"They're—it's like the crypt in Jordan—they're daemons!"
"Yes, hush. Don't tell Billy, though. Don't tell anyone yet. Come on back."
Behind them, the goose was beating his wings powerfully, throwing snow over the tracks they'd made; and near him, the lost daemons were clustering or drifting away, crying little bleak cries of loss and longing. When the footprints were covered, the goose turned to herd the pale daemons together. He spoke, and one by one they changed, though you could see the effort it cost them, until they were all birds; and like fledglings they followed the witch's daemon, fluttering and falling and running through the snow after him, and finally, with great difficulty, taking off. They rose in a ragged line, pale and spectral against the deep black sky, and slowly gained height, feeble and erratic though some of them were, and though others lost their will and fluttered downward; but the great gray goose wheeled round and nudged them back, herding them gently on until they were lost against the profound dark.
Roger was tugging at Lyra's arm.
"Quick," he said, "they're nearly ready."
They stumbled away to join Billy, who was beckoning from the corner of the main building. The children were tired now, or else the adults had regained some authority, because people were lining up raggedly by the main door, with much jostling and pushing. Lyra and the other two slipped out from the corner and mingled with them, but before they did, Lyra said:
"Pass the word around among all the kids—they got to be ready to escape. They got to know where the outdoor clothes are and be ready to get them and run out as soon as we give the signal. And they got to keep this a deadly secret, understand?"
Billy nodded, and Roger said, "What's the signal?"
"The fire bell," said Lyra. "When the time comes, I'll set it off."
They waited to be counted off. If anyone in the Oblation Board had had anything to do with a school, they would have arranged this better; because they had no regular group to go to, each child had to be ticked off against the complete list,
and of course they weren't in alphabetical order; and none of the adults was used to keeping control. So there was a good deal of confusion, despite the fact that no one was running around anymore.
Lyra watched and noticed. They weren't very good at this at all. They were slack in a lot of ways, these people; they grumbled about fire drills, they didn't know where the outdoor clothes should be kept, they couldn't get children to stand in line properly; and their slackness might be to her advantage.
They had almost finished when there came another distraction, though, and from Lyra's point of view, it was the worst possible.
She heard the sound as everyone else did. Heads began to turn and scan the dark sky for the zeppelin, whose gas engine was throbbing clearly in the still air.
The one lucky thing was that it was coming from the direction opposite to the one in which the gray goose had flown. But that was the only comfort. Very soon it was visible, and a murmur of excitement went around the crowd. Its fat sleek silver form drifted over the avenue of lights, and its own lights blazed downward from the nose and the cabin slung beneath the body.
The pilot cut the speed and began the complex business of adjusting the height. Lyra realized what the stout mast was for: of course, it was a mooring mast. As the adults ushered the children inside, with everyone staring back and pointing, the ground crew clambered up the ladders in the mast and prepared to attach the mooring cables. The engines were roaring, and snow was swirling up from the ground, and the faces of passengers showed in the cabin windows.
Lyra looked, and there was no mistake. Pantalaimon clutched at her, became a wildcat, hissed in hatred, because looking out with curiosity was the beautiful dark-haired head of Mrs. Coulter, with her golden daemon in her lap.
Sixteen
The Silver Guillotine
Lyra ducked her head at once under the shelter of her wolverine hood, and shuffled in through the double doors with the other children. Time enough later to worry about what she'd say when they came face to face: she had another problem to deal with first, and that was how to hide her furs where she could get at them without asking permission.
But luckily, there was such disorder inside, with the adults trying to hurry the children through so as to clear the way for the passengers from the zeppelin, that no one was watching very carefully. Lyra slipped out of the anorak, the leggings, and the boots and bundled them up as small as she could before shoving through the crowded corridors to her dormitory.
Quickly she dragged a locker to the corner, stood on it, and pushed at the ceiling. The panel lifted, just as Roger had said, and into the space beyond she thrust the boots and leggings. As an afterthought, she took the alethiometer from her pouch and hid it in the inmost pocket of the anorak before shoving that through too.
She jumped down, pushed back the locker, and whispered to Pantalaimon, "We must just pretend to be stupid till she sees us, and then say we were kidnapped. And nothing about the gyptians or Iorek Byrnison especially."
Because Lyra now realized, if she hadn't done so before, that all the fear in her nature was drawn to Mrs. Coulter as a compass needle is drawn to the Pole. All the other things she'd seen, and even the hideous cruelty of the intercision, she could cope with; she was strong enough; but the thought of that sweet face and gentle voice, the image of that golden playful monkey, was enough to melt her stomach and make her pale and nauseated.
But the gyptians were coming. Think of that. Think of Iorek Byrnison. And don't give yourself away, she said, and drifted back toward the canteen, from where a lot of noise was coming.
Children were lining up to get hot drinks, some of them still in their coal-silk anoraks. Their talk was all of the zeppelin and its passenger.
"It was her—with the monkey daemon—"
"Did she get you, too?"
"She said she'd write to my mum and dad and I bet she never...."
