The Comfortable Coffin

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The Comfortable Coffin Page 11

by Richard S. Prather


  “But one day the man who is struggling with his past picks up a copy of a magazine and begins a serial that seems terribly familiar. He looks at the author’s name and is horrified to see that it is written by the wife of his own doctor. He tells himself it is only a coincidence. But when the next installment appears, he knows it is true. His shameful story is being offered to the public. He feels sure that as the story progresses it will reveal his identity. He sees his career ruined, his marriage shattered. He, the incorruptible politician, will be branded as the son of a murderess!”

  Squeakie paused for breath.

  “Hold on,” Gregory said, “how did he know that the manuscript wasn’t already completed and in the editor’s hands?”

  Louis Kingdon answered him. “I told him,” he said. “I knew Thompson. Made it a point to be cordial whenever I met him. I ran into him one day when I was leaving Ruth’s house with a manuscript. I chatted about it, among other things.”

  “Well,” Squeakie said, snatching the narrative away from Kingdon, “when Thompson came into the house today, he saw the installment lying on the hall table and took it. He probably hid it inside his coat. He had intended to see Ruth Denver Bradley, I think, to ask her to change the end of the story completely. He saw the nurse leave Mrs. Bradley alone. He ran up the stairs, spoke to her. He remembered his father’s death. He opened the gate quietly and pushed her through it. Then he turned and ran downstairs. When Dr. Bradley came out of his office, it looked as if Harvey Thompson was just coming up the steps. While Dr. Bradley was calling the police, Thompson burned the manuscript in the fireplace. It didn’t occur to him that there would be a synopsis.

  “I hadn’t any proof,” Squeakie added. “I had to get Dr. Bradley to read the story so that he would see what his wife had done. Even so, it would have been hard to prove if Thompson had denied it. That’s why I told him that I had found the synopsis. Then I went upstairs and screamed so that you’d all come up there. I wanted him to have an opportunity to get into the study to look for it, so that we could find him there.”

  I was very weary when I took my wife home. “You complicated this story,” I said. “You really ought to write it.”

  She smiled at me.

  ‘Was there really a mouse upstairs, Squeakie?” I said.

  “Darling, why do you think I threw my shoe?”

  But that wasn’t an answer, was it? I think that mouse was a red herring.

  First Man at the Funeral

  Dion Henderson

  We were up in the Erickson north forty with my old dog, and the Sheriff had just missed the prettiest double on quail you ever saw when the jailer came panting and wheezing through the sedge.

  “Sheriff,” he hollered. “There’s been a death.”

  “Not here there ain’t, dang it,” the Sheriff said, blowing smoke out of the barrels of his double gun. “I shot under the left bird and I was a mile behind the right one.”

  “No, no,” the jailer hollered, even though he was right close to us by then. “I mean there’s a man dead.”

  The Sheriff looked relieved.

  “Well,” he said. “The way I’m shooting today. I’m better off back in town hunting criminals.”

  “Hold on a minute,” the jailer was getting red in the face again, not from running this time. “I’m trying to tell you there ain’t any criminals. It’s just that old man Pembroke got flung from his horse and killed.”

  The Sheriff took off his hat.

  “There goes the last man in Andrew Jackson County,” he said reverently, “to own a good singles dog.”

  “Amen,” the jailer said. “Doc thought you’d want to know right away.”

  Being the game warden and something of a bird dog man myself, I had figured out by this time what they were talking about. There used to be a saying that you take a bird dog that was certain sure on hunting coveys of quail, and you catch his owner on the verge of starvation, you might buy that dog for money. But you take a dog that could mark down and find the scattered singles from a wild flushed covey, and the way you got that dog was to be first man at his owner’s funeral. Even then, the saying went, you might have to take on the support of seven minor children to get the dog away from the widow.

  The Sheriff was safe enough there. Old man Pembroke didn’t have any widow, and no children. No anything, except a nephew who’d come down lately from the city. And that singles dog, of course. There hadn’t been much chance of anybody getting that dog before, because rich as he was, old man Pembroke would’ve been the last man in Jackson County to starve if famine hit.

