by Unknown
He stepped into the basement just after 7 a.m. The floor was cool under his bare feet. He stood still and listened. Then he closed the door behind him and locked it. He squatted to inspect the thin layer of flour he had dusted over the floor the last time he was here. No-one had intruded into his world. There were no footprints. Then he checked the traps. He had been lucky. He had a catch in all four cages. One of the cages held the biggest rat he had ever seen.
Once, towards the end of his life, Geronimo told the story of the Pawnee warrior he had vanquished in his youth. His name was Bear with Six Claws, since he had six fingers on his left hand. That had been his first enemy. Geronimo came close to dying that time, even though he was very young. He cut off his enemy’s sixth finger and left it in the sun to dry. Then he carried it in a little leather pouch on his belt for many years.
He decided to try out one of his axes on the big rat. On the small ones he would test the effect of the can of mace.
But that would be much later. First he had to undergo the big transformation. He sat down before the mirrors, adjusted the light so that there was no glare, and then gazed at his face. He had made a small cut on his left cheek. The wound had already healed. It was the first step in his final transformation.
The blow had been perfect. It had been like chopping down a tree when he cut into the spine of the first monster. He had heard the jubilation of the spirit world from within him. He had flopped the monster over on his back and cut off his scalp, without hesitation. Now it lay where it belonged, buried in the earth, with one tuft of hair sticking up from the ground.
Soon another scalp would join it. He looked at his face and considered whether he ought to make the second cut next to the first one. Or should the knife consecrate the other cheek? Really it made no difference. When he was finished, his face would be covered with cuts.
Carefully he began to prepare himself. From his backpack he pulled out his weapons, paints and brushes. Last of all he took out the red book in which the Revelations and the Mission were written. He set it down on the table between himself and the mirrors.
Last night he had buried the first scalp. There was a guard by the hospital grounds. But he knew where the fence had come down. The secure wing, where there were bars on the windows and doors, stood apart on the outskirts of the large grounds. When he had visited his sister he had established which window was hers. No light shone from it. A faint gleam from the hall light was all that escaped from the menacing building. He had buried the scalp and whispered to his sister that he had taken the first step. He would destroy the monsters, one by one. Then she would come out into the world again.
He pulled off his shirt. It was summer, but he shivered in the cool of the basement. He opened the red book and turned past what was written about the man named Wetterstedt, who had ceased to exist. On page 7 the second scalp was described. He read what his sister had written and decided that this time he would use the smallest axe.
He closed the book and looked at his face in the mirror. It was the same shape as his mother’s, but he had his father’s eyes. They were set deep, like two retracted cannon muzzles. Because of these eyes, he might have regretted that his father would have to be sacrificed too. But it was only a small doubt, one that he could easily conquer. Those eyes were his first childhood memory. They had stared at him, they had threatened him, and ever since then he could see his father only as a pair of enormous eyes with arms and legs and a bellowing voice.
He wiped his face with a towel. Then he dipped one of the wide brushes into the black paint and drew the first line across his brow, precisely where the knife had cut open the skin on Wetterstedt’s forehead.
He had spent many hours outside the police cordon. It was exciting to see all these policemen expending their energy trying to find out what happened and who had killed the man lying under the boat. On several occasions he had felt a compulsion to call out that he was the one.
It was a weakness that he had still not completely mastered. What he was doing, the mission he had undertaken from his sister’s book of revelations, was for her sake alone, not his. He must conquer this urge.
He drew the second line across his face. The transformation had barely begun, but he could feel his external identity starting to leave him.
