"Fine. Any news on Hawkes?"
"They're still working on it," Mac said. "I'll call you if I hear anything."
They hung up. Flack had a lot of ground to cover and the rain showed no sign of letting up.
* * *
Stella knelt next to the body of Henry Doohan, bartender and owner of what had been Doohan's Bar.
The gun that had killed Doohan had been fired at close range, very close. The entry wound and powder residue indicated to Stella that the gun had almost touched the right temple of the dead man's head. There was a large, rough-edged exit wound. Somewhere among the million or more remnants of the blast was a bullet or what remained of one. Stella would look for it. She might even find it.
She probed the dead man's nose with a swab and pried his mouth open to examine his tongue and throat. The swab would have to be examined microscopically. Stella examined the dead man's hands and took prints and scrapings from his palms. Then she covered the hands with plastic bags.
She was reasonably sure that Doohan had not shot himself. For one thing, there was no weapon near the body. For another, if she calculated the entry angle of the wound correctly, he would have had to hold the gun at an awkward angle and he would have to have been left-handed. The ME could insert a trajectory rod into the wound to confirm the angle of the wound. Doohan's watch was on his left wrist which more than strongly suggested that he was right-handed. That too could be confirmed.
Stella searched with flashlight and hands, reaching into nooks and puddles in search of the bullet. Nothing. She stood up and carefully made her way to the pit no more than two yards away where Hawkes and Custus were trapped. A lone young fireman knelt at the edge of the hole and monitored the pump that dropped down the sides of the pit and out of sight in the darkness.
"Hawkes," she called.
"Yes," Hawkes called back.
"Your cell phone working?"
"Wait…it's working."
"Answer it," she called, punching in his number.
Hawkes's fingers were growing numb. He kept flexing them and changing gloves to keep them warm. He flipped the phone open.
"Hear me?" Stella said.
"I hear," said Hawkes, looking at Custus who was gritting his teeth and grinning.
"What can we do besides keep working to get you out?"
"Morphine. He needs it."
"Morphine?" Stella said to the young fireman.
"I'll get Lieutenant Devlin," he said, rising and moving off.
"Hawkes, we ran the photos and samples back at the lab. Custus is a bomb maker."
"I'm not surprised," said Hawkes.
"IRA," she said. "At least he was. Left Ireland six years ago. The explosive he used to bring down this building was not up to standard IRA quality. This wasn't a terrorist bombing."
"What was it?" asked Hawkes.
"You might try asking Mr. Custus."
"I will," said Hawkes, looking at Custus, who was looking at him and listening. "Bonasera."
"Yes."
"I can hear a wall giving way down here."
"I'll see if I can get them to move a little faster."
"If they can't get us out right now," said Hawkes, "I've got to go in and get that bullet out. I think its pressing on the liver. If it penetrates the liver…"
"I get the picture," said Stella.
"Ironic," said Hawkes, looking at Custus. "I've got all the tools for removing a bullet from a dead body. Now I have a live one."
"Ironic," Stella agreed.
"There's more," he said. "I became a medical examiner and now a field investigator because I didn't want to work on living people. I didn't want to have anyone's life in my hands again."
"I know," said Stella.
Devlin and the young fireman were back at the rim of the pit as Stella closed her phone.
Devlin showed her a blue plastic case that fit easily into his palm.
"Morphine. I'll get it down to him," said Devlin. "Let him know it's coming."
"What about…?"
"I think we might have to take a chance or two here to get Doctor Hawkes and the other man out," said Devlin. "The sooner we can get down there, the better, before…"
"Before…?" Stella asked.
"Before it collapses," he said. "I'm not overly concerned about it, but we're still better safe than sorry."
"You have a family?" Stella asked.
The other fireman had gone back to monitoring the pump.
"Mother, father, brother, sister," he said.
"Married?"
"No."
"I don't have any family," said Stella. "No mother, father, aunts, uncles, cousins, husbands or children."
