by Rex Stout
"Do you want to say anything, Mr. Cramer?"
Cramer cleared his throat. "No. They understand that there's nothing official about this and I'm here as an observer."
"You told us to come," Louis Kustin said aggressively.
"I invited you. You all know the way out."
"May I make a statement?" O'Malley asked.
"What about?"
"I want to congratulate Mr. Wolfe, and thank him. He has found the answer to a question I've been trying to find for a year and couldn't. We're all in his debt and we ought to say so."
"We are not!" It was Briggs, blinking furiously. "I would like to make a statement! In my opinion, what Wolfe has done is actionable. I say this after full consideration. I came here because I am convinced-"
"Shut up!" Wolfe roared.
They gazed at him, astonished.
He gazed back, moving his head to include the lot. "I do not intend," he said coldly, "to let you degrade this to gibberish. We are concerned with death and a dealer of death. I do this work to earn a living, but I am conscious of its dignities and obligations. I hope and believe that in the next two or three hours, here together, we are going to learn the truth about the deaths of four people, and, in doing so, get a start on preparations for the death of one of you. That's what we're here for. I can't do it alone, but I'll have to guide it."
He closed his eyes, tight, and opened them again. "All of you knew Mr. Corrigan, who died Friday evening. You know of a document, ostensibly written by him, in which he confessed that he had betrayed his former partner and had murdered three people." He opened a drawer and took out papers. "This is a copy of that confession. It was shrewdly conceived and brilliantly executed, but it wasn't good enough for me. It has one fatal defect. The writer couldn't possibly avoid including it, because in that detail the facts were known to others, and the incident was an essential part of the story. When Corrigan-"
"Are you impeaching it?" Kustin demanded. "Are you saying that Corrigan didn't write it?"
"I am."
There were noises, including audible words. Wolfe ignored them, waited, and continued.
"When Corrigan was in California his every move was known and reported, so this confession had to accept that record. But that is the fatal defect. According to this confession, Corrigan knew what was in the manuscript written by Leonard Dykes-he had read it through twice. But in Los Angeles all his efforts were focused on one objective: to get a look at the manuscript. That is emphasized by the fact that he left Mrs. Potter's house, with Finch there, to hurry to Finch's hotel room to search for the manuscript. If he already knew what was in it that was senseless. What good would it do him to find it? If you say that he wanted to destroy it, that too would have been senseless, since Finch had read it. According to this confession, he had already killed two women for the sole reason that they had read the manuscript. If he found and destroyed Finch's copy, Finch would be on guard and after him."
Wolfe shook his head. "No. Corrigan's objective, plainly and unmistakably, was to see the manuscript. He wanted to know what it contained. Mr. Goodwin was there and saw him and heard him. Do you agree, Archie?"
I nodded. "I do."
"Then he had never seen the manuscript, certainly he hadn't read it, and this confession is spurious. There is a corroborative point." Wolfe tapped the paper. "It says here that Dykes told him that all copies of the manuscript had been destroyed, there were no others, and that he believed it. Indeed he must have believed it fully, for otherwise he would hardly have undertaken the murders of the two women; but certainly, when the letter came from Mrs. Potter, saying that a literary agent had a copy of the manuscript, he would have suspected a snare and would have proceeded quite differently."
Wolfe turned a palm up. "Well?"
"I would have understood this this morning," Cramer rasped.
"Are you challenging the whole confession?" Phelps inquired.
"Are you saying," O'Malley demanded, "that Corrigan didn't squeal on me?"
"No. To both of you. But a purported confession shown to be clearly false in so important a detail loses all claim to validity, both as to content and as ft* authorship. It can be credited only in those parts that are corroborated. For instance, Mr. Cramer has verified it that the anonymous letter to the court was typed on a machine at the Travelers Club, that Corrigan had access to it and used it, and that none of the others did. Therefore I accept that detail as established, and also the account of Corrigan's visit to California, but nothing else, and certainly not the authorship. Of course Corrigan didn't write it."
