His role, as he could see plainly enough, was to be a leading Dissident who also happened to be a noted savant, a Fellow of the Royal Society. Until lately he would not have thought this a difficult role to play, since it was so close to the truth. But whatever illusions Daniel might once have harbored about being a man of God had died with Drake, and been cremated by Tess. He very much phant’sied being a Natural Philosopher, but that simply was not going to work if he had to compete against Isaac, Leibniz, and Hooke. And so the role that Roger Comstock had written for him was beginning to appear very challenging indeed. Perhaps, like Tess, he would come to prefer it that way.
That much had been evident to him on that morning in 1673. But the ramifications had been as far beyond his wits as Calculus would’ve been to Mayflower Ham. He could not have anticipated that his new-launched career as actor on the stage of London would stretch over the next twenty-five years. And even if he had foreseen that, he could never have phant’sied that, after forty, he would be called back for an encore.
Aboard Minerva, Cape Cod Bay, Massachusetts
NOVEMBER 1713
BLACKBEARD IS AFTER HIM! Daniel spent the day terrified even before he knew this—now’s the time to be struck dead with fear. But he is calm instead. Partly it’s that the surgeon’s not sewing him together any more, and anything’s an improvement on that. Partly it’s that he lost some blood, and drank some rum, during the operation. But those are mechanistic explanations. Despite all that Daniel said to Wait Still concerning Free Will, et cetera, on the eve of his departure from Boston, he is not willing to believe, yet, that he is controlled by his balance of humours. No, Daniel is in a better mood (once he’s had an hour or two to rest up, anyway) because things are beginning to make sense now. Albeit scantly. Pain scares him, death doesn’t especially (he never expected to live so long!), but chaos, and the feeling that the world is not behaving according to rational laws, put him into the same state of animal terror as a dog who’s being dissected alive but cannot understand why. To him the rolling eyes of those bound and muzzled dogs have ever been the touchstone of fear.
“Out for a stroll so soon, Doctor?”
Dappa’s evidently recognized him by the tread of his shoes and walking-stick on the quarterdeck—he hasn’t taken the spyglass away from his eye in half an hour.
“What about that schooner is so fascinating, Mr. Dappa? Other than that it’s full of murderers.”
“The Captain and I are having a dispute. I say it is a floaty and leewardly Flemish pirate-bottom. Van Hoek sees idioms in its rigging that argue to the contrary.”
“Bottom meaning her hull—floaty meaning she bobs like a cork, with little below the water-line—which is desirable, I gad, for Flemings and pirates alike, as both must slip into shallow coves and harbors—”
“Perfect marks so far, Doctor.”
“Leewardly, then, I suppose, means that because of that faintness in the keel, the wind tends to push her sideways through the water whenever she is sailing close-hauled—as she is now.”
“And as are we, Doctor.”
“Minerva has the same defect, I suppose—”
This slander finally induces Dappa to take the spyglass away from his eye. “Why should you assume any such thing?”
“All these Amsterdam-ships are flat-bottomed of necessity, are they not? For entering the Ijsselmeer…”
“Minerva was built on the Malabar coast.”
“Mr. Dappa!”
“I would not dishonor you with jests, Doctor. It is true. I was there.”
“But how—”
“ ’Tis an awkward time to be telling you the entire Narration,” Dappa observes. “Suffice it to say that she is not leewardly. Her apparent course is as close as it can be to her true course.”
“And you’d like to know, whether the same is true of yonder schooner,” Daniel says. “It is not unlike the problem an astronomer faces, when—imprisoned as he is on a whirling and hurtling planet—he tries to plot the true trajectory of a comet through the heavens.”
“Now it’s my turn to wonder whether you are jesting.”
“The water is like the Cœlestial Æther, a fluid medium through which all things move. Cape Cod, over yonder, is like the distant, fixed stars—by sighting that church-steeple in Provincetown, the High Land of Cape Cod to the south of it, the protruding mast of yonder wrack, and then by doing a bit of trigonometry, we may plot our position, and by joining one point to the next, draw our trajectory. The schooner, then, is like a comet—also moving through the æther—but by measuring the angles she makes with us and with the church-steeple, et cetera, we may find her true course; compare it with her apparent heading; and easily judge whether she is, or is not, leewardly.”