"You can't go down," Devlin said. "I'm trained to do it. I've done things like this before. You wouldn't know what to do."
"You could tell me," she said.
"We don't have the time and I don't think you'd have the strength that might be needed."
"I work out," she said.
"I bench-press three hundred and fifty pounds," he said. "This isn't a game of whose cojones are bigger, Detective."
"You're right," she said. "I'll get back to the dead. I know how to deal with them."
* * *
There was no answer at the number Alvin Havel had written on the card his father carried.
Maddie Woods, uniformed reception officer at the precinct, had tried the number four times before calling the telephone company and getting the address. A car was dispatched to check out the address before driving the shivering man there in the endless downpour.
There had been no problem finding dry clothes for the man to wear. There were three boxes of clothes in a closet next to the evidence room, clothes that had belonged to victims, drug dealers, a few murderers.
No one on duty spoke whatever it was Waclaw spoke. She did know the man's name, Waclaw Havel. That was all she could read on the inter-national driver's license in his wallet. He had reluctantly given up the wallet after much coaxing as he dressed in a pair of brown oversize winter corduroy slacks and an XX large T-shirt with a pocket. On the back of the T-shirt were the words "Life Sucks."
Maddie, short and plump with dyed blonde hair in a feather cut, tried communicating with the wild-haired man by using creative sign language. She had one basic question. What the hell had happened to him and how did he get to the front door of the police station? Sign language proved fruitless. Officer Jimmy Tuskov was brought in from directing traffic. He tried Russian. Waclaw didn't understand. Jimmy tried Czech, of which he knew just enough to get by. No luck.
"It's Polish," Jimmy decided.
Detective Art Rogetti wandered by the room as Waclaw was speaking to Jimmy.
"What's he talkin'?" asked Art, who had a cup of coffee in his hand. Art was tall, thin with a little belly, and a year away from retirement.
"Polish," said Maddie with a sigh. "You talk Polish?"
"No," said Art. "But I know someone who does."
"Who's that?" asked Maddie.
"Perp I'm bringing this coffee to," said Art. "Caught him looting a porno shop."
"It's not being called looting yet," said Jimmy.
"Okay. B and E then," said Art. "You want the guy?" he asked Maggie. "You don't want the guy?"
"We want the guy," said Maddie.
"Good, then I'll get the guy. His name is Zbilski."
A few seconds later a tough-looking little man in his late twenties was marched sullenly into the room. He looked at Waclaw and said something in Polish. Waclaw answered eagerly.
"What do I get?" asked Zbilski.
"Our sincere thanks," said Art.
"I just forgot how to speak Polish," said Alex.
"Remember fast," said Art. He handed the coffee to Zbilski.
Waclaw looked at Zbilski and said, "Rozumiesz polsku?" (Do you understand Polish?)
Zbilski answered, "Mowie po polsku."
"Well?" asked Art.
"Maybe it's coming back to me," said Zbilski.
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"You deliver, you walk," said Art. "I'm feeling generous and curious." Truth was, Art didn't have enough evidence on Zbilski to be sure the breaking and entering charge would stick anyway.
After five minutes of talking to Zbilski, the three police officers knew why Waclaw had found his way to the station.
"Havel," Art said, looking at the driver's license Maddie had handed him. "Name rings bells. Wait a second."
Art left the room. Waclaw spoke again.
"He wants to know what happened to the car," said Zbilski.
"What car?" asked Maddie. "We've got abandoned cars all over the place."
Waclaw was in the process of explaining when Art returned and said, "Ask him if his son is Alvin Havel, the school teacher."
Zbilski asked. Waclaw said yes.
"He's dead," said Art. "Murdered at the school in Manhattan where he teaches."
"You want me to tell him?" asked Zbilski.
The three police officers exchanged looks.
"Make it gentle," said Maddie. "Real gentle and you walk. Okay with you, Art?"
Art nodded his agreement. Jimmy shrugged.