He didn’t know why he had been named Stefan. On one occasion, when his mother had been more or less sober, he had asked her. Why Stefan? Why that name and not something else? Her reply had been very vague. It’s a fine name, she said. He remembered that. A fine name. A name that was popular. He would be spared from having a name that was different. He still remembered how upset he had been. He left her lying there on the sofa in their living-room, stormed from the house and rode his bike down to the sea. Walking along the beach, he chose himself a different name. He chose Hoover. After the head of the F.B.I. He had read a book about him. It was rumoured that Hoover had a drop of American Indian blood in his veins. He wondered whether there was some in his own blood. His grandfather had told him that many of their relatives had emigrated to America a long time ago. Maybe one of them had taken up with an American Indian. Even if the blood didn’t run through his own veins, it might be in the family.
It wasn’t until his sister had been locked up in the hospital that he decided to merge Geronimo and Hoover. He had remembered how his grandfather had shown him how to melt pewter and pour it into plaster moulds to make miniature soldiers. He had found the moulds and the pewter ladle when his grandfather died. He had changed the mould so that the molten pewter would make a figure that was both a policeman and an Indian. Late one evening when everyone was asleep and his father was in jail, so he wouldn’t come storming into the flat, he locked himself in the kitchen and carried out the great ceremony. By melting Hoover and Geronimo together he created his own new identity. He was a feared policeman with the courage of an American Indian warrior. He would be indestructible. Nothing would prevent him from seeking vengeance.
He continued drawing the curved black lines above his eyes. They made his eyes appear to sink even deeper into their sockets, where they lurked like beasts of prey. Two predators, watching. Methodically he rehearsed what awaited him. It was Midsummer Eve. It was rainy and windy, which would make the task more difficult, but it wouldn’t stop him. He would have to dress warmly before the trip to Bjäresjö. He didn’t know whether the party he was going to visit had been moved indoors because of the rain, but he would trust in his ability to wait. This was a virtue Hoover had always preached to his recruits. Just like Geronimo. There would always be a moment when the enemy’s alertness flagged. That’s when he had to strike, even if the party was moved indoors. Sooner or later the man he sought would have to leave the house. Then it would be time.
He had been there the day before. He had left his moped among some trees and made his way to the top of a hill where he could watch undisturbed. Arne Carlman’s house was isolated, just like Wetterstedt’s. There were no close neighbours. An avenue of trimmed willows led up to the old whitewashed Scanian farmhouse.
Preparations for the Midsummer festivities had already begun. He’d seen people unloading folding tables and stack-able chairs from a van. In one corner of the garden they were putting up a serving tent.
Carlman was there too. Through his binoculars he could see the man he would visit the next day, directing the work. He was wearing a tracksuit and a beret.
He thought of his sister with this man, and nausea over-whelmed him. He hadn’t needed to see any more after that, he’d known what his plan would be.
When he had finished painting his forehead and the shadows around his eyes, he drew two heavy white lines down each side of his nose. He could already feel Geronimo’s heart pounding in his chest. He bent down and started the player on the basement floor. The drums were very loud. The spirits started talking inside him.
He didn’t finish until late afternoon. He selected the weapons he would take with him. Then he released the four rats into a large box.
In vain they tried to scramble up the sides. He aimed the axe he wanted to try at the biggest. It was so fast that the rat didn’t even have time to squeak. The blow split it in two. The other rats scratched at the sides. He went to his leather jacket, and reached into the inside pocket for the spray can. But it was gone. He searched the other pockets. It wasn’t there. For a moment he stood frozen. Had someone been here after all? That was impossible.
To collect his thoughts, he sat down in front of the mirrors again. The spray can must have fallen out of his jacket pocket. Slowly and methodically he went over the days since he had visited Gustaf Wetterstedt. He realised he must have dropped the can when he was watching the police from outside the cordon. He had taken off his jacket at one point so he could put on a sweater. That’s how it had happened. He decided that it presented no danger. Anyone could have dropped a spray can. Even if his fingerprints were on it, the police didn’t have them on file. Not even F.B.I. chief Hoover would have been able to trace that spray can.
