“Thank you for seeing us,” said Kingsley.
He and Diane stood waiting for an offer to sit, which never came.
“Why have you come to dig in my wounds?” she said. Her voice sounded like pieces of gravel rubbing together. The other woman, the neighbor, stood at her chair like a handmaiden. She put a hand on Marsha Carruthers’ shoulder. Marsha reached up and touched it.
“We haven’t come to cause pain,” said Kingsley. “We’re investigating the murder of Stacy Dance. We wanted to talk with you about her visit.”
“Why do you say she came here?” said Marsha Carruthers.
Diane noted that they weren’t surprised at the word murder.
“We are retracing her steps,” said Kingsley. “Can you tell us what she talked about?”
“Do you think her death had anything to do with her investigation?” asked Mrs. Carruthers.
They weren’t getting anywhere. They were answering each other’s questions with questions. As they sparred, Diane had been observing the room. The chair Marsha Carruthers sat in seemed out of place in relation to the rest of the furniture. Then she saw the indentations on the Persian rug. The chair usually sat facing the fireplace. They had swung it around to face outward. It usually sat where someone could sit and look at the painting of Ellie Rose. Was that how Marsha filled her days, sitting in front of her daughter’s painting? Or perhaps it was Ellie Rose’s father who sat and looked at his daughter when he came home from work. Diane wanted to cry.
“That’s our best working theory at the moment,” said Kingsley.
“So you’re thinking that wretched excuse for a human sitting in prison is an innocent victim?” Her mouth curled into an ugly shape.
“No, I don’t think that,” said Kingsley. “We are investigating Stacy Dance’s death. Will you tell me what you talked about?”
“You don’t know that her death had anything to do with—with this,” she said. “You know where those people lived. How do you know the sister wasn’t like the brother—into God knows what, probably drugs or something just as vile? That’s the life they lived, and I resent your implying that she died because she discovered that piece of human garbage is innocent,” she said.
“Mrs. Carruthers, Stacy Dance was a very nice girl. She took care of her neighbors, drove the elderly to their doctor’s appointments. She was in college—”
“College? The University of Georgia is a college. Bartrum is a college. That place she went to is just a glorified tech school. She was nothing like my Ellie Rose.”
Marsha looked back and forth from Kingsley to Diane as if daring them to defend Stacy again. The grief had sucked all kindness and love from her. She was empty of everything but hate.
“You’re wrong about Stacy,” said Diane. “And about Gainesville Community College for that matter, but especially about Stacy. She was kind. I understand—”
“Don’t!” Marsha Carruthers’ face hardened to granite. “Don’t you say you understand how I feel. You can’t possibly imagine!”
“I wasn’t going to say that,” said Diane, trying to keep calm in her own voice. “And no, I don’t know how you feel, but I know how I felt. My daughter was murdered. She was the best part of me. She was my heart. I know how I felt when she was murdered, and it is indescribable. I live every moment with her loss and the knowledge that I failed to protect her. I also know that if I lose my humanity, I lose her again, I fail her again, and I couldn’t bear that. Ariel was not yet six years old when she was killed, but she was a bright shining soul and I cherish every single memory of her. So don’t tell me I can’t possibly imagine.” Diane unconsciously put her hand on her neck where she wore a locket with Ariel’s photograph.
All of them fell into a shocked silence. The neighbor had a tear running down her cheek. She looked away and wiped it with her hand. Diane was sure this was more than she bargained for when she came over to give her friend moral support.
“I’ll give you some unasked-for advice,” said Diane. “You are in danger of losing the love you felt for your daughter. You are so overwhelmed with anger and grief that that special feeling you had for Ellie Rose is going to get lost in the abyss. Stacy was Harmon Dance’s daughter and he loved her too. We just want to know what she talked about and if she said where she was going afterward.”
Marsha sat very still. Her face hadn’t changed, but there wasn’t an angry comeback on her lips and Diane thought she saw them quiver. The neighbor squeezed Marsha’s shoulder.
