Dedication
For Agatha Christie
Acknowledgments
I am enormously grateful to the following people: the inimitable Peter Straus, who is to literary agenting what Poirot is to mystery-solving; Mathew and James Prichard, who have been so inspiring, kind, helpful and supportive throughout this whole process; the brilliant Hilary Strong, who is a joy both to work with and to have fun with; the wonderful teams at HarperCollins UK and US, especially Kate Elton and Natasha Hughes (for enthusiastic and incisive editorial input), David Brawn (for the same, and also for many conversations about dogs, and for fielding the odd cryptic, semi-hysterical phone call! As David handles literary estates, it’s rare that an author who isn’t dead gets to work with him, and all those not-dead authors are missing a treat, let me tell you.) Thanks to Louisa Joyner, who was so lovely and enthusiastic about this book in advance and who played a significant part in getting it off the ground. Thank you to Lou Swannell, Kathy Turtle, Jennifer Hart, Anne O’Brien, Heike Schüssler, Danielle Bartlett, Damon Greeney, Margaux Weisman, Kaitlin Harri, Josh Marwell, Charlie Redmayne, Virginia Stanley, Laura Di Giuseppe, Liate Stehlik, Kathryn Gordon, and all the other fantastic people who have been involved—you have all made this an amazingly wonderful experience. (There is no such thing as too many adjectives on an Acknowledgments page.) And thanks to Four Colman Getty, who did a brilliant job of marketing the book.
A special bursting-into-song kind of thank you, requiring its own paragraph, to the inspirational Dan Mallory, who has reminded me of everything I love about writing and books.
Thank you to Tamsen Harward for making a crucial plot suggestion just in time.
Hodder & Stoughton, who publish my psychological thrillers, have been exceptionally jolly and excited about my fleeting elopement with Poirot, and asked only that I return to Hodder Towers without a big swirly moustache. I am enormously grateful to them.
Thank you to everybody who has been lovely about this book on Twitter and in the real world—Jamie Bernthal and Scott Wallace Baker spring to mind particularly, and I am very grateful to both of them for welcoming me into the world of Agatha fandom.
Contents
Dedication
Acknowledgments
1. Runaway Jennie
2. Murder in Three Rooms
3. At the Bloxham Hotel
4. The Frame Widens
5. Ask a Hundred People
6. The Sherry Conundrum
7. Two Keys
8. Assembling Our Thoughts
9. A Visit to Great Holling
10. Slander’s Mark
11. Two Recollections
12. A Grievous Wound
13. Nancy Ducane
14. The Mind in the Mirror
15. The Fourth Cufflink
16. A Lie for a Lie
17. The Older Woman and the Younger Man
18. Knock and See Who Comes to the Door
19. The Truth at Last
20. How It All Went Wrong
21. All the Devils Are Here
22. The Monogram Murders
23. The Real Ida Gransbury
24. The Blue Jug and Bowl
25. If Murder Began with a D
Epilogue
About the Author
Also by Sophie Hannah
Also by Agatha Christie
Credits
Copyright
About the Publisher
Runaway Jennie
“ALL’S I’M SAYING IS, I don’t like her,” the waitress with the flyaway hair whispered. It was a loud whisper, easily overheard by the solitary customer in Pleasant’s Coffee House. He wondered whether the “her” under discussion on this occasion was another waitress or a regular patron like himself.
“I don’t have to like her, do I? You want to think different, you feel free.”
“I thought she was nice enough,” said the shorter waitress with the round face, sounding less certain than she had a few moments ago.
“That’s how she is when her pride’s taken a knock. Soon as she perks up, her tongue’ll start dripping poison again. It’s the wrong way round. I’ve known plenty of her sort—never trust ’em.”
“What d’you mean it’s the wrong way round?” asked the round-faced waitress.
Hercule Poirot, the only diner in the coffee house at just after half past seven on this Thursday evening in February, knew what the waitress with the flyaway hair meant. He smiled to himself. It was not the first time she had made an astute observation.
