"The answer is quite simple. In the first place, they were pulling six gees by using a primitive dumbbell configuration. The only reason for that type of layout, as students of early space vessel design can tell you, is to simplify setting up a gee field effect using centrifugal force. So they obviously had no gravity field generators.
"Then their transmission was crude. All they had was simple old-fashioned short-range radio, and even that was noisy and erratic. And their reception was as bad. We had to use a kilowatt before they could pick it up at 200 miles. We didn't know then it was all organically generated; that they had no equipment."
The Admiral sipped his wine, frowning at the recollection. "I was pretty sure they were bluffing when I changed course and started after them. I had to hold our acceleration down to two and a half gees because I had to be able to move around the ship. And at that acceleration we gained on them. They couldn't beat us. And it wasn't because they couldn't take high gees; they liked six for comfort, you remember. No, they just didn't have the power."
* * * * *
The Admiral looked out the window.
"Add to that the fact that they apparently couldn't generate ordinary electric current. I admit that none of this was conclusive, but after all, if I was wrong we were sunk anyway. When Thomas told me the nature of the damage to our radar and communications systems, that was another hint. Their big display of Mancji power was just a blast of radiation right across the communication spectrum; it burned tubes and blew fuses; nothing else. We were back in operation an hour after our attack.
"The evidence was there to see, but there's something about giant size that gets people rattled. Size alone doesn't mean a thing. It's rather like the bluff the Soviets ran on the rest of the world for a couple of decades back in the war era, just because they sprawled across half the globe. They were a giant, though it was mostly frozen desert. When the showdown came they didn't have it. They were a pushover.
"All right, the next question is why did I choose H. E. instead of going in with everything I had? That's easy, too. What I wanted was information, not revenge. I still had the heavy stuff in reserve and ready to go if I needed it, but first I had to try to take them alive. Vaporizing them wouldn't have helped our position. And I was lucky; it worked.
"The, ah, confusion below evaporated as soon as the Section chiefs got a look at the screens and realized that we had actually knocked out the Mancji. We matched speeds with the wreckage and the patrols went out to look for a piece of ship with a survivor in it. If we'd had no luck we would have tackled the other half of the ship, which was still intact and moving off fast. But we got quite a shock when we found the nature of the wreckage." The Admiral grinned.
"Of course today everybody knows all about the Mancji hive intelligence, and their evolutionary history. But we were pretty startled to find that the only wreckage consisted of the Mancji themselves, each two-ton slug in his own hard chitin shell. Of course, a lot of the cells were ruptured by the explosions, but most of them had simply disassociated from the hive mass as it broke up. So there was no ship; just a cluster of cells like a giant bee hive, and mixed up among the slugs, the damnedest collection of loot you can imagine. The odds and ends they'd stolen and tucked away in the hive during a couple hundred years of camp-following.
"The patrols brought a couple of cells alongside, and Mannion went out to try to establish contact. Sure enough, he got a very faint transmission, on the same bands as before. The cells were talking to each other in their own language. They ignored Mannion even though his transmission must have blanketed everything within several hundred miles. We eventually brought one of them into the cargo lock and started trying different wave-lengths on it. Then Kramer had the idea of planting a couple of electrodes and shooting a little juice to it. Of course, it loved the DC, but as soon as we tried AC, it gave up. So we had a long talk with it and found out everything we needed to know.
* * * * *
"It was a four-week run to the nearest outpost planet of the New Terran Federation, and they took me on to New Terra aboard one of their fast liaison vessels. The rest you know. We, the home planet, were as lost to the New Terrans as they were to us. They greeted us as though we were their own ancestors come back to visit them.
"Most of my crew, for personal reasons, were released from duty there, and settled down to stay.
"The clean-up job here on Earth was a minor operation to their Navy. As I recall, the trip back was made in a little over five months, and the Red Tide was killed within four weeks of the day the task force arrived. I don't think they wasted a motion. One explosive charge per cell, of just sufficient size to disrupt the nucleus. When the critical number of cells had been killed, the rest died overnight.
"It was quite a different Earth that emerged from under the plague, though. You know it had taken over all of the land area except North America and a strip of Western Europe, and all of the sea it wanted. It was particularly concentrated over what had been the jungle areas of South America, Africa, and Asia. You must realize that in the days before the Tide, those areas were almost completely uninhabitable. You have no idea what the term Jungle really implied. When the Tide died, it disintegrated into its component molecules; and the result was that all those vast fertile Jungle lands were now beautifully levelled and completely cleared areas covered with up to twenty feet of the richest topsoil imaginable. That was what made it possible for old Terra to become what she is today; the Federation's truck farm, and the sole source of those genuine original Terran foods that all the rest of the worlds pay such fabulous prices for.
"Strange how quickly we forget. Few people today remember how we loathed and feared the Tide when we were fighting it. Now it's dismissed as a blessing in disguise."
The Admiral paused. "Well," he said, "I think that answers the questions and gives you a bit of homespun philosophy to go with it."
