a doctor and I've had to do a great many things I didn't like doing and I'm sure this is in that category. But when, I think of that young man and what was done to him-"

  "Please," broke in Jason.

  "Yes, yes, I understand. Nevertheless, I'm here if you need me, I just wanted you to know that. ... I'm not terribly proud of my previous statements. I saw what I saw and I do have a name and I'm perfectly willing to testify in a court of law. In other words, I withdraw my reluctance."

  "There'll be no courts, Doctor, no testimony."

  "Really? But these are serious crimes!"

  "We know what they are," interrupted Bourne. "Your help is greatly appreciated, but nothing else concerns you."

  "I see," said the doctor, staring curiously at Jason. "I'll go, then." The Canadian went to the door and turned. "You'd better let me check that neck later. If you've got a neck." The doctor left and Bourne turned to Fontaine.

  "Are we ready?"

  "We're ready," replied the Frenchman, smiling pleasantly at the large, imposing, thoroughly mystified young black woman. "What are you going to do with all the money you're earning tonight, my dear?"

  The girl giggled shyly, her broad smile alive with bright white teeth. "I have a good boyfriend. I'm going to buy him a fine present."

  "That's lovely. What's your boyfriend's name?"

  "Ishmael, sir."

  "Let's go," said Jason firmly.

  The plan was simple to mount and, like most good strategies, however complex, simple to execute. Old Fontaine's walk through the grounds of Tranquility Inn had been precisely mapped out. The trek began with Fontaine and the young woman returning to his villa presumably to look in on his ill wife before his established, medically required evening stroll. They stayed on the lighted main path, straying now and then across the floodlit lawns but always visible, a crotchety old man supposedly walking wherever his whims led him, to the annoyance of his companion. It was a familiar sight the world over, an enfeebled, irascible septuagenarian taunting his keeper.

  The two former Royal Commandos, one rather short, the other fairly tall, had selected a series of stations between the points where the Frenchman and his "nurse" would turn and head in different directions. As the old man and the girl proceeded into the next planned leg, the second commando bypassed his colleague in darkness to the next location, using unseen routes only they knew or could negotiate, such as that beyond the coastline wall above the tangled tropical brush that led to the beach below the villas. The black guards climbed like two enormous spiders in a jungle, crawling swiftly, effortlessly from branch and rock to limb and vine, keeping pace with their two charges. Bourne followed the second man, his radio on Receive, the angry words of Fontaine pulsating through the static.

  Where is that other nurse? That lovely girl who takes care of my woman? Where is she? I haven't seen her all day! The emphatic phrases were repeated over and over again with growing hostility.

  Jason slipped. He was caught! He was behind the coastal wall, his left foot entangled in thick vines. He could not pull his leg loose-the strength was not there! He moved his head-his shoulders-and the hot flashes of pain broke out on his neck. It is nothing. Pull, yank, rip! ... His lungs bursting, the blood now drenching his shirt, he worked his way free and crawled on.

  Suddenly there were lights, colored lights spilling over the wall. They had reached the path to the chapel, the red and blue floodlights that lit up the entrance to Tranquility Inn's sealed off sanctuary. It was the last destination before the return route back to Fontaine's villa, and one they all agreed was designed more to permit the old Frenchman time to catch his breath than for any other purpose. St. Jacques had stationed a guard there to prevent entrance into the demolished chapel. There would be no contact here. Then Bourne heard the words over the radio-the words that would send the false nurse racing away from her false charge.

  "Get away from me!" yelled Fontaine. "I don't like you. Where is our regular nurse? What have you done with her?"

  Up ahead, the two commandos were side by side, crouching below the wall. They turned and looked at Jason, their expressions in the eerie wash of colored lights telling him what he knew only too well. From that moment on, all decisions were his; they had led him, escorted him, to his enemy. The rest was up to him.

  The unexpected rarely disturbed Bourne; it did now. Had Fontaine made a mistake? Had the old man forgotten about the inn's guard and erroneously presumed he was the Jackal's contact? In his aged eyes had an understandably surprised reaction on the guard's part been misinterpreted as an approach? Anything was possible, but considering the Frenchman's background-the life of a survivor-and the state of his alert mind, such a mistake was not realistic.

  Then the possibility of another reality came into focus and it was sickening. Had the guard been killed or bribed, replaced by another? Carlos was a master of the turn-around. It was said he had fulfilled a contract on the assassination of Anwar Sadat without firing a weapon, by merely replacing the Egyptian president's security detail with inexperienced recruits-money dispersed in Cairo returned a hundredfold by the anti-Israel brotherhoods in the Middle East. If it were true, the exercise on Tranquility Isle was child's play.

  Jason rose to his feet, gripped the top of the coastal wall, and slowly, painfully, his neck causing agony, pulled himself up over the ledge, again slowly, inch by inch, sending one arm after the other across the surface to
grab the opposing edge for support. What he saw stunned him!

  Fontaine was immobile, his mouth gaped in shock, his wide eyes disbelieving, as another old man in a tan gabardine suit approached him and threw his arms around the aged hero of France. Fontaine pushed the man away in panic and bewilderment. The words erupted out of the radio in Bourne's pocket. "Claude! Quelle secousse! Vous etes ici!"

  The ancient friend replied in a tremulous voice, speaking French. "It is a privilege our monseigneur permitted me. To see for a final time my sister, and to give comfort to my friend, her husband. I am here and I am with you!"

  "With me? He brought you here? But, of course, he did!"

  "I am to take you to him. The great man wishes to speak with you."

  "Do you know what you're doing-what you've done?"

  "I am with you, with her. What else matters?"

  "She's dead! She took her own life last night! He intended to kill us both."

  Shut off your radio! screamed Bourne in the silence of his thoughts. Kill the radio! It was too late. The left door of the chapel opened and the silhouetted figure of a man walked out into the floodlit corridor of colored lights. He was young, muscular and blond, with blunt features and rigid posture. Was the Jackal training someone else to take his place?

  "Come with me, please," said the blond man, his French gentle but icily commanding. "You," he added, addressing the old man in the tan gabardine suit. "Stay where you are. At the slightest sound, fire your gun. ... Take it out. Hold it in your hand."

  "Oui, monsieur."

  Jason watched helplessly as Fontaine was escorted through the door of the chapel. From the pocket of his jacket there was an eruption of static followed by a snap; the Frenchman's radio had been found and destroyed. Yet something was wrong, off center, out of balance-or perhaps too symmetrical. It made no sense for Carlos to use the location of a failed trap a second time, no sense at all! The appearance of the brother of Fontaine's wife was an exceptional move, worthy of the Jackal, a truly unexpected move within the swirling winds of confusion, but not this, not again Tranquility Inn's superfluous chapel. It was too orderly, too repetitive, too obvious. Wrong.

 

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