He got up from his place in front of the mirrors and returned to the rats in the box. When they caught sight of him they began rushing back and forth. With three blows of his axe he killed them all. Then he tipped the bleeding bodies into a plastic bag, tied it carefully, and put it inside another. He wiped off the edge of the axe and then felt it with his fingertips.
By just after 6 p.m. he was ready. He had stuffed the weapons and the bag of rats into his backpack. He put on socks and running shoes with the pattern on the soles filed off. He turned off the light and left the basement. Before he went out on the street he pulled his helmet over his head.
Just past the turn off to Sturup he drove into a car park and stuffed the plastic bag containing the rats into a rubbish bin. Then he continued on towards Bjäresjö. The wind had died down. There had been a sudden change in the weather. The evening would be warm.
Midsummer Eve was one of art dealer Arne Carlman’s biggest occasions of the year. For more than 15 years he had invited his friends to a party at the Scanian farm where he lived during the summer. In a certain circle of artists and gallery owners it was important to be invited to Carlman’s party. He had a strong influence on everyone who bought and sold art in Sweden. He could create fame and fortune for any artist he decided to promote, and he could topple any who didn’t follow his advice or do as he required. More than 30 years earlier he had travelled all over the country in an old car, peddling art. Those were lean years but they had taught him what kind of pictures he could sell to whom. He had learned the business, and divested himself of the notion that art was something above the control of market forces. He had saved enough to open a combined frame shop and gallery on Österlånggatan in Stockholm. With a ruthless mixture of flattery, alcohol and crisp banknotes he bought paintings from young artists and then built up their reputations. He bribed, threatened and lied his way to the top. Within ten years he owned 30 galleries all over Sweden, and had started selling art by mail order. By the mid-70s he was a wealthy man. He bought the farm in Skåne and began holding his summer parties a few years later. They had become famous for their extravagance. Each guest could expect a present that cost no less than 5,000 kronor. This year he had commissioned a limited edition fountain pen from an Italian designer.
When Arne Carlman woke up beside his wife early on Midsummer Eve morning, he went to the window and gazed over a landscape weighed down by rain and wind. He quickly quelled a wave of irritation and disappointment. He had learned to accept that he had no power over the weather. Five years before he had had a special collection of rainwear designed for his guests. Those who wanted to be in the garden could be, and those who preferred to be inside could be in the old barn, converted into a huge open space.
When the guests began arriving around 8 p.m., what had promised to be a wet, nasty Midsummer Eve had become a beautiful summer evening. Carlman appeared in a dinner jacket, one of his sons following him holding an umbrella. As always, he had invited 100 people, of whom half were first-time guests. Just after 10 p.m. he clinked a knife on his glass, and gave his traditional summer speech. He did so in the knowledge that many of his guests hated or despised him. But at the age of 66, he had stopped worrying about what people thought. His empire could speak for itself. Two of his sons were prepared to take over the business when he could no longer run it, although he wasn’t ready to retire. This is what he said in his speech, which was devoted entirely to himself. They couldn’t count him out yet. They could look forward to many more Midsummer parties – at which the weather, he hoped, would be better than this year. His words were met with half-hearted applause. Then an orchestra started playing in the barn. Most of the guests made their way inside. Carlman led off the dancing with his wife.
“What did you think of my little speech?” he asked her.
“You’ve never been more spiteful,” she replied.
“Let them hate me,” he said. “What do I care? What do we care? I still have a lot to do.”
Just before midnight, Carlman strolled to an arbour at the edge of the huge garden with a young woman artist from Göteborg. One of his talent scouts had advised him to invite her to his summer party. He had seen a number of transparencies of her paintings and recognised at once that she had something. It was a new type of idyllic painting. Cold suburbs, stone deserts, lonely people, surrounded by Elysian fields of flowers. He already knew that he was going to promote the woman as the leading exponent of a new school of painting, which could be called New Illusionism. She was very young, he thought, as they walked towards the arbour. But she was neither beautiful nor mysterious. Carlman had learned that just as important as the painting was the image presented by the artist. He wondered what he was going to do with this skinny, pale young woman.
