“No - no - no - no!” whispered the loathsome person. “No - no - no, on no account! Come along,” he said resolutely, and he dragged Mr. Golyadkin senior to the steps. Mr. Golyadkin senior did not at all want to go, but as every one was looking at them, it would have been stupid to struggle and resist; so our hero went - though, indeed, one cannot say that he went, because he did not know in the least what was being done with him. Though, after all, it made no difference!
Before our hero had time to recover himself and come to his senses, he found himself in the drawing-room. He was pale, dishevelled, harassed; with lustreless eyes he scanned the crowd - horror! The drawing-room, all the rooms - were full to overflowing. There were masses of people, a whole galaxy of ladies; and all were crowding round Mr. Golyadkin and he perceived clearly that they were all forcing him in one direction.
“Not towards the door,” was the thought that floated through Mr. Golyadkin’s mind.
They were, in fact, forcing him not towards the door but Olsufy Ivanovitch’s easy chair. On one side of the armchair stood Klara Olsufyevna, pale, languid, melancholy, but gorgeously dressed. Mr. Golyadkin was particularly struck by a little white flower which rested on her superb hair. On the other side of the armchair stood Vladimir Semyonovitch, clad in black, with his new order in his buttonhole. Mr. Golyadkin was led in, as we have described above, straight up to Olsufy Ivanovitch - on one side of him Mr. Golyadkin junior, who had assumed an air of great decorum and propriety, to the immense relief of our hero, while on the other side was Andrey Filippovitch, with a very solemn expression on his face.
“What can it mean?” Mr. Golyadkin wondered.
When he saw that he was being led to Olsufy Ivanovitch, an idea struck him like a flash of lightning. The thought of the intercepted letter darted through his brain. In great agony our hero stood before Olsufy Ivanovitch’s chair.
“What will he say now?” he wondered to himself. “Of course, it will be all aboveboard now, that is, straightforward and, one may say, honourable; I shall say this is how it is, and so on.”
But what our hero apparently feared did not happen. Olsufy Ivanovitch received Mr. Golyadkin very warmly, and though he did not hold out his hand to him, yet as he gazed at out hero, he shook his grey and venerable head - shook it with an air of solemn melancholy and yet of goodwill. So, at least, it seemed to Mr. Golyadkin. He even fancied that a tear glittered in Olsufy Ivanovitch’s lustreless eyes; he raised his eyes and saw that there seemed to be tears, too, on the eyelashes of Klara Olsufyevna, who was standing by - that there seemed to be something of the same sort even in the eyes of Vladimir Semyonovitch - that the unruffled and composed dignity of Andrey Filippovitch has the same significance as the general tearful sympathy - that even the young man who was so much like a civil councillor, seizing the opportunity, was sobbing bitterly. . . . Though perhaps this was only all Mr. Golyadkin’s fancy, because he was so much moved himself, and distinctly felt the hot tears running down his cheeks. . . .
Feeling reconciled with mankind and his destiny, and filled with love at the moment, not only for Olsufy Ivanovitch, not only for the whole part collected there, but even for his noxious twin (who seemed now to be by no means noxious, and not even to be his twin at all, but a person very agreeable in himself and in no way connected with him), our hero, in a voice broken with sobs, tried to express his feelings to Olsufy Ivanovitch, but was too much overcome by all that he had gone through, and could not utter a word; he could only, with an expressive gesture, point meekly to his heart. . .
At last, probably to spare the feelings of the old man, Andrey Filippovitch led Mr. Golyadkin a little away, though he seemed to leave him free to do as he liked. Smiling, muttering something to himself, somewhat bewildered, yet almost completely reconciled with fate and his fellow creatures, our hero began to make his way through the crowd of guests. Every one made way for him, every one looked at him with strange curiosity and with mysterious, unaccountable sympathy. Our hero went into another room; he met with the same attention everywhere; he was vaguely conscious of the whole crowd closely following him, noting every step he took, talking in undertones among themselves of something very interesting, shaking their heads, arguing and discussing in whispers. Mr. Golyadkin wanted very much to know what they were discussing in whispers. Looking round, he saw near him Mr. Golyadkin junior. Feeling an overwhelming impulse to seize his hand and draw him aside, Mr. Golyadkin begged the other Yakov Petrovitch most particularly to co-operate with him in all his future undertakings, and not to abandon him at a critical moment. Mr. Golyadkin junior nodded his head gravely and warmly pressed the hand of Mr. Golyadkin senior. Our hero’s heart was quivering with hte intensity of his emotion. He was gasping for breath, however; he felt so oppressed - so oppressed; he felt that all those eyes fastened upon him were oppressing and dominating him . . . . Mr. Golyadkin caught a glimpse of the councillor who wore a wig. The latter was looking at him with a stern, searching eye, not in the least softened by the general sympathy. . . .