Zbilski smiled and handed the coffee he was holding to Waclaw, who accepted it with two hands. Then Zbilski leaned over, hand on the older man's shoulder and told him, gently.
Waclaw took a sip of coffee and handed the cup back to Zbilski, who handed it to Art. Then Waclaw wept and rocked and started to talk rapidly.
"What's he saying?" asked Jimmy.
"He's talking too fast," said Zbilski, who asked Waclaw in Polish to slow down.
Waclaw looked at him and kept talking.
"He says he knows who killed his son," said Zbilski. "He knows who and he knows why. He told his son to stop, but his son wouldn't listen. Now he's dead. His only son."
"Who does he think killed his son?" Maddie asked.
Zbilski asked the question and Waclaw Havel answered.
"What'd he say?" asked Maddie.
"He said, 'She did it,'" said Zbilski.
"Who is she?" asked Tuskow.
Zbilski asked and Waclaw answered.
"She's in the book," Zbilski translated.
"The book?" asked Art. "The phone book?"
Waclaw spoke rapidly. Zbilski said, "Wow wolniej."
Zbilski looked at the cops as Waclaw began speaking and said, "I asked him to slow down. Just says 'the book,'" said Zbilski.
"Che mi sie siusiu," said Waclaw.
"What'd he say?" asked Maddie.
"He has to pee," said Zbilski.
8
Two Days Earlier
Manhattan
CONNOR DRANK HIS DRAFT BEER and smiled at the foam.
What had he come to? Sitting in the middle of the morning nursing a beer in a First Avenue bar while he waited for a frightened jack rabbit to come skulking in. The man he was waiting for would have to be urged, nudged, wheedled into what Connor planned, but he was reasonably sure he could do it. Connor had done his homework.
Once, both long ago and not that long ago, Connor had commanded respect. He was a bloody bombing genius, first for the IRA and then for anyone who would pay for his expertise and daring. But fewer and fewer wanted his artistry. There were bombers and bomb makers all over the globe blowing everything up, including themselves. And these amateurs were called masterminds. There had been a time when if a group with a grievance had wanted something blown up, Connor was their boy. Only Connor hadn't been a boy for a long time and he'd had to fall back on his other profession, which paid him only slightly better in the long run than explosives.
Now he sat at a bar on a rainy morning, the only customer in a bar that still smelled of cigars, cigarettes and burnt burgers from the night before.
The Wheel and Wagon pub back home had always smelled of wax and whiskey and good beer and stout in the morning. At The Wheel, you could always expect to see someone you knew, not to mention the occasional visit by the police. Connor knew the police. Some of them even sat down with Conor to drink a pint and talk about how they were going to put Connor away again someday, put him away for good.
They never had, although he had almost put himself away two or three times. Had he stayed back home and nursed drinks and searched for new tales to tell at The Wheel, he could have counted on a relatively long life. But there was no longer a living to be made in Dublin. So Connor had packed one night and left a note for his brother. And he was gone.
Connor could have made a good living working for terrorists who seemed to be everywhere but the North and South Poles. And they would, he had no doubt, be up and down there too when the ice caps melted and the polar bears roamed down to Kansas. But Connor would not work for crazy people, and terrorists were crazy people. You couldn't trust crazy people with crazy eyes who didn't care who they killed. In Connor's book, you warned and cleared before you blew a place up. If you happened to kill, you regretted it and said a prayer for the dead and your own soul and a "God Bless Ireland." Then you put it aside. Nothing you could do about it when it was done. You put it aside and engaged in banter with friends old and new and acquaintances.
"Another?"
The bartender, a young man with a dark look that said he had known what it was like behind other bars, stood near him.
"Why not?" said Connor.
The bartender nodded and moved off to get a second beer for his only customer on a less than promising morning.
Reduced, Connor thought. Reduced to haggling with a drug dealer named DJ Riggs for a handful of detonators and an Afghan fence named Hamid for a half dozen sticks of badly stored and wrapped dynamite.
