A Man of Many Names
Between 1934 and 1950, L. Ron Hubbard authored more than fifteen million words of fiction in more than two hundred classic publications.
To supply his fans and editors with stories across an array of genres and pulp titles, he adopted fifteen pseudonyms in addition to his already renowned L. Ron Hubbard byline.
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Winchester Remington Colt
Lt. Jonathan Daly
Capt. Charles Gordon
Capt. L. Ron Hubbard
Bernard Hubbel
Michael Keith
Rene Lafayette
Legionnaire 148
Legionnaire 14830
Ken Martin
Scott Morgan
Lt. Scott Morgan
Kurt von Rachen
Barry Randolph
Capt. Humbert Reynolds
In evidence of exactly that, by 1936 L. Ron Hubbard was literally leading pulp fiction’s elite as president of New York’s American Fiction Guild. Members included a veritable pulp hall of fame: Lester “Doc Savage” Dent, Walter “The Shadow” Gibson, and the legendary Dashiell Hammett—to cite but a few.
Also in evidence of just where L. Ron Hubbard stood within his first two years on the American pulp circuit: By the spring of 1937, he was ensconced in Hollywood, adopting a Caribbean thriller for Columbia Pictures, remembered today as The Secret of Treasure Island. Comprising fifteen thirty-minute episodes, the L. Ron Hubbard screenplay led to the most profitable matinée serial in Hollywood history. In accord with Hollywood culture, he was thereafter continually called upon to rewrite/doctor scripts—most famously for long-time friend and fellow adventurer Clark Gable.
The 1937 Secret of Treasure Island, a fifteen-episode serial adapted for the screen by L. Ron Hubbard from his novel, Murder at Pirate Castle.
In the interim—and herein lies another distinctive chapter of the L. Ron Hubbard story—he continually worked to open Pulp Kingdom gates to up-and-coming authors. Or, for that matter, anyone who wished to write. It was a fairly unconventional stance, as markets were already thin and competition razor sharp. But the fact remains, it was an L. Ron Hubbard hallmark that he vehemently lobbied on behalf of young authors—regularly supplying instructional articles to trade journals, guest-lecturing to short story classes at George Washington University and Harvard, and even founding his own creative writing competition. It was established in 1940, dubbed the Golden Pen, and guaranteed winners both New York representation and publication in Argosy.
But it was John W. Campbell Jr.’s Astounding Science Fiction that finally proved the most memorable LRH vehicle. While every fan of L. Ron Hubbard’s galactic epics undoubtedly knows the story, it nonetheless bears repeating: By late 1938, the pulp publishing magnate of Street & Smith was determined to revamp Astounding Science Fiction for broader readership. In particular, senior editorial director F. Orlin Tremaine called for stories with a stronger human element. When acting editor John W. Campbell balked, preferring his spaceship-driven tales, Tremaine enlisted Hubbard. Hubbard, in turn, replied with the genre’s first truly character-driven works, wherein heroes are pitted not against bug-eyed monsters but the mystery and majesty of deep space itself—and thus was launched the Golden Age of Science Fiction.
The names alone are enough to quicken the pulse of any science fiction aficionado, including LRH friend and protégé, Robert Heinlein, Isaac Asimov, A. E. van Vogt and Ray Bradbury. Moreover, when coupled with LRH stories of fantasy, we further come to what’s rightly been described as the foundation of every modern tale of horror: L. Ron Hubbard’s immortal Fear. It was rightly proclaimed by Stephen King as one of the very few works to genuinely warrant that overworked term “classic”—as in: “This is a classic tale of creeping, surreal menace and horror.… This is one of the really, really good ones.”
L. Ron Hubbard, 1948, among fellow science fiction luminaries at the World Science Fiction Convention in Toronto.
To accommodate the greater body of L. Ron Hubbard fantasies, Street & Smith inaugurated Unknown—a classic pulp if there ever was one, and wherein readers were soon thrilling to the likes of Typewriter in the Sky and Slaves of Sleep of which Frederik Pohl would declare: “There are bits and pieces from Ron’s work that became part of the language in ways that very few other writers managed.”
And, indeed, at J. W. Campbell Jr.’s insistence, Ron was regularly drawing on themes from the Arabian Nights and so introducing readers to a world of genies, jinn, Aladdin and Sinbad—all of which, of course, continue to float through cultural mythology to this day.
