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Tarnished Icons ir-11 Page 20

by Stuart M. Kaminsky


  Spaskov considered getting a friend who was not a police officer to pretend he was Spaskov for the photo. This might work because the major had said the pictures would be taken in Spaskov’s office. However, there was too little time to find someone, and Spaskov did not think he had a friend to whom he could tell a lie sufficient to gain his assistance. Besides, if the pictures were ever returned, the major or even Sergeant Koffeyanovich might look at them and realize that the man in the photograph was not Spaskov.

  Spaskov considered a disguise of sorts, a pair of glasses from the drawer in the catch-all office on the first floor. Again, that might be awkward if anyone, including the colonel, ever saw the photograph, for Spaskov’s eyesight was perfect.

  Should he slouch? Make a face? Quickly shave his mustache? Shaving his mustache would be too suspicious. There would certainly be a question or two about why he chose to shave on that day.

  Should he smile with confidence? Look stern with self-assurance?

  Damn. Although he had not been at the lineup, he knew they had been examined by two policemen and a tall, serious, dark, and pretty woman. Several of the officers claimed they had seen her on Moscow Television News. Others said they were just imagining it. But Spaskov knew that the ones who had claimed to see her were particularly reliable witnesses. She was the last one he had attacked. She was the one whose stubbornness had driven him to rage.

  The uniform. He could get out of his uniform and put on his civilian clothes, but this was an observant woman, confident that she could identify her attacker if she saw him.

  There were two real choices and a hope. The hope was that she simply might not identify him from the photograph. The night had been dark, the attack quick, her glance at him fleeting at best. The choices were to simply claim the woman was wrong if she identified Valentin. She had mistaken him for someone else. He could not possibly have done such a thing. Valentin Spaskov had risen from the ranks not through favoritism, bribes, or party connections but by his own rare honesty and bravery. He was bright. He had a wife and child and was never known to abuse either of them or consort with the women a police officer frequently encounters in his work. Many an officer actually bragged that he let some women have the choice of sex in the backseat or an arrest. Almost all chose the backseat, often with a partner joining in.

  Not Lieutenant Valentin Spaskov. There was not a mark on his record. None. And he knew that if he somehow escaped this horror, he would continue to uphold the law and, when necessary, risk his life to do so, with one exception, which he was doomed to repeat over and over again. He would have to kill the woman tonight.

  It would not be easy. The attacks he had made he had no control over. They had simply grown inside him till he had to rape or he would burst with a kind of madness. He attacked in a frenzy to satisfy the creature within. After each attack, it would rest for a while only to awaken and growl anew.

  Valentin Spaskov remembered the assaults: following each woman, finding the right place, occasionally abandoning one possible prey for another if the situation wasn’t right. When they were over, he had only a vague recollection of the attacks, the sexual part. He had no recollection of any of the beatings.

  For a long time, years, he had wondered why he was doing this. He had read files on other rapists, had even read books. He didn’t think he fit the possible profiles. Somewhere buried in his past was an event, a trauma, a series of incidents, a person these women were supposed to represent, even an idea or symbol for which they stood. Maybe in the line of duty he had suffered some damage to the brain that altered his behavior. He even considered that something may have been missing or distorted in his DNA, that he had been born with an animal lust that he had successfully controlled till he was an adult. But lust was only part of it. He knew that. If it was lust that drove him, his wife was accommodating, albeit less than interested. She readily admitted that the infrequent times when he was her lover, Valentin was gentle, thoughtful, and could be very satisfying.

  It had been years now since Valentin Spaskov had first tried to understand why he did what he did. He used to hope that someday it would pass just as it had come. But now he feared that it was growing. He was increasingly convinced that he would remain a sadistic rapist.

  The knock on the door was firm. Valentin looked up. His was not much of an office-dirty white walls, old chairs, and a scarred desk, a battered gray metal two-drawer filing cabinet, no window, his certificate the only thing on the wall. His wife had been so proud when he had been promoted and given this office. He had immediately put a framed photograph of his family where he could see it each day. At first he had looked at it frequently with satisfaction. But for the past several years he had been looking at it with guilt. He had reached a higher level of success than anyone in either his or his wife’s family.

