by Jaime Berry
This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
Copyright © 2021 by Jaime Berry
Cover art copyright © 2021 by Oriol Vidal.
Cover design by Karina Granda.
Cover copyright © 2021 by Hachette Book Group, Inc.
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First Edition: August 2021
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Library of Congress Cataloging-in-Publication Data
Names: Berry, Jaime, author.
Title: Hope Springs / Jaime Berry.
Description: First edition. | New York : Little, Brown and Company, 2021. | Audience: Ages 8–12. | Summary: Eleven-year-old crafter Jubilee Johnson’s assumptions about her vagabond life, her estranged mother, and her idol, television’s perfect crafter Arletta Paisley, start to change after Jubi and her grandmother move to a small Texas town.
Identifiers: LCCN 2020048427 | ISBN 9780316540575 (hardcover) | ISBN 9780316540568 (ebook) | ISBN 9780316540582 (ebook other)
Classification: LCC PZ7.1.B46346 Ho 2021 | DDC [Fic]—dc23
LC record available at https://lccn.loc.gov/2020048427
ISBNs: 978-0-316-54057-5 (hardcover), 978-0-316-54056-8 (ebook)
E3-20210714-JV-NF-ORI
CONTENTS
Cover
Title Page
Copyright
Dedication
1. Relocation Rules
2. Best Not to Make Best Friends
3. Wiggle Room
4. Roadblocks
5. Faking It
6. Blending In
7. Globsnotting Pink Curtains
8. Arlene Peavey
9. Good Luck and Wishes Come True
10. Having It Wrong
11. Donut Hole
12. Never to Suffer
13. Play It Safe
14. The Rally
15. Top-to-Bottom Right
16. Give and Take
17. Go Fish
18. Needing to Know
19. A Place to Sing
20. Happily Ever After
21. The Hemingway Guy
22. A Perfect Match
23. Hook, Line, and Stinker
24. Ready, Set, Rally
25. The Right Thing
26. A Wishing Penny
27. Staying Put Procedure Number 1
Acknowledgments
About the Author
For my wild, wonderful boys
Relocation Rules
I knew this day was coming. The final week of sixth grade and the start of summer break creeping up mean prime relocation time. I’d lived with Nan long enough to know the signs.
She’d been in a mood for weeks, and now my new utensil organization system had pushed her grouchiness into a full-out fluster. Every drawer in the kitchen was open and she’d already said three almost-swears: corn nuts, kitty whiskers, and bumfuzzle. I cringed as she tossed a wooden spatula in the Tupperware drawer.
“Nan, if we put things back in the same place we found them, it’s easier to find them again,” I said.
“Where’s the fun in that?” she asked. If Nan was searching for fun in the silverware drawers, we’d be packing up sooner than I thought. Plus, she never put anything in the same place twice, including us.
I’d made sure the maps were out and organized on the table. They sat in my Arletta Paisley® linen expandable snap-top folder next to Nan’s kissing squirrels salt and pepper shakers—a gift from our current landlord, Mr. Taft. The shakers sat on opposite ends of the table. I scooted them together for luck.
“Aha! Victory.” Nan waved the can opener above her head. Dinner was pretzels and peanut butter with a side of canned peaches. She opened the can and slid the fruit wedges, syrup and all, into two bowls. The foamy soles of her white nurse shoes made a sticky sound on the linoleum as she walked over to the table.
“You read my mind, sugar.” She pointed at the maps with the opener. “This job has fried my nerves. Relocation Rule Number Five-hundred-whatever: Why fight on the battlefield when new fields await?” Some of our rules were tried and true; others, we made up on the spot when the occasion called for it. I wrote them all down in a notebook. We already had nineteen—and counting.
“Let’s fold out one of those maps and consider the possibilities,” Nan said. “Nothing like a new place to shake things up a little.”
According to Nan, she was a born loner but always blessed with a plus-one, first my daddy and now me. Not long after my daddy died, I moved in with Nan, and my momma, well, she just sort of moved on. Nan and I lived in the same apartment in Pleasant View, Tennessee—right outside Nashville—for nearly two whole years. Forever, by Nan’s standards. But then Momma started touring so often, there wasn’t much point in trying to stay close to her if she was never around. We’d been searching for a place to call home ever since.
“Maybe this time, we’ll find the perfect place,” I said as I ran my fingers over the folded edges of the maps. “I’ve got a good feeling.”
For years, Nan and I had searched for a place that felt absolutely head-to-toe “just right” perfect. Nan called it a search for substance, but I’d noticed a bit of a pattern. Today, it was a smart-mouthed doctor at the nursing home, last time was my school counselor calling to check on me too often, and the time before that was a traffic cop figuring out Nan’s secret to avoiding parking meters. There was always something that led us to getting the maps out.
Shortly after that, we got out too.
Only this time, I had a plan—an Arletta Paisley inspired plan. Even though I was prepared for another move, I felt a little like a squirrel on the inside, all jitters.