* * * * *
"Admiral," said the reporter, "you've given the public some facts it's waited a long time to hear. Coming from you, sir, this is the greatest story that could have come out of this Reunion Day celebration. But there is one question more, if I may ask it. Can you tell me, Admiral, just how it was that you rejected what seemed to be prima facie proof of the story the Mancji told; that they were the lords of creation out there, and that humanity was nothing but a tame food animal to them?"
The Admiral sighed. "I guess it's a good question," he said. "But there was nothing supernatural about my figuring that one. I didn't suspect the full truth, of course. It never occurred to me that we were the victims of the now well-known but still inexplicable sense of humor of the Mancji, or that they were nothing but scavengers around the edges of the Federation. The original Omega ship had met them and seen right through them.
* * * * *
"Well, when this hive spotted us coming in, they knew enough about New Terra to realize at once that we were strangers, coming from outside the area. It appealed to their sense of humor to have the gall to strut right out in front of us and try to put over a swindle. What a laugh for the oyster kingdom if they could sell Terrans on the idea that they were the master race. It never occurred to them that we might be anything but Terrans; Terrans who didn't know the Mancji. And they were canny enough to use an old form of Interlingua; somewhere they'd met men before.
"Then we needed food. They knew what we ate, and that was where they went too far. They had, among the flotsam in their hive, a few human bodies they had picked up from some wreck they'd come across in their travels. They had them stashed away like everything else they could lay a pseudopod on. So they stacked them the way they'd seen Terran frozen foods shipped in the past, and sent them over. Another of their little jokes.
"I suppose if you're already overwrought and eager to quit, and you've been badly scared by the size of an alien ship, it's pretty understandable that the sight of human bodies, along with the story that they're just a convenient food supply, might seem pretty convincing. But I was al
ready pretty dubious about the genuineness of our pals, and when I saw those bodies it was pretty plain that we were hot on the trail of Omega Colony. There was no other place humans could have come from out there. We had to find out the location from the Mancji."
"But, Admiral," said the reporter, "true enough they were humans, and presumably had some connection with the colony, but they were naked corpses stacked like cordwood. The Mancji had stated that these were slaves, or rather domesticated animals; they wouldn't have done you any good."
"Well, you see, I didn't believe that," the Admiral said. "Because it was an obvious lie. I tried to show some of the officers, but I'm afraid they weren't being too rational just then.
"I went into the locker and examined those bodies; if Kramer had looked closely, he would have seen what I did. These were no tame animals. They were civilized men."
"How could you be sure, Admiral? They had no clothing, no identifying marks, nothing. Why didn't you believe they were cattle?"
"Because," said the Admiral, "all the men had nice neat haircuts."
BRIAN ALDISS
Brian Wilson Aldiss, OBE (born 18 August 1925) is an English writer and anthologies editor, best known for science fiction novels and short stories. He has been a published writer for all but fifty years. His first novel was a social comedy, The Brightfount Diaries. He was already writing SF, and a stream of novels then issued forth to the present day and beyond, punctuated by 'contemporary' theme novels and stories. His first popularity came with Signet Books, when Signet was a private company. Such titles as Starship (or Non-Stop), The Long Afternoon of Earth (or Hothouse), and Galaxies Like Grains of Sand form part of this clutch. All have recently been reprinted.
His history of science fiction,Billion Year Spree, broke new ground, with its advocacy of SF proper as beginning in the early industrial revolution and the Romantic movement, with Mary Shelley's novel Frankenstein, or The Modern Prometheus, in which Victor Frankenstein becomes the first fictional scientist.
In the 1980s, Aldiss published his trilogy, the Helliconia novels, Spring, Summer, and Winter, to great acclaim.
His writings have become more and more diverse, with his autobiography, Twinkling of an Eye; his moving elegy for his wife, When the Feast Is Finished; his utopia, written with Roger Penrose, White Mars; his poetry, his plays, and now, it's hoped, a possible opera based on his forthcoming novel, Jocasta. Aldiss is also known as an actor and lively speaker.
Roger Corman filmed his novel, Frankenstein Unbound. His short story, "Supertoys Last All Summer Long," formed the basis of the Kubrick/Spielberg movie, AI. Aldiss has written more than 340 short stories. For such an independent-minded writer, he enjoys moderate success. He has won most of the important awards in the SF field and was recently made a Doctor of Literature.
Super-Toys Last All Summer Long, by Brian Aldiss
The inspiration behind Kubrick's ongoing AI project, a tale of humanity and of the aching loneliness in an overpopulated future.
Though Brian Aldiss bristles at being pigeonholed as a sci-fi writer, the British author has won every major science fiction award. He has also sparked director Stanley Kubrick's imagination with the short story "Super-Toys Last All Summer Long." First published in Harper's Bazaar in 1969 and later anthologized, this tale of humanity in an age of intelligent machines and of the aching loneliness endemic in an overpopulated future is the inspiration behind Kubrick's ongoingAI project. Aldiss's story offers richly suggestive details that one hopes will make the cinematic cut. But just in case they don't, read the original.
In Mrs. Swinton's garden, it was always summer. The lovely almond trees stood about it in perpetual leaf. Monica Swinton plucked a saffron-colored rose and showed it to David.