"Why not?" It came from two of the women in unison. It was the first cheep out of them.
"If he didn't know what was in the manuscript, and he didn't, why did he kill people? There is no discernible reason. If he didn't kill people, why does he confess to it? No, he didn't write this."
"Did he kill himself?" Mrs. Adams blurted. She looked ten years older, and she was already old enough.
"I shouldn't think so. If he did, it was he who got me on the phone to hear the shot and told me he had mailed me a letter, meaning this-"
"What's that?" Cramer demanded. "He said he had mailed you a letter?"
"Yes. I left that out of my report to you because I don't want my mail intercepted. He said that. Mr. Goodwin heard it. Archie?"
"Yes, sir."
"And since he didn't write this thing he would hardly tell me he had mailed it to me. No, madam, he didn't kill himself. We might as well deal with that next-unless someone wants to maintain that Corrigan wrote the confession?"
No one did.
Wolfe took them in. "For this a new character is required, and we'll call him X. This will have to be a hodgepodge party, partly what he must have done and partly what he could have done. Certainly he spent some hours yesterday between noon and ten in the evening at Corrigan's apartment, composing and typing this document. Certainly Corrigan was there too. He had been hit on the head, and was either unconscious from the blow or had been tied and gagged. I prefer it that he was conscious, knowing something of X as I do, and that X, as he typed the confession-which may have been composed beforehand and merely had to be copied-read it aloud to Corrigan. He wore gloves, and, when he was through, he pressed Corri-gan's fingertips to the paper and envelope here and there, certainly on the postage stamp.
"I don't know whether his schedule was left to exigency or was designed, but I would guess the latter, for X is fond of alibis, and we'll probably find that he has one ready for last evening from nine-thirty to ten-thirty. Anyway, at ten o'clock he turned on the radio, if he hadn't already done so, hit Corrigan on the head again, at the same spot as before, with something heavy and hard enough to stun but not kill, put him on the floor near the telephone, and dialed my number. While talking to me, making the voice unrecognizable with huskiness and agitation, he pressed the muzzle of Corrigan's own revolver against his head and, at the proper moment, pulled the trigger and dropped the gun and the phone on the floor. He may also have fallen heavily to the floor himself; I think he would have. If he did he didn't stay there long. I said he was wearing gloves. He made Corrigan's dead hand grip the gun, put the gun on the floor, and left, perhaps twenty seconds after the shot had been fired. I haven't even inquired if the door had to be locked from the outside with a key; if it did, X had had ample opportunity to procure one. He dropped the letter to me, this confession, into the nearest mailbox. I lose him at the mailbox. We'll hear of his next move when we are confronted with his alibi."
Wolfe's eyes moved. "I invite comment."
Three lawyers spoke at once. Cramer outspoke them. "How much of it can you prove?"
"Nothing. Not a word."
"Then what does it get us?"
"It clears away the rubbish. The rubbish was the assumption that Corrigan wrote that confession and killed himself. I have shown that one is false and the other is not invulnerable. Depriving you of a suicide was simple. Giving you a murder, and a murderer, is harder. M
ay I proceed?"
"If you've got something better than guesses, yes."
"I've got a question," Kustin put in. "Is this a buildup for charging someone in this room with murder?"
"Yes."
"Then I want to speak with you privately."
"The devil you do." Wolfe was indignant. To control his emotions, he closed his eyes and waggled his head. Then he
told Kustin dryly, "So you're beginning to see something, now that I've cleared away some of the rubbish? And you'd like to point at it? I'll do the pointing, Mr. Kustin." His eyes moved. "Before I go on to particulars, another comment. At my first reading of this"-he tapped the paper-"I saw the flaw that told me that Corrigan hadn't written it: his performance in Los Angeles made it obvious that he had never read the manuscript. But it could have been written by you, Mr. Kustin, or you, Mr. Phelps, or you, Mr. Briggs. It could have been any one of you, instead of Corrigan, who had done the deeds which this document attributes to Corrigan. That was why it was of first importance to learn if any of you had had access to the typewriter at the Travelers Club. Learning that you hadn't, and therefore had not exposed O'Malley, it was clear that if one of you had committed three murders it must have been for some other motive than concealment of a betrayal of your former partner."