At least as influential in terms of post-apocalypse stories was L. Ron Hubbard’s 1940 Final Blackout. Generally acclaimed as the finest anti-war novel of the decade and among the ten best works of the genre ever authored—here, too, was a tale that would live on in ways few other writers imagined. Hence, the later Robert Heinlein verdict: “Final Blackout is as perfect a piece of science fiction as has ever been written.”
Like many another who both lived and wrote American pulp adventure, the war proved a tragic end to Ron’s sojourn in the pulps. He served with distinction in four theaters and was highly decorated for commanding corvettes in the North Pacific. He was also grievously wounded in combat, lost many a close friend and colleague and thus resolved to say farewell to pulp fiction and devote himself to what it had supported these many years—namely, his serious research.
Portland, Oregon, 1943; L. Ron Hubbard, captain of the US Navy subchaser PC 815.
But in no way was the LRH literary saga at an end, for as he wrote some thirty years later, in 1980:
“Recently there came a period when I had little to do. This was novel in a life so crammed with busy years, and I decided to amuse myself by writing a novel that was pure science fiction.”
That work was Battlefield Earth: A Saga of the Year 3000. It was an immediate New York Times bestseller and, in fact, the first international science fiction blockbuster in decades. It was not, however, L. Ron Hubbard’s magnum opus, as that distinction is generally reserved for his next and final work: The 1.2 million word Mission Earth.
How he managed those 1.2 million words in just over twelve months is yet another piece of the L. Ron Hubbard legend. But the fact remains, he did indeed author a ten-volume dekalogy that lives in publishing history for the fact that each and every volume of the series was also a New York Times bestseller.
Moreover, as subsequent generations discovered L. Ron Hubbard through republished works and novelizations of his screenplays, the mere fact of his name on a cover signaled an international bestseller.… Until, to date, sales of his works exceed hundreds of millions, and he otherwise remains among the most enduring and widely read authors in literary history. Although as a final word on the tales of L. Ron Hubbard, perhaps it’s enough to simply reiterate what editors told readers in the glory days of American Pulp Fiction:
He writes the way he does, brothers, because he’s been there, seen it and done it!
To find out more about L. Ron Hubbard, visit www.lronhubbard.org
Your Next Ticket to Adventure
Hunt for the Key to Universal Power!
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The Stories from the
Golden Age
Your ticket to adventure starts here with the Stories from the Golden Age collection by master storyteller L. Ron Hubbard. These gripping tales are set in a kaleidoscope of exotic locales and brim with fascinating characters, including some of the most vile villains, dangerous dames and brazen heroes you’ll ever get to meet.
The entire collection of over one hundred and fifty stories is being released in a series of eighty books and audiobooks. For an up-to-date listing of available titles, go to www.goldenagestories.com.
AIR ADVENTURE
Arctic Wings
The Battling Pilot
Boomerang Bomber
The Crate Killer
The Dive Bomber
Forbidden Gold
Hurtling Wings
The Lieutenant Takes the Sky
Man-Killers of the Air
On Blazing Wings
Red Death Over China
Sabotage in the Sky
Sky Birds Dare!
The Sky-Crasher
Trouble on His Wings
Wings Over Ethiopia
FAR-FLUNG ADVENTURE
The Adventure of “X”
All Frontiers Are Jealous
The Barbarians
The Black Sultan
Black Towers to Danger
The Bold Dare All
Buckley Plays a Hunch
The Cossack
Destiny’s Drum
Escape for Three
Fifty-Fifty O’Brien
The Headhunters
Hell’s Legionnaire
He Walked to War
Hostage to Death
Hurricane
The Iron Duke
Machine Gun 21,000
Medals for Mahoney
Price of a Hat
Red Sand
The Sky Devil
The Small Boss of Nunaloha
The Squad That Never Came Back
Starch and Stripes
Tomb of the Ten Thousand Dead
Trick Soldier
While Bugles Blow!
Yukon Madness
SEA ADVENTURE
Cargo of Coffins
The Drowned City
False Cargo
Grounded
Loot of the Shanung
Mister Tidwell, Gunner
The Phantom Patrol
Sea Fangs
Submarine
Twenty Fathoms Down
Under the Black Ensign
TALES FROM THE ORIENT
The Devil—With Wings
The Falcon Killer
Five Mex for a Million
Golden Hell
The Green God
Hurricane’s Roar
Inky Odds
Orders Is Orders
Pearl Pirate
The Red Dragon
Spy Killer
Tah
The Trail of the Red Diamonds
Wind-Gone-Mad
Yellow Loot
MYSTERY
The Blow Torch Murder
Brass Keys to Murder
Calling Squad Cars!