“Anyone can be forgiven for saying a sharp word when they’re up against it—I’ve done it myself, I don’t mind admitting. And when I’m happy, I want other folks to be happy. That’s the way it should be. But then there’s those like her who treat you worst when things are going their way. Them’s the ones you want to watch out for.”
Bien vu, thought Hercule Poirot. De la vraie sagesse populaire.
The door of the coffee house flew open and banged against the wall. A woman wearing a pale brown coat and a darker brown hat stood in the doorway. She had fair hair. Poirot could not see her face. Her head was turned to look over her shoulder, as if she was waiting for someone to catch up with her.
A few seconds of the door standing open was long enough for the cold night air to drive out all the warmth from the small room. Normally this would have infuriated Poirot, but he was interested in the new arrival who had entered so dramatically and did not appear to care what impression she made.
He placed his hand flat over the top of his coffee cup in the hope of preserving the warmth of his drink. This tiny crooked-walled establishment in St. Gregory’s Alley, in a part of London that was far from being the most salubrious, made the best coffee Poirot had tasted anywhere in the world. He would not usually drink a cup before his dinner as well as after it—indeed, such a prospect would horrify him in ordinary circumstances—but every Thursday, when he came to Pleasant’s at 7:30 P.M. precisely, he made an exception to his rule. By now, he regarded this weekly exception as a little tradition.
Other traditions of the coffee house he enjoyed rather less: positioning the cutlery, napkin and water glass correctly on his table, having arrived to find everything all askew. The waitresses evidently believed it was sufficient for the items to be somewhere—anywhere—on the table. Poirot disagreed and made a point of imposing order as soon as he arrived.
“ ’Scuse me, miss, would you mind shutting the door if you’re coming in?” Flyaway Hair called out to the woman in the brown hat and coat who was gripping the door frame with one hand, still facing the street. “Or even if you’re not coming in. Those of us in here don’t want to freeze.”
The woman stepped inside. She closed the door but did not apologize for having left it open so long. Her jagged breathing could be heard across the room. She seemed not to notice that there were other people present. Poirot greeted her with a quiet “Good evening.” She half turned toward him but made no response. Her eyes were wide with alarm of an uncommon kind—powerful enough to take hold of a stranger, like a physical grip.
Poirot no longer felt calm and contented as he had when he’d arrived. His peaceful mood was shattered.
The woman hurried over to the window and peered out. She will not see whatever she looks for, Poirot thought to himself. Staring into the blackness of night from a well-lit room, it is impossible to see very much at all when the glass reflects only an image of the room you are in. Yet she continued to stare out for some time, seemingly determined to watch the street.
“Oh, it’s you,” said Flyaway Hair a touch impatiently. “What’s the matter? Has something happened?”
The woman in the brown coat and hat turned around. “No, I . . .” The words came out as
a sob. Then she managed to get herself under control. “No. May I take the table in the corner?” She pointed to the one farthest from the door to the street.
“You’re welcome to any table except the one where the gentleman’s sitting. They’re all laid.” Having reminded herself of Poirot, Flyaway Hair said to him, “Your dinner’s cooking nicely, sir.” Poirot was delighted to hear it. The food at Pleasant’s was almost as good as the coffee. Indeed, when he considered the two together, Poirot found it hard to believe what he knew to be the case: that everybody who worked in the kitchen here was English. Incroyable.
Flyaway Hair turned back to the distressed woman. “You sure there’s nothing wrong, Jennie? You look as if you’ve come face to face with the devil.”
“I’m all right, thank you. A cup of strong, hot tea is all I need. My usual, please.” Jennie hurried over to a table in the far corner, passing Poirot without looking at him. He turned his chair slightly so that he could observe her. Most assuredly something was the matter with her; it was something she did not wish to discuss with the coffee house waitresses, evidently.