“I was here when Miss Dance came by,” the neighbor said. “My name is Wendy. I live next door. She asked about whom Ellie was dating at the time, who her friends were. I told her we weren’t going to tell her people’s names so she could go pester them. I don’t know where she went when she left here. Neither of us does,” she said. “Honestly, we didn’t tell her much. Do we look particularly cooperative to you?”
There was a rustling in the entryway and a young woman bounced in. She looked to be seventeen or eighteen. She was dressed in pink bell-bottoms with a wide white belt. Her pink T-shirt had a picture of an electric guitar outlined in rhinestones. Her long hair was black with a lock of pink on one side going from her forehead to her shoulders. Her eyes were outlined with black liner and she wore false eyelashes and bright pink lipstick. She had a diamondlike jewel on the side of her nose.
“Mom. Oh. Sorry,” she said.
She stood still and looked into the living room. Diane and Kingsley turned to look at her. She looked so very much like Ellie Rose in the face that it startled Diane.
“Samantha, dear, why don’t you fix your mother a glass of tea?” said Wendy.
Samantha looked at her mother. “Do you want some tea, Mom?” she asked.
“That would be nice, hon,” she said.
Samantha skipped off to another part of the house.
“You have a very pretty daughter,” said Diane.
“At least she likes pink,” said her mother.
Diane thought she saw a hint that at one time Marsha Carruthers may have had a sense of humor.
“It was not our intention to cause you more pain,” said Diane, “but it is important to find out what happened to Stacy.”
She took a card from her pocket. She had brought the cards that identified her as director of the Aidan Kavanagh Forensic Anthropology Lab, the osteology lab she ran at the museum. It seemed a much better choice of card to give out with her name on it. Museum director would have been confusing, and director of the crime lab would be awkward, since she wasn’t representing Rosewood. In her capacity as forensic anthropologist, she had much more freedom. Sometimes she felt like a con artist with all the different cards she had with different professions.
Kingsley handed her his card along with Diane’s. “Please call if you remember anything that might help,” Kingsley said. He nodded to Wendy. “We can show ourselves out.” They turned to leave.
“Why haven’t the police contacted us?” asked Marsha.
So they finally thought to ask, thought Diane.
Kingsley turned back to her. “I’m sure they will. Right now they may not know where Stacy’s investigation led her,” he said.
“I didn’t think private investigators could investigate an open case,” said Wendy.
Samantha came in with her mother’s tea and gave it to her. Marsha gave it to Wendy, who took it to the liquor cabinet and set it on top, turned, and looked at Kingsley for an answer.
“That’s a popular misconception,” he said. “We just can’t get in their way.” Kingsley looked at each of them and nodded. He and Diane left.
“You finessed that well,” said Diane when they reached the car.
“It wouldn’t have done to tell them that, at the moment, the police are calling her death an accident,” Kingsley said, almost absently.
He frowned and looked back at the house. Diane got in and closed the door.
“There’s a note on your seat,” she said when he opened his door to get in.
Kingsley picked it up and read it out loud. “Lakeshore Mall. Cookie Company. Now. Please. Thanks.”
“Not signed?” said Diane.
“It’s from Samantha,” said Kingsley. “Of course, when I met her, she was the drummer’s cousin.”
Chapter 25
Diane looked at him, perplexed. “She’s Stacy’s drummer’s cousin?”
“She told the police she was. I think we need to go to the mall,” he said.
He started to pull out of the drive just as a blue Volks wagen Phaeton pulled up, blocking them. A man jumped out, slammed his car door, and came marching up to the driver’s side of their car. He looked in his late forties or early fifties. A slight bulge hung over his belt. He wore dark blue suit pants and a white shirt with the sleeves rolled up, and a light blue tie, loosened. He banged on the roof of Kingsley’s car with his palms.
