by Anne Rice
I was taken into the ceremonial bath, cleansed by Temple maidens and re-dressed carefully by Temple maidens.
What a pleasure to have it all done right.
For a little while I wondered helplessly if they would frame me in white pleats and black plaits but they used the Roman style.
My hair was properly done by these girls in a correct circlet that would hold, leaving a generous frame of ringlets around the face.
The clothes given me were new and made of fine linen. Flowers had been stitched along the borders. This finery, so precise, so minute, seemed more valuable than gold.
It certainly gave more joy to me than gold.
I felt so tired! I was so grateful.
The girls then made up my face more artfully than I could have done it, and more in the Egyptian style, and I flinched when I saw myself in the mirror. - Flinched. It wasn't the full paint of the Priestess, but my eyes were rimmed with black.
"How dare I complain?" I whispered.
I put down the mirror. One doesn't have to see oneself, fortunately.
I emerged into the great hall of the Temple, a proper Roman woman, with the extravagant face paint of the East. A common sight in Antioch.
I found the Priestess with two others, as formally dressed as she, and a Priest who wore the same oldfashioned Egyptian headdress, only he wore no wig, just a striped hood. His tunic was short, pleated. He turned and glared at me as I came forward.
Fear. Crushing fear. Flee this place! Forget about the offering, or have them make it for you. Go home. Flavius is waiting. Get out!
I was struck dumb. I let the Priest draw me aside.
"Pay attention," he said to me gently. "I will take you now into the holy place. I will let you talk to the Mother. But when you come out, you must come to me! Don't leave without coming to me. You must promise me, you will return each day, and if you have more of these dreams, you will lay them before us. There is one to whom they should be told, that is, unless the goddess drives them from your mind."
"Of course I will tell anyone who can help," I said. "I hate these dreams. But why are you so anxious? Are you afraid of me?"
He shook his head. "I don't fear you, but there is something I must confide to you. I must talk to you either today or tomorrow, I must speak with you. Go now to the Mother, then come to me."
The others led me to the chamber of the Sanctuary; there were white linen curtains before the shrine. I saw my sacrifice lying there, a great garland of sweet-smelling white flowers, and the warm loaf of bread. I knelt. The curtains were pulled back by unseen hands and I found myself alone in the chamber kneeling before the Regina Caeli, the Queen of Heaven.
Another shock.
This was an ancient Egyptian statue of our Isis, carved from dark basalt. Her headdress was long, narrow, pushed behind her ears. On her head she wore a great disk between horns. Her breasts were bare. On her lap sat the adult Pharaoh, her son Horus. She held her left breast to offer him her milk.
I was struck with despair! This image meant nothing to me! I groped for the essence of Isis in this image.
"Did you send me the dreams, Mother!" I whispered.
I laid out the flowers. I broke the bread.
I heard nothing in the silence from the serene and ancient statue.
I prostrated myself on the floor, stretching out my arms. And from the depths of my soul, I struggled to say, I accept, I believe, I am yours, I need you, I need you!
But I wept. All was lost to me. Not merely Rome and my family, but even my Isis. This goddess was the embodiment of the faith of another nation, another people.
Very slowly a calm settled over me.
Is it so, I thought. The Cult of my Mother is in all places, North and South and East and West. It is the spirit of this Cult which gives it power. I need not literally kiss the feet of this effigy. That is not the point.
I raised my head slowly, then sat back on my heels. A real revelation came upon me. I cannot fully record it. I knew it, fully, in an instant.
I knew that all things were symbols of other things! I knew that all rituals were enactments of other happenings! I knew that out of our practical human minds we devised these things with an immensity of soul that would not allow the world to be devoid of meaning.
And this statue represented love. Love above cruelty. Love above injustice. Love above loneliness and condemnation.
That was what mattered, that single thing. I stared up at the face of the goddess and I knew her! I stared at the little Pharaoh, the proffered breast.