  “Let’s get back to town,” the Sheriff said.

  We drove on in and stopped at Doc’s furniture store, which he was running when he wasn’t occupied with the undertaking business. Being the only undertaker around, Doc was the county coroner too, naturally.

  “Poor feller,” Doc said, meaning old man Pembroke. “Probably put his horse over that log a hundred times. Probably got flung off twenty times out of the hundred, the way he rode. But this time he landed square on a rock and bashed in his head.”

  “Right sad,” the Sheriff said. “You reckon I ought to go up and investigate, it being a violent death and all?”

  “I reckoned you would,’* Doc said, a mite tartly, “or I wouldn’t have been in such an all-fired hurry to tell you about it.”

  “Well,” the Sheriff said. “It being about supper time now, and out of consideration for the feelings of the bereaved, I’ll wait until tomorrow.”

  “If that nephew ain’t any more bereaved than he sounded when he called me,” Doc said, “there ain’t a whole lot to consider.”

  “How’d he sound?”

  “Rich,” Doc said. “How the heck do you think a man’d sound, his only relative setting about to die and leaving a million dollars, thereabouts, to you?”

  “I’ll get over there in a day or so,” the Sheriff said.

  “Young Pembroke sounded to me,” Doc said, “like a man who didn’t know a singles dog from a single tree, and what’s more didn’t aim to learn.”

  “Tomorrow,” the Sheriff said firmly. “First thing. You want to come along,” he said to me, “in your official capacity as game warden?”

  “Sure,” I said. “Seeing as how you’ve been hunting birds over my dogs for the last eight, ten years, I got quite an interest in seeing you get a dog of your own.”

  We let it go at that. But next morning the Sheriff stopped for me and we went on up to the Pembroke place. The farmstead, where the tenant who cropped the place lived with his family, was right close to the road. Then you took the drive that wound up into the piney woods along the sedge fields and the buckwheat patches that old man Pembroke kept just for a shooting preserve. And presently you came to the old mansion, kind of tumbled down, and the stable for the riding horses, and the kennels. The tenant’s wife came up and gave the house a lick and a promise a couple of times a week, but old man Pembroke took care of the dogs himself.

  Young Pembroke came out to meet us. There was another fellow, the one who came down from the city with him, kind of hanging around in the background. In my calling, you get to make pretty fast judgments, and I wouldn’t have trusted either one of them up a tree, especially up the same tree.

  The Sheriff was talking about how it was all too bad, and young Pembroke said it certainly was, he felt real depressed, especially because he didn’t get to spend much time with his poor old uncle.

  Out in the kennels the dogs heard us and started up a ruckus and I walked back there. The Sheriff and young Pembroke followed along. I noticed all the water dishes were empty, and when I could get a word in between them two soft-soaping one another, I asked whether the dogs had been fed.

  Young Pembroke looked kind of startled and said he didn’t know much about dogs, he’d forgotten all about it. So the Sheriff and I went to work, and I tell you a yardful of dogs can get middling hungry in a couple of days.

  We got to a run where a big white and lemon
pointer was, and the Sheriff whispered to me, “This one’s him, ain’t it?”

  I looked at that dog, the big smooth moving fellow that still showed in his marking that Lady Ferris and Mr. Fishel’s dog were away back there in his pedigree, and I said, “It sure is.”

  Young Pembroke came up and the big white and lemon dog bristled and then he did something that made me think I’d lost my hearing. He showed his teeth at young Pembroke and backed up and opened his mouth like he was going to beller, but it came out like this: “_____”

  Just nothing—a bark that didn’t make any noise at all.

  Young Pembroke backed up a little, and the dog went: “______, ______”

  The Sheriff stood there with a funny expression on his face.

  “Say,” he said. “Ain’t that the dog your uncle used to keep in the house?”

  “Not that I know of,” young Pembroke said. “He’s been out here with the others for the few weeks I’ve been visiting.”

  “That’s funny,” the Sheriff said. He scratched his head. We finished the dogs, then the Sheriff said to young Pembroke:

  “Mind if we look over the scene where your uncle was killed? Just routine, but I got to make out a report.”

