“Before I was so cut up,” replied the other, “I was known as Captain Fyter, but afterward I was merely called ‘The Tin Soldier.’“
“Well, Captain, if you are agreeable, let us now go to Nimmie Amee’s house and let her choose between us.”
“Very well; and if we meet the Witch, we will both fight her — you with your axe and I with my sword.”
“The Witch is destroyed,” announced the Scarecrow, and as they walked away he told the Tin Soldier of much that had happened in the Land of Oz since he had stood rusted in the forest.
“I must have stood there longer than I had imagined,” he said thoughtfully.
The Workshop of Ku-Klip
CHAPTER 17
It was not more than a two hours’ journey to the house where Nimmie Amee had lived, but when our travelers arrived there they found the place deserted. The door was partly off its hinges, the roof had fallen in at the rear and the interior of the cottage was thick with dust. Not only was the place vacant, but it was evident that no one had lived there for a long time.
“I suppose,” said the Scarecrow, as they all stood looking wonderingly at the ruined house, “that after the Wicked Witch was destroyed, Nimmie Amee became lonely and went somewhere else to live.”
“One could scarcely expect a young girl to live all alone in a forest,” added Woot. “She would want company, of course, and so I believe she has gone where other people live.”
“And perhaps she is still crying her poor little heart out because no tin man comes to marry her,” suggested Polychrome.
“Well, in that case, it is the clear duty of you two tin persons to seek Nimmie Amee until you find her,” declared the Scarecrow.
“I do not know where to look for the girl,” said the Tin Soldier, “for I am almost a stranger to this part of the country.”
“I was born here,” said the Tin Woodman, “but the forest has few inhabitants except the wild beasts. I cannot think of anyone living near here with whom Nimmie Amee might care to live.”
“Why not go to Ku-Klip and ask him what has become of the girl?” proposed Polychrome.
That struck them all as being a good suggestion, so once more they started to tramp through the forest, taking the direct path to Ku-Klip’s house, for both the tin twins knew the way, having followed it many times.
Ku-Klip lived at the far edge of the great forest, his house facing the broad plains of the Munchkin Country that lay to the eastward. But, when they came to this residence by the forest’s edge, the tinsmith was not at home.
It was a pretty place, all painted dark blue with trimmings of lighter blue. There was a neat blue fence around the yard and several blue benches had been placed underneath the shady blue trees which marked the line between forest and plain. There was a blue lawn before the house, which was a good sized building. Ku-Klip lived in the front part of the house and had his work-shop in the back part, where he had also built a lean-to addition, in order to give him more room.
Although they found the tinsmith absent on their arrival, there was smoke coming out of his chimney, which proved that he would soon return.
“And perhaps Nimmie Amee will be with him,” said the Scarecrow in a cheerful voice.
While they waited, the Tin Woodman went to the door of the workshop and, finding it unlocked, entered and looked curiously around the room where he had been made.
“It seems almost like home to me,” he told his friends, who had followed him in. “The first time I came here I had lost a leg, so I had to carry it in my hand while I hopped on the other leg all the way from the place in the forest where the enchanted axe cut me. I remember that old Ku-Klip carefully put my meat leg into a barrel — I think that is the same barrel, still standing in the corner yonder — and then at once he began to make a tin leg for me. He worked fast and with skill, and I was much interested in the job.”
“My experience was much the same,” said the Tin Soldier. “I used to bring all the parts of me, which the enchanted sword had cut away, here to the tinsmith, and Ku-Klip would put them into the barrel.”
“I wonder,” said Woot, “if those cast-off parts of you two unfortunates are still in that barrel in the corner?”
“I suppose so,” replied the Tin Woodman. “In the Land of Oz no part of a living creature can ever be destroyed.”207
“If that is true, how was that Wicked Witch destroyed?” inquired Woot.
“Why, she was very old and was all dried up and withered before Oz became a fairyland,” explained the Scarecrow. “Only her magic arts had kept her alive so long, and when Dorothy’s house fell upon her she just turned to dust, and was blown away and scattered by the wind. I do not think, however, that the parts cut away from these two young men could ever be entirely destroyed and, if they are still in those barrels, they are likely to be just the same as when the enchanted axe or sword severed them.”
