Sharply the something wind–for instance, threatening wind? No, better, menacing wind. The menacing wind blows over–no, sweeps over, say.
The something poplars–yielding poplars? No, better, bending poplars. Assonance between bending and menacing? No matter. The bending poplars, newly bare. Good.
Sharply the menacing wind sweeps over
The bending poplars, newly bare.
Good. ‘Bare’ is a sod to rhyme; however, there’s always ‘air’, which every poet since Chaucer has been struggling to find rhymes for. But the impulse died away in Gordon’s mind. He turned the money over in his pocket. Twopence halfpenny and a Joey–twopence halfpenny. His mind was sticky with boredom. He couldn’t cope with rhymes and adjectives. You can’t, with only twopence halfpenny in your pocket.
His eyes refocused themselves upon the posters opposite. He had his private reasons for hating them. Mechanically he re-read their slogans. ‘Kangaroo Burgundy–the wine for Britons.’ ‘Asthma was choking her!’ ‘Q.T. Sauce Keeps Hubby Smiling.’ ‘Hike all day on a Slab of Vitamalt!’ ‘Curve Cut–the Smoke for Outdoor Men.’ ‘Kiddies clamour for their Breakfast Crisps.’ ‘Corner Table enjoys his meal with Bovex.’
Ha! A customer–potential, at any rate. Gordon stiffened himself. Standing by the door, you could get an oblique view out of the front window without being seen yourself. He looked the potential customer over.
A decentish middle-aged man, black suit, bowler hat, umbrella, and dispatch-case–provincial solicitor or Town Clerk–keeking at the window with large pale-coloured eyes. He wore a guilty look. Gordon followed the direction of his eyes. Ah! So that was it! He had nosed out those D.H. Lawrence first editions in the far corner. Pining for a bit of smut, of course. He had heard of Lady Chatterley afar off. A bad face he had, Gordon thought. Pale, heavy, downy, with bad contours. Welsh, by the look of him–Nonconformist, anyway. He had the regular Dissenting pouches round the corners of his mouth. At home, president of the local Purity League or Seaside Vigilance Committee (rubber-soled slippers and electric torch, spotting kissing couples along the beach parade), and now up in town on the razzle. Gordon wished he would come in. Sell him a copy of Women in Love. How it would disappoint him!
But no! The Welsh solicitor had funked it. He tucked his umbrella under his arm and moved off with righteously turned backside. But doubtless tonight, when darkness hid his blushes, he’d slink into one of the rubber-shops and buy High Jinks in a Parisian Convent, by Sadie Blackeyes.
Gordon turned away from the door and back to the book-shelves. In the shelves to your left as you came out of the library the new and nearly-new books were kept–a patch of bright colour that was meant to catch the eye of anyone glancing through the glass door. Their sleek unspotted backs seemed to yearn at you from the shelves. ‘Buy me, buy me!’ they seemed to be saying. Novels fresh from the press–still unravished brides, pining for the paperknife to deflower them–and review copies, like youthful widows, blooming still though virgin no longer, and here and there, in sets of half a dozen, those pathetic spinster-things, ‘remainders’, still guarding hopefully their long preserv’d virginity. Gordon turned his eyes away from the ‘remainders’. They called up evil memories. The single wretched little book that he himself had published, two years ago, had sold exactly a hundred and fifty-three copies and then been ‘remaindered’; and even as a ‘remainder’ it hadn’t sold. He passed the new books by and paused in front of the shelves which ran at right angles to them and which contained more second-hand books.
Over to the right were shelves of poetry. Those in front of him were prose, a miscellaneous lot. Upwards and downwards they were graded, from clean and expensive at eye-level to cheap and dingy at top and bottom. In all book-shops there goes on a savage Darwinian struggle in which the works of living men gravitate to eye-level and the works of dead men go up or down–down to Gehenna or up to the throne, but always away from any position where they will be noticed. Down in the bottom shelves the ‘classics’, the extinct monsters of the Victorian age, were quietly rotting. Scott, Carlyle, Meredith, Ruskin, Pater, Stevenson–you could hardly read the names upon their broad dowdy backs. In the top shelves, almost out of sight, slept the pudgy biographies of dukes. Below those, saleable still and therefore placed within reach, was ‘religious’ literature–all sects and all creeds, lumped indiscriminately together. The World Beyond, by the author of Spirit Hands Have Touched me. Dean Farrar’s Life of Christ. Jesus the First Rotarian. Father Hilaire Chestnut’s latest book of R.C. propaganda. Religion always sells provided it is soppy enough. Below, exactly at eye-level, was the contemporary stuff. Priestley’s latest. Dinky little books of reprinted ‘middles’. Cheer-up ‘humour’ from Herbert and Knox and Milne. Some highbrow stuff as well. A novel or two by Hemingway and Virginia Woolf. Smart pseudo-Strachey predigested biographies. Snooty, refined books on safe painters and safe poets by those moneyed young beasts who glide so gracefully from Eton to Cambridge and from Cambridge to the literary reviews.
