“Pick up the Pumpkinhead’s body and set it on my saddle. Then mount behind it and hold on. We must get out of this forest as soon as we can, or the squirrels may capture you again. I must guess at the right path, for Jack’s map is no longer of any use to him since that limb destroyed his head.”
The two children lifted Jack’s body, which was not at all heavy, and placed it upon the saddle. Then they climbed up behind it and the Sawhorse immediately turned and trotted back along the path he had come, bearing all three with ease. However, when the path began to branch into many paths, all following different directions, the wooden animal became puzzled and soon was wandering aimlessly about, without any hope of finding the right way. Toward evening they came upon a fine fruit tree, which furnished the children a supper, and at night the little ones lay upon a bed of leaves while the Sawhorse stood watch, with the limp, headless form of poor Jack Pumpkinhead lying helpless across the saddle.
Now, Ozma had seen in her Magic Picture all that had happened in the forest, so she sent the little Wizard, mounted upon the Cowardly Lion, to save the unfortunates. The Lion knew the forest well and when he reached it he bounded straight through the tangled paths to where the Sawhorse was wandering, with Jack and the two children on his back.
The Wizard was grieved at the sight of the headless Jack, but believed he could save him. He first led the Sawhorse out of the forest and restored the boy and girl to the arms of their anxious friends, and then he sent the Lion back to Ozma to tell her what had happened.
The Wizard now mounted the Sawhorse and supported Jack’s form on the long ride to the pumpkin field. When they arrived at Jack’s house the Wizard selected a fine pumpkin — not too ripe — and very neatly carved a face on it. Then he stuck the pumpkin solidly on Jack’s neck and asked him:
“Well, old friend, how do you feel?”
“Fine!” replied Jack, and shook the hand of the little Wizard gratefully. “You have really saved my life, for without your assistance I could not have found my way home to get a new head. But I’m all right, now, and I shall be very careful not to get this beautiful head smashed.” And he shook the Wizard’s hand again.
“Are the brains in the new head any better than the old ones?” inquired the Sawhorse, who had watched Jack’s restoration.
“Why, these seeds are quite tender,” replied the Wizard, “so they will give our friend tender thoughts. But, to speak truly, my dear Sawhorse, Jack Pumpkinhead, with all his good qualities, will never be noted for his wisdom.”
THE SCARECROW AND THE TIN WOODMAN
here lived in the Land of Oz two queerly made men who were the best of friends. They were so much happier when together that they were seldom apart; yet they liked to separate, once in a while, that they might enjoy the pleasure of meeting again.
One was a Scarecrow. That means he was a suit of blue Munchkin clothes, stuffed with straw, on top of which was fastened a round cloth head, filled with bran to hold it in shape. On the head were painted two eyes, two ears, a nose and a mouth. The Scarecrow had never been much of a success in scaring crows, but he prided himself on being a superior man, because he could feel no pain, was never tired and did not have to eat or drink. His brains were sharp, for the Wizard of Oz had put pins and needles in the Scarecrow’s brains.
The other man was made all of tin, his arms and legs and head being cleverly jointed so that he could move them freely. He was known as the Tin Woodman, having at one time been a woodchopper, and everyone loved him because the Wizard had given him an excellent heart of red plush.
The Tin Woodman lived in a magnificent tin castle, built on his country estate in the Winkie Land, not far from the Emerald City of Oz. It had pretty tin furniture and was surrounded by lovely gardens in which were many tin trees and beds of tin flowers. The palace of the Scarecrow was not far distant, on the banks of a river, and this palace was in the shape of an immense ear of corn.
One morning the Tin Woodman went to visit his friend the Scarecrow, and as they had nothing better to do they decided to take a boat ride on the river. So they got into the Scarecrow’s boat, which was formed from a big corncob, hollowed out and pointed at both ends and decorated around the edges with brilliant jewels. The sail was of purple silk and glittered gayly in the sunshine.
There was a good breeze that day, so the boat glided swiftly over the water. By and by they came to a smaller river that flowed from out a deep forest, and the Tin Woodman proposed they sail up this stream, as it would be cool and shady beneath the trees of the forest. So the Scarecrow, who was steering, turned the boat up the stream and the friends continued talking together of old times and the wonderful adventures they had met with while traveling with Dorothy, the little Kansas girl. They became so much interested in this talk that they forgot to notice that the boat was now sailing through the forest, or that the stream was growing more narrow and crooked.
Suddenly the Scarecrow glanced up and saw a big rock just ahead of them.
“Look out!” he cried; but the warning came too late.
The Tin Woodman sprang to his feet just as the boat bumped into the rock, and the jar made him lose his balance. He toppled and fell overboard and being made of tin he sank to the bottom of the water in an instant and lay there at full length, face up.
Immediately the Scarecrow threw out the anchor, so as to hold the boat in that place, and then he leaned over the side and through the clear water looked at his friend sorrowfully.
“Dear me!” he exclaimed; “what a misfortune!”