The door opened behind Connor. He heard the rain beating down behind whoever had entered. He felt a slight whoosh of warm wind on his back. The door closed. Connor didn't turn. The bartender placed a fresh mug before him. The foam waterfalled out and down the rim and Connor drank.
Someone sat next to him. He could smell the musk of rain on the man, but he did not look. There was a role to play. Connor had played it many times before.
"Are you…?" the man at his side said.
"That depends," said Connor, "on who you're looking for. Since I'm the only one in here besides the dapper barkeep, it's likely I'm the one you seek."
With that Connor turned his head and looked at the man at his side. The man was wet and shivering, though the rain was warm. The man was about Connor's age but he was lean, wore an ill-fitting toupee and lacked fortitude.
"I just want to be sure," the man said, looking at the bartender who was on the phone, his back turned.
"The name to conjure by is Terrence Williams," said Connor. "Though I doubt if that's his real name. He's less a Terrence than a Slobodon. You agree with that assessment?"
"I don't know," said the man who bore a look that told Connor he was wondering what he had gotten into. "It's got to look like an accident."
"I know my business," said Connor, suddenly serious and sober. "Twenty-five thousand plus expenses."
"Expenses?"
Connor shook his head and said, "My room and board and the means of making and putting into effect the device. And how do I know this isn't some kind of trap, a sting? That figures into the expense, the risk factor. You need to make it clearer, show me evidence that you are who you say you are."
The man grappled for his wallet. It was working. Connor had taken the initiative, questioned the mark before the mark could question him. The bartender approached.
"My friend will have the same," Connor said, tapping his mug.
The bartender nodded and walked away.
The man finally wrestled the wallet out of his pocket.
Connor took it from his hand and opened it. Driver's license. Credit cards. Automobile insurance card. Blue Cross Blue Shield card. Savings and loan card. Eighty-four dollars and a tarnished Susan B. Anthony dollar coin tucked behind a library card.
Connor held up the coin.
"Good luck?"
"I don't know. I just carry it."
"How do we-?"
"How do I," Connor corrected. "I've looked at the place. Not a great challenge. Half the money plus three thousand for expenses upfront. The rest when the festivities are over."
"Cash?"
Connor put a hand on the man's shoulder and said, "What am I going to do with a bloody check?"
"I'll make it out to cash."
"And I'll have to endorse it. Stop the shuffle and come up with the cash or we part our ways and say no more, much to the loss of both vendor and vendee."
"When will you do it?"
"No point in waiting for the full moon or a bright sun," said Connor. "The rain looks as if it will be with us for a while. Two days?"
"Two days," the man repeated. "Yes."
"I think I'll sit right here, dry and in the good company of our loquacious innkeeper while you round up the cash and return."
"How do I know-?"
"My reputation," said Connor, leaning into the man's face, his voice menacing. "My pride. You sense them?"
"Yes," said the man.
"Good," said Connor, sitting back, smiling and clapping his hands together. "Now if you would go out into this gray and wet day and return with my payment, I'll buy you a drink."
"I don't drink," the man said. "I'm a bartender, remember?"
"There's a law in the colonies against bartenders drinking? I wonder what the vintner drinks that's half so good as what he sells. Omar Khayyam or thereabouts."
"I have a liver disease," said the man.
"Well-earned by a dissolute life, I hope?" said Connor.
"No, a blood transfusion."
"No offense, dear patron, but you are beginning to depress me. Into the dark and damp day with you."
The man got off the stool, paused for a second or two, clearly wondering if he should or could change his mind.
"Indecision is a bore," said Connor. "Solace is a beer."
The man left.
"You got something a man can eat? Something that won't kill him?" Connor asked the bartender.
"Ham sandwich," said the bartender. "Bread's fresh."
"One of those with mustard," said Connor. "And some pretzels or salted nuts would be welcome."
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