"I am yours!" I said coldly.
Her stark primitive Egyptian features were no obstade to my heart; I looked at the right hand which held her breast.
Love. This requires strength from us; this requires endurance; this requires an acceptance of all that is unknown.
"Take the dreams away from me, Heavenly Mother," I said. "Or reveal their purpose. And the path I must follow. Please."
Then in Latin I said an old litany:
You are she who has separated the Heavens and the Earth.
You are she who rises in the Dog Star.
You are she who makes strong the right.
You. are she who makes the children to love their parents.
You are she who decreed mercy for all who ask for it.
I believed these words, but in a wholly profane way. I believed them because I saw her worship as having collected together from the minds of men and women the best ideas of which men and women were capable. That was the function for which a goddess existed; that was the spirit from which she drew her vitality.
The lost phallus of Osiris exists in the Nile. And the Nile inseminates the fields. Oh, it was so lovely.
The trick was not to reject it, as Lucretius might have suggested, but to realize what her image meant. To extract from that image the best in my own soul.
And when I looked down at the beautiful white flowers, I thought, "It is your wisdom, Mother, that these bloom." And I meant by that only that the world itself was filled with so much to be cherished, preserved, honored, that pleasure itself was resplendent - and she, Isis, embodied these concepts that were too deep to be called ideas.
I loved her - this expression of goodness which was Isis.
The longer I looked at her stone face, the more it seemed she saw me. An old trick. The more I knelt there, the more it seemed she spoke to me. I allowed this to happen, fully aware that it meant nothing. The dreams were remote. They seemed a puzzle which would find its idiot resolution.
Then with true fervor, I crawled towards her and kissed her feet.
My worship was over.
I went out refreshed, jubilant.
I wasn't going to have those dreams anymore. There was still daylight. I was happy.
I found many friends in the courtyard of the Temple, and sitting down with them under the olive trees, I drew out of them all the information I needed for practical life, how to get caterers, hairdressers, all that. Where to buy this thing and the other.
In other words, I was armed by my rich friends with full equipment to run a fine house without actually cluttering it up with slaves I didn't want. I could stick with Flavius and the two girls. Excellent. Anything else could be hired or bought.
Finally, very tired, with my head full of names to remember and directions to recall, and very amused with the jokes and stories of these women, delighted by their ease in speaking Greek - which I had always loved - I sat back and thought, I can go home now.
I can begin.
The Temple was still very busy. I looked at the doors. Where was the Priest'? Well, I would come back tomorrow. I didn't want to revive those dreams now, that was certain. Many people were coming and going with flowers and bread and some with birds to be set free for the goddess, birds that would take wing out of the high window of her Sanctuary.
How warm it was here. What a blaze of flowers covered the wall! I had never thought there could be a place as beautiful as Tuscany, but m
aybe this place was beautiful too.
I went out of the courtyard, before the steps, and into the Forum.
I approached a man under the arches who was teaching a group of young boys all of what Diogenes has espoused, that we give up the flesh and all its pleasures, that we live pure lives in denial of the senses.
It was so much as Flavius had described it. But the man meant his words, and was well versed. He spoke of a liberating resignation. He caught my fancy. For this is what I thought had come to me in the Temple, a liberating resignation.
The boys who listened were too young to know this. But I knew it. I liked him. He had gray hair and wore a simple long tunic. He was not ostentatiously in rags.
I at once interrupted. With a humble smile I offered the counsel of Epicurus, that the senses wouldn't have been given us were they not good. Wasn't this so'? "Must we deny ourselves? Look, back at the courtyard of the Temple of Isis, look at the flowers covering the top of the wall! Is this not something to savor? Look at the roaring red of those flowers! Those flowers are in themselves enough to lift a person out of sorrow. WE is to say that eyes are wiser than hands or lips?"