“It is, indeed,” replied the Tin Woodman, speaking in muffled tones because so much water covered him. “I cannot drown, of course, but I must lie here until you find a way to get me out. Meantime, the water is soaking into all my joints and I shall become badly rusted before I am rescued.”
“Very true,” agreed the Scarecrow; “but be patient, my friend, and I’ll dive down and get you. My straw will not rust, and is easily replaced, if damaged, so I’m not afraid of the water.”
The Scarecrow now took off his hat and made a dive from the boat into the water; but he was so light in weight that he barely dented the surface of the stream, nor could he reach the Tin Woodman with his outstretched straw arms. So he floated to the boat and climbed into it, saying the while:
“Do not despair, my friend. We have an extra anchor aboard, and I will tie it around my waist, to make me sink, and dive again.”
“Don’t do that!” called the tin man. “That would anchor you also to the bottom, where I am, and we’d both be helpless.”
“True enough,” sighed the Scarecrow, wiping his wet face with a handkerchief; and then he gave a cry of astonishment, for he found he had wiped off one painted eye and now had but one eye to see with.
“How dreadful!” said the poor Scarecrow. “That eye must have been painted in water-color, instead of oil. I must be careful not to wipe off the other eye, for then I could not see to help you at all.”
A shriek of elfish laughter greeted this speech and looking up the Scarecrow found the trees full of black crows, who seemed much amused by the straw man’s one-eyed countenance. He knew the crows well, however, and they had usually been friendly to him because he had never deceived them into thinking he was a meat man — the sort of man they really feared.
“Don’t laugh,” said he; “you may lose an eye yourselves some day.”
“We couldn’t look as funny as you, if we did,” replied one old crow, the king of them. “But what has gone wrong with you?”
“The Tin Woodman, my dear friend and companion, has fallen overboard and is now on the bottom of the river,” said the Scarecrow. “I’m trying to get him out again, but I fear I shall not succeed.”
“Why, it’s easy enough,” declared the old crow. “Tie a string to him and all of my crows will fly down, take hold of the string, and pull him up out of the water. There are hundreds of us here, so our united strength could lift much more than that.”
“But I can’t t
ie a string to him,” replied the Scarecrow. “My straw is so light that I am unable to dive through the water. I’ve tried it, and knocked one eye out.”
“Can’t you fish for him?”
“Ah, that is a good idea,” said the Scarecrow. “I’ll make the attempt.”
He found a fishline in the boat, with a stout hook at the end of it. No bait was needed, so the Scarecrow dropped the hook into the water till it touched the Woodman.
“Hook it into a joint,” advised the crow, who was now perched upon a branch that stuck far out and bent down over the water.
The Scarecrow tried to do this, but having only one eye he could not see the joints very clearly.
“Hurry up, please,” begged the Tin Woodman; “you’ve no idea how damp it is down here.”
“Can’t you help?” asked the crow.
“How?” inquired the tin man.
“Catch the line and hook it around your neck.”
The Tin Woodman made the attempt and after several trials wound the line around his neck and hooked it securely.
“Good!” cried the King Crow, a mischievous old fellow. “Now, then, we’ll all grab the line and pull you out.”
At once the air was filled with black crows, each of whom seized the cord with beak or talons. The Scarecrow watched them with much interest and forgot that he had tied the other end of the line around his own waist, so he would not lose it while fishing for his friend.
“All together for the good caws!” shrieked the King Crow, and with a great flapping of wings the birds rose into the air.
The Scarecrow clapped his stuffed hands in glee as he saw his friend drawn from the water into the air; but the next moment the straw man was himself in the air, his stuffed legs kicking wildly; for the crows had flown straight up through the trees. On one end of the line dangled the Tin Woodman, hung by the neck, and on the other dangled the Scarecrow, hung by the waist and clinging fast to the spare anchor of the boat, which he had seized hoping to save himself.
“Hi, there — be careful!” shouted the Scarecrow to the crows. “Don’t take us so high. Land us on the river bank.”
But the crows were bent on mischief. They thought it a good joke to bother the two, now that they held them captive.
“Here’s where the crows scare the Scarecrow!” chuckled the naughty King Crow, and at his command the birds flew over the forest to where a tall dead tree stood higher than all the other trees. At the very top was a crotch, formed by two dead limbs, and into the crotch the crows dropped the center of the line. Then, letting go their hold, they flew away, chattering with laughter, and left the two friends suspended high in the air — one on each side of the tree.
Now the Tin Woodman was much heavier than the Scarecrow, but the reason they balanced so nicely was because the straw man still clung fast to the iron anchor. There they hung, not ten feet apart, yet unable to reach the bare tree-trunk.
“For goodness sake don’t drop that anchor,” said the Tin Woodman anxiously.
“Why not?” inquired the Scarecrow.
“If you did I’d tumble to the ground, where my tin would be badly dented by the fall. Also you would shoot into the air and alight somewhere among the tree-tops.”
“Then,” said the Scarecrow, earnestly, “I shall hold fast to the anchor.”
For a time they both dangled in silence, the breeze swaying them gently to and fro. Finally the tin man said: “Here is an emergency, friend, where only brains can help us. We must think of some way to escape.”
