'Get it yourself!' She turned to go.
'C'mon, doll, my leg.' He gestured at the scar left by his previous encounter with Barry Fitzgerald, and suppressed a wry grin. He knew he had her over a barrel.
'Fine, but I'm telling Sarah.' She pulled out the ultimate threat, telling his wife. Morton knew it had been a mistake to let them meet at a police function the previous Christmas. He was normally savvy enough to skip work socials, or at least leave Sarah at home. She didn't do much for his macho image, as she loved to tell embarrassing stories, even from decades ago. She took after her mother that way.
Morton mimed having been shot in the head as Debra went to fetch his coffee.
Chapter 51: Marylebone
The failed attempt had forced Ant back to the drawing board. Now that he had followed Josef once, there was a chance that he would recognise Ant the next time, and be on guard. Ant hadn't planned for that, and knew that he needed to follow through the second time because there might not be a third opportunity.
Extensive web searches helped pinpoint Gershwin's workplace. He was an architect based at Greagor, Gershwin and Hopkins LLP in Palgrave Gardens. A Marylebone firm, their offices overlooked the railway leading out of the station of Monopoly board fame. It was a noisy area, particularly during peak commuting times, and Ant knew that he could simply shift his plan's location but leave it otherwise unchanged. The obvious place to attempt to extract revenge would be the firm's car park, which appeared to be in the basement. If he could get in there then the odds of a witness would be greatly diminished, as it was fairly private.
The danger this time would be co-workers using the same car park. If one saw him he'd be rumbled. He'd also have to avoid any internal CCTV, and manage to sneak into the car park without being seen. It was a tall order, but not impossible. The car park had one entrance for cars that came up on the road, and was just about wide enough to allow one car in and one out at the same time. Barriers were used to prevent unauthorised entry, but a pedestrian could easily duck under, or climb over those.
The issue was the CCTV. The entrance was bound to be covered, and it would be even harder to obtain access through the building's internal lift as he would certainly be seen trying to go through reception.
A disguise would be the only way to go in unnoticed. In London maintenance men were virtually invisible. Jeans, a blue shirt and a tool kit would open more doors than trying to pretend to work there. A suit that wasn't a regular would be greeted, asked questions of, and remembered even if the individual encountered didn't call security. A man repainting a few lines on the floor had an excellent excuse to loiter for hours, slowly repainting the demarcation lines of the parking spaces. If he was challenged he'd simply say the landlord sent him. With several floors, and different leaseholders on each, they would all assume that one of the other tenants had hired him, and leave him be with minimal questioning.
It also gave him a great excuse to carry a makeshift weapon. A wrench would be an easy way to clobber Yosef Gershwin, and he could always pop the wrench back in the tool kit to carry it out of there unnoticed. By the time anyone realised malfeasance had taken place, he would be long gone.
***
His attire was almost that of the archetypal handyman. A waterproof beanie obscured his brow to help prevent identification, and a bulky toolset around the waist made him appear far more rotund than he was in reality. This was reinforced by baggy jeans, and a dark blue work shirt that was so fungible it could have been worn by anyone. He wore a ratty grey jacket over the top to add pocket space to his attire. A large blue toolbox rounded off the look, bought that morning from a charity shop in Wimbledon. Even the boots were as mass-market as they could be, and the newness would mean that the soles had not had time to wear, so any footprint impressions would be rendered virtually useless.
He had a tin of paint in the opposing hand to the toolbox, and was carrying a small brush to repaint the four-inch lines in the car park. He aimed to get to the car park at half four. Much later than that and he would be cutting it too fine, not to mention it would be odd seeing a handyman start so late in the day. He knew his target would want to get to Guy's Hospital after work, and the visiting hours in his son's ward began at six and ended at eight. It was likely therefore that he would make an appearance between half past five, and quarter to six.
By the time 5.30 p.m. rolled around Ant had repainted almost sixty of the hundred or so spaces in the car park. His work had been surprisingly neat. He knew that diligence would let him work without being accosted, whereas sloppy lines would garner attention.