Arletta Paisley had her own show on the Hearth & Home Network called Queen of Neat. Her sign-off was “Join me next week, because y’all know life can get messy.” I liked the idea that I could take my messy life and make something else of it with my own two hands and a little effort. Arletta Paisley was from Hope Springs, Texas, and every word she said came out coated in a thick Texas drawl, sweet but with a little edge, like salted caramel. Maybe Hope Springs would be our perfect place. If it was good enough for Arletta Paisley, then surely it could be good enough for us too.
Nan wouldn’t use a computer for our town selections. She said this process required an old-fashioned map and intuition. I’d color-coded our collection of maps with tags made of free paint chips from the hardware store, a practical bit of flair learned from season 4, episode 11: “Neat for Next to Nothing.” Next to nothing pretty much summed up our budget.
Since Nan’s favorite color was yellow, I’d put a great big honking yellow tag on Texas. Just like magic, she pulled out that map first. She didn’t even ask me what the tags meant.
“Texas,” Nan said. “Now, a state that big gives
us some options.” Nan was big on options. For her, choices meant freedom. But for me, I felt most free when I was making something. Arletta’s show had turned me into a crafter, someone who could make things by hand. Crafting took skill and creativity, and came with a clear-cut set of directions.
With regular old household items, patience, and imagination, I could create something new. Arletta called it “glamorganizing.” But I thought of it as a way to leave a tiny bit of me behind with the people and places we left, and sometimes, a way to take a little something along as a keepsake. All my crafts, from the large-scale collages hanging on the walls to the decorated toilet paper dispenser, were what Nan called “pack-worthy.” The walls and rooms might change, but what was on and in them didn’t.
Nan handed me the map, passed a bowl of peaches, and said, “All right, Jubilee, let the search for substance begin.”
So, Texas was easy. The tricky part was getting Nan to pick Hope Springs out of all those other towns. I’d dressed for the occasion. Being presentable played a major part in my overall mood. For this very reason, I was not one bit sad to say goodbye to our current apartment with its orangish carpet, watermarked ceiling, and faint smells left by previous owners. I wore a blue gingham skirt I’d sewn myself and an ironed T-shirt, white as a bowl of whole milk.
“Let’s see,” I said, shaking out the map and spreading it flat on the table. Hope Springs was a little black dot just south of the Arkansas state line, not big enough for the star I was sure it deserved.
Our search officially started when I was seven, about two years after I moved in with Nan. Substance, in her opinion, came with a soulful name and lay south of the Mason-Dixon Line. I’ll never forget that first town we decided on together. Calm Waters, Alabama. Back then, I really thought a name mattered. Turned out the only water in Calm Waters was a single muddy pond, and it wasn’t so much calm as it was boring. A name like Dull Mud Hole, while a better fit, was probably a bit too honest.
Picking a new place used to feel like an extra exciting game of Go Fish—we were always looking for a match. So, when Nan suggested a move, I’d pack up without a second thought. I knew that, in my “just right” place, I would breathe deep, feeling a loosening of all the things wound up in me, and know I’d found it. The only thing a deep breath did in our current apartment was make me want to pinch my nostrils together. Despite deep cleaning, the shag carpet still smelled like cigar smoke and bacon grease.
“Hmm.” I shoved a whole slick slice of peach in my mouth. “This one sounds good,” I said, trying to keep the quivery feeling inside out of my voice. “What do you think about Comfort?”
Nan shook her head. “Sounds like an old folks’ home.”
“Smiley?” I asked.
“Too cutesy.” She dipped a pretzel in peanut butter and chomped it. “Something with substance, darlin’, not pink ruffles and a tutu.” Nan and pink have always had a problematic relationship. She said pink boxed people in, and Nan wasn’t one for containment. I personally didn’t mind ruffles or pink, or tutus for that matter, but decided now wasn’t the time for a disagreement.
“How about Salty, Texas?”
“Maybe if I were in the right mood, but I’m not.” She took a drink of her soda, and I took a drink of mine, pretending to study the dickens out of that map.
“Hope Springs?” I asked. I grabbed the edge of my seat, every inch of me pulled up tight as spooled thread. I was ready to come right out and say I wanted to move to Hope Springs, but I knew Nan well enough to know it was better if she thought she had some say in the matter.
Nan closed her eyes, took a slow bite of peach, and got a far-off look. “Hope springs eternal in the human breast,” she said, punctuating each word with her forked peach. Nan was an English major before she settled on nursing and hadn’t managed to shake it. Our Relocation Rules were mostly a mash-up of lines from her favorite poems, novels, and classic country lyrics. “That’s from a poem about how people trust things will work out even when life gets messy.” Nan winked at me, clearly wise to my tricks.
I let out a squeal along with all the breaths I’d been holding in. We’d found our new town. “How long have you been on to me?” I asked. Nan was full of quotes but normally steered clear of anything Arletta Paisley.
“As soon as I saw that big yellow tag on the map of Texas, I figured you were up to something. Besides, I’ve overheard your Arletta Paisley enough to know where she’s from.” She laughed and, after a bit of quiet, said, “Another letter came for you.”