"She never told us about kids getting killed. She never said nothing about that."
"That monkey, he's the worst—he caught my Karossa and nearly killed her—I could feel all weak...."
They were as frightened as Lyra was. She found Annie and the others, and sat down.
"Listen," she said, "can you keep a secret?"
"Yeah!"
The three faces turned to her, vivid with expectation.
"There's a plan to escape," Lyra said quietly. "There's some people coming to take us away, right, and they'll be here in about a day. Maybe sooner. What we all got to do is be ready as soon as the signal goes and get our cold-weather clothes at once and run out. No waiting about. You just got to run. Only if you don't get your anoraks and boots and stuff, you'll die of cold."
"What signal?" Annie demanded.
"The fire bell, like this afternoon. It's all organized. All the kids're going to know and none of the grownups. Especially not her."
Their eyes were gleaming with hope and excitement. And all through the canteen the message was being passed around. Lyra could tell that the atmosphere had changed. Outside, the children had been energetic and eager for play; then when they had seen Mrs. Coulter they were bubbling with a suppressed hysterical fear; but now there was a control and purpose to their talkativeness. Lyra marveled at the effect hope could have.
She watched through the open doorway, but carefully, ready to duck her head, because there were adult voices coming, and then Mrs. Coulter herself was briefly visible, looking in and smiling at the happy children, with their hot drinks and their cake, so warm and well fed. A little shiver ran almost instantaneously through the whole canteen, and every child was still and silent, staring at her.
Mrs. Coulter smiled and passed on without a word. Little by little the talk started again.
Lyra said, "Where do they go to talk?"
"Probably the conference room," said Annie. "They took us there once," she added, meaning her and her daemon. "There was about twenty grownups there and one of 'em was giving a le
cture and I had to stand there and do what he told me, like seeing how far my Kyrillion could go away from me, and then he hypnotized me and did some other things....It's a big room with a lot of chairs and tables and a little platform. It's behind the front office. Hey, I bet they're going to pretend the fire drill went off all right. I bet they're scared of her, same as we are...."
For the rest of the day, Lyra stayed close to the other girls, watching, saying little, remaining inconspicuous. There was exercise, there was sewing, there was supper, there was playtime in the lounge: a big shabby room with board games and a few tattered books and a table-tennis table. At some point Lyra and the others became aware that there was some kind of subdued emergency going on, because the adults were hurrying to and fro or standing in anxious groups talking urgently. Lyra guessed they'd discovered the daemons' escape, and were wondering how it had happened.
But she didn't see Mrs. Coulter, which was a relief. When it was time for bed, she knew she had to let the other girls into her confidence.
"Listen," she said, "do they ever come round and see if we're asleep?"
"They just look in once," said Bella. "They just flash a lantern round, they don't really look."
"Good. 'Cause I'm going to go and look round. There's a way through the ceiling that this boy showed me...."
She explained, and before she'd even finished, Annie said, "I'll come with you!"
"No, you better not, 'cause it'll be easier if there's just one person missing. You can all say you fell asleep and you don't know where I've gone."
"But if I came with you—"
"More likely to get caught," said Lyra.
Their two daemons were staring at each other, Pantalaimon as a wildcat, Annie's Kyrillion as a fox. They were quivering. Pantalaimon uttered the lowest, softest hiss and bared his teeth, and Kyrillion turned aside and began to groom himself unconcernedly.
"All right then," said Annie, resigned.
It was quite common for struggles between children to be settled by their daemons in this way, with one accepting the dominance of the other. Their humans accepted the outcome without resentment, on the whole, so Lyra knew that Annie would do as she asked.
They all contributed items of clothing to bulk out Lyra's bed and make it look as if she was still there, and swore to say they knew nothing about it. Then Lyra listened at the door to make sure no one was coming, jumped up on the locker, pushed up the panel, and hauled herself through.
"Just don't say anything," she whispered down to the three faces watching.
Then she dropped the panel gently back into place and looked around.
She was crouching in a narrow metal channel supported in a framework of girders and struts. The panels of the ceilings were slightly translucent, so some light came up from below, and in the faint gleam Lyra could see this narrow space (only two feet or so in height) extending in all directions around her. It was crowded with metal ducts and pipes, and it would be easy to get lost in, but provided she kept to the metal and avoided putting any weight on the panels, and as long as she made no noise, she should be able to go from one end of the station to the other.
"It's just like back in Jordan, Pan," she whispered, "looking in the Retiring Room."
"If you hadn't done that, none of this would have happened," he whispered back.
"Then it's up to me to undo it, isn't it?"
She got her bearings, working out approximately which direction the conference room was in, and then set off. It was a far from easy journey. She had to move on hands and knees, because the space was too low to crouch in, and every so often she had to squeeze under a big square duct or lift herself over some heating pipes. The metal channels she crawled in followed the tops of internal walls, as far as she could tell, and as long as she stayed in them she felt a comforting solidity below her; but they were very narrow, and had sharp edges, so sharp that she cut her knuckles and her knees on them, and before long she was sore all over, and cramped, and dusty.