“It doesn’t matter, however,” said the Tin Woodman; “our tin bodies are more brilliant and durable, and quite satisfy us.”
“Yes, the tin bodies are best,” agreed the Tin Soldier. “Nothing can hurt them.”
“Unless they get dented or rusted,” said Woot, but both the tin men frowned on him.
Scraps of tin, of all shapes and sizes, lay scattered around the workshop. Also there were hammers and anvils and soldering irons and a charcoal furnace and many other tools such as a tinsmith works with. Against two of the side walls had been built stout work-benches and in the center of the room was a long table. At the end of the shop, which adjoined the dwelling, were several cupboards.
After examining the interior of the workshop until his curiosity was satisfied, Woot said:
“I think I will go outside until Ku-Klip comes. It does not seem quite proper for us to take possession of his house while he is absent.”
“That is true,” agreed the Scarecrow, and they were all about to leave the room when the Tin Woodman said: “Wait a minute,” and they halted in obedience to the command.
The Tin Woodman Talks to Himself
CHAPTER 18
The Tin Woodman had just noticed the cupboards and was curious to know what they contained, so he went to one of them and opened the door. There were shelves inside, and upon one of the shelves which was about on a level with his tin chin the Emperor discovered a Head — it looked like a doll’s head, only it was larger, and he soon saw it was the Head of some person. It was facing the Tin Woodman and as the cupboard door swung back, the eyes of the Head slowly opened and looked at him. The Tin Woodman was not at all surprised, for in the Land of Oz one runs into magic at every turn.
“Dear me!” said the Tin Woodman, staring hard. “It seems as if I had met you, somewhere, before. Good morning, sir!”
“You have the advantage of me,” replied the Head. “I never saw you before in my life.”
“Still, your face is very familiar,” persisted the Tin Woodman. “Pardon me, but may I ask if you — eh — eh — if you ever had a Body?”
“Yes, at one time,” answered the Head, “but that is so long ago I can’t remember it. Did you think,” with a pleasant smile, “that I was born just as I am? That a Head would be created without a Body?”
“No, of course not,” said the other. “But how came you to lose your body?”
“Well, I can’t recollect the details; you’ll have to ask Ku-Klip about it,” returned the Head. “For, curious as it may seem to you, my memory is not good since my separation from the rest of me. I still possess my brains and my intellect is as good as ever, but my memory of some of the events I formerly experienced is quite hazy.”
“How long have you been in this cupboard?” asked the Emperor.
“I don’t know.”
“Haven’t you a name?”
“Oh, yes,” said the Head; “I used to be called Nick Chopper, when I was a woodman and cut down trees for a living.”
“Good gracious!” cried the Tin Woodman in astonishment. “If you are Nick Choppe
r’s Head, then you are Me — or I’m You — or — or — What relation are we, anyhow?”
“Don’t ask me,” replied the Head. “For my part, I’m not anxious to claim relationship with any common, manufactured article, like you. You may be all right in your class, but your class isn’t my class. You’re tin.”
The poor Emperor felt so bewildered that for a time he could only stare at his old Head in silence. Then he said:
“I must admit that I wasn’t at all bad looking before I became tin. You’re almost handsome — for meat. If your hair was combed, you’d be quite attractive.”213
“How do you expect me to comb my hair without help?” demanded the Head, indignantly. “I used to keep it smooth and neat, when I had arms, but after I was removed from the rest of me, my hair got mussed, and old Ku-Klip never has combed it for me.”
“I’ll speak to him about it,” said the Tin Woodman. “Do you remember loving a pretty Munchkin girl named Nimmie Amee?”
“No,” answered the Head. “That is a foolish question. The heart in my body — when I had a body — might have loved someone, for all I know, but a head isn’t made to love; it’s made to think.”
“Oh; do you think, then?”
“I used to think.”
“You must have been shut up in this cupboard for years and years. What have you thought about, in all that time?”