It was a magnificent evening. The dance was still in full swing. But many of the guests had started gathering around the TV sets. Sweden’s football match against Russia would be starting shortly. He wanted to finish his conversation with her so that he could watch it too.
Carlman had a contract in his pocket. It would provide her with a large cash sum in exchange for his acquiring the exclusive right to sell her work for three years. On the surface it seemed a very advantageous contract. But the fine print, difficult to read in the pale light of the summer night, granted him certain rights to future paintings. He wiped off two chairs with a handkerchief and invited her to sit. It took him less than half an hour to persuade her to agree to the arrangement. Then he handed her one of the designer pens and she signed the contract.
She left the arbour and went back to the barn. Later she would claim with absolute certainty that it had been three minutes to midnight. For some reason she had looked at the time as she walked along the gravel path up towards the house. With equal conviction she told the police that Arne Carlman had given no impression that he was uneasy. Nor that he was waiting for anyone. He had said that he was going to sit there for a few minutes and enjoy the fresh air after the rain. She hadn’t looked back. But she was certain that there was no-one else in that part of the garden.
Hoover had been hiding on top of the hill all evening. The damp ground made him cold. Now and then he got up to shake some life into his limbs. Just after 11 p.m. he had seen through his binoculars that the moment was approaching. There were fewer and fewer people in the garden. He took out his weapons and stuck them in his belt. He also took off his shoes and socks and put them in his backpack. Then, bent almost double, he slipped down the hill and ran along a tractor path in the cover of a rape field. When he reached the edge of the property, he sank onto the wet ground. Through the hedge he had a view of the garden.
It was not long before his wait was over. Carlman was walking straight towards him, accompanied by a young woman. They sat down in the arbour. Hoover couldn’t hear what they were talking about. After about half an hour the woman got up, but Carlman remained seated. The garden was deserted. The music in the barn had stopped; instead he could hear the blare of TV sets. Hoover got u
p, drew his axe, and squeezed through the hedge right behind the arbour. Swiftly, he checked again that no-one was in the garden. Then all doubt vanished, and his sister’s revelations exhorted him to carry out his task. He rushed into the arbour and buried the axe in Arne Carlman’s face. The powerful blow split the skull all the way to the upper jaw. He was still sitting on the bench, with the two halves of his head pointing in opposite directions. Hoover pulled out his knife and cut off the hair on the part of Carlman’s head that was closest. Then he left as quickly as he had come. He climbed up the hill, picked up his backpack, and ran down the other side to the little gravel road where he had left his moped leaning against one of the road workers’ huts.
Two hours later he buried the scalp next to the other one, beneath his sister’s window.
There wasn’t a cloud in the sky, and the wind had died completely. Midsummer Day would be both fair and warm. Summer had arrived. More quickly than anyone could have imagined.
Skåne
25–28 June 1994
CHAPTER 11
The emergency call came in to the Ystad station just after 2 a.m.
Thomas Brolin had just scored for Sweden in the match against Russia. He rammed in a penalty kick. A cheer rose in the Swedish summer night. It had been an unusually calm Midsummer Eve. The officer who received the call did so standing, since he had leapt to his feet shouting. But he realised at once that the call was serious. The woman shrieking in his ear seemed sober. Her hysteria was real. The officer sent for Hansson, who had felt his temporary appointment as police chief to be such a responsibility that he hadn’t risked leaving the station on Midsummer Eve. He’d been busy weighing how his limited resources could best be employed on each case. At 11 p.m. fights had broken out at two different parties. One was caused by jealousy. In the other the Swedish goalkeeper, Ravelli, was the cause of the tumult. In a report later drafted by Svedberg, he stated that it was Ravelli’s action in the game against Cameroon, when Cameroon scored their second goal, that triggered a violent argument that left three people in hospital.