  Valentin picked up a file from the corner of his very neat desk, opened it, and said “Come in” as he turned his eyes to the papers before him. He had no idea what he was looking at.

  The door opened. Lieutenant Valentin Spaskov did not look up.

  Sasha Tkach entered the office wearing his heavy jacket, hair brushed back, cap in his pocket, and camera in his hand. Sasha remembered the man behind the desk from his first visit. Lieutenant Spaskov was older than Sasha. His uniform was neat and clean and he had a strong, handsome face.

  “You do not have to explain,” Spaskov said. “The major said you were coming.”

  “I’ll make this fast,” said Tkach. “Everything is preset. All I do is stand five feet away and click. The light flashes, the film advances, and I go on to more surly faces.”

  “Wouldn’t you be surly?” asked Spaskov.

  “Without doubt,” said Sasha, brushing back his hair and moving forward to aim the camera at Spaskov, who simply looked serious. Sasha clicked. It was over.

  “What kind of film are you using?” asked Spaskov.

  Sasha looked at the camera as if it might help him answer.

  “I don’t know.”

  “It’s a good thing to have a camera if you have a family,” said Spaskov.

  “I have a family,” said Sasha.

  “You have a picture of them?” asked Spaskov.

  Sasha took out his wallet and opened it to a picture Porfiry Petrovich had taken when Illya was born. Maya was seated with the baby in her lap on their rapidly fraying couch. Pulcharia sat on her father’s lap, and Lydia sat next to her son, looking at him instead of the camera in spite of what Rostnikov had told her.

  Spaskov retaliated with the picture on his desk of his own family: him, his wife, and their child in the park. It was an old picture. His golden-haired daughter had been no more than two at the time.

  There really was nothing more to say as Sasha put his wallet away. One father and husband would trudge around wearily for the rest of the day taking pictures, and the other would go about his business upholding the law while planning a murder.

  Karpo and Paulinin were met at the American embassy by Craig Hamilton, the black FBI agent whose specialty was organized crime. Karpo had worked with the man before, and they had a distinct respect for each other as professionals. Hamilton had gone far beyond his duty in helping Karpo track down the murderers of Mathilde Verson.

  They were a strange contrast. The tall, pale white man was dressed entirely in black, and the well-groomed, handsome black man wore a light gray suit and stylish blue tie, not quite FBI uniform but nevertheless impressive.

  The Russians entered the embassy identifying themselves to the American marines on duty. Karpo and Hamilton shook hands. The American had been waiting for them at the front door.

  Hamilton smiled and ushered them up a stairway without speaking. He had seen Paulinin once, had a complete profile on the man, and was convinced he was both a genius and a vain, lonely borderline psychotic. Paulinin however-hatless, impatient, holding an old briefcase in his hand-troubled Hamilton far less at the moment than the gaunt figure at his side. Karpo had lost his religion, Commun
ism, as well as the woman who had seen beneath the surface coldness to something human underneath. Now Karpo fit the profile of a suicidal personality. He had nothing to lose. Hamilton recognized Karpo’s skills and knew that the Russian would never panic, but he wondered why Rostnikov, who surely held the same opinion of the man, had chosen him to join in this, the bomber’s most dangerous game. As they walked upstairs, their footsteps echoed in the evacuated building.

  They stopped in front of a solid oak door.

  “The package is on the desk,” Hamilton said in perfect Russian. “About the size of a pen-and-pencil set, as you said. A bomb that size with the right explosive could do considerable damage.”

  “We are well aware of that,” Paulinin said, holding his battered briefcase tightly.

  “You are also aware that we have no one on our staff with sufficient expertise to deal with this bomb, if it is a bomb,” said Hamilton.