“Nothing. That’s another foolish question. A little reflection will convince you that I have had nothing to think about, except the boards on the inside of the cupboard door, and it didn’t take me long to think of everything about those boards that could be thought of. Then, of course, I quit thinking.”
“And are you happy?”
“Happy? What’s that?”214
“Don’t you know what happiness is?” inquired the Tin Woodman.
“I haven’t the faintest idea whether it’s round or square, or black or white, or what it is. And, if you will pardon my lack of interest in it, I will say that I don’t care.”
The Tin Woodman was much puzzled by these answers. His traveling companions had grouped themselves at his back, and had fixed their eyes on the Head and listened to the conversation with much interest, but until now, they had not interrupted because they thought the Tin Woodman had the best right to talk to his own head and renew acquaintance with it.
But now the Tin Soldier remarked:
“I wonder if my old head happens to be in any of these cupboards,” and he proceeded to open all the cupboard doors. But no other head was to be found on any of the shelves.
“Oh, well; never mind,” said Woot the Wanderer; “I can’t imagine what anyone wants of a cast-off head, anyhow.”
“I can understand the Soldier’s interest,” asserted Polychrome, dancing around the grimy workshop until her draperies formed a cloud around her dainty form. “For sentimental reasons a man might like to see his old head once more, just as one likes to revisit an old home.”
“And then to kiss it good-bye,” added the Scarecrow.
“I hope that tin thing won’t try to kiss me goodbye!” exclaimed the Tin Woodman’s former head. “And I don’t see what right you folks have to disturb my peace and comfort, either.”
“You belong to me,” the Tin Woodman declared.
“I do not!”
“You and I are one.”
“We’ve been parted,” asserted the Head. “It would be unnatural for me to have any interest in a man made of tin. Please close the door and leave me alone.”
“I did not think that my old Head could be so disagreeable,” said the Emperor. “I — I’m quite ashamed of myself; meaning you.”
“You ought to be glad that I’ve enough sense to know what my rights are,” retorted the Head. “In this cupboard I am leading a simple life, peaceful and dignified, and when a mob of people in whom I am not interested disturb me, they are the disagreeable ones; not I.”216
With a sigh the Tin Woodman closed and latched the cupboard door and turned away.
“Well,” said the Tin Soldier, “if my old head would have treated me as coldly and in so unfriendly a manner as your old head has treated you, friend Chopper, I’m glad I could not find it.”
“Yes; I’m rather surprised at my head, myself,” replied the Tin Woodman, thoughtfully. “I thought I had a more pleasant disposition when I was made of meat.”
But just then old Ku-Klip the Tinsmith arrived, and he seemed surprised to find so many visitors. Ku-Klip was a stout man and a short man. He had his sleeves rolled above his elbows, showing muscular arms, and he wore a leathern apron that covered all the front of him, and was so long that Woot was surprised he didn’t step on it and trip whenever he walked. And Ku-Klip had a gray beard that was almost as long as his apron, and his head was bald on top and his ears stuck out from his head like two fans. Over his eyes, which were bright and twinkling, he wore big spectacles. It was easy to see that the tinsmith was a kind hearted man, as well as a merry and agreeable one.
“Oh-ho!” he cried in a joyous bass voice; “here are both my tin men come to visit me, and they and their friends are welcome indeed. I’m very proud of you two characters, I assure you, for you are so perfect that you are proof that I’m a good workman. Sit down. Sit down, all of you — if you can find anything to sit on — and tell me why you are here.”
So they found seats and told him all of their adventures that they thought he would like to know. Ku-Klip was glad to learn that Nick Chopper, the Tin Woodman, was now Emperor of the Winkies and a friend of Ozma of Oz, and the tinsmith was also interested in the Scarecrow and Polychrome.
He turned the straw man around, examining him curiously, and patted him on all sides, and then said:
“You are certainly wonderful, but I think you would be more durable and steady on your legs if you were made of tin. Would you like me to — ”
“No, indeed!” interrupted the Scarecrow hastily; “I like myself better as I am.”
But to Polychrome the tinsmith said:
“Nothing could improve you, my dear, for you are the most beautiful maiden I have ever seen. It is pure happiness just to look at you.”218
“That is praise, indeed, from so skillful a workman,” returned the Rainbow’s Daughter, laughing and dancing in and out the room.