"Isn't it lovely?" she said.
David looked up at her and grinned without replying. Seizing the flower, he ran with it across the lawn and disappeared behind the kennel where the mowervator crouched, ready to cut or sweep or roll when the moment dictated. She stood alone on her impeccable plastic gravel path.
She had tried to love him.
When she made up her mind to follow the boy, she found him in the courtyard floating the rose in his paddling pool. He stood in the pool engrossed, still wearing his sandals.
"David, darling, do you have to be so awful? Come in at once and change your shoes and socks."
He went with her without protest into the house, his dark head bobbing at the level of her waist. At the age of three, he showed no fear of the ultrasonic dryer in the kitchen. But before his mother could reach for a pair of slippers, he wriggled away and was gone into the silence of the house.
He would probably be looking for Teddy.
Monica Swinton, twenty-nine, of graceful shape and lambent eye, went and sat in her living room, arranging her limbs with taste. She began by sitting and thinking; soon she was just sitting. Time waited on her shoulder with the maniac slowth it reserves for children, the insane, and wives whose husbands are away improving the world. Almost by reflex, she reached out and changed the wavelength of her windows. The garden faded; in its place, the city center rose by her left hand, full of crowding people, blowboats, and buildings (but she kept the sound down). She remained alone. An overcrowded world is the ideal place in which to be lonely.
The directors of Synthank were eating an enormous luncheon to celebrate the launching of their new product. Some of them wore the plastic face-masks popular at the time. All were elegantly slender, despite the rich food and drink they were putting away. Their wives were elegantly slender, despite the food and drink they too were putting away. An earlier and less sophisti- cated generation would have regarded them as beautiful people, apart from their eyes.
Henry Swinton, Managing Director of Synthank, was about to make a speech.
"I'm sorry your wife couldn't be with us to hear you," his neighbor said.
"Monica prefers to stay at home thinking beautiful thoughts," said Swinton, maintaining a smile.
"One would expect such a beautiful woman to have beautiful thoughts," said the neighbor.
Take your mind off my wife, you bastard, thought Swinton, still smiling.
He rose to make his speech amid applause.
After a couple of jokes, he said, "Today marks a real breakthrough for the company. It is now almost ten years since we put our first synthetic life-forms on the world market. You all know what a success they have been, particularly the miniature dinosaurs. But none of them had intelligence.
"It seems like a paradox that in this day and age we can create life but not intelligence. Our first selling line, the Crosswell Tape, sells best of all, and is the most stupid of all." Everyone laughed.
"Though three-quarters of the overcrowded world are starving, we are lucky here to have more than enough, thanks to population control. Obesity's our problem, not malnutrition. I guess there's nobody round this table who doesn't have a Crosswell working for him in the small intestine, a perfectly safe parasite tape-worm that enables its host to eat up to fifty percent more food and still keep his or her figure. Right?" General nods of agreement.
"Our miniature dinosaurs are almost equally stupid. Today, we launch an intelligent synthetic life-form - a full-size serving-man.
"Not only does he have intelligence, he has a controlled amount of intelligence. We believe people would be afraid of a being with a human brain. Our serving-man has a small computer in his cranium.
"There have been mechanicals on the market with mini-computers for brains - plastic things without life, super-toys - but we have at last found a way to link computer circuitry with synthetic flesh."
David sat by the long window of his nursery, wrestling with paper and pencil. Finally, he stopped writing and began to roll the pencil up and down the slope of the desk-lid.
"Teddy!" he said.
Teddy lay on the bed against the wall, under a book with moving pictures and a giant plastic soldier. The speech-pattern of his master's voice activated him and he sa
t up.
"Teddy, I can't think what to say!"
Climbing off the bed, the bear walked stiffly over to cling to the boy's leg. David lifted him and set him on the desk.
"What have you said so far?"
"I've said -" He picked up his letter and stared hard at it. "I've said, 'Dear Mummy, I hope you're well just now. I love you....'"
There was a long silence, until the bear said, "That sounds fine. Go downstairs and give it to her."
Another long silence.
"It isn't quite right. She won't understand."
Inside the bear, a small computer worked through its program of possibilities. "Why not do it again in crayon?"
When David did not answer, the bear repeated his suggestion. "Why not do it again in crayon?"
David was staring out of the window. "Teddy, you know what I was thinking? How do you tell what are real things from what aren't real things?"
The bear shuffled its alternatives. "Real things are good."
"I wonder if time is good.
I don't think Mummy likes time very much. The other day, lots of days ago, she said that time went by her. Is time real, Teddy?"
"Clocks tell the time. Clocks are real. Mummy has clocks so she must like them. She has a clock on her wrist next to her dial."
David started to draw a jumbo jet on the back of his letter. "You and I are real, Teddy, aren't we?"
The bear's eyes regarded the boy unflinchingly. "You and I are real, David." It specialized in comfort.
Monica walked slowly about the house. It was almost time for the afternoon post to come over the wire. She punched the Post Office number on the dial on her wrist but nothing came through. A few minutes more.
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