  “It is a bomb,” said Karpo. “I heard the man who sent it. Inspector Rostnikov believes he is telling the truth.”

  “And you?” asked Hamilton.

  “It doesn’t matter,” said Karpo. “We will treat it like a bomb.”

  “All right,” said Hamilton. “We have also informed the bomb squad of the Russian National Police. Your new director, Citizen Yakovlev, insisted that since it was your case, your office would deal with it.”

  “The bomb squad is a waste of time,” said Paulinin in disgust. “Can we begin?”

  Hamilton opened the door very slowly, and the two Russians stepped in.

  “I’ve been advised to leave the building at this point,” said Hamilton.

  “Then leave,” said Paulinin, looking across the small room at the desk and the package, which was the only thing on it.

  “I think I’ll stay,” said Hamilton.

  Hamilton was wired. The microphone, the size of a collar button, was clipped to his tie. Whatever was said in this room was being recorded more than half a block away in a 1996 Buick Regal. The Americans simply could have planted a microphone in the room, but without someone asking questions, it was possible the two Russians might not speak.

  Paulinin shrugged and moved ahead saying, “Leave the door open. If it explodes, an enclosed room could become a secondary bomb and cause more damage. The windows should be opened, but slowly, very slowly. If they offer any resistance, do not open them any further. I would like Emil Karpo to open the windows. From this point on, we move like well-fed snakes. If a time comes to move quickly, I will tell you.”

  Hamilton nodded as Karpo approached the windows and Paulinin placed his briefcase on the floor and opened it. Paulinin adjusted his glasses and examined the contents. From where he stood over the kneeling man, Hamilton could see a rather strange assortment of objects. The tools ranged from household pliers and wires wrapped in various colors to a roll of transparent tape, a package of brand-name oatmeal, some small zip-top plastic food bags, sharp-pointed pencils tied together with a rubber band, paper clips of all sizes, a white odd-shaped object that looked like the bone of an ape or human, a pad of paper about the size of a magazine, and other things Hamilton was at a loss to identify.

  Paulinin went through the contents of his briefcase slowly, making sure that everything was in place. Then the small man rose, once again adjusting his glasses. He turned and looked up at the air vent in the wall. A near rictus crossed his thin lips. He could see the faint glint of light on glass behind the bars of the vent. He had no objection to being videotaped, no more than he objected to Hamilton’s wire, which he had spotted instantly.

  Paulinin had a certain level of vanity about his skills, skills he felt only a handful of people-particularly Karpo and Rostnikov-fully appreciated. He would have much preferred to be doing a complex autopsy for his audience of Americans, but from what he had seen of the work of the bomber, outwitting him would earn the admiration of the top experts in the world-if the bomb didn’t go off.

  He hoped there was not a timer, set to go off … now.

  Paulinin paused for his audience and took off his coat, placing it on the floor near the door. Then he returned to the table, rolled up the unbuttoned sleeves of his faded gray shirt, and leaned over the package, holding his glasses on with one hand. He shook his head knowingly and went to his briefcase.

  Karpo had opened the window and turned, arms at his sides, to watch. He knew Paulinin was doing much of this for show, which might cause him to give less than his full attention to the package on the table. That was the second real danger of this venture. The first was an explosion beyond the control of any man.

  From his briefcase Paulinin pulled a long, thick rubber band that had been cut in half and looped at either end. He removed his glasses, joined the earpieces with the rubber band, and put the glasses back on. They would not slip off now.

  He began to make careful, frequent trips to the briefcase to return or retrieve some object. The first was a steel dental pick. Hands steady, he probed gently at the wrapping of the package. He pried up a very small corner with the dental pick and leaned over to smell the paper.

  “Standard glue. High quality to require a bit of effort to open it. That effort would probably be enough to trigger the bomb mechanism, but we must be sure.”

  Using the dental tool, Paulinin slowly pried open the flap of the envelope, first dabbing the flap with a cotton ball gently dipped into a clear solution in a small wide-necked purple bottle. Within a minute he had the flap open.

