by Anne Rice
Family meals were an entirely different affair. Then we were old Romans. Everyone sat at the table; my Father was undisputed Master of his house, and would tolerate no criticism of Caesar Augustus, who, as you know, was Julius Caesar's nephew, and did not really rule as Emperor by law.
"When the time is right, he will step down," said my Father. "He knows he can't do it now. He is more weary and wise than ever he was ambitious. Who wants another Civil War?"
The times were actually too prosperous for men of stature to make a revolt.
Augustus kept the peace. He had profound respect for the Roman Senate. He rebuilt old Temples because he thought people needed the piety they had known under the Republic.
He gave free corn from Egypt to the poor. Nobody starved in Rome. He maintained a dizzying amount of old festivals, games and spectacles - enough to sicken one actually. But often as patriotic Romans we had to be there.
Of course there was great cruelty in the arena. There were cruel executions. There was the ever present cruelty of slavery.
But what is not understood by those today is that there coexisted with all this a sense of individual freedom on the part of even the poorest man.
The courts took time over their decisions. They consulted the past laws. They followed logic and code. People could speak their minds fairly openly.
I note this because it is key to this story: that Marius and I both were born in a time when Roman law was, as Marius would say, based on reason, as opposed to divine revelation.
We are totally unlike those blood drinkers brought to Darkness in lands of Magic and Mystery.
Not only did we trust Augustus when we were alive, we also believed in the tangible power of the Roman Senate. We believed in public virtue and character; we held to a way of life which did not involve rituals, prayers, magic, except superficially. Virtue was embedded in character. That was the inheritance of the Roman Republic, which Marius and I shared.
Of course, our house was overcrowded with slaves. There were brilliant Greeks and grunting laborers and a fleet of women to rush about polishing busts and vases, and the city itself was choked with manumitted slaves - freedmen - some of whom were very rich.
They were all our people, our slaves.
My Father and I sat up all night when my old Greek teacher was dying. We held his hands until the body was cold. Nobody was flogged on our estate in Rome unless my Father himself gave the order. Our country slaves loafed under the fruit trees. Our stewards were rich, and showed off their wealth in their clothes.
I remember a time when there were so many old Greek slaves in the garden that I could sit day after day and listen to them argue. They had nothing else to do. I learned much from this.
I grew up more than happy. If you think I exaggerate the extent of my education, consult the letters of Pliny or other actual memoirs and correspondence of the times. Highborn young girls were well educated; modern Roman women went about unhampered for the most part by male interference. We partook of life as did men.
For example, I was scarcely eight years old when I was first taken to the arena with several of my brothers' wives, to have the dubious pleasure of seeing exotic creatures, such as giraffes, tear madly around before being shot to death with arrows, this display then followed by a small group of gladiators who would hack other gladiators to death, and then after that came the flock of criminals to be fed to the hungry lions.
David, I can hear the sound of those lions as if it were now. There's nothing between me and the moment that I sat in the wooden benches, perhaps two rows up - the premium seats - and I watched these beasts devour living beings, as I was supposed to do, with a pleasure meant to demonstrate a strength of heart, a fearlessness in the face of death, rather than simple and utter monstrousness.
The audience screamed and laughed as men and women ran from the beasts. Some victims would give the crowd no such satisfaction. They merely stood there as the hungry lion attacked; those who were being devoured alive almost invariably lay in a stupor as though their souls had already taken flight, though the lion had not reached the throat.
I remember the smell of it. But more than anything, I remember the noise of the crowd.
I passed the test of character, I could look at all of it. I could watch the champion gladiator finally meet his end, lying there bloody in the sand, as the sword went through his chest.
But I can certainly remember my Father declaring under his breath that the whole affair was disgusting. In fact, everybody I knew thought it was all disgusting. My Father believed, as did others, that the common man needed all this blood. We, the highborn, had to preside over it for the common man. It had a religious quality to it, all this spectacular viciousness.
The making of these appalling spectacles was considered something of a social responsibility.
Also Roman life was a life of being outdoors, involved in things, attending ceremonies and spectacles, being seen, taking an interest, coming together with others.
You came together with all the other highborn and lowborn of the city and you joined in one mass to witness a triumphant procession, a great offering at the altar of Augustus, an ancient ceremony, a game, a chariot race.
Now in the Twentieth Century, when I watch the endless intrigue and slaughter in motion pictures and on television throughout our Western world, I wonder if people do not need it, do not need to see murder, slaughter, death in all forms. Television at times seems an unbroken series of gladiatorial fights or massacres. And look at the traffic now in video recordings of actual war.
Records of war have become art and entertainment.
The narrator speaks softly as the camera passes over the heap of bodies, or the skeletal children sobbing with their starving mothers. But it is gripping. One can wallow, shaking one's head, in all this death. Nights of television are devoted to old footage of men dying with guns in their hands.
I think we look because we are afraid. But in Rome, you had to look so that you would be hard, and that applied to women as well as men.
But the overall point is - I was not closeted away as a Greek woman might have been in some old Hellenistic household. I did not suer under the earlier customs of the Roman Republic.