Without taking off her hat or coat, she sat down in a chair that faced away from the door to the street, but no sooner had she done so than she turned again and looked over her shoulder. Having the opportunity to examine her face in more detail, Poirot guessed that she was around forty years of age. Her large blue eyes were wide and unblinking. They looked, Poirot reflected, as if there was a shocking sight before them—“Face to face with the devil,” as Flyaway Hair had remarked. Yet as far as Poirot could see, there was no such sight for Jennie to behold, only the square room with its tables, chairs, wooden hat and coat stand in the corner, and its crooked shelves bearing the weight of many teapots of different colors, patterns and sizes.
Those shelves, they were enough to make a person shudder! Poirot saw no reason why a warped shelf could not easily be replaced with a straight one, in the same way that he could not comprehend why anybody would place a fork on a square table and not ensure that it lay parallel to the straight line of the table’s edge. However, not everyone had the ideas of Hercule Poirot; he had long ago accepted this—both the advantages and the disadvantages it brought him.
Twisted in her seat, the woman—Jennie—stared wildly at the door, as if expecting somebody to burst through it at any moment. She was trembling, perhaps partly from the cold.
No—Poirot changed his mind—not at all from the cold. It was warm once again in the coffee house. And, since Jennie was intent upon watching the door and yet had sat with her back to it and as far as possible from it, there was only one sensible conclusion to draw.
Picking up his coffee cup, Poirot left his table and made his way over to where she sat. She wore no wedding ring on her finger, he noticed. “Will you permit me to join you for a short while, mademoiselle?” He would have liked to arrange her cutlery, napkin and water glass as he had his own, but he restrained himself.
“Pardon? Yes, I suppose so.” Her tone revealed how little she cared. She was concerned only with the coffee house door. She was still watching it avidly, still twisted in her chair.
“I am pleased to introduce myself to you. My name is . . . ah . . .” Poirot broke off. If he told her his name, Flyaway Hair and the other waitress would hear it, and he would no longer be their anonymous “foreign gent,” the retired policeman from the Continent. The name Hercule Poirot had a powerful effect upon some people. Over the past few weeks, since he had entered into a most enjoyable state of hibernation, Poirot had experienced for the first time in an age the relief of being nobody in particular.
It could not have been more apparent that Jennie was not interested in his name or his presence. A tear had escaped from the corner of her eye and was making its way down her cheek.
“Mademoiselle Jennie,” Poirot said, hoping that by using her Christian name he might have more luck in getting her attention. “I used to be a policeman. I am retired now, but before I retired, in my work I encountered many people in states of agitation similar to the one that you are in now. I do not mean those who were unhappy, though they are abundant in every country. No, I am talking about people who believed themselves to be in danger.”
At last, he had made an impression. Jennie fixed her wide, frightened eyes on him. “A . . . a policeman?”
“Oui. I retired many years ago, but—”
“So in London you can’t do anything? You can’t . . . I mean, you have no power here? To arrest criminals, or anything like that?”
“That is correct.” Poirot smiled at her. “In London, I am an elderly gentleman, enjoying his retirement.”
She had not looked at the door in nearly ten seconds.
“Am I right, mademoiselle? Do you believe yourself to be in danger? Do you look over your shoulder because you suspect that the person you are afraid of has followed you here and will walk through the door at any moment?”
“Oh, I’m in danger, all right!” She seemed to want to say more. “Are you sure you’re no longer any sort of policeman at all?”
“No sort whatsoever,” Poirot assured her. Not wishing her to believe he was entirely without influence, he added, “I have a friend who is a detective with Scotland Yard if you need the help of the police. He is very young—not much more than thirty—but he will go far in the police, I think. He would be happy to speak to you, I am sure. For my own part, I can offer . . .” Poirot stopped as the round-faced waitress approached with a cup of tea.