Our hero made up his mind to go straight up to him in order to smile at him and have an immediate explanation, but this somehow did not come off. For one instant Mr. Golyadkin became almost unconscious, almost lost all memory, all feeling.
When he came to himself again he noticed that he was the centre of a large ring formed by the rest of the party round him. Suddenly Mr. Golyadkin’s name was called from the other room; noise and excitement, all rushed to the door of the first room, almost carrying our hero along with them. In the crush the hard-hearted councillor in the wig was side by side with Mr. Golyadkin, and, taking our hero by the hand, he made him sit down opposite Olsufy Ivanovitch, at some distance from the latter, however. Every one in the room sat down; the guests were arranged in rows round Mr. Golyadkin and Olsufy Ivanovitch. Everything was hushed; every one preserved a solemn silence; every one was watching Olsufy Ivanovitch, evidently expecting something out of the ordinary. Mr. Golyadkin noticed that beside Olsufy Ivanovitch’s chair and directly facing the councillor sat Mr. Golyadkin junior, with Andrey Filippovitch. The silence was prolonged; they were evidently expecting something.
“Just as it is in a family when some one is setting off on a far journey. We’ve only to stand up and pray now,” thought our hero.
Suddenly there was a general stir which interrupted Mr. Golyadkin’s reflections. Something they had been waiting for happened.
“He is coming, he is coming!” passed from one to another in the crowd.
“Who is it that is coming?” floated through Mr. Golyadkin’s mind, and he shuddered at a strange sensation. “High time too!” said the councillor, looking intently at Andrey Ivanovitch. Andrey Filippovitch, for his part, glanced at Olsufy Ivanovitch. Olsufy Ivanovitch gravely and solemnly nodded his head.
“Let us stand up,” said the councillor, and he made Mr. Golyadkin get up. All rose to their feet. Then the councillor took Mr. Golyadkin senior by the hand, and Andrey Filippovitch took Mr. Golyadkin junior, and in this way these two precisely similar persons were conducted through the expectant crowd surrounding them. Our hero looked about him in perplexity; but he was at once checked and his attention was called to Mr. Golyadkin junior, who was holding out his hand to him.
“They want to reconcile us,” thought our hero, and with emotion he held out his hand to Mr. Golyadkin junior; and then - then bent his head forward towards him. The other Mr. Golyadkin did the same. . . .
At this point it seemed to Mr. Golyadkin senior that his perfidious friend was smiling, that he gave a sly, hurried wink to the crowd of onlookers, and that there was something sinister in the face of the worthless Mr. Golyadkin junior, that he even made a grimace at the moment of his Judas kiss. . . .
There was a ringing in Mr. Golyadkin’s ears, and a darkness before his eyes; it seemed to him that an infinite multitude, an unending series of precisely similar Golyadkins were noisily bursting in at every door of the room; but it was too late. . . . the resounding, treache
rous kiss was over, and . . .
Then quite an unexpected event occurred. . . . The door opened noisily, and in the doorway stood a man, the very sight of whom sent a chill to Mr. Golyadkin’s heart. He stood rooted to the spot. A cry of horror died away in his choking throat. Yet Mr. Golyadkin knew it all beforehand, and had had a presentiment of something of the sort for a long time. The new arrival went up to Mr. Golyadkin gravely and solemnly. Mr. Golyadkin knew this personage very well. He had seen him before, had seen him very often, had seen him that day . . . This personage was a tall, thick-set man in a black dress-coat with a good-sized cross on his breast, and was possessed of thick, very black whiskers; nothing was lacking but the cigar in the mouth to complete the picture. Yet this person’s eyes, as we have mentioned already, sent a chill to the heart of Mr. Golyadkin. With a grave and solemn air this terrible man approached the pitiable hero of our story. . . . Our hero held out his hand to him; the stranger took his hand and drew him along with him . . . With a crushed and desperate air our hero looked about him.