Diane got out of the car and looked over the roof at him. Kingsley got out on the other side. They stood face-to-face.
“What the hell do you think you’re doing, coming around here harassing my family?” he said.
“We were not harassing,” said Kingsley. “We were asking questions about a young woman who visited here about four weeks ago.”
“You have no business here. I called the police to see what this was about, and they said the woman’s death was an accident,” he said. “So what are you playing at?”
His face was so red Diane was a little concerned. His comb-over fell into his face and he pushed it back.
“It wasn’t an accident,” said Kingsley. “But as to your complaint, we were not harassing your family. We were speaking with your wife in the presence of your neighbor.”
“You aren’t to set foot on my property again. Is that clear?” he said.
“We won’t need to,” said Kingsley. “The police will be handling it from here.”
“If it wasn’t an accident, the police would have told me. You think you know something they don’t?” he asked.
“Dad, I need to go to the library.” Samantha stood a few feet from him. A book bag hung on her arm.
A candy-apple red hardtop convertible, not there when Diane and Kingsley drove up, was parked in a small parking space just off the driveway. Diane assumed it was Samantha’s.
“I can’t get out,” she said. “You’re blocking the drive.”
“Just a minute, Sam, honey.” He turned to her. “Did these people upset your mother?”
“How could I tell?” she said. Her face looked both sad and a little angry.
“Sam, not now, and not in front of strangers,” he said.
Kingsley and Samantha exchanged brief glances.
“Dad, you’re always talking about me making good grades. Well, I need to get to the library,” she said.
“All right. Do you have your cell?” he said.
“Always,” she said.
“Don’t be too late.” He turned back to Kingsley and Diane. “I don’t want you here ever again. I don’t want you harassing my family, or my neighbors. Do you understand?”
“As I said, Dr. Carruthers, the police will be taking it from here. Now, we need to go, unless you intend to keep us here against our will,” Kingsley said.
He backed off and raised his hands, palms outward, then walked to his car. “Just remember what I said,” he yelled, getting into the driver’s seat.
Kingsley and Diane got back in their car and Kingsley drove off. Diane saw the bright convertible behind them. Kingsley headed toward the mall.
“I certainly hope Lynn comes through,” said Kingsley, “or I’ve just been bluffing.”
“I said there’s no guarantee she’ll come up with murder,” said Diane.
“But you think she will,” he said.
“Yes. And with what we found in the apartment, I think the police definitely need to reopen the case.” Diane glanced over her shoulder at the red convertible following them. “What is the deal with Samantha?” she said.
“I have no idea,” said Kingsley.
“She was there when you spoke with the drummer, right?” asked Diane. “She looks a lot like her sister. You didn’t recognize her?”
“We were in a dark café, and she has that pink and black hair and the weird makeup. No, I didn’t recognize her.” Kingsley glanced into the rearview mirror. “God. She found the body. What kind of hell is that?”
To Diane this was the hardest part of dealing with crime: the aftermath, the effect on the victims. Long after everyone thinks they should just get over it, the crime is always there inside them. Every day they wake up and it isn’t a dream; it’s a living nightmare.
“Are you okay?” he said as he turned on the Dawson ville Highway.
Diane nodded. “I wasn’t very professional, I know. It’s one of those characterizations that is likely to set me off—that I don’t know the pain of loss.”
Kingsley was acquainted with the tragedy Diane went through: the loss of her adopted daughter in a massacre in South America when Diane was there as a human rights worker.
“You may have done her some good. You let her know she isn’t alone in her grief,” he said.
“Maybe, but sitting in front of that painting day after day,” she said. “If it was her and not the father.”
“What? Did I miss something?” he said.
Diane told him about the indentations in the rug.
“I didn’t notice. What made you look at the rug?” he asked.
“It was the arrangement of the furniture,” she said.
“Do you have to be female to notice things like that?” he said.
“No.” She smiled. “Just experienced at doing crime scenes. Little anomalies stand out. I can’t imagine what it’s like for Samantha.”