  Then he stood up and looked down at the string that still tied the compact wooden box.

  “Why the string?” Paulinin said, rubbing his chin the way he had seen someone do in a play when he was a child. He had always liked that gesture. It suggested deep thought. “It, too, could trigger the bomb. Releasing the string could cause a spring to flip up and-boom.”

  Hamilton thought of his family. Karpo thought of nothing. They watched and listened while Paulinin suddenly began very quietly to half sing, half hum the American song “Ain’t She Sweet.” His English would have been unintelligible had Hamilton not known the words. The FBI agent could imagine the station chief and others smiling at this moment when they reviewed the video. He hoped he would be alive to enjoy it with them.

  Paulinin carefully peeled away part of the envelope, cutting it in other places with surgical scissors, placing each piece on the table till the fragments looked like a light brown jigsaw puzzle. The string was still in place when he finished.

  Then he took two broad blue elastic bands from his bag. He slowly, gently lifted one end of the box and carefully slid the band over the side that had been revealed when the paper had been removed. He repeated the procedure on the other side of the box. He then took a small white tube of a gluelike material, which he had developed himself, and squeezed some into the thin lid along the line where the box would normally be opened.

  “Tzee hair walken don da street,” he sang softly, waiting for the glue to harden.

  It took no more than twenty seconds. Then Paulinin simply cut the string and removed it from the top of the box, making no attempt to pull it out from underneath.

  “Like chess, eh, Emil?” Paulinin said, greatly enjoying his moment before microphone and camera.

  “I am not skilled at analogy,” Karpo said soberly.

  “The bomber makes a move. I make a move,” Paulinin explained, taking another bottle of liquid from his briefcase, wetting a cotton ball with it, and dabbing the liquid over the dried glue.

  The next item Paulinin came up with and held high for the hidden camera was nothing more than a hinged wooden clothespin, the handles of which had been finely shaved so that they tapered up to little more than the thickness of a fine sheet of newspaper.

  Paulinin now had a small flashlight in his left hand and the clothespin in his right. He leaned over and hummed as he gently inserted the paper-thin double end of the clothespin under the lip of the box. Cautiously he released the clothespin so that the spring began to open the lid. The two bands h
e had glued to the box kept it from popping open.

  With only a sliver of the box open, Paulinin shined his flashlight into the slit, squinted, and looked back and forth slowly, opening the box only a bit more, sliding the clothespin forward gradually so that the opening became just a bit wider.

  “Now I esk you wary confidential … hm, hm, hm,” he sang as he removed the clothespin, returned to his briefcase, and brought out a thick white cardboard box. He opened the box and pulled out a small yellow object that looked a bit like a Sony Walkman with a pair of lightweight headphones attached. A thin green insulated wire dangled from the device, and a small screen lit up faintly when Paulinin pushed a button on the strange apparatus.

  “Fiber optics,” Paulinin explained. “Built it myself. If I moved to the West, I could patent it, make millions, live like Einstein, get an appointment to a moss league school.”

  “Ivy League,” Hamilton corrected.

  Paulinin put on his headset and began gently probing with the green wire into the space that he had reopened with his clothespin. He stopped singing, listened on the headphones, and watched the small screen on the yellow device as he very slowly moved the fiber-optic probe inside the small box containing the bomb. His movements were so subtle that if his audience did not watch carefully, they might not perceive any activity.

  “Strange,” said Paulinin, a slightly puzzled look on his face that worried Hamilton, who looked at Karpo. Karpo registered nothing.

  “There is a trigger spring,” said Paulinin. “There is a mechanism I don’t recognize and what appears to be a rectangle of soft, claylike material that may be the explosive. I don’t have enough information to determine what kind of material it is. I do not have access to or funding for the most sophisticated tools. I must make do with what I can create myself while idiots stare at Japanese technology, American technology, Dutch, German technology and don’t know how to use it. I am put upon, but I shall triumph. It is my move.”

 

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