But she knew roughly where she was, and she could see the dark bulk of her furs crammed in above the dormitory to guide her back. She could tell where a room was empty because the panels were dark, and from time to time she heard voices from below, and stopped to listen, but it was only the cooks in the kitchen, or the nurses in what Lyra, in her Jordan way, thought of as their common room. They were saying nothing interesting, so she moved on.
At last she came to the area where the conference room should be, according to her calculations; and sure enough, there was an area free of any pipework, where air conditioning and heating ducts led down at one end, and where all the panels in a wide rectangular space were lit evenly. She placed her ear to the panel, and heard a murmur of male adult voices, so she knew she had found the right place.
She listened carefully, and then inched her way along till she was as close as she could get to the speakers. Then she lay full length in the metal channel and leaned her head sideways to hear as well as she could.
There was the occasional clink of cutlery, or the sound of glass on glass as drink was poured, so they were having dinner as they talked. There were four voices, she thought, including Mrs. Coulter's. The other three were men. They seemed to be discussing the escaped daemons.
"But who is in charge of supervising that section?" said Mrs. Coulter's gentle musical voice.
"A research student called McKay," said one of the men. "But there are automatic mechanisms to prevent this sort of thing happening—"
"They didn't work," she said.
"With respect, they did, Mrs. Coulter. McKay assures us that he locked all the cages when he left the building at eleven hundred hours today. The outer door of course would not have been open in any case, because he entered and left by the inner door, as he normally did. There's a code that has to be entered in the ordinator controlling the locks, and there's a record in its memory of his doing so. Unless that's done, an alarm goes off."
"But the alarm didn't go off," she said.
"It did. Unfortunately, it rang when everyone was outside, taking part in the fire drill."
"But when you went back inside—"
"Unfortunately, both alarms are on the same circuit; that's a design fault that will have to be rectified. What it meant was that when the fire bell was turned off after the practice, the laboratory alarm was turned off as well. Even then it would still have been picked up, because of the normal checks that would have taken place after every disruption of routine; but by that time, Mrs. Coulter, you had arrived unexpectedly, and if you recall, you asked specifically to meet the laboratory staff there and then, in your room. Consequently, no one returned to the laboratory until some time later."
"I see," said Mrs. Coulter coldly. "In that case, the daemons must have been released during the fire drill itself. And that widens the list of suspects to include every adult in the station. Had you considered that?"
"Had you considered that it might have been done by a child?" said someone else.
She was silent, and the second man went on:
"Every adult had a task to do, and every task would have taken their full attention, and every task was done. There is no possibility that any of the staff here could have opened the door. None. So either someone came from outside altogether with the intention of doing that, or one of the children managed to find his way there, open the door and the cages, and return to the front of the main building."
"And what are you doing to investigate?" she said. "No; on second thought, don't tell me. Please understand, Dr. Cooper, I'm not criticizing out of malice. We have to be quite extraordinarily careful. It was an atrocious lapse to have allowed both alarms to be on the same circuit. That must be corrected at once. Possibly the Tartar officer in charge of the guard could help your investigation? I merely mention that as a possibility. Where were the Tartars during the fire drill, by the way? I suppose you have considered that?"
"Yes, we have," said the man wearily. "The guard was fully occupied on patr
ol, every man. They keep meticulous records."
"I'm sure you're doing your very best," she said. "Well, there we are. A great pity. But enough of that for now. Tell me about the new separator."
Lyra felt a thrill of fear. There was only one thing this could mean.
"Ah," said the doctor, relieved to find the conversation turning to another subject, "there's a real advance. With the first model we could never entirely overcome the risk of " the patient dying of shock, but we've improved that no end."
"The Skraelings did it better by hand," said a man who hadn't spoken yet.
"Centuries of practice," said the other man.
"But simply tearing was the only option for some time," said the main speaker, "however distressing that was to the adult operators. If you remember, we had to discharge quite a number for reasons of stress-related anxiety. But the first big breakthrough was the use of anesthesia combined with the Maystadt anbaric scalpel. We were able to reduce death from operative shock to below five percent."
"And the new instrument?" said Mrs. Coulter.
Lyra was trembling. The blood was pounding in her ears, and Pantalaimon was pressing his ermine form against her side, and whispering, "Hush, Lyra, they won't do it—we won't let them do it—"
"Yes, it was a curious discovery by Lord Asriel himself that gave us the key to the new method. He discovered that an alloy of manganese and titanium has the property of insulating body from daemon. By the way, what is happening with Lord Asriel?"
"Perhaps you haven't heard," said Mrs. Coulter. "Lord Asriel is under suspended sentence of death. One of the conditions of his exile in Svalbard was that he give up his philosophical work entirely. Unfortunately, he managed to obtain books and materials, and he's pushed his heretical investigations to the point where it's positively dangerous to let him live. At any rate, it seems that the Vatican Council has begun to debate the question of the sentence of death, and the probability is that it'll be carried out. But your new instrument, Doctor. How does it work?"
His Dark Materials 01 - The Golden Compass Page 24