Having delivered it to Jennie, she retreated to the kitchen. Flyaway Hair had also withdrawn to the same place. Knowing how she liked to expound upon the behavior of her regular patrons, Poirot guessed that she was presently trying to stir up a lively discussion about the Foreign Gent and his unexpected visit to Jennie’s table. Poirot did not usually speak for any longer than necessary with any of the other customers at Pleasant’s. Apart from when he dined here with his friend Edward Catchpool—the Scotland Yard detective with whom he temporarily shared a lodging house—he confined himself to his own company, in the spirit of l’hibernation.
The gossiping of the coffee house waitresses did not concern Poirot; he was grateful for their convenient absence. He hoped it would make Jennie more likely to speak frankly to him. “I would be happy to offer you my counsel, mademoiselle,” he said.
“You’re very kind, but no one can help me.” Jennie wiped her eyes. “I’d like to be helped—I’d like it more than anything! But it’s too late. I am already dead, you see, or I shall be soon. I can’t hide forever.”
Already dead . . . Her words had brought a new chill into the room.
“So, you see, there is no help to be had,” she went on, “and even if there were, I should not deserve it. But . . . I do feel a little better with you sitting at my table.” She had wrapped her arms around herself, either for comfort or in a vain attempt to stop her body from shaking. She hadn’t drunk a drop of her tea. “Please stay. Nothing will happen while I’m talking to you. That’s some consolation, at least.”
“Mademoiselle, this is most concerning. You are alive now, and we must do what is necessary to keep you alive. Please tell me—”
“No!” Her eyes widened, and she shrank back in her chair. “No, you mustn’t! Nothing must be done to stop this. It can’t be stopped, it’s impossible. Inevitable. Once I am dead, justice will be done, finally.” She looked over her shoulder toward the door again.
Poirot frowned. Perhaps Jennie felt a little better since he’d sat down at her table, but he felt decidedly worse. “Do I understand you correctly? Are you suggesting that somebody is pursuing you who wishes to murder you?”
Jennie fixed her tearful blue eyes on him. “Does it count as murder if I give in and let it happen? I’m so tired of running, of hiding, of being so dreadfully afraid. I want it to be over with if it’s going to happen, and it is, because it must. It’s the only way to make things right. It’s what I deserve.”
“This cannot be so,” said Poirot.
“Without knowing the particulars of your predicament, I disagree with you. Murder can never be right. My friend, the policeman—you must allow him to help you.”
“No! You mustn’t speak a word about this to him, or to anybody. Promise me that you won’t!”
Hercule Poirot was not in the habit of making promises he could not keep.
“What could you possibly have done that calls for the punishment of murder? Have you murdered somebody yourself?”
“There would be no difference if I had! Murder isn’t the only thing that’s unforgivable, you know. I don’t expect you’ve ever done anything truly unforgivable, have you?”
“Whereas you have? And you believe you must pay with your own life? Non. This is not right. If I could persuade you to accompany me to my lodging house—it is very near. My friend from Scotland Yard, Mr. Catchpool—”
“No!” Jennie leaped up out of her chair.
“Please sit, mademoiselle.”
“No. Oh, I’ve said too much! How stupid I am! I only told you because you look so kind, and I thought you couldn’t do anything. If you hadn’t said you were retired and from another country, I’d never have said a word! Promise me this: if I’m found dead, you’ll tell your friend the policeman not to look for my killer.” She pressed her eyes shut and clasped her hands together. “Oh, please let no one open their mouths! This crime must never be solved. Promise me you’ll tell your policeman friend that, and make him agree? If you care about justice, please do as I ask.”
She made a dash for the door. Poirot stood up to follow, then, noticing the distance she’d covered in the time it took him to extract himself from his chair, sat down again with a heavy sigh. It was futile. Jennie was gone, out into the night. He would never catch her.
The door to the kitchen opened and Flyaway Hair appeared with Poirot’s dinner. The smell offended his stomach; he had lost every last scrap of his appetite.
“Where’s Jennie?” Flyaway Hair asked him, as if he were somehow responsible for her having vanished. He did, in fact, feel responsible. If he had moved faster, if he had chosen his words more carefully . . .
The Monogram Murders Page 1
