FOUR
The Void
A serial killer,’ said Banbury, standing up to stretch his aching calves. ‘That’s what I reckon we’ve got here. We’ve not had many of them at the PCU, have we?’
‘Not proper saw-off-the-arms-and-legs-boil-the-innards-put-the-head-in-a-handbag-and-throw-it-from-a-bridge jobs, no.’ When it came to fathoming the private passions of serial killers, Bryant felt lost. What were their most notable attributes? Solitude and self-interest. The rest must surely be conjecture. Novels and films were filled with the abstruse motivations of intellectual murderers—fictional killers carved designs into corpses according to biblical prophecies and hid body parts in patterns that corresponded to Flemish paintings—but the reality was that the act of murder remained as squalid and desperate as it had always been. It was the province of the spiritually impoverished.
Bryant dug out a none-too-clean handkerchief and blew his nose noisily. ‘Why do you think he’s a serial killer?’
‘Well, here’s the thing, Mr Bryant. It’s very hard to completely hide your personality. I always know when my son’s been in my room, no matter how hard he tries to cover his tracks.’
‘The poor little bugger’s got a forensic scientist for a father. How can he ever hope to pull the wool over your eyes?’
‘And we always know where you’ve been—we follow the smell of your pipe, the mud and the sweets wrappers. It’s easier if you’ve no personality there to begin with. And serial killers suffer from a sort of moral blankness. There was a case in America, a young couple, Karla Homolka and Paul Bernardo. They were known as the Ken and Barbie Killers because they were middle-class WASPs. In the trial notes, the prosecution asked Karla how she could sit downstairs reading while her husband murdered a young girl upstairs. Do you know what she replied? “I’m quite capable of doing two things at once.” Blankness, see? And they go about things in the wrong way. Karla was worried that she’d leave behind evidence, so she shaved a victim’s head. That really confused the profilers, who thought it must be a psychosexual signature, but she’d done it so she wouldn’t have to throw away the rug that the corpse was lying on. She was more concerned about the rug than the murdered girl.’
‘And you can see something like that here, can you?’ Bryant could not appreciate the silence of empty souls; his passions were too rich and various. They included Arthurian history, anthropology, architecture, alchemy and abstract art, and those were just the A’s. He let his partner handle the messy human stuff. While he appreciated the biological intricacies of the heart, for him its spirit remained forever encrypted.
An absence of personality. Banbury’s right. Mr Fox takes alienation to a new level. He examines others as if they’re circuitry diagrams. Bryant studied the murderer’s cold, bare little bedroom in wonder. Mr Fox sees this weakness as a skill, but we have to make it the cause of his downfall.
The room was as dead as an unlit stage set. Ten years, he thought. That’s how long you’ve been hiding your true nature. When did you come to realise you were different, Mr Fox? What happened to make you like this? Do you even remember who you once were?
Bryant knew that the man they were looking for had befriended several local residents. They had visited him, and Mr Fox had socialised with them in order to use their knowledge of the area. Had he let them inside the flat? Why not—he had nothing to hide here. He was an actor who adopted personalities and characteristics that he thought might prove useful. Actors were good at doing that. How many books had been written about Sir Alec Guinness without ever revealing what he was truly like?
‘When you report in to Janice,’ he told Banbury, ‘get her to circulate Mr Fox’s description to acting schools, would you? There are several in the immediate area.’ The CSM threw Bryant a intrigued look as he repacked his kit. ‘This ability to deceive might be rooted in some kind of formal training.’
Bryant could only dimly sense his quarry. There were people out there who were touched by nothing. The damaged ones were the most dangerous of all. He needed some concrete facts. But even the people who had been befriended by Mr Fox seemed to recall nothing about him. In a world of streaming data, how could one man leave behind so little?
‘Dan, can I borrow you for a minute?’ Banbury was good at repopulating empty rooms; he could put flesh back on the faintest ghosts. Everyone at the unit knew that Banbury had been a lonely child, overweight and socially lost, locked in his bedroom with his flickering computer screens. Perfect PCU material in training, as it turned out.