Dull-eyed, he gazed at the wall of books. He hated the whole lot of them, old and new, highbrow and lowbrow, snooty and chirpy. The mere sight of them brought home to him his own sterility. For here was he, supposedly a ‘writer’, and he couldn’t even ‘write’! It wasn’t merely a question of not getting published; it was that he produced nothing, or next to nothing. And all that tripe cluttering the shelves–well, at any rate it existed; it was an achievement of sorts. Even the Dells and Deepings do at least turn out their yearly acre of print. But it was the snooty ‘cultured’ kind of books that he hated the worst. Books of criticism and belles-lettres. The kind of thing that those moneyed young beasts from Cambridge write almost in their sleep–and that Gordon himself might have written if he had had a little more money. Money and culture! In a country like England you can no more be cultured without money than you can join the Cavalry Club. With the same instinct that makes a child waggle a loose tooth, he took out a snooty-looking volume–Some Aspects of the Italian Baroque–opened it, read a paragraph, and shoved it back with mingled loathing and envy. That devastating omniscience! That noxious, horn-spectacled refinement! And the money that such refinement means! For after all, what is there behind it, except money? Money for the right kind of education, money for influential friends, money for leisure and peace of mind, money for trips to Italy. Money writes books, money sells them. Give me not righteousness, O Lord, give me money, only money.
He jingled the coins in his pocket. He was nearly thirty and had accomplished nothing; only his miserable book of poems that had fallen flatter than any pancake. And ever since, for two whole years, he had been struggling in the labyrinth of a dreadful book that never got any further, and which, as he knew in his moments of clarity, never would get any further. It was the lack of money, simply the lack of money, that robbed him of the power to ‘write’. He clung to that as to an article of faith. Money, money, all is money! Could you write even a penny novelette without money to put heart in you? Invention, energy, wit, style, charm–they’ve all got to be paid for in hard cash.
Nevertheless, as he looked along the shelves he felt himself a little comforted. So many of the books were faded and unreadable. After all, we’re all in the same boat. Memento mori. For you and for me and for the snooty young men from Cambridge, the same oblivion waits–though doubtless it’ll wait rather longer for those snooty young men from Cambridge. He looked at the time-dulled ‘classics’ near his feet. Dead, all dead. Carlyle and Ruskin and Meredith and Stevenson–all are dead, God rot them. He glanced over their faded titles. Collected Letters of Robert Louis Stevenson. Ha, ha! That’s good. Collected Letters of Robert Louis Stevenson! Its top edge was black with dust. Dust thou art, to dust returnest. Gordon kicked Stevenson’s buckram backside. Art there, old false-penny? You’re cold meat, if ever Scotchman was.
Ping! The shop bell. Gordon turned round. Two customers, for the library.
A dejected, round-shouldered, lower-class woman, looking li
ke a draggled duck nosing among garbage, seeped in, fumbling with a rush basket. In her wake hopped a plump little sparrow of a woman, red-cheeked, middle-middle class, carrying under her arm a copy of The Forsyte Saga–title outwards, so that passers-by could spot her for a high-brow.
Gordon had taken off his sour expression. He greeted them with the homey, family-doctor geniality reserved for library-subscribers.
‘Good afternoon, Mrs Weaver. Good afternoon, Mrs Penn. What terrible weather!’
‘Shocking!’ said Mrs Penn.
He stood aside to let them pass. Mrs Weaver upset her rush basket and spilled on to the floor a much-thumbed copy of Ethel M. Dell’s Silver Wedding. Mrs Penn’s bright bird-eye lighted upon it. Behind Mrs Weaver’s back she smiled up to Gordon, archly, as highbrow to highbrow. Dell! The lowness of it! The books these lower classes read! Understandingly, he smiled back. They passed into the library, highbrow to highbrow smiling.
