Well, it ain't like it once was, and that saddens me. But they's still a few that ride the rails, still a few take it into their heads to jump off down there when the St. Louis freight slows coming through the Chigger Mountain tunnel.
Oh my yes, they'll always be a few for me and Billy Bob and the sweet fever inside us both.
PUTTING THE PIECES BACK
You wouldn't think a man could change completely in four months—but when Kaprelian saw Fred DeBeque come walking into the Drop Back Inn, he had living proof that it could happen. He was so startled, in fact, that he just stood there behind the plank and stared with his mouth hanging open.
It had been a rainy off-Monday exactly like this one the last time he'd seen DeBeque, and that night the guy had been about as low as you could get and carrying a load big enough for two. Now he was dressed in a nice tailored suit, looking sober and normal as though he'd never been through any heavy personal tragedy. Kaprelian felt this funny sense of flashback come over him, like the entire last seven months hadn't even existed.
He didn't much care for feelings like that, and he shook it off. Then he smiled kind of sadly as DeBeque walked over and took his old stool, the one he'd sat on every night for the three months after he had come home from work late one afternoon and found his wife bludgeoned to death.
Actually, Kaprelian was glad to see the change in him. He hadn't known DeBeque or DeBeque's wife very well before the murder; they were just people who lived in the neighborhood and dropped in once in a while for a drink. He'd liked them both though, and he'd gotten to know Fred pretty well afterward, while he was doing all that boozing. That was why the change surprised him as much as it did. He'd been sure DeBeque would turn into a Skid Row bum or a corpse, the way he put down the sauce; a man couldn't drink like that more than maybe a year without ending up one or the other.
The thing was, DeBeque and his wife really loved each other. He'd been crazy for her, worshipped the ground she walked on. Kaprelian had never loved anybody that way, so he couldn't really understand it. Anyhow, when she'd been murdered, DeBeque had gone all to pieces. Without her, he'd told Kaprelian a few times, he didn't want to go on living himself; but he didn't have the courage to kill himself either. Except with the bottle.
There was another reason why he couldn't kill himself, DeBeque said, and that was because he wanted to see the murderer punished and the police hadn't yet caught him. They'd sniffed around DeBeque himself at first, but he had an alibi and, anyway, all his and her friends told them how much the two of them were in love. So then, even though nobody had seen any suspicious types in the neighborhood the day it happened, the cops had worked around with the theory that it was either a junkie who'd forced his way into the DeBeque apartment or a sneak thief that she'd surprised. The place had been ransacked and there was some jewelry and mad money missing. Her skull had been crushed with a lamp, and the cops figured she had tried to put up a fight.
So DeBeque kept coming to the Drop Back Inn every night and getting drunk and waiting for the cops to find his wife's killer. After three months went by, they still hadn't found the guy. The way it looked to Kaprelian then—and so far that was the way it had turned out—they never would. The last night he'd seen DeBeque, Fred had admitted that same thing for the first time and then he had walked out into the rain and vanished. Until just now.
Kaprelian said, "Fred, it's good to see you. I been wondering what happened to you, you disappeared so sudden four months ago."
"I guess you never expected I'd show up again, did you, Harry?"
"You want the truth, I sure didn't. But you really look great. Where you been all this time?"
"Putting the pieces back together again," DeBeque said. "Finding new meaning in life."
Kaprelian nodded. "You know, I thought you were headed for Skid Row or an early grave, you don't mind my saying so."
"No, I don't mind. You're absolutely right, Harry."
"Well—can I get you a drink?"
"Ginger ale," DeBeque said. "I'm off alcohol now."
Kaprelian was even more surprised. There are some guys, some drinkers, you don't ever figure can quit, and that was how DeBeque had struck him at the tag end of those three bad months. He said, "Me being a bar owner, I shouldn't say this, but I'm glad to hear that too. If there's one thing I learned after twenty years in this business, you can't drown your troubles or your sorrows in the juice. I seen hundreds try and not one succeed."