  “Not at all,” young Pembroke said. “I’ll show you. But if you don’t mind. I’d rather not go down there. You know how it is.”

  “I reckon,” the Sheriff said. “Say, before we do that, I wonder if I could talk to you about buying this here dog. That’s what I really came for, to be honest with you.”

  Young Pembroke looked at him and then laughed. The other fellow showed up from somewhere and he laughed too.

  “Shucks, Sheriff,” young Pembroke said. “You can have him, to recollect my uncle by, if you want. You can have all the dogs. I don’t know much about dogs.”

  “Yuh,” the Sheriff said. “Well, that’s settled. Now, me and the game warden will just mosey on over to the scene of the dyin’.”

  The log jump was just a little ways past the stables, the path showing it was a favorite ride for the old man. The jump was right at the edge of the woods and on the far side of it there was a low place gouged out from all the horses landing there through the years. It was partly churned up from hooves and partly in grass. There was no mistaking the rode that killed the old man, either. It was off to one side and there still was blood on it The Sheriff turned it over with his toe, but only some grass was under it.

  “I reckon that’s enough,” the Sheriff said. He looked kind of serious, so we didn’t talk much on the way back. He opened the kennel run and the big white and lemon dog came out, tail wagging a little. The Sheriff snapped a leash on him and we walked around to the front of the house. Young Pembroke and the other fellow were standing there beside their car. They came to meet us. When they were about twenty feet off, the white and lemon dog kind of bunched

  himself and opened his mouth and said, “______” and jumped straight for young Pembroke.

  “That dog doesn’t like me,” young Pembroke said.

  “Doesn’t surprise me none,” the Sheriff said. “You expect him to be in love with the fellers that beat his master to death?”

  Young Pembroke said, “You’re kidding, Sheriff.”

  “Wish I was,” the Sheriff said. “Sure wish I was. But when you lied to me about this dog being out in the kennels for a couple weeks, I figured you might have lied about some other things. The rock that killed your uncle, for instance. It wasn’t lying there longer’n yesterday—the grass is still green under it. May even be some fingerprints on it. I’ll bet you,” the Sheriff said, “there won’t even be any grass stains on your uncle’s clothes, down in Doc’s ice box.”

  Young Pembroke had turned as white as his friend was.

  He said, “How in blazes did you know about the dog?”

  “Hoarse,” the Sheriff said. “Put a house dog out in a kennel, he’ll bark himself hoarse In twenty-four hours. Then for a couple days he won’t be able to make a sound, but after that his voice comes back. Only then he don’t bark anymore because he ain’t a house dog no longer, he’s a kennel dog. You must have rassled this here dog outside yesterday morning, because he was trying to stave you off the old man.”

  The two of them started to run, going in opposite directions. The Sheriff took the leash in his left hand and unlimbered his .38. Young Pembroke was going to the left and the Sheriff hit him in the calf of the leg with the first shot. The other fellow went to the right and the Sheriff hit him in the hand with the second shot as he tried to get the keys into the car door. Then the Sheriff flipped open the cylinder of the revolver, blew smoke out of the barrel, and looked at me.

  “If you game wardens would let a man use a .38 on quail,” he said, “I’d be all right, even on them going-away doubles.”

  The Strange Tale of Mr. Elsie Smith

  Dana Lyon

  “This tears it!” cried Marlboro, and crashed his now empty coffee cup against the wall. He gazed in despair at the typewriter which had been his working companion for many years, and bitter regret welled up in him at the death (or at least fatal illness) of the old friend who had helped to make him successful. Elsie, as he called her (the only bit of whimsy he had ever allowed himself) was at last hors de combat. She had had gin spilled on her, and only sparkled the more; she had been doused with whiskey and had come forth with amazing profundities; she had been dropped on her head on one occasion and was silent only until she could regain her equilibrium. But one cup of coffee—one little cup of coffee accidentally spilled on her—and she was through.