Mrs Penn laid The Forsyte Saga on the table and turned her sparrow-bosom upon Gordon. She was always very affable to Gordon. She addressed him as Mister Comstock, shopwalker though he was, and held literary conversations with him. There was the free-masonry of highbrows between them.
‘I hope you enjoyed The Forsyte Saga, Mrs Perm?’
‘What a perfectly marvellous achievement that book is, Mr Comstock! Do you know that that makes the fourth time I’ve read it? An epic, a real epic!’
Mrs Weaver nosed among the books, too dim-witted to grasp that they were in alphabetical order.
‘I don’t know what to ’ave this week, that I don’t,’ she mumbled through untidy lips. ‘My daughter she keeps on at me to ’ave a try at Deeping. She’s great on Deeping, my daughter is. But my son-in-law, now, ’e’s more for Burroughs. I don’t know, I’m sure.’
A spasm passed over Mrs Penn’s face at the mention of Burroughs. She turned her back markedly on Mrs Weaver.
‘What I feel, Mr Comstock, is that there’s something so big about Galsworthy. He’s so broad, so universal, and yet at the same time so thoroughly English in spirit, so human. His books are real human documents.’
‘And Priestley, too,’ said Gordon. ‘I think Priestley’s such an awfully fine writer, don’t you?’
‘Oh, he is! So big, so broad, so human! And so essentially English!’
Mrs Weaver pursed her lips. Behind them were three isolated yellow teeth.
‘I think p’raps I can do better’n ’ave another Dell,’ she said. ‘You ’ave got some more Dells, ’aven’t you? I do enjoy a good read of Dell, I must say. I says to my daughter, I says, “You can keep your Deepings and your Burroughses. Give me Dell,” I says.’
Ding Dong Dell! Dukes and dogwhips! Mrs Penn’s eye signalled highbrow irony. Gordon returned her signal. Keep in with Mrs Penn! A good, steady customer.
‘Oh, certainly, Mrs Weaver. We’ve got a whole shelf by Ethel M. Dell. Would you like The Desire of his Life? Or perhaps you’ve read that. Then what about The Alter of Honour?’
‘I wonder whether you have Hugh Walpole’s latest book?’ said Mrs Penn. ‘I feel in the mood this week for something epic, something big. Now Walpole, you know, I consider a really great writer, I put him second only to Galsworthy. There’s something so big about him. And yet he’s so human with it.’
‘And so essentially English,’ said Gordon.
‘Oh, of course! So essentially English!’
‘I b’lieve I’ll jest ’ave The Way of an Eagle over again,’ said Mrs Weaver finally. ‘You don’t never seem to get tired of The Way of an Eagle, do you, now?’
‘It’s certainly astonishingly popular,’ said Gordon, diplomatically, his eye on Mrs Penn.
‘Oh, astonishingly!’ echoed Mrs Penn, ironically, her eye on Gordon.
He took their twopences and sent them happy away, Mrs Penn with Walpole’s Rogue Herries and Mrs Weaver with The Way of an Eagle.
Soon he had wandered back to the other room and towards the shelves of poetry. A melancholy fascination, those shelves had for him. His own wretched book was there–skied, of course, high up among the unsaleable. Mice, by Gordon Comstock; a sneaky little foolscap octavo, price three and sixpence but now reduced to a bob. Of the thirteen B.F.s who had reviewed it (and The Times Lit. Supp. had declared that it showed ‘exceptional promise’) not one had seen the none too subtle joke of that title. And in the two years he had been at McKechnie’s bookshop, not a single customer, not a single one, had ever taken Mice out of its shelf.
There were fifteen or twenty shelves of poetry. Gordon regarded them sourly. Dud stuff, for the most part. A little above eye-level, already on their way to heaven and oblivion, were the poets of yesteryear, the stars of his earlier youth. Yeats, Davies, Housman, Thomas, De la Mare, Hardy. Dead stars. Below them, exactly at eye-level, were the squibs of the passing minute. Eliot, Pound, Auden, Campbell, Day Lewis, Spender. Very damp squibs, that lot. Dead stars above, damp squibs below. Shall we ever again get a writer worth reading? But Lawrence was all right, and Joyce even better before he went off his coconut. And if we did get a writer worth reading, should we know him when we saw him, so choked as we are with trash?