I vividly remember the absolute beauty of that time, and my Father's heartfelt avowal that Augustus was a god, and that Rome had never been more pleasing to her deities.
Now I want to give you one very important recollection. Let me set the scene. First, let's take up the question of Virgil, and the poem he wrote, the Aeneid, greatly amplifying and glorifying the adventures of the hero Aeneas, a Trojan fleeing the horrors of defeat by the Greeks who came out of the famous Trojan horse to massacre Helen's city of Troy.
It's a charming story. I always loved it, Aeneas leaves dying Troy, valiantly journeys all the way to beautiful Italy and there founds our nation.
But the point is that Augustus loved and supported Virgil all of Virgil's life, and Virgil was a respected poet, a poet fine and decent to quote, an approved and patriotic poet. It was perfectly fine to like Virgil.
Virgil died before I was born. But by ten I'd read everything he'd written, and had read Horace as well, and Lucretius, much of Cicero, and all the Greek manuscripts we possessed, and there were plenty.
My Father didn't erect his library for show. It was a place where members of the family spent hours. It was also where he sat to write his letters - which he seemed endlessly to be doing - letters on behalf of the Senate, the Emperor, the courts, his friends, etc.
Back to Virgil. I had also read another Roman poet, who was alive still, and deeply and dangerously out of favor with Augustus, the god. This was the poet Ovid, the author of the Metamorphoses, and dozens of other earthy, hilarious and bawdy works.
Now, when I was too young to remember, Augustus turned on Ovid, whom Augustus had also loved, and Augustus banished Ovid to some horrible place on the Black Sea. Maybe it wasn't so horrible. But it was the sort of place cultured city Romans e
xpect to be horrible - very far away from the capital and full of barbarians.
Ovid lived there a long time, and his books were banned all over Rome. You couldn't find them in the bookshops or the public libraries. Or at the book stands all over the marketplace.
You know this was a hot time for popular reading; books were everywhere - both in scroll form and in codex, that is, with bound pages - and many booksellers had teams of Greek slaves spending all day copying books for public consumption.
To continue, Ovid had fallen out of favor with Augustus, and he had been banned, but men like my Father were not about to burn their copies of the Metamorphoses, or any other of Ovid's work, and the only reason they didn't plead for Ovid's pardon was fear.
The whole scandal had something to do with Augustus's daughter, Julia, who was a notorious slut by anyone's standards. How Ovid became involved in Julia's love affairs I don't know. Perhaps his sensuous early poetry, the Amores, was considered to be a bad influence. There was also a lot of "reform" in the air during the reign of Augustus, a lot of talk of old values.
I don't think anyone knows what really happened between Caesar Augustus and Ovid, but Ovid was banished for the rest of his life from Imperial Rome.
But I had read the Amores and the Metamorphoses in well-worn copies by the time of this incident which I want to recount. And many of my Father's friends were always worried about Ovid.
Now to the specific recollection. I was ten years old, I came in from playing, covered with dust from head to foot, my hair loose, my dress torn, and breezed into my Father's large receiving room - and I plopped down at the foot of his couch to listen to what was being said, as he lounged there with all appropriate Roman dignity, chatting with several other lounging men who had come to visit.
I knew all of the men but one, and this one was fair-haired and blue-eyed, and very tall, and he turned, during the conversation - which was all whispers and nods - and winked at me.
This was Marius, with skin slightly tanned from his travels and a flashing beauty in his eyes. He had three names like everyone else. But again, I will not disclose the name of his family. But I knew it. I knew he was sort of the "bad boy" in an intellectual way, the "poet" and the "loafer." What nobody had told me was that he was beautiful.
Now, on this day, this was Marius when he was alive, about fifteen years before he was to be made a vampire. I can calculate that he was only twenty-five. But I'm not certain.
To continue, the men paid no attention to me, and it became plain to my ever curious little mind that they were giving my Father news of Ovid, that the tall blond one with the remarkable blue eyes, the one called Marius, had just returned from the Baltic Coast, and he had given my Father several presents, which were in fact good copies of Ovid's work, both past and current.
The men assured my Father that it was still far too dangerous to go crying to Caesar Augustus over Ovid, and my Father accepted this. But if I'm not mistaken, he entrusted some money for Ovid to Marius, the blond one.
When the gentlemen were all leaving, I saw Marius in the atrium, got a measure of his full height, which was quite unusual for a Roman, and let out a girlish gasp and then a streak of laughter. He winked at me again.
Marius had his hair short then, dipped military-Roman-style with a few modest curls on his forehead; his hair was long when he was later made a vampire, and he wears it long now, but then it was the typical boring Roman military cut. But it was blond and full of sunlight in the atrium, and he seemed the brightest and most impressive man I'd ever laid eyes upon. He was full of kindness when he looked at me.
"Why are you so tall?" I asked him. My Father thought this was amusing, of course, and he did not care what anyone else thought of his dusty little daughter, hanging onto his arms and speaking to his honored company.