“It’s . . . it’s Krestyan Ivanovitch Rutenspitz, doctor of medicine and surgery; your old acquaintance, Yakov Petrovitch!” a detestable voice whispered in Mr. Golyadkin’s ear. He looked around: it was Mr. Golyadkin’s twin, so revolting in the despicable meanness of his soul. A malicious, indecent joy shone in his countenance; he was rubbing his hands with rapture, he was turning his head from side to side in ecstasy, he was fawning round every one in delight and seemed ready to dance with glee. At last he pranced forward, took a candle from one of the servants and walked in front, showing the way to Mr. Golyadkin and Krestyan Ivanovitch. Mr. Golyadkin heard the whole party in the drawing-room rush after him, crowding and squeezing one another, and all beginning to repeat after Mr. Golyadkin himself, “It is all right, don’t be afraid, Yakov Petrovitch; this is you old friend and acquaintance, you know, Krestyan Ivanovitch Rutenspitz. . .”
At last they came out on the brightly lighted stairs; there was a crowd of people on the stairs too. The front door was thrown open noisily, and Mr. Golyadkin found himself on the steps, together with Krestyan Ivanovitch. At the entrance stood a carriage with four horses that were snorting with impatience. The malignant Mr. Golyadkin junior in three bounds flew down the stair and opened the carriage door himself. Krestyan Ivanovitch, with an impressive gesture, asked Mr. Golyadkin to get in. There was no need of the impressive gesture, however; there were plenty of people to help him in. . . . Faint with horror, Mr. Golyadkin looked back. The whole of the brightly lighted staircase was crowded with people; inquisitive eyes were looking at him from all sides; Olsufy Ivanovitch himself was sitting in his easy chair on the top landing, and watching all that took place with deep interest. Every one was waiting. A murmur of impatience passed through the crowd when Mr. Golyadkin looked back.
“I hope I have done nothing . . . nothing reprehensible . . . or that can call for severity . . . and general attention in regard to my official relations,” our hero brought out in desperation. A clamour of talk rose all round him, all were shaking their head, tears started from Mr. Golyadkin’s eyes.
“In that case I’m ready . . . I have full confidence . . . and I entrust my fate to Krestyan Ivanovitch. . . .”
No sooner had Mr. Golyadkin declared that he entrusted his fate to Krestyan Ivanovitch than a dreadful, deafening shout of joy came from all surrounding him and was repeated in a sinister echo through the whole of the waiting crowd. Then Krestyan Ivanovitch on one side and Andrey Filippovitch on the other helped Mr. Golyadkin into the carriage; his double, in his usual nasty way, was helping to get him in from behind. The unhappy Mr. Golyadkin senior took his last look on all and everything, and, shivering like a kitten that has been drenched with cold water - if the comparison may be permitted - got into the carriage. Krestyan Ivanovitch followed him immediately. The carriage door slammed. There was a swish of the whip on the horses’ backs. . . the horses started off. . . . The crowd dashed after Mr. Golyadkin. The shrill, furious shouts of his enemies pursued him by way of good wishes for his journey. For some time several persons were still running by the carriage that bore away Mr. Golyadkin; but by degrees they were left behind, till at last they all disappeared. Mr. Golyadkin’s unworthy twin kept up longer than any one. With his hands in the trouser pockets of his green uniform he ran on with a satisfied air, skipping first to one and then to the other side of the carriage, sometimes catching hold of the window-frame and hanging on by it, poking his head in at the window, and throwing farewell kisses to Mr. Golyadkin. But he began to get tired, he was less and less often to be seen, and at last vanished altogether. There was a dull ache in Mr. Golyadkin’s heart; a hot rush of blood set Mr. Golyadkin’s head throbbing; he felt stifled, he longed to unbutton himself - to bare his breast, to cover it with snow and pour cold water on it. He sank at last into forgetfulness. . . .
When he came to himself, he saw that the horses were taking him along an unfamiliar road. There were dark patches of copse on each side of it; it was desolate and deserted. Suddenly he almost swooned; two fiery eyes were staring at him in the darkness, and those two eyes were glittering with malignant, hellish glee. “That’s not Krestyan Ivanovitch! Who is it? Or is it he? It is. It is Krestyan Ivanovitch, but not the old Krestyan Ivanovitch, it’s another Krestyan Ivanovitch! It’s a terrible Krestyan Ivanovitch!” . . .
“Krestyan Ivanovitch, I . . . I believe . . . I’m all right, Krestyan Ivanovitch,” our hero was beginning timidly in a trembling voice, hoping by his meekness and submission to soften the terrible Krestyan Ivanovitch a little.
“You get free quarters, wood, with light, and service, the which you deserve not,” Krestyan Ivanovitch’s answer rang out, stern and terrible as a judge’s sentence.