"You tried to tell me that a dozen times, as I recall," DeBeque said. "Fortunately, I realized you were right in time to do something about it."
Kaprelian scooped ice into a glass and filled it with ginger ale from the automatic hand dispenser. When he set the glass on the bar, one of the two workers down at the other end—the only other customers in the place—called to him for another beer. He drew it and took it down and then came back to lean on the bar in front of DeBeque.
"So where'd you go after you left four months ago?" he asked. "I mean, did you stay here in the city or what? I know you moved out of the neighborhood."
"No, I didn't stay here." DeBeque sipped his ginger ale. "It's funny the way insights come to a man, Harry—and funny how long it takes sometimes. I spent three months not caring about anything, drinking myself to death, drowning in self-pity; then one morning I just woke up knowing I couldn't go on that way any longer. I wasn't sure why, but I knew I had to straighten myself out. I went upstate and dried out in a rented cabin in the mountains. The rest of the insight came there: I knew why I'd stopped drinking, what it was I had to do."
"What was that, Fred?"
"Find the man who murdered Karen."
Kaprelian had been listening with rapt attention. What DeBeque had turned into wasn't a bum or a corpse but the kind of comeback hero you see in television crime dramas and don't believe for a minute. When you heard it like this, though, in real life and straight from the gut, you knew it had to be the truth—and it made you feel good.
Still, it wasn't the most sensible decision DeBeque could have reached, not in real life, and Kaprelian said, "I don't know, Fred, if the cops couldn't find the guy—"
DeBeque nodded. "I went through all the objections myself," he said, "but I knew I still had to try. So I came back here to the city and I started looking. I spent a lot of time in the Tenderloin bars, and I got to know a few street people, got in with them, was more or less accepted by them. After a while I started asking questions and getting answers."
"You mean," Kaprelian said, astonished, "you actually got a line on the guy who did it—"
Smiling, DeBeque said, "No. All the answers I got were negative. No, Harry, I learned absolutely nothing—except that the police were wrong about the man who killed Karen. He wasn't a junkie or a sneak thief or a street criminal of any kind."
"Then who was he?"
"Someone who knew her, someone she trusted. Someone she would let in the apartment."
"Makes sense, I guess," Kaprelian said. "You have any idea who this someone could be?"
"Not at first. But after I did some discreet investigating, after I visited the neighborhood again a few times, it all came together like the answer to a mathematical equation. There was only one person it could be."
"Who?" Kaprelian asked.
"The mailman."
"The mailman?"
"Of course. Think about it, Harry. Who else would have easy access to our apartment? Who else could even be seen entering the apartment by neighbors without them thinking anything of it, or even remembering it later? The mailman."
"Well, what did you do?"
"I found out his name and I went to see him one night last week. I confronted him with knowledge of his guilt. He denied it, naturally; he kept right on denying it to the end."
"The end?"
"When I killed him," DeBeque said.
Kaprelian's neck went cold. "Killed him? Fred, you can't be serious! You didn't actually kill him—"
"Don't sound so shocked," DeBeq
ue said. "What else could I do? I had no evidence, I couldn't take him to the police. But neither could I allow him to get away with what he'd done to Karen. You understand that, don't you? I had no choice. I took out the gun I'd picked up in a pawnshop, and I shot him with it—right through the heart."
"Jeez," Kaprelian said. "Jeez."
DeBeque stopped smiling then and frowned down into his ginger ale; he was silent, kind of moody all of a sudden. Kaprelian became aware of how quiet it was and flipped on the TV. While he was doing that the two workers got up from their stools at the other end of the bar, waved at him, and went on out.
DeBeque said suddenly, "Only then I realized he couldn't have been the one."
Kaprelian turned from the TV. "What?"