“How long would it take?”
“If you could make sightings, and leave me in peace to make calculations, I could have an answer in perhaps half an hour.”
“Then let us begin without delay,” Dappa says.
Plotting it out on the back of an old chart in the common room, Daniel begins to understand the urgency. To escape the confines of Cape Cod Bay, they must clear Race Point at the Cape’s northernmost tip. Race Point is northeast of them. The wind, for the last few hours, has been steady from northwest by north. Minerva can sail six points* from the wind, so she can just manage a northeasterly course. So leaving aside pirate-ships and other complications, she’s in a good position to clear Race Point within the hour.
But as a matter of fact there are two pirate-ships paralleling her course, much as the schooner-that-sucked and the ketch were doing earlier. To windward (i.e., roughly northwest of Minerva) is a big sloop—Teach’s flagship—which has complete freedom of movement under these circumstances. She’s fast, maneuverable, well-armed, capable of sailing four points from the wind, and well to the north of the dangerous shallows, hence in no danger of running aground off of Race Point. The schooner, on the other hand, is to leeward, between Minerva and the Cape. She can also sail four points from the wind—meaning that she should be able to angle across Minerva’s course and grapple with her before Race Point. And if she does, there’s no doubt that Teach’s sloop will come in along the larboard side at the same moment, so that Minerva will be boarded from both sides at once. If that is all true, then Minerva’s best course is to turn her stern into the wind, fall upon the schooner, attack, and then come about (preferably before running aground on the Cape) and contend with the sloop.
But if Dappa is right, and the schooner suffers from the defect of leewardliness, then all’s not as it seems. The wind will push her sideways, away from Minerva and toward the Race Point shallows—she won’t be able to intercept Minerva soon enough, and, to avoid running aground, she’ll have to tack back to the west, taking her out of the action. If that is true, Minerva’s best course is to maintain her present close-hauled state and wait for Teach’s sloop to make a move.
It’s all in the arithmetic—the same sort of arithmetic that Flamsteed, the Astronomer Royal, is probably grinding through at this very moment at the Observatory in Greenwich, toiling through the night in hopes of proving that Sir Isaac’s latest calculation of the orbit of the moon is wrong. Except here Minerva’s the Earth, that schooner is Luna, and fixed Boston is, of course, the Hub of the Universe. Daniel passes an extraordinarily pleasant half-hour turning Dappa’s steady observations into sines and cosines, conic sections and fluxions. Pleasant because it is imbued with the orderliness that taketh away his fear. Not to mention a fascination that makes him forget the throbbing and pulling stitches in his flesh.
“Dappa is correct. The schooner drifts to leeward, and will soon fall by the wayside or run aground,” he announces to van Hoek, up on the poop deck. Van Hoek puffs once, twice, thrice on his pipe, then nods and goes into Dutch mutterings. Mates and messenger-boys disseminate his will into all compartments of the ship. Minerva forgets about the schooner and bends all efforts to the expected fight against Teach’s wicked sloop-of-war.
> In another half-hour, the leewardly schooner provides some coarse entertainment by actually running aground at the very knuckle of Cape Cod’s curled fist. This is ignominious, but hardly unheard-of; these English pirates have only been in Massachusetts for a couple of weeks and can’t expect to have all the sand-banks committed to memory. This skipper would rather run aground in soft sand, and refloat later, than flinch from battle and face Black-beard Teach’s wrath.
Van Hoek immediately has them come about to west by south, as if they were going to sail back to Boston. His intent is to cut behind Teach’s stern and fire a broadside up the sloop’s arse and along her length. But Teach has too much intelligence for that, and so breaks the other way, turning to the east to get clear of Minerva’s broadside, then wearing round to the south, pausing near the grounded schooner to pick up a few dozen men who might come in useful as boarders. After a short time he comes up astern of Minerva.