"Get down to it," Cramer growled.
Wolfe ignored him. He looked over the heads of the lawyers and inquired abruptly, "Is one of you ladies named Dondero?"
I twisted my neck. Sue was one of the four on the couch. Startled, she stared at him. "Yes, I am." She was a little flushed and pretty as a picture.
"You are Mr. Phelps's secretary?"
"Yes."
"A week ago Saturday, nine days ago, Mr. Phelps dictated a brief letter to me, to be sent by messenger. There were en›-closures for it-items of material written by Leonard Dykes, from the files, including a letter of resignation he wrote last July. Do you remember that incident?"
"Yes. Certainly."
"I understand that you have recently been questioned about it by the police; that you have been shown the Dykes letter and your attention has been called to a certain notation, 'Ps one-forty-six, three,' in a corner of it, in pencil, in a handwriting resembling Corrigan's; and that you state flatly that the notation was not on the letter that Saturday morning when it was sent to me. Is that correct?"
"Yes, it is," Sue said firmly.
"Are you positive the notation was not on the letter at the time you enclosed it in the envelope with the other material?"
"I am."
"You're a positive person, aren't you, Miss Dondero?"
"Well-I know what I saw and what I didn't see."
"Admirable and remarkable." Wolfe was terse but not hostile. "Few of us can say that and support it. How many typewriters did you use that morning?"
"I don't know what you mean. I used one. Mine."
"Mr. Phelps dictated the letter to me, and you typed it on your machine. Is that right?"
"Yes."
"And you addressed an enevelope to me on the same machine?"
"Yes."
"How positive are you of that?"
"I'm absolutely positive."
"How much chance is there that for some trivial reason, no matter what, you used a different machine for addressing the envelope?"
"Absolutely none. I was there at my desk, and I did the envelope right after I typed the letter. I always do."
"Then we have a problem." Wolfe opened a drawer of his desk and took out a sheet of paper and an envelope, handling the envelope gingerly, holding it by a corner. "This is the letter and the envelope; Mr. Goodwin will attest that and so will I. The variation is apparent to the naked eye, and I have examined them with a glass. They were not typed on the same machine."
"I don't believe it!" Sue exclaimed.
"Come here and look at them. No, please, only Miss Don-dero. The envelope must not be touched."
I made room for her to get by. She went to his desk and leaned over for a close-up. She straightened. "That's a different envelope. I didn't type that. I always put 'By Messenger' in caps and lower case and underline it. That's all in caps and it's not underlined. Where did you get it?" ^
• "If you please, Miss Donderq, take your seat." Wolfe returned the sheet and envelope to the drawer, touching only the tip of the envelope. He waited until Sue was back on the couch and he had her face before he told lier, "Thank you for being positive. That's a help. But you're sure you put the letter and enclosures into the envelope you had typed?"
"Yes, lam."
"And sealed it?"
"Yes."
"And left it lying on your desk, perhaps, or in a basket?"
"No, I didn't. It was to go by messenger, and I had sent for one. I went immediately to the anteroom and put it on Blanche's desk and asked her to give it to the messenger when he came."
"Who is Blanche?"
"The receptionist. Miss Duke."
Wolfe's eyes moved. "Which of you is Miss Duke?"
Blanche raised a hand, high. "I am. And I get the idea, I'm quick. You're going to ask me if I put the stuff in another envelope, and I'm going to say I didn't. And I don't know who did. But Mr. O'Malley came and said something about something left out and took the envelope away with him."
"Mr. O'Malley?"
"Yes."
"Did he bring it back?"
"Yes."
"How soon? How long was he gone with it?"
"I don't know, I guess three or four minutes. Anyway he brought it back, and when the messenger came I gave it to him."
"Did you notice whether it was the same envelope?"
"My God, no!"