"It couldn't have been the mailman," DeBeque said. "He was left-handed, and the police established that the killer was probably right-handed. Something about the angle of the blow that killed Karen. So I started thinking who else it could have been, and then I knew: the grocery delivery boy. Except we used two groceries, two delivery boys, and it turned out both of them were right-handed. I talked to the first and I was sure he was the one. I shot him. Then I knew I'd been wrong, it was the other one. I shot him too."
"Hey," Kaprelian said. "Hey, Fred, what're you saying?"
"But it wasn't the delivery boys either." DeBeque's eyes were very bright. "Who, then? Somebody else from the neighborhood, and it came to me, I knew who it had to be."
Kaprelian still didn't quite grasp what he was hearing. It was all coming too fast. "Who?" he said.
"You," DeBeque said, and it wasn't until he pulled the gun that Kaprelian finally understood what was happening, what DeBeque had really turned into after those three grieving, alcoholic months. Only by then it was too late.
The last thing he heard was voices on the television—a crime drama, one of those where the guy's wife is murdered and he goes out and finds the real killer and ends up a hero in time for the last commercial . . .
SMUGGLER'S ISLAND
The first I heard that somebody had bought Smuggler's Island was late on a cold, foggy morning in May. Handy Manners and Davey and I had just brought the Jennie Too into the Camaroon Bay wharf, loaded with the day's limit in salmon—silvers mostly, with a few big kings—and Handy had gone inside the processing shed at Bay Fisheries to call for the tally clerk and the portable scales. I was helping Davey hoist up the hatch covers, and I was thinking that he handled himself fine on the boat and what a shame it'd be if he decided eventually that he didn't want to go into commercial fishing as his livelihood. A man likes to see his only son take up his chosen profession. But Davey was always talking about traveling around Europe, seeing some of the world, maybe finding a career he liked better than fishing. Well, he was only nineteen. Decisions don't come quick or easy at that age.
Anyhow, we were working on the hatch covers when I heard somebody call my name. I glanced up, and Pa and Abner Frawley were coming toward us from down-wharf, where the café was. I was a little surprised to see Pa out on a day like this; he usually stayed home with Jennie when it was overcast and windy because the fog and cold air aggravated his lumbago.
The two of them came up and stopped, Pa puffing on one of his home-carved meerschaum pipes. They were both seventy-two and long-retired—Abner from a manager's job at the cannery a mile up the coast, Pa from running the general store in the village—and they'd been cronies for at least half their lives. But that was where all resemblance between them ended. Abner was short and round and white-haired, and always had a smile and a joke for everybody. Pa, on the other hand, was tall and thin and dour; if he'd smiled any more than four times in the forty-seven years since I was born I can't remember it. Abner had come up from San Francisco during the Depression, but Pa was a second-generation native of Camaroon Bay, his father having emigrated from Ireland during the short-lived potato boom in the early 1900s. He was a good man and a decent father, which was why I'd given him a room in our house when Ma died six years ago, but I'd never felt close to him.
He said to me, "Looks like a good catch, Verne."
"Pretty good," I said. "How come you're out in this weather?"
"Abner's idea. He dragged me out of the house."
I looked at Abner. His eyes were bright, the way they always got when he had a choice bit of news or gossip to tell. He said, "Fella from Los Angeles went and bought Smuggler's Island. Can you beat that?"
"Bought it?" I said. "You mean outright?"
"Yep. Paid the county a hundred thousand cash."
"How'd you hear about it?"
"Jack Kewin, over at the real estate office."
"Who's the fellow who bought it?"
"Name's Roger Vauclain," Abner said. "Jack don't know any more about him. Did the buying through an agent."
Davey said, "Wonder what he wants with it?"
"Maybe he's got ideas of hunting treasure," Abner said and winked at him. "Maybe he heard about what's hidden in those caves."
Pa gave him a look. "Old fool," he said.