He drove onto Pearl Nix Parkway and to the mall. Samantha wasn’t far behind. They walked into the mall with her and sat down in front of the Cookie Company after Kingsley got each of them a rather large chocolate chip cookie and a drink.
“Are you going to tell my parents?” asked Samantha after she took a bite.
“How old are you?” said Kingsley.
“Eighteen,” she said. “I’m an adult.”
Diane had to smile. She tried to hide it behind her cookie.
“I take it you’re not Jimmi’s cousin,” said Kingsley.
“No. We made that up for the police. I was so freaked out and Jimmi was, well, she was, I mean, Stacy was her friend since middle school.”
“Why didn’t you tell the police who you are?” asked Kingsley.
“I knew my parents would find out. I couldn’t let that happen. They would take my car away. And Mother would have some kind of screaming fit if she knew I was hanging with Stacy Dance. I showed the police one of my fake IDs.”
Kingsley rolled his eyes. “You what?”
Samantha reminded Diane of Star, Frank’s daughter, the girl he adopted at sixteen when her parents, Frank’s best friends, were murdered. Like Samantha, she had multicolored hair, was defiant, and used kid logic to make decisions.
“They didn’t care. They hardly questioned me,” she said. “I told them I lived in Ohio and was going home and that Jimmi could get in touch with me if they needed me.”
“They bought that?” said Diane.
“I told you, they didn’t care. They were like my parents. I’m invisible. I think it’s my superpower,” she said.
“Why were you hanging with Stacy? How did you meet?” asked Kingsley.
“Both of us were auditing a class at Gainesville State College. She wanted to transfer there and was trying it out. I’m going there until I can transfer to UGA. I recognized her last name, but there are lots of Dances, so I didn’t think anything of it. Of course she recognized mine and kind of avoided me.”
“How did you finally meet?” asked Kingsley.
“I found out she was in a band. A real successful band. They played lots of gigs, and people in class knew them. See, I play the guitar and I’m really good
. I wanted to be in the band and they needed another guitar player. I talked to her and that’s when she told me who she was. She was kind of freaked about it,” she said.
“You weren’t?” asked Kingsley.
“No. She didn’t do anything to my family. And she said her brother was innocent and she was going to prove it,” Samantha said.
“Did you believe her?” asked Kingsley.
“Why not? I’ve been blamed for stuff I didn’t do. My parents still think I took money out of my aunt’s purse when I was ten. It was my cousin who did it, but he’s a really good liar. So why couldn’t it have happened to her brother?” she said.
“What about all the evidence?” said Kingsley.
“Evidence doesn’t mean anything. It can be anything people want it to be. I mean, look at Jurassic Park. The dinosaurs looked real to me,” she said.
“It must be hard, living in a world where everything could be an illusion,” said Diane.
“We all do. It just means we can make the world the way we want it. That’s what Stacy’s band did. They wanted to be successful and they are making it real. Or, they were,” she said.
“You need to tell your parents you found her body,” said Kingsley.
“They’ll just yell,” she said. “They’ll tell me I betrayed El. You’d think they would want to be really close to me, with El gone and all, but they don’t. All Mother does is sit in front of that painting. And Dad . . . he just pays lip service to telling me not to be late. He doesn’t even know when I come home. He stays in his games. That’s how he’s remade his world,” she said.
“Games?” asked Diane.
“Warcraft and Second Life. He fights demons, rescues princesses, and builds his own world to live in.”
“I’m sorry,” said Diane.
Samantha shrugged. “They gave me a cool car, clothes, telephones, and money. It’s not so bad. I don’t want that to stop. It’s all I have.”
“You need to talk to someone,” said Diane. “The police are likely to be coming around and they’ll recognize you. Your parents need to know what happened to you. Maybe this will jolt them into the real world. At least go to a counselor at college.”
Dust to Dust Page 15