The Carnival of Death
The Chee-Chalker
Dead Men Kill
The Death Flyer
Flame City
The Grease Spot
Killer Ape
Killer’s Law
The Mad Dog Murder
Mouthpiece
Murder Afloat
The Slickers
They Killed Him Dead
FANTASY
Borrowed Glory
The Crossroads
Danger in the Dark
The Devil’s Rescue
He Didn’t Like Cats
If I Were You
The Last Drop
The Room
The Tramp
SCIENCE FICTION
The Automagic Horse
Battle of Wizards
Battling Bolto
The Beast
Beyond All Weapons
A Can of Vacuum
The Conroy Diary
The Dangerous Dimension
Final Enemy
The Great Secret
Greed
The Invaders
A Matter of Matter
The Obsolete Weapon
One Was Stubborn
The Planet Makers
The Professor Was a Thief
The Slaver
Space Can
Strain
Tough Old Man
240,000 Miles Straight Up
When Shadows Fall
WESTERN
The Baron of Coyote River
Blood on His Spurs
Boss of the Lazy B
Branded Outlaw
Cattle King for a Day
Come and Get It
Death Waits at Sundown
Devil’s Manhunt
The Ghost Town Gun-Ghost
Gun Boss of Tumbleweed
Gunman!
Gunman’s Tally
The Gunner from Gehenna
Hoss Tamer
Johnny, the Town Tamer
King of the Gunmen
The Magic Quirt
Man for Breakfast
The No-Gun Gunhawk
The No-Gun Man
The Ranch That No One Would Buy
Reign of the Gila Monster
Ride ’Em, Cowboy
Ruin at Rio Piedras
Shadows from Boot Hill
Silent Pards
Six-Gun Caballero
Stacked Bullets
Stranger in Town
Tinhorn’s Daughter
The Toughest Ranger
Under the Diehard Brand
Vengeance Is Mine!
When Gilhooly Was in Flower
JOIN THE PULP REVIVAL
America in the 1930s and 40s
Pulp fiction was in its heyday and 30 million readers were regularly riveted by the larger than life tales of master storyteller L. Ron Hubbard. For this was pulp fiction’s golden age, when the writing was raw and every page packed a walloping punch.
That magic can now be yours. An evocative world of nefarious villains, exotic intrigues, courageous heroes and heroines—a world that today’s cinema has barely tapped for tales of adventure and swashbucklers.
Enroll today in the Stories from the Golden Age Club and begin receiving your monthly feature edition selected from more than 150 stories in the collection.
You may choose to enjoy them as either a paperback or audiobook for the special membership price of $9.95 each month along with FREE shipping and handling.
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Glossary
STORIES FROM THE GOLDEN AGE reflect the words and expressions used in the 1930s and 1940s, adding unique flavor and authenticity to the tales. While a character’s speech may often reflect regional origins, it also can convey attitudes common in the day. So that readers can better grasp such cultural and historical terms
, uncommon words or expressions of the era, the following glossary has been provided.
arc light: the light produced by a lamp where electric current flows across the gap between two electrodes. [return to text]
azimuth compass: a compass with azimuth bearings to indicate direction. Azimuth bearings use all 360° of a compass to indicate direction. The compass is numbered clockwise with north as 0° and then, moving clockwise, due east 90°, due south 180° and due west 270°. So a bearing of 45° would be northeast and a bearing of 225° would be southwest, and so on. [return to text]
barques: sailing ships with three to five masts. [return to text]
beta rays: streams of particles emitted during radioactive decay. [return to text]
bilge: worthless talk; nonsense. [return to text]
blathery: unsubstantial; rotten; trashy. [return to text]
blue eyed: having or representing childlike innocence. [return to text]
brass hats: high-ranking officers. [return to text]
casque: any helmet-shaped head covering. [return to text]
chaw: a wad of chewing tobacco. [return to text]
Congressional Medal of Honor: the highest military decoration in the United States, presented by the president in the name of Congress, to members of the armed forces for gallantry and bravery beyond the call of duty in action against an enemy. [return to text]
cordial: a sweet-flavored alcoholic drink usually considered an after-meal beverage. [return to text]
cordite: a family of smokeless propellants, developed and produced in the United Kingdom from the late nineteenth century to replace gunpowder as a military propellant for large weapons, such as tank guns, artillery and naval guns. Cordite is now obsolete and no longer produced. [return to text]
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