Banbury dusted powder from his plastic gloves with an air of expectation. ‘Mr Bryant?’
‘What can you tell me about Mr Fox from this room? I don’t mean on a microscopic level, just in general. There must be something. I can’t read much at all.’ Bryant looked around at the IKEA shelves, the cheaply built bed, the bare cupboards.
‘You met him, Mr Bryant. You know what he looks like.’
‘That didn’t tell me a lot. He stuck to answering questions, gave us facts without opinions, avoided bringing himself into the conversation. He’s extremely clever at not sticking in the memory, especially a memory like mine.’
‘Well, give me your impression.’
‘I don’t do impressions. Let me think. Slight but muscular. About five ten. Smooth, unmemorable face, like a young actor without makeup. Fair complexion. Grey eyes. Not much hair, although I have a feeling he shaved his hairline. I wish we’d had a chance to photograph him. I got one interrogation in before going to brief the others—entirely my fault; I was anxious to get down the details of the case. We should photograph them on arrest, the way they do in America. John took a picture on his mobile phone, but the room was dark and it didn’t come out very well.’
‘Okay, so we don’t have an ID for him, but there’s a piece of face recognition software that might pick up his main features from Mr May’s shot. Maybe we can find a match. That’s assuming he has a record.’ Banbury took a few steps forward, pinched his nose, leaned, peered, scratched at his stubbly head. ‘I’ve already had a good look around, of course—’
Of course you have, thought Bryant. Natural curiosity got the better of you. We all want to know about the kind of man who can kill without thinking twice.
‘I think he’s probably lived here since his late teens, which makes him just under thirty. A loner from a broken home. Very closed off about the past. Something bad happened there that he doesn’t want to remember—there’s usually some kind of family trouble in the background. We know that his friendships are cultivated for their usefulness, and any emotions he expresses are meticulously faked. The habit of never presenting his true self to anyone is probably so ingrained that he wouldn’t be able to reveal himself now if he tried. A classic user, unemotional and unrepentant. You tell ’em they’ve done wrong and they look at you as if you’re speaking French. This really does place him in the serial killer category. Clever planning, no witnesses, no evidence; it’s a pattern. I bet he hasn’t used his real name for so long that he’s almost forgotten it. Probably OCD. A fantasist, a re-inventor, but it has all come out of necessity.’
‘Where are you getting all this?’
‘Oh, the belongings, mainly.’ Banbury waved a hand across the shelves. ‘A few other points of interest. The picture on the wall there.’ He indicated a photograph of an empty red metal bench against a white tiled wall. ‘You couldn’t get much more sterile than that, could you? He doesn’t do people. Except his grandparents—there’s an unframed photo of an old couple in the bedside table. We’ll see if we can get anything from it. There are only two types of items here: the stuff he owned as a child, and recent acquisitions. In the former group you’ve got the alarm clock with the chicken on it beside the bed, and that little grey metal animal, an armadillo I think. The clock’s from the early 1950s so I’m guessing it was purchased by the grandparents. Anything that ugly would have to have sentimental value. Those armadillo figurines were popular in Texas in the mid 1970s, but the
y were available here. Maybe it reminds him to keep a tough shell. Might have been a gift from his father.’
‘That’s a bit of a leap.’
‘The trick is not to look at anything in isolation. Whether they mean to or not, most people continually reassess their belongings, adding and subtracting all the time to keep everything in balance. So I add the picture, the clock and the armadillo to that book over there.’ He pointed to a single hardcover in an alcove beside the bed. Founders of the Empire was a volume on great British explorers. ‘It’s signed with a message from his father. No names, unfortunately.’