Failing to hide a frown, she laid the envelope down on the map in front of me. Just seeing it turned my mood sour. We only got letters from one person, and the envelopes were always the brightest, deepest, and most entirely pink thing ever created.
Nan rested her hand on mine. Our skin was a little like a paint chip, Nan’s fair and mine just a few shades darker. I got most of my looks from Nan and my dad, but my curly hair was all Momma’s doing. Thinking of her letters made me feel like there was something winding up inside me, and that pink envelope wound it one notch tighter. Later, I’d file Momma’s letter away with the others I’d never read, slide the lid on the box I kept them in, and then I’d feel better.
Momma wrote the L and K of her newish name with such long lines and loops, they nearly touched my name down in the center of the envelope. She changed names almost as often as we changed addresses. Before she became a touring country singer, her real name was Alexandra Kirkson, and then it was Alexandra Johnson when she married my dad. Now, she went by Lexie Kirk. After she visited for Christmas, Mr. Taft admitted he’d never heard of her. He wasn’t the only one.
Momma only had two songs that ever got any airtime: “Wait Just a Little Bit Longer” and “Even Donuts Have Holes.” Her donut song was picked up by a national donut chain and was her “big money hit.” I don’t know about big, but that money was sure gone fast. Currently, she tours as a backup singer for country music star Brent Chisholm. Even Mr. Taft had heard of Brent Chisholm.
Every month, two envelopes arrived: one for Nan and one for me. I knew Nan opened hers because I’d seen the check on the kitchen counter. Mine always stayed sealed.
The checks were written in the squat, neat print of Momma’s manager, Wynn. Wynn, my dad, and my mom were all friends in high school, and he’d been her manager since they were both teenagers. He came with Momma at Christmas, dressed in embroidered Western shirts and pointy-toed leather boots. After my dad died and before I moved in with Nan, he’d tried to step in. Maybe he thought love worked like a Ping-Pong ball and would bounce around between the three of us. In particular, I’m pretty sure he hoped some of Momma’s love would bounce around to him.
“I’ll call her later. We’ll get her our new address as soon as we have it,” Nan said and gave my hand a squeeze.
“That’s okay. I’ll do it.” Nan raised an eyebrow. I didn’t often offer to call Momma. “What? I haven’t talked to her in months,” I said. She nodded and slid her cell phone across the table. I knew exactly the last time I’d talked to Momma. It was five months ago on my eleventh birthday, and I knew from the screen on Nan’s phone that the call lasted only six minutes and thirteen seconds. She lived in Dallas, and though she was rarely there, it was only a day’s drive. A drive she hardly ever made.
I scrolled through Nan’s contacts while she cleaned up. Momma didn’t have any room to criticize a person moving too often, but it hadn’t kept her quiet the last time we packed up. This time, it was completely my idea, and I planned on telling her so.
“Hey, Jubi! Saw Nan’s number, figured it was you, so I picked up.” It was Wynn. “Everything okay?”
“Everything’s fine.” It was just like him to dive right in with questions even though I’d called to talk to Momma. Nan banged some dishes around. I got up and walked down our short hallway toward my room. “Is Momma there?”
“She’s currently in the recording booth!” Wynn said it all excited, like she was walking on the moon or
something. “So, what’s up?” he asked after my unimpressed silence.
“Just checking in. Could you have her call me back?” I asked.
“Sure. Probably be at least half an hour before she wraps this up.”
“Great. Thanks.” I hung up before he could press for more information.
That thirty minutes turned into an hour, and that hour then dragged into two. By the time I got ready for bed, Momma still hadn’t called back. My brain knew better than to think she would change more than her name, but my stupid heart kept hoping. That’s the thing about a second chance—it doesn’t mean much when the person wasted the first one. Plus, I’d learned from Nan that even one shot was sometimes one too many.
Nan knocked and entered my room. She glanced down at the unopened letter and sat on the edge of my bed.
“What’d your momma have to say?” she asked. “We’ll be in the same state, even closer than we are now. She’ll like that.”
“Nothing,” I said. “She had nothing to say.” Nan waited for me to say more, but I didn’t.
“You know, Van Gogh said something like, ‘The more you love, the more you suffer.’” Recently, Nan had worked some famous artists’ quotes into her rotation for my benefit.
“Didn’t he also cut his ear off and mail it to a lady?” I asked.
“So, maybe not the best person to get advice from, huh?” she agreed, and we both laughed. Then she looked up at the old watermark left from a long-ago leak above my bed. “You sure you’re ready to say goodbye to this palace?”
I nodded. “I’m sure.”
She patted my leg before rising to leave. I knew she thought I’d talked to Momma, but Momma could hardly be mad about our moving if she couldn’t be bothered to return a phone call.
“We’ll start packing first thing,” Nan said, blew a kiss, and shut my door.
I snatched Momma’s letter off my bed and thought about tearing it in half. Instead, I slid the box out, shoved the crumpled envelope inside with the others, and with a kick, sent the box sliding back under my bed. Whatever Momma had to tell me that she couldn’t come out and say in person could go on and wait just a little bit longer, like her song suggested.