Davey grinned, and I smiled a little and turned to look to where Smuggler's Island sat wreathed in fog half a mile straight out across the choppy harbor. It wasn't much to look at, from a distance or up close. Just one big oblong chunk of eroded rock about an acre and a half in size, surrounded by a lot of little islets. It had a few stunted trees and shrubs, and a long headland where gulls built their nests, and a sheltered cove on the lee shore where you could put in a small boat. That was about all there was to it—except for those caves Abner had spoken of.
They were located near the lee cove and you could only get into them at low tide. Some said caves honeycombed the whole underbelly of the island, but those of us who'd ignored warnings from our parents as kids and gone exploring in them knew that this wasn't so. There were three caves and two of them had branches that led deep into the rock, but all of the tunnels were dead ends.
This business of treasure being hidden in one of those caves was just so much nonsense, of course—sort of a local legend that nobody took seriously. What the treasure was supposed to be was two million dollars in greenbacks that had been hidden by a rackets courier during Prohibition, when he'd been chased to the island by a team of Revenue agents. There was also supposed to be fifty cases of high-grade moonshine secreted there.
The bootlegging part of it had a good deal of truth though. This section of the northern California coast was a hotbed of illegal liquor traffic in the days of the Volstead Act, and the scene of several confrontations between smugglers and Revenue agents; half a dozen men on both sides had been killed, or had turned up missing and presumed dead. The way the bootleggers worked was to bring ships down from Canada outfitted as distilleries—big stills in their holds, bottling equipment, labels for a dozen different kinds of Canadian whiskey—and anchor them twenty-five miles offshore. Then local fishermen and imported hirelings would go out in their boats and carry the liquor to places along the shore, where trucks would be waiting to pick it up and transport it down to San Francisco or east into Nevada. Smuggler's Island was supposed to have been a short-term storage point for whiskey that couldn't be trucked out right away, which may or may not have been a true fact. At any rate, that was how the island got its name.
Just as I turned back to Pa and Abner, Handy came out of the processing shed with the tally clerk and the scales. He was a big, thick-necked man, Handy, with red hair and a temper to match; he was also one of the best mates around and knew as much about salmon trolling and diesel engines as anybody in Camaroon Bay. He'd been working for me eight years, but he wouldn't be much longer. He was saving up to buy a boat of his own and only needed another thousand or so to swing the down payment.
Abner told him right away about this Roger Vauclain buying Smuggler's Island. Handy grunted and said, "Anybody that'd want those rocks out there has to have rocks in his head."
"Who do you imagine he is?" Davey asked.
"One of those damn-fool rich people pr
obably," Pa said. "Buy something for no good reason except that it's there and they want it."
"But why Smuggler's Island in particular?"
"Got a fancy name, that's why. Now he can say to his friends, why look here, I own a place up north called Smuggler's Island, supposed to have treasure hidden on it."
I said, "Well, whoever he is and whyever he bought it, we'll find out eventually. Right now we've got a catch to unload."
"Sure is a puzzler though, ain't it, Verne?" Abner said.
"It is that," I admitted. "It's a puzzler, all right."
If you live in a small town or village, you know how it is when something happens that has no immediate explanation. Rumors start flying, based on few or no facts, and every time one of them is retold to somebody else it gets exaggerated. Nothing much goes on in a place like Camaroon Bay anyhow—conversation is pretty much limited to the weather and the actions of tourists and how the salmon are running or how the crabs seem to be thinning out a little more every year. So this Roger Vauclain buying Smuggler's Island got a lot more lip service paid to it than it would have someplace else.
Jack Kewin didn't find out much about Vauclain, just that he was some kind of wealthy resident of southern California. But that was enough for the speculations and the rumors to build on. During the next week I heard from different people that Vauclain was a real estate speculator who was going to construct a small private club on the island; that he was a retired bootlegger who'd worked the coast during Prohibition and had bought the island for nostalgic reasons; that he was a front man for a movie company that was going to film a big spectacular in Camaroon Bay and blow up the island in the final scene. None of these rumors made much sense, but that didn't stop people from spreading them and half-believing in them.
Graveyard Plots Page 8