Banbury picked up the book and showed Bryant. He wasn’t about to let the detective touch it without gloves. ‘See, he’s written on the flyleaf. “An independent man makes his own way in the world—Dad.” Hard to imagine a more impersonal note. I guess he wanted his kid to grow up self-reliant and disciplined. No sign of a mother anywhere. Kid stuff here, near the bed—adult stuff over there. The teenage years are missing. Then we jump to a few recent purchases in the cupboard, the paperback copy of Machiavelli, psychology manuals, the fiction choice suggesting that he likes reading about villains more than heroes, American Psycho, The Killer Inside Me, damaged people. He’s interested in learning how to control others. He’s probably disdainful of ordinary folk, despises their weaknesses, thinks of them as lower life forms. The books and magazines are arranged thematically and alphabetically. Four separate volumes on the great disasters of London; maybe he enjoys reading about other people’s tragedies. He’s obsessive-compulsive because at first it was the only way to protect himself and keep his real feelings hidden, and now it’s an unbreakable habit.’
Banbury walked around the bed. ‘Check out the drawers. His clothes are neatly grouped into different outfits for the personalities he wants to project. Grey suit, white shirt, blue tie, jeans and grey T-shirt. Grey, white, blue—the colours of sorrow, austerity, emptiness. The brands are H&M, Gap, M&S. No choices that reveal any sign of individuality. The bed linen’s been washed so there aren’t even any fabric prints to lift. One plate and one mug—he certainly wasn’t planning to have anyone over to stay. He lives here and yet he doesn’t.’
‘What do you mean?’
Banbury scratched his nose and thought for a minute. ‘Some people have no sense of belonging, because they live inside their heads. They carry themselves wherever they go. They’re complete from one moment to the next. Most of us, if we were told we had to board a plane in the next couple of hours, would need to head home first. We like to tell others what we’re doing, where we’re going. We go online, make calls, form connections. He doesn’t. No phone, no mail, no laptop, no keys, wallet, money, bills or passport. He always makes sure he’s got everything he needs on him.’
‘But he had nothing on him when he was arrested.’
‘Then he has a place to stash stuff. Obviously he’d be tagged at any airport.’
‘I don’t think he wants to leave the country,’ said Bryant, ‘or even leave the area. Something is keeping him right here.’
‘Then what are we missing? Don’t touch that, it’s not been dusted yet.’ Banbury pulled out a camel-hair brush and twirled it between his fingers. ‘It’s complicated. He’s living off the grid, old-school fashion, face contact only. He stays in this block because it’s local council-owned but cared for by the residents, which means the cops aren’t as familiar with it as they are with the Evil Poor housing up the road.’ The so-called Evil Poor Estate was home to multigenerational criminal families whose recourse to violence and destruction was as natural to them as going to the office was for others. Such estates formed modern-day rookeries around London.
‘Have a look at this,’ said Banbury. ‘There are stacks of local newspapers in the cupboards, articles starred in felt-tip—he’s fascinated by London, particularly the area in which he lives. Plenty of neatly transcribed notes about the surrounding streets and tube stations. He has abnormally strong ties to his home. This is interesting because it contradicts all the other signifiers. To me, it’s the only part of his behaviour that’s outwardly irrational.’
‘An emotional attachment to the neighbourhood. Why would you stick around if you’d killed someone?’
‘Killers do. But it’s usually the disorganised, mentally subnormal ones who stay on at the location. The organised ones use three separate sites: where the victims are confronted, where they’re killed and where they’re disposed of. Then the killer leaves the area. So we have a contradiction.’
‘Hm. Anything more from the newspapers?’
‘He’s earmarked the obituaries of people who live around here. Maybe he was planning identity theft.’
‘Think he’ll come back to the flat? Is it worth keeping someone on-site?’
‘He’s got no reason to return. There’s nothing worth taking.’
‘Come on, Dan, give me something I can use.’ Bryant impatiently rattled the boiled sweet around his false teeth.