The young men turned to me. I fell into discussions with several of them. How fresh and pretty they were. There were long-haired men from Babylon and even highborn Hebrews here, all with very hairy arms and chests, and many colonial Romans who were dazzled by the points I made, that in the flesh and in the wine, we find the truth of life.
"The flowers, the stars, the wine, the kisses of one's lover, all is part of Nature, surely," I said. I was of course on fire, having just come from the Temple, having just unburdened all fears and having resolved all doubts. I was for the moment invincible. The world was new.
The Teacher, whose name was Marcellus, came from under the arch to greet me.
"Ah, Gracious Lady, you amaze me," he said. "But from whom did you really learn what you believe? Was it from Lucretius? Or was it from experience? You realize that we must not ever encourage people to abandon themselves to the senses!"
"Have I said anything about abandon?" I asked. "To yield is not to abandon. It is to honor. I speak of a prudent life; I speak of listening to the wisdom of our bodies. I speak of the ultimate intelligence of kindness, and enjoyment. And if you will know, Lucretius didn't teach me as much as one might think. He was always too dry for me, you know. I learned to embrace the glory of life from poets like Ovid."
The crowd of boys cheered.
"I learnt from Ovid," came shout after shout.
"Well, that's fine, but remember your manners as well as your lessons," I said firmly.
More cheering. Then the young men began tossing out verses from Ovid's Metamorphoses.
"That's splendid," I declared. "How many here? Fifteen. Why don't you come to my house for a supper Y' I asked. "Five nights from now, all of you. I need the time to prepare. I have many books I want to show you. I promise you, I will show you what a delicious feast can do for the soul!"
My invitation was accepted with amusement and laughter. I disclosed the location of my house.
"I am a widow. My name is Pandora. I invite you with all propriety, and the feast awaits you. Don't expect dancing boys and girls, for you will not find them under my roof. Expect delicious food. Expect poetry. Which of you can sing the verses of Homer'? Truly sing them? Which of you sings them now from memory for pleasure!"
Laughter, conviviality. Victory. It seemed everybody could do this, and welcomed the opportunity. Someone made a soft mention of another Roman woman who would be most jealous when she discovered she had competition in Antioch.
"Nonsense," said another, "her table is overcrowded. Lady, may I kiss your hand?"
"You must tell me who she is," I said. "I'll welcome her. I want to know her, and what I can learn from her."
The Teacher was smiling. I slipped him some money.
It was getting dusk. I sighed. Look. The rising stars of the tinted evening that precedes blackness.
I received the boys' chaste kisses and confirmed our feast.
But something had changed. It was as quick as the opening of one's eyes. Ah, painted eyes, no.
Perhaps it was only the awful pall of twilight.
I felt a shudder. It is I who summoned you. Who spoke those words? Beware, for you would be stolen from me now and I will not have it.
I was dumbstruck. I held the teacher's hand warmly. He talked about moderation in living. "Look at my plain tunic," he said. "These boys have so much money, they can destroy themselves."
The boys protested.
But this was dim to me. I tried to listen. My eyes roved. Whence came that voice! Who spoke those words! Who summoned me and who would attempt the theft?
Then to my silent astonishment I saw a man, his head covered by his toga, watching me. I knew him immediately, by his forehead and his eyes. I recognized his walk now as he moved steadily away.
This was my brother, the youngest, Lucius, the one I despised. It had to be him. And behold the sly manner in which he fled from notice into the shadows.
I knew the whole person. Lucius. He waited at the end of the long portico.
I couldn't move, and it was getting dark. All the merchants who are open only in the day were gone. The taverns were putting out their lanterns or torches. One bookseller remained open, with great displays of books under the lamps above.
Lucius - my much detested youngest brother - not coming to welcome me with tears but gliding in the shadows of the portico. Why'?
I feared I knew.
Meantime, the boys were begging me to go to the nearby wine garden with them, a lovely place. They were fighting over who would pay for my supper there.