"This is important, Miss Duke. Will you testify that Mr. O'Malley took the envelope from your desk, left the room with it, and shortly returned with it or with a similar one?"
"What do you mean, will I? I am!"
Wolfe's eyes left her to move right and back again, still above the heads of the lawyers. "We seem to be solving our problem," he remarked. "One more detail would help. Clearly we must assume that Mr. O'Malley addressed another envelope and transferred the material to it. If so, it seems likely that one of you ladies saw him do it, though I don't know how the typewriters are placed in that office. What about it? That Saturday morning, nine days ago, did any of you see Mr. O'Malley address an envelope on a typewriter?"
No reply. He had their eyes all right, but not their tongues.
He nodded understanding^. "It may be, of course, that he used a machine that wasn't under observation. Or he may have been seen by one of the staff who is not present, and that will bear inquiry. But I should make sure that all of you understand the situation. This envelope is vital evidence. If Mr. O'Malley handled it and typed an address on it, it will probably show his prints, for I don't suppose he wore gloves in the office that
morning. Not only that, it will be a simple matter to learn which machine it was written on. If it was a machine that is on the desk of one of you ladies, and you were there that morning, and Mr. O'Malley denies that he used it, you may find yourself in an uncomfortable spot. The police may properly ask-•"
"It was my machine." It was a sullen mutter, so low that it barely got through, and it came from the beautiful Eleanor, of all people.
"Ah. May I have your name?"
"Eleanor Gruber." She muttered it,
"You will please tell us about it, Miss Gruber."
"I was at the filing cabinet and he asked if-"
"Mr. O'Malley?"
"Yes. He asked if he could use my machine, and I said yes. That was all."
"Did he address an envelope on it?"
"I don't know. I was at the cabinet with my back turned. I said it was my machine, but I should have said it may have been."
"There was a supply of the firm's envelopes in your desk?"
"Certainly. In the top drawer."
"How long was he at it?"
"I don't-very briefly."
"Not more than a minut
e or so?"
"I said very briefly. I didn't time it."
"But long enough to address an envelope?"
"Of course, that only takes seconds."
"Did you see an envelope in his hand?"
"No. I wasn't looking. I was busy."
"Thank you, Miss Gruber. I'm sorry your memory needed jogging, and I'm glad it's refreshed." Wolfe focused on Con-roy O'Malley. "Mr. O'Malley, you ought to have a word. I won't frame a tedious detailed question, but merely ask, did you do the things these people say you did that Saturday morning?"
O'Malley was a different man. The bitter twist to his mouth was gone, and so was the sag of his cheeks. He was ten years younger, and his eyes gleamed almost like eyes in the dark with a light on them. His voice had a sharp edge.
"I'd rather listen to you. Until you're through."
"Very well. I'm not through. Is it plain that I'm accusing you of murder?"
"Yes. Go on."
Purley Stebbins got up, detoured around Cramer and Briggs, got an empty chair, put it just behind O'Malley's right elbow, and sat. O'Malley didn't glance at him. Wolfe was speaking.
"Manifestly, establishing that O'Malley got at that letter in order to make that notation on it in Corrigan's hand before it came to me will not convict him of murder. By then all of you had heard the title Of Baird Archer's novel, 'Put Not Your Trust,' and anyone could have known or learned that it came from the third verse of the Hundred and Forty-sixth Psalm. But it shows that he wanted to present me with evidence that someone in your office was connected with the manuscript and therefore with the crimes, and that that someone was Corrigan, I am going-"
"Why Corrigan?" Kustin demanded.
"That's what I'm coming to. I'm going to have to tell you things I can't prove, as I did with X. It is still X, only now I call him O'Malley. An odd thing about this confession is that nearly every detail of it is true and strictly accurate. The man who wrote it did find the manuscript in Dykes's desk and read it; he found that its contents were as described; he went to see Dykes and talked with him as related; he killed Dykes essentially for the reason given, fear of what might result from his knowledge of the contents of the manuscript; he killed Miss Wellman and Miss Abrams for a like reason. But it was O'Malley who wrote the confession. He-"