‘Okay. His name. I’ve bagged one of the notes you might find interesting, some research about a dodgy pub that used to exist nearby called “The Fox at Bay.” Your killer’s clearly a local lad, born in one of the surrounding streets. Maybe he took his name from the pub. He won’t have become friendly with anyone else in the building, but maybe someone knew his old man. I think at some point your Mr Fox lost contact with his family, maybe when his folks split up. He cuts his own hair, is capable of changing his appearance quickly. But he’s cleaned his electric clippers so that there’s not so much as a single bristle left behind. He’s bleached everything. He left home fully prepared to travel, because there’s nothing of value here, only the two changes of clothes and one pair of knackered old shoes. No-one else’s fingerprints but his own, and he hasn’t got a criminal record so we can’t match them. No foreign fibres so far, nothing to link him to the murders beyond what we already have. We could try the National DNA Database, but less than eight percent of the population is recorded on it, so if he’s managed to keep himself out of trouble and away from hospitals, it’s of no use. He keeps his dirty work off the premises. Hair dye in the bathroom cabinet, and a pair of steel-rimmed spectacles with plain glass in them. Not exactly a master of disguise, but you do feel he enjoys the power that accompanies deception. No sign of a woman anywhere. He’s the kind of man who visits prostitutes. He can’t risk getting close to anyone. He wouldn’t trust them.’
‘Well, I’m disappointed,’ Bryant complained. ‘I thought you were going to provide me with some genuine revelations instead of a load of old guesswork.’
Banbury blew out his cheeks in dismay. ‘Blimey, Mr Bryant, I thought I was doing quite well.’
‘Let me tell you something about this man. He doesn’t see himself as damaged. The cities are our new frontiers; it’s here that the battles of the future will be fought, and he’s already preparing himself for them. He knows that the first thing you have to do is chuck out conventional notions of sentiment, nostalgia, spirituality, morality. There’s no point in believing that faith, hope and charity can help you in a society that only wants to sell you as much as it can before you die. Mr Fox has divested himself of his family and friends, and he’s taking his first steps into uncharted territory. He considers himself as much of a pioneer as … oh, Beddoes or Edison.’
Banbury stared in bewildered discomfort at Bryant, who was cheerfully sucking his sweet as he considered the prospect.
‘You think he’s some kind of genius? Sounds like you admire him.’
‘No, I’m just interested in the way people protect themselves in order to survive. It’s an instinct, but Mr Fox has turned it into an art. And this solipsism ultimately blinds him. Ever had dinner with an actor?’
‘No.’
‘Don’t. All they ever talk about is themselves. They never ask questions, never bother to find out who you are. They’re not interested in anything but getting to the truth of their characters. And in most cases there isn’t any truth, just an empty, dark, f
aintly whistling void. The serial killer Dennis Nilsen was so incredibly boring that he actually sent his victims to sleep.’
‘Blimey.’
‘I had an aunt once who appeared in drawing room comedies. She was doing a Noel Coward at Richmond Theatre, Hay Fever, I think, when a man in the front row dropped dead. She was very put out, because there was a practical meal in the second act and she was starving. They had to halt the show while the St John’s Ambulance Brigade carried the corpse out, and she complained to the house manager that her food had got cold. Heartless and selfish, you see. Do you want a gummy bear? They’re a bit past their sell-by date but that just improves the flavour.’ He seductively waved a paper packet at Banbury.
‘No thanks. I’m going to close up here, then.’ Banbury stopped in the doorway and looked back. ‘It’s almost inconceivable that someone can operate as a lone agent in a city this size. You wouldn’t think it possible. We’ve got four million CCTVs beaming down on us, rampant personal data encryption and local authority surveillance—and yet he can still make himself invisible.’
‘Urban life has an alienating effect on all of us, Dan. When was the last time someone smiled at you in a shop or you actually talked to someone on the tube? Mr Fox has learned to adapt. He embraces the new darkness. He has the tools to control it. His life unfolds inside his head. I need to know what he’s planning next.’
‘I don’t know how you can find that out. He’s a murderer, Mr Bryant. He’s different from everybody else.’
‘Maybe he always has been. What happened to create the void in him? There’s a danger that when you pack up from here, tape the front door shut and leave, we may never see or hear from him again, do you understand? I can’t let that happen.’
Banbury shrugged. ‘I’ve done my best but I can’t work with what isn’t there.’
Christopher Fowler Page 3