Think, Pandora. This sweet little invitation is some keen test of the degree of my daring and freedom. And I should not go to a common tavern with the boys! But within moments I would be alone.
The Forum grew quiet. The fires blazed before the Temples. But there were great spaces of darkness. The man in the toga waited.
"No, I must be off now," I said. Desperately I thought, what I shall I do for a torchbearer? Dare I ask these youths to see me home'? I could see their slaves waiting about, some already lighting their torches or lanterns.
Singing came from the Temple of Isis.
It was I who summoned you. Beware... for me and my purpose!
"This is madness," I muttered, waving goodnight to those who left in pairs or trios. I forced smiles and kind words.
I glared at the distant figure of Lucius, who now slouched at the end of the portico in front of doors closed for the night. His very posture was furtive and cowardly.
Quite suddenly, I felt a hand on my shoulder. I brushed it off immediately, wishing to lay down limits to such familiarity, and then I realized a man was whispering in my ear:
"The Priest at the Temple begs for you to come back, Madam. He needs to talk with you. He did not mean for you to leave without talking."
I turned to see a Priest there beside me, in full Egyptian headdress and impeccable white linen and wearing a medallion of the goddess around his neck.
Oh, thank Heaven.
But before I could recover myself or answer, another man had stepped up boldly, heaving forward his ivory leg and foot. Two torchbearers accompanied him. We were embraced by a warm light.
"Does my Mistress wish to talk to this Priest?" he asked.
It was Flavius. He had followed my commands. He was wonderfully dressed as a Roman gentleman in the long tunic and a loose cloak. As a slave, he couldn't wear a toga. His hair was neat and trimmed and looked as impressive as any free man's. He was shining dean and appeared completely confident.
Marcellus, the Philosopher-Teacher, lingered. "Lady Pandora, you are most gracious, and let me assure you that the tavern these boys frequent may give rise to another Aristotle or Plato but it is not a fit place for you."
"I know that," I said. "Don't worry."
The Teacher looked warily at the Priest and at the handso
me Flavius. I slipped my arm about Flavius's waist. "This is my steward, who will welcome you the night you come to me. Thank you for letting me disrupt your teaching. You're a kind man."
The Teacher's face stiffened. Then he leaned doser. "There's a man under the portico; don't look at him now, but you need more slaves to protect you. This city is divided, dangerous."
"Yes, so you see him too," I said. "And his glorious toga, the mark of his genteel birth!"
"It's getting dark," Flavius said. "I'll hire more torchbearers now and a litter. Right over there."
He thanked the Teacher, who reluctantly slipped away.
The Priest. He was still waiting. Flavius gestured for two more torchbearers and they came trotting to join us. We now had a plenitude of light.
I turned to the Priest. "I will come to the Temple directly, but I must first talk with that man over there! The man in the shadows?" I pointed quite visibly. I stood in a flood of light. I might as well have been on a stage.
I saw the distant figure cringe and try to fade into the wall.
"Why?" Flavius asked with about as much humility as a Roman Senator. "Something is very wrong about that man. He's hovering. The Teacher was right."
"I know," I answered. I heard the dim, echoing laughter of a woman! Yea gods, I had to stay sane long enough to get home! I looked at Flavius. He had not heard the laughter.
There was one sure way to do this. "You torchbearers, all of you, come with me," I said to the four of them. "Flavius, you stand here with the Priest and watch as I greet this man. I know him. Come only if I call."
"Oh, I don't like it," said Flavius.
"Neither do I," said the Priest. "They want you in the Temple, Madam, and we have many guards to escort you home."
"I won't disappoint you," I said, but I walked straight towards the toga-clad figure, crossing yard after yard of paved squares, the torches flaring around me.
The toga-clad man gave a violent start, with his whole body, and then he took a few steps away from the wall.
I stopped, still out in the square.
He had to come closer. I wasn't going to move. The four torches gasped and blew in the breeze. Anybody anywhere near could see us. We were the brightest thing in the Forum.