A tacking duel plays out there off of Race Point for an hour or so, Teach trying to find a way to get within musket-range of Minerva without being blown apart, van Hoek trying to fire just a single well-considered broadside. There are some paltry exchanges of fire. Teach puts a small hole in Minerva’s hull that is soon patched, and a cloud of hurtling junk from one of Minerva’s carronnades manages to carry away one of the sloop’s sails, which is soon replaced. But with time, even van Hoek’s hatred of pirates is worn down by the tedium, and by the need to get away from land while the sun is shining. Dappa reminds him that the Atlantic Ocean is just a mile or two thataway, and that nothing stands any more between them and it. He persuades van Hoek that there’s no better way to humiliate a pirate than to leave him empty-handed, his decks crowded with boarders who have nothing to throw their grappling-hooks at. To out-sail a pirate, he insists, is a sweeter revenge than to out-fight him.
So van Hoek orders Minerva to come about and point herself toward England. The men who’ve been manning the guns are told to make like Cincinnatus, walking away from their implements of war at the very moment of their victory so that they may apply themselves to peaceful toils: in this case, spreading every last sail that the ship can carry. Tired, smoke-smeared men lumber up into the light and, after a short pause to swallow ladles of water, go to work swinging wide the studdingsail booms. This nearly doubles the width of the ship’s mightiest yards. The studdingsails tumble from them and snap taut in the wind. Like an albatross that has endured a long pursuit through a cluttered wilderness, tediously dodging and veering from hazard to hazard, and that finally rises above the clutter, and sees the vast ocean stretching before it, Minerva spreads her wings wide, and flies. The hull has shrunk to a mote, dragged along below a giant creaking nebula of firm canvas.
Teach can be seen running up and down the length of his sloop with smoke literally coming out of his head, waving his cutlass and exhorting his crew, but everyone knows that Queen Anne’s Revenge is a bit crowded, not to mention under-victualled, for a North Atlantic cruise in November.
Minerva accelerates into blue water with power that Daniel can feel in his legs, crashing through the odd rogue swell just as she rammed a pirate-boat earlier today, and, as the sun sets on America, she begins the passage to the Old World sailing large before a quartering wind.
BOOK TWO
King of the Vagabonds
There is, doubtless, as much skill in pourtraying a Dunghill, as in describing the finest Palace, since the Excellence of Things lyes in the Performance; and Art as well as Nature must have some extraordinary Shape or Quality if it come up to the pitch of Human Fancy, especially to please in this Fickle, Uncertain Age.
—Memoirs of the Right Villanous John Hall, 1708
The Mud Below London
1665
MOTHER SHAFTOE KEPT TRACK of her boys’ ages on her fingers, of which there were six. When she ran short of fingers—that is, when Dick, the eldest and wisest, was nearing his seventh summer—she gathered the half-brothers together in her shack on the Isle of Dogs, and told them to be gone, and not to come back without bread or money.
This was a typically East London approach to child-rearing and so Dick, Bob, and Jack found themselves roaming the banks of the Thames in the company of many other boys who were also questing for bread or money with which to buy back their mothers’ love.
London was a few miles away, but, to them, as remote and legendary as the Court of the Great Mogul in Shahjahanabad. The Shaftoe boys’ field of operations was an infinite maze of brickworks, pig yards, and shacks crammed sometimes with Englishmen and sometimes with Irishmen living ten and twelve to a room among swine, chickens, and geese.
The Irish worked as porters and dockers and coal-haulers during the winter, and trudged off to the countryside in hay-making months. They went to their Papist churches every chance they got and frittered away their silver paying for the services of scribes, who would transform their sentiments into the magical code that could be sent across counties and seas to be read, by a priest or another scrivener, to dear old Ma in Limerick.
In Mother Shaftoe’s part of town, that kind of willingness to do a day’s hard work for bread and money was taken as proof that the Irish race lacked dignity and shrewdness. And this did not even take into account their religious practices and all that flowed from them, e.g., the obstinate chastity of their women, and the willingness of the males to tolerate it. The way of the mudlarks (as the men who trafficked through Mother Shaftoe’s bed styled themselves) was to voyage out upon the Thames after it got dark, find their way aboard anchored ships somehow, and remove items that could be exchanged for bread, money, or carnal services on dry land.