"My precious one," Marius said, "I'm tall because I'm a barbarian!" He laughed and was flirtatious when he laughed, with a deference to me as a little lady, which was rather rare.
Suddenly he made his hands into claws and ran at me like a bear.
I loved him instantly!
"No, truly." I said. "You can't be a barbarian. I know your Father and all your sisters; they live just down the hill. The family is always talking about you at the table, saying only nice things, of course."
"Of that I'm sure," he said, breaking into laughter.
I knew my Father was getting anxious.
What I didn't know was that a ten-year-old girl could be betrothed.
Marius drew himself up and said in his gentle very fine voice, trained for public rhetoric as well as words of love, "I am descended through my mother from the Keltoi, little beauty, little muse. I come from the tall blond people of the North, the people of Gaul. My mother was a princess there, or so I am told. Do you know who they are?"
I said of course I knew and began to recite verbatim from Julius Caesar's account of conquering Gaul, or the land of the Keltoi: "All Gaul is made up of three parts..."
Marius was quite genuinely impressed. So was everybody So I went on and on, "The Keltoi are separated from the Aquitani by the river Garonne, and the tribe of the Belgae by the rivers Marne and Seine -"
My Father, being slightly embarrassed by this time, with his daughter glorying in attention, spoke up to gently assure everyone that I was his precious joy, and I was let to run wild, and please make nothing of it.
And I said, being bold, and a born troublemaker, "Give my love to the great Ovid! Because I too wish he would come home to Rome."
I then rattled off several steamy lines of the Amores:
She laughed and gave her best, whole hearted kisses, They'd shake the three pronged bolt from Jove's hand. Torture to think that fellow got such good ones!
I wish they hadn't been of the same brand!
All laughed, except my Father, and Marius went wild with delight, clapping his hands. That was all the encouragement I needed to rush at him now like a bear, as he had rushed at me, and to continue singing out Ovid's hot words:
What's more these kisses were better than I'd taught her,
She seemed possessed of knowledge that was new.
They pleased too well - bad sign! Her tongue was in them,
And my tongue was kissing too.
My Father grabbed me by the small of my upper arm, and said, "That's it, Lydia, wrap it up." And the men laughed all the harder, commiserating with him, and embracing him, and then laughing again.
But I had to have one final victory over this team of adults.
"Pray, Father," I said, "let me finish with some wise and patriotic words which Ovid said:
" 'I congratulate myself on not having arrived into the world until the present time. This age suits my taste.' "
This seemed to astonish Marius more than to amuse him. But my Father gathered me close and said very dearly:
"Lydia, Ovid wouldn't say that now, and now you, for being such a... a scholar and philosopher in one, should assure your Father's dearest friends that you know full well Ovid was banished from Rome by Augustus for good reason and that he can never return home."
In other words, he was saying "Shut up about Ovid."
But Marius, undeterred, dropped on his knees before me, lean and handsome with mesmeric blue eyes, and he took my hand and kissed it and said, "I will give Ovid your love, little Lydia. But your Father is right. We must all agree with the Emperor's censure. After all, we are Romans." He then did the very strange thing of speaking to me purely as if I were an adult. "Augustus Caesar has given far more to Rome, I think, than anyone ever hoped. And he too is a poet. He wrote a poem called 'Ajax' and burnt it up himself because he said it wasn't good."
I was having the time of my life. I would have run off with Marius then and there!
But all I could do was dance around him as he went out of the vestibule and out the gate.
I waved to him.
He lingered. "Goodbye, little Lydia," he said. He then spoke under his breath to my Father, and I heard m
y Father say:
"You are out of your mind!"
My Father turned his back on Marius, who gave me a sad smile and disappeared.
"What did he mean? What happened?" I asked my Father. "What's the matter?"
"Listen, Lydia," said my Father. "Have you in all your readings come across the word 'betrothed'?"
"Yes, Father, of course."
"Well, that sort of wanderer and dreamer likes nothing better than to betroth himself to a young girl of ten because it means she is not old enough to marry and he has years of freedom, without the censure of the Emperor. They do it all the time."
"No, no, Father," I said. "I shall never forget him."
I think I forgot him the next day.
I didn't see Marius again for five years.
I remember because I was fifteen, and should have been married and didn't want to be married at all. I had wriggled out of it year after year, feigning illness, madness, total uncontrollable fits. But time was running out on me. In fact I'd been eligible for marriage since I was twelve.
At this time, we were all standing together at the foot of the Palatine Hill, watching a most sacrosanct ceremony - the Lupercalia - just one of so many festivals that were integral in Roman life.
Now the Lupercalia was very important to us, though there's no way to relate its significance to a Christian's concept of religion. It was pious to enjoy such a festival, to participate as a citizen and as a virtuous Roman.
And besides it was a great pleasure.
So I was there, not so far from the cave of the Lupercal, watching with other young women, as the two chosen men of that year were smeared with blood from a sacrifice of goats and then draped in the bleeding skins of the sacrificed animals. I couldn't see all of this very well, but I had seen it many times, and when years before two of my brothers had run in this festival, I had pushed to the front to get a good look at it.