  Marlboro was sweating. He lit a cigarette and paced the floor and called himself a damned blithering idiot for waxing sentimental over a typewriter. “That’s what comes,” he said bitterly to himself, “of not having children or dogs or cats or even a tame canary—you get tied up with a damn fool typewriter simply because you’ve spent ten years of your life with her and when she conks out you feel as if you’d lost your last friend.”

  He was sweating in earnest now. Not only a friend was Elsie, but a banker, too. He could remember, with a shudder, those early years of struggle on his previous typewriter, when he was doing little gems for the quarterlies, such as: “Azure fear of a strange plenitude filled his transcendental arterials with dripping agony…and occasionally he actually got a check for ten dollars. Those miserable, horrible, tenement-ridden years of non-success! And then Elsie—Elsie sitting so quietly and proudly in the pawnbroker’s shop, waiting for the right owner. And Marlboro walking past, in despair because his 1910 Underwood had lost its “e” key and his typing came out (using “x” for the lost letter): “So shx swoonxd undxr thx rapturx fxxling as if shx wxrx in tunx with thx univxrsx” —Marlboro, filled with gloom, saw Elsie and with the last of his dwindling resources, bought her (thriftily turning in his “e”-less typewriter as a down payment).

  It was Elsie who brought him money, who had made him famous and rich and free forever of his haunted past. For, still enthralled in those early days with the poetic creations that filled his thoughts, and determined, poverty or not, to express his dreams on the typewriter, Elsie had rebelled. When, his heart and mind filled to running over (though not his stomach) with the beauty of creation, he sat down before Elsie to express himself thus: “Her exquisite heart plowed under by the magnificent sacrificial explosion of hormones in the vast infinity of inexpressible impermanence, she sank to her couch in the outermost reaches of despair”—Elsie came out with: “Her heart beat with passion under the glowing globules of her exquisite breasts, her loins yearned for fulfillment, her lovely body, naked in its desires and fraught with fire, sank half fainting onto the crassly occupied bed—” And so Marlboro was made.

  He could not understand it. At first he had despised Elsie and everything she stood for. He rebelled constantly at having his beautiful thoughts contaminated, his most exquisite dreams polluted by Elsie’s mercenary determination to give forth literally with what he was so carefully trying to put into euphe
misms. But Elsie was adamant. He made fifty thousand on the first book she-collaborated on, twice that on the next one, fabulous sums on each succeeding one.

  And now Elsie was done for.

  He gave her a baleful glance as he passed her in his restless pacing. Done in by a cup of coffee. Lying down on the job. How the hell did she expect him yo keep on dining on round steak at a dollar twenty a pound and gin at dollars a fifth? First thing he knew he’d have to go back to chicken and beer, the way prices were now. And for his after-hours entertainment, he’d have to fall back on Riverside Drive instead of Park Avenue… Hell, he was too old for that kind of poverty any longer; he’d made his way up once and by God, he swore now, he’d do it again!

  The next day he lugged home a brand-new typewriter and sat down triumphantly before it, never giving a glance to the now defunct Elsie, and before he knew it he had a page full of crap, thus: “Moonlight zoomed over the hideousness of the triumvirated isoceles tentacles that dripped from the moonless sky”—when, of course, what he was trying to say was: “As the soft moonless night swept over them they lay clasped in each other’s arms beside the lapping waves of the lake, ripples of passion shattering them from head to toe, from breast to naked thigh—” No use. Marlboro ripped the paper from his typewriter, crumpled it up into a ball and threw it at the late Elsie. He jammed on his Brooks Brothers forty-dollar hat and went steaming out of his penthouse and down to the Third Avenue pawnshop where he had first laid eyes on Elsie. Perhaps, he thought, she might have a sister…

  The pawnshop had nothing to offer excepting a lovely wraith of a lady who reminded him somewhat of pictures he had seen of the late Elinor Wylie, and who was also, apparently, on the lookout for a typewriter. She was saying wistfully to the proprietor, “But Mr. Crooke, surely you must have something as lovely as that other typewriter I got here, the one with the broken key, remember? It wrote me the most beautiful pieces—at least,” (shyly) “I wrote them of course but they always seemed to come out better when I used that typewriter. So different from that horrid Mr. Smith.”

 

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