“Then it must be this boy you wish me to help,” said Ku-Klip, looking at Woot.
“No,” said Woot, “we are not here to seek your skill, but have merely come to you for information.”
Then, between them, they related their search for Nimmie Amee, whom the Tin Woodman explained he had resolved to marry, yet who had promised to become the bride of the Tin Soldier before he unfortunately became rusted. And when the story was told, they asked Ku-Klip if he knew what had become of Nimmie Amee.
“Not exactly,” replied the old man, “but I know that she wept bitterly when the Tin Soldier did not come to marry her, as he had promised to do. The old Witch was so provoked at the girl’s tears that she beat Nimmie Amee with her crooked stick and then hobbled away to gather some magic herbs, with which she intended to transform the girl into an old hag, so that no one would again love her or care to marry her. It was while she was away on this errand that Dorothy’s house fell on the Wicked Witch, and she turned to dust and blew away. When I heard this good news, I sent Nimmie Amee to find the Silver Shoes which the Witch had worn, but Dorothy had taken them with her to the Emerald City.”221
“Yes, we know all about those Silver Shoes,” said the Scarecrow.
“Well,” continued Ku-Klip, “after that, Nimmie Amee decided to go away from the forest and live with some people she was acquainted with who had a house on Mount Munch. I have never seen the girl since.”
“Do you know the name of the people on Mount Munch, with whom she went to live?” asked the Tin Woodman.
“No, Nimmie Amee did not mention her friend’s name, and I did not ask her. She took with her all that she could carry of the goods that were in the Witch’s house,
and she told me I could have the rest. But when I went there I found nothing worth taking except some magic powders that I did not know how to use, and a bottle of Magic Glue.”
“What is Magic Glue?” asked Woot.
“It is a magic preparation with which to mend people when they cut themselves. One time, long ago, I cut off one of my fingers by accident, and I carried it to the Witch, who took down her bottle and glued it on again for me. See!” showing them his finger, “it is as good as ever it was. No one else that I ever heard of had this Magic Glue, and of course when Nick Chopper cut himself to pieces with his enchanted axe and Captain Fyter cut himself to pieces with his enchanted sword, the Witch would not mend them, or allow me to glue them together, because she had herself wickedly enchanted the axe and sword. Nothing remained but for me to make them new parts out of tin; but, as you see, tin answered the purpose very well, and I am sure their tin bodies are a great improvement on their meat bodies.”
“Very true,” said the Tin Soldier.
“I quite agree with you,” said the Tin Woodman. “I happened to find my old head in your cupboard, a while ago, and certainly it is not as desirable a head as the tin one I now wear.”
“By the way,” said the Tin Soldier, “what ever became of my old head, Ku-Klip?”
“And of the different parts of our bodies?” added the Tin Woodman.
“Let me think a minute,” replied Ku-Klip. “If I remember right, you two boys used to bring me most of your parts, when they were cut off, and I saved them in that barrel in the corner. You must not have brought me all the parts, for when I made Chopfyt I had hard work finding enough pieces to complete the job. I finally had to finish him with one arm.”
“Who is Chopfyt?” inquired Woot.
“Oh, haven’t I told you about Chopfyt?” exclaimed Ku-Klip. “Of course not! And he’s quite a curiosity, too. You’ll be interested in hearing about Chopfyt. This is how he happened:
“One day, after the Witch had been destroyed and Nimmie Amee had gone to live with her friends on Mount Munch, I was looking around the shop for something and came upon the bottle of Magic Glue which I had brought from the old Witch’s house. It occurred to me to piece together the odds and ends of you two people, which of course were just as good as ever, and see if I couldn’t make a man out of them. If I succeeded, I would have an assistant to help me with my work, and I thought it would be a clever idea to put to some practical use the scraps of Nick Chopper and Captain Fyter. There were two perfectly good heads in my cupboard, and a lot of feet and legs and parts of bodies in the barrel, so I set to work to see what I could do.
Complete Works of L. Frank Baum Page 171