“I’ll do the thinking,” replied the Scarecrow. “My brains are the sharpest.”
He thought so long that the tin man grew tired and tried to change his position, but found his joints had already rusted so badly that he could not move them. And his oil-can was back in the boat.
“Do you suppose your brains are rusted, friend Scarecrow?” he asked in a weak voice, for his jaws would scarcely move.
“No, indeed. Ah, here’s an idea at last!”
And with this the Scarecrow clapped his hands to his head, forgetting the anchor, which tumbled to the ground. The result was astonishing; for, just as the tin man had said, the light Scarecrow flew into the air, sailed over the top of the tree and landed in a bramble-bush, while the tin man fell plump to the ground, and landing on a bed of dry leaves was not dented at all. The Tin Woodman’s joints were so rusted, however, that he was unable to move, while the thorns held the Scarecrow a fast prisoner.
While they were in this sad plight the sound of hoofs was heard and along the forest path rode the little Wizard of Oz, seated on a wooden Sawhorse. He smiled when he saw the one-eyed head of the Scarecrow sticking out of the bramble-bush, but he helped the poor straw man out of his prison.
“Thank you, dear Wiz,” said the grateful Scarecrow. “Now we must get the oil-can and rescue the Tin Woodman.”
Together they ran to the river bank, but the boat was floating in midstream and the Wizard was obliged to mumble some magic words to draw it to the bank, so the Scarecrow could get the oil-can. Then back they flew to the tin man, and while the Scarecrow carefully oiled each joint the little Wizard moved the joints gently back and forth until they worked freely. After an hour of this labor the Tin Woodman was again on his feet, and although still a little stiff he managed to walk to the boat.
The Wizard and the Sawhorse also got aboard the corncob craft and together they returned to the Scarecrow’s palace. But the Tin Woodman was very careful not to stand up in the boat again.
TIK-TOK OF OZ
L. Frank Baum entitled Tik-Tok of Oz, published by Reilly & Britton in 1914, after the beloved character from Ozma of Oz, Tik-Tok, a mechanical man made from copper. John R. Neill illustrated Baum’s eighth Oz book. Despite its title, however, the novel has little to do with Tik-Tok and much to do with the Shaggy Man, first seen in The Road to Oz. In searching for his lost brother, the Shaggy Man meets Betsy Bobbin and her mule Hank, washed ashore in a storm much as Dorothy and Billina the hen did in Ozma of Oz. Exciting adventures ensue in the Rose Kingdom and the Nome Kingdom. The Shaggy Man and Betsy meet Polychrome, the Rainbow’s daughter, discover Tik-Tok thrown down a well, do battle with the Nome King, and encounter Queen Anne Soforth of Oogaboo, who intends to conquer Oz with her tiny army. By the end of the book, Betsy, Dorothy, and Ozma are fast friends. Baum adapted parts of Tik-Tok of Oz from a stage version of Ozma of Oz. The book included the first map of Oz and surrounding lands.
A first edition copy of Tik-Tok in Oz
CONTENTS
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Sheet music for Baum’s1913 theatrical production of The Tik-Tok Man of Oz
Sheet music from 1913
Sheet music from 1913
To Louis F. Gottschalk,
whose sweet and dainty melodies
breathe the true spirit of fairyland,
this book is affectionately dedicated
To My Readers
The very marked success of my last year’s fairy book, “The Patchwork Girl of Oz,” convinces me that my readers like the Oz stories “best of all,” as one little girl wrote me. So here, my dears, is a new Oz story in which is introduced Ann Soforth, the Queen of Oogaboo, whom Tik-Tok assisted in conquering our old acquaintance, the Nome King
. It also tells of Betsy Bobbin and how, after many adventures, she finally reached the marvelous Land of Oz.
There is a play called “The Tik-Tok Man of Oz,” but it is not like this story of “Tik-Tok of Oz,” although some of the adventures recorded in this book, as well as those in several other Oz books, are included in the play. Those who have seen the play and those who have read the other Oz books will find in this story a lot of strange characters and adventures that they have never heard of before.
In the letters I receive from children there has been an urgent appeal for me to write a story that will take Trot and Cap’n Bill to the Land of Oz, where they will meet Dorothy and Ozma. Also they think Button-Bright ought to get acquainted with Ojo the Lucky. As you know, I am obliged to talk these matters over with Dorothy by means of the “wireless,” for that is the only way I can communicate with the Land of Oz. When I asked her about this idea, she replied: “Why, haven’t you heard?” I said “No.” “Well,” came the message over the wireless, “I’ll tell you all about it, by and by, and then you can make a book of that story for the children to read.”
So, if Dorothy keeps her word and I am permitted to write another Oz book, you will probably discover how all these characters came together in the famous Emerald City. Meantime, I want to tell all my little friends — whose numbers are increasing by many thousands every year — that I am very grateful for the favor they have shown my books and for the delightful little letters I am constantly receiving. I am almost sure that I have as many friends among the children of America as any story writer alive; and this, of course, makes me very proud and happy.
Complete Works of L. Frank Baum Page 103