Techniques varied. The most obvious was to have someone climb up a ship’s anchor cable and then throw a rope down to his mates. This was a job for surplus boys if ever there was one. Dick, the oldest of the Shaftoes, had learnt the rudiments of the trade by shinnying up the drain-pipes of whorehouses to steal things from the pockets of vacant clothing. He and his little brothers struck up a partnership with a band of these free-lance longshoremen, who owned the means of moving swag from ship to shore: they’d accomplished the stupendous feat of stealing a longboat.
After approaching several anchored ships with this general plan in mind, they learned that the sailors aboard them—who were actually supposed to be on watch for mudlarks—expected to be paid for the service of failing to notice that young Dick Shaftoe was clambering up the anchor cable with one end of a line tied round his ankle. When the captain found goods missing, he’d be sure to flog these sailors, and they felt they should be compensated, in advance, for the loss of skin and blood. Dick needed to have a purse dangling from one wrist, so that when a sailor shone a lantern down into his face, and aimed a blunderbuss at him, he could shake it and make the coins clink together. That was a music to which sailors of all nations would smartly dance.
Of course the mudlarks lacked coins to begin with. They wanted capital. John Cole—the biggest and boldest of the fellows who’d stolen the longboat—hit upon another shrewd plan: they would steal the only parts of ships that could be reached without actually getting aboard first: namely, anchors. They’d then sell them to the captains of ships who had found their anchors missing. This scheme had the added attraction that it might lead to ships’ drifting down the current and running aground on oh, say, the Isle of Dogs, at which point their contents would be legally up for grabs.
One foggy night (but all nights were foggy) the mudlarks set off in the longboat, rowing upstream. The mudlark term for a boat’s oars was a pair of wings. Flapping them, they flew among anchored ships—all of them pointed upriver, since the anchor cables were at their bows, and they weathercocked in the river’s current. Nearing the stern of a tubby Dutch galjoot—a single-masted trader of perhaps twice their longboat’s length, and ten times its capacity—they tossed Dick overboard with the customary rope noosed around his ankle, and a knife in his teeth. His instructions were to swim upstream, alongside the galjoot’s hull, towards the
bow, until he found her port side anchor cable descending into the river. He was to lash his ankle-rope to said cable, and then saw through the cable above the lashing. This would have the effect of cutting the galjoot free from, while making the longboat fast to, the anchor, effecting a sudden and silent transfer of ownership. This accomplished, he was to jerk on the rope three times. The mudlarks would then pull on the rope. This would draw them upstream until they were directly over the anchor, and if they hauled hard enough, the prize would come up off the riverbed.
Dick slopped away into the mist. They watched the rope uncoil, in fits and starts, for a couple of minutes—this meant Dick was swimming. Then it stopped uncoiling for a long while—Dick had found the anchor cable and gone to work! The mudlarks dabbled with rag-swathed oars, flapping those wings against the river’s flow. Jack sat holding the rope, waiting for the three sharp jerks that would be Dick’s signal. But no jerks came. Instead the rope went slack. Jack, assisted by brother Bob, pulled the slack into the boat. Ten yards of it passed through their hands before it became taut again, and then they felt, not three sharp jerks, exactly, but a sort of vibration at the other end.
It was plain that something had gone wrong, but Jack Cole was not about to abandon a good rope, and so they hauled in what they could, drawing themselves upstream. Somewhere along the flank of the galjoot, they found a noose in the rope, with a cold pale ankle lodged in it, and out came poor Dick. The anchor cable was knotted to that same noose. While Jack and Bob tried to slap Dick back into life, the mudlarks tried to pull in the anchor. Both failed, for the anchor was as heavy as Dick was dead. Presently, choleric Dutchmen up on the galjoot began to fire blunderbusses into the fog. It was time to leave.
The Baroque Cycle: Quicksilver, the Confusion, and the System of the World Page 43