Our hero shrieked and clutched his head in his hands. Alas! For a long while he had been haunted by a presentiment of this.
THE END
NETOCHKA NEZVANOVA
AN INCOMPLETE NOVEL
Translated by Constance Garnett
Netochka Nezvanova is Dostoyevsky’s first - although unfinished - attempt at writing a novel. The first completed section of the book was published in 1849. According to translator Jane Kentish, this first publication was intended as “no more than a prologue to the novel”. Further work on the novel was hindered by Dostoyevsky’s arrest and exile to Siberia for alleged revolutionary activities. Dostoyevsky never resumed work on Netochka Nezvanova, leaving it incomplete. The fragment tells the story of Netochka and her childhood, which dominated by her stepfather, Efimov, a failed musician that believes he is a neglected genius. The young girl is strangely drawn to this drunken ruin of a man, who exploits her and drives the family to poverty. But when she is rescued by an aristocratic family, the abuse against Netochka’s delicate psyche continues in a more subtle way, condemning her to remain an outsider - a solitary spectator of an otherwise glittering society. With its depiction of the suffering, loneliness, madness and sin that affect both rich and poor in St Petersburg, Netochka Nezvanova begins to explore the many great themes that were to dominate Dostoyevsky’s later novels.
A sketch of the Petrashevsky Circle mock execution, which the author suffered, prior to his exile in Siberia.
NETOCHKA NEZVANOVA
CONTENTS
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER I
I DON’T remember my father. He died when I was two years old. My mother married a second time. This second marriage brought her a great deal of sorrow, though it was a marriage of love. My stepfather was a musician. His history was a remarkable one: he was the strangest, the most extraordinary man I have ever known’. His image is very vivid among the earliest impressions of my childhood, so vivid that those impressions have had an influence on the whole of my life. First of all, to make my story intelligible, I will give a sketch of his bi
ography. Everything which I am now going to tell you I learned later on from the celebrated violinist B., who was a comrade and an intimate friend of my stepfather’s in his youth.
My stepfather’s surname was Yefimov. He was born on the estate of a very rich landowner and was the son of a poor musician, who after years of wandering had settled on the estate of this landowner and played in the latter’s orchestra. The landowner lived in luxurious style, and loved music passionately, above everything. The story was told of him that, though he never left home even to go to Moscow, yet on one occasion he took it into his head to go to some watering- place abroad, and that he went there for no longer than a few weeks with the sole object of hearing a famous violinist who, as the newspapers announced, was going to give three concerts at the watering-place. He had himself a fairly good orchestra of musicians, on which he spent almost the whole of his income. This orchestra my stepfather entered as clarinet player. He was twenty-two years old when he made the acquaintance of a strange man. In the same district there was living a wealthy count, who ruined himself over keeping up a private theatre in his house. This count had dismissed the conductor of his orchestra, an Italian, for bad conduct. This Italian certainly was a bad man. After he had been turned off he sank into complete degradation. He took to going from one village tavern to another, got drunk, sometimes begged, and there was no one in the whole province who would employ him. It was with this fellow that my stepfather made friends. This connection was strange and inexplicable, for no one noticed that he changed for the worse in his behaviour through imitation of his friend; and even his patron himself, who had at first forbidden him to associate with the Italian, afterwards winked at their friendship. At last the Italian met with a sudden death. One morning he was found by some peasants in a ditch by the dam. An inquest was held, and it appeared that he had died of an apoplectic fit. His belongings were in the keeping of my stepfather, who promptly produced evidence that he was entitled to take possession of them: the Italian had left a note in his own handwriting bequeathing everything he had to my stepfather in case of his death. The property consisted of a black frock-coat which had been carefully preserved by its late owner, as he never gave up hope of getting a situation, and of a rather ordinary-looking violin. Nobody disputed the inheritance. But a short time afterwards, the first violin of the count’s orchestra came to the landowner with a letter from the count, in which the latter begged him to persuade Yefimov in sell the violin left him by the Italian, as he greatly desired to obtain it for his orchestra. He offered three thousand roubles, and added that he had several times already sent for Yegor Yefimov in order that he might arrange the sale with him personally, but had always met with an obstinate refusal from the latter. The count concluded by saying that the price he offered was what the violin was worth, that he was not trying to get it for less than its value, and that in Yefimov’s refusal he saw an insulting suspicion that he, the count, was trying to take advantage of the musician’s simplicity and ignorance, and he therefore begged Yefimov’s patron to bring him to reason.
Complete Works of Fyodor Dostoyevsky Page 34