Ping! Shop bell. Gordon turned. Another customer.
A youth of twenty, cherry-lipped, with gilded hair, tripped Nancifully in. Moneyed, obviously. He had the golden aura of money. He had been in the shop before. Gordon assumed the gentlemanly-servile mien reserved for new customers. He repeated the usual formula:
‘Good afternoon. Can I do anything for you? Are you looking for any particular book?’
‘Oh, no, not weally.’ An R-less Nancy voice. ‘May I just bwowse? I simply couldn’t wesist your fwont window. I have such a tewwible weakness for bookshops! So I just floated in–tee-hee!’
Float out again, then, Nancy. Gordon smiled a cultured smile, as booklover to booklover.
‘Oh, please do. We like people to look round. Are you interested in poetry, by any chance?’
‘Oh, of course! I adore poetwy!’
Of course! Mangy little snob. There was a sub-artistic look about his clothes. Gordon slid a ‘slim’ red volume from the poetry shelves.
‘These are just out. They might interest you, perhaps. They’re translations–something rather out of the common. Translations from the Bulgarian.’
Very subtle, that. Now leave him to himself. That’s the proper way with customers. Don’t hustle them; let them browse for twenty minutes or so; then they get ashamed and buy something. Gordon moved to the door, discreetly, keeping out of Nancy’s way; yet casually, one hand in his pocket, with the insouciant air proper to a gentleman.
Outside, the slimy street looked grey and drear. From somewhere round the corner came the clatter of hooves, a cold hollow sound. Caught by the wind, the dark columns of smoke from the chimneys veered over and rolled flatly down the sloping roofs. Ah!
Sharply the menacing wind sweeps over
The bending poplars, newly bare,
And the dark ribbons of the chimneys
Veer downward tumty tumty (something like ‘murky’) air.
Good. But the impulse faded. His eye fell again upon the ad-posters across the street.
He almost wanted to laugh at them, they were so feeble, so dead-alive, so unappetizing. As though anybody could be tempted by those! Like succubi with pimply backsides. But they depressed him all the same. The money-stink, everywhere the money-stink. He stole a glance at the Nancy, who had drifted away from the poetry shelves and taken out a large expensive book on the Russian ballet. He was holding it delicately between his pink non-prehensile paws, as a squirrel holds a nut, studying the photographs. Gordon knew his type. The moneyed ‘artistic’ young man. Not an artist himself, exactly, but a hanger-on of the arts; frequenter of studios, retailer of scandal. A nice-looking boy, though, for all his Nancitude. The skin at the back of his neck was as silky-smooth as the inside of a shell. You can’t have a skin like that under five hundred a year. A sort of charm he had, a glamour, like all moneye
d people. Money and charm; who shall separate them?
Gordon thought of Ravelston, his charming, rich friend, editor of Antichrist, of whom he was extravagantly fond, and whom he did not see so often as once in a fortnight; and of Rosemary, his girl, who loved him–adored him, so she said–and who, all the same, had never slept with him. Money, once again; all is money. All human relationships must be purchased with money. If you have no money, men won’t care for you, women won’t love you; won’t, that is, care for you or love you the last little bit that matters. And how right they are, after all! For, moneyless, you are unlovable. Though I speak with the tongues of men and of angels. But then, if I haven’t money, I don’t speak with the tongues of men and of angels.
He looked again at the ad-posters. He really hated them this time. That Vitamalt one, for instance! ‘Hike all day on a slab of Vitamalt!’ A youthful couple, boy and girl, in clean-minded hiking kit, their hair picturesquely tousled by the wind, climbing a stile against a Sussex landscape. That girl’s face! The awful bright tomboy cheeriness of it! The kind of girl who goes in for Plenty of Clean Fun. Windswept. Tight khaki shorts but that doesn’t mean you can pinch her backside. And next to them–Corner Table. ‘Corner Table enjoys his meal with Bovex’. Gordon examined the thing with the intimacy of hatred. The idiotic grinning face, like the face of a self-satisfied rat, the slick black hair, the silly spectacles. Corner Table, heir of the ages; victor of Waterloo, Corner Table, Modern man as his master want him to be. A docile little porker, sitting in the money-sty, drinking Bovex.
The Complete Novels Page 91