He didn't have to wait much longer, as his target emerged from the lift at 5.34 p.m. The problem was that he was not alone. He stopped to talk to the other man beside his car, and Ant began to tense, knowing what he had to do. He kept his head down, watching the pair out of the corner of his eye. They were over fifty feet away, and so far Yosef had not recognised Ant from their brief encounter near the hospital.
The pair broke apart with a handshake, with the stranger getting into his car. Ant knew the timing would be tight. He needed the potential witness to leave, but Yosef to remain behind. He was a few feet from Yosef's car, and began to redo the line adjacent to it. As Yosef strolled over he realised that the car would have to be reversed carefully to avoid getting paint on his tyres.
'What are you doing? Get that paint away from my alloys!' Yosef's tone was haggard, as if he had had a particularly arduous day.
'Jus' paintin'.' Ant replied, his voice thick and nasal. He played up the idiotic handyman stereotype. He needed to buy time.
'Well, stop.'
'No can do, suh. I got me deadlines.' Each syllable was slow and deliberate. As he finished talking the first man's car left the parking lot. It was now or never.
'Hurry up and get out of my bloody way.' Yosef tone turned aggressive, the weariness from before melting in an instant.
Ant seized his toolbox with his left hand, putting the paint brush in as if to comply. He stood slowly, with his back to Yosef. The wrench fit snugly in the pit of an elbow as he held his arm to his chest to conceal it. He placed the right hand on one end, and turned quickly, lunging at Yosef.
Yosef reacted far quicker than he expected, seizing his wrist, and bringing a knee up to his groin. He doubled over, briefly wracked with pain as a throbbing sensation emanated from the hit. With a howl of pain he charged forward, knocking Yosef to the floor. His wrench lay abandoned on the floor a few feet behind him, dropped during the struggle. Yosef went for his eyes, attempting a quick jab that Ant narrowly dodged before rolling to his side and straightening up.
Yosef tensed, one foot in front of the other in a stance Ant didn't recognise. In full bloodlust, he charged, right fisted cocked behind him. As the blow landed Yosef turned his cheek, diffusing the force of the throw. Ant yelped. He had broken one of the cardinal rules of hitting someone. Jaws break fingers, not the other way around.
Blood oozed from his fingers as he considered his next move. Realising that he couldn't win hand-to-hand he dove for the wrench. He picked it up, and then spun on his right heel, swinging the tool wildly. He caught Yosef's arm, sending him crumpling to the floor. Yosef tried to kick out as Ant advanced, but this time he was ready and deftly sidestepped. Seconds later he crushed Yosef's skull with one powerful blow, the weight of his body behind the blow. Yosef's body went into spasm then fell still.
He was dead.
Ant turned to flee, his bloodied hand tucked up inside his jacket pocket. The paint can lay abandoned. With one good hand he had to make a choice between it and the toolbox. He gave the paint can a quick wipe with his shirt to remove any fingerprints, and fled.
Chapter 52: Devastation
Forensics had finally sorted all the debris collected on site, and were slowly processing it all. Plastics, glass and organics had been ignored temporarily to focus on the metal shrapnel, as it would be the only source of clues as to what kind of trigger had been used, and by whom.
>
Several fused chunks of electronics were found, but a great deal of heat had been applied to them during the explosion. Where the victim had been shielded by the metal bodywork of the car, the electronics inside the petrol tank had not been so fortunate. While that did make it easy to distinguish between the electronics used in the bomb, which were worst hit, and the electronics in the car itself such as the CD player, which were shielded by the other components, it did mean the evidence had been irreversibly damaged.
At the most basic level the device appeared to be a circuit board for receiving radio signals, connected to an even smaller device that generated the killer spark. It was likely the receiver had been salvaged from a cheap mobile. A basic GSM 900 mobile would have been perfect for the job as it would only receive signals in one radio frequency band, and not be set off accidentally by a television or radio signal, which operates at lower frequencies than the mobile phone network.
'Could the bomber have simply set it off by text?' Brown asked the tech showing him the remains.
'Yes, sir, perfectly possible.'
'But then he'd need line of sight in order to target the timing of the explosion.'
'If he had a specific target in mind, then yes, sir.'
'You think it wasn't deliberate? That the bomber just picked a random house and rigged their car to explode?'
'Possibly but not necessarily, sir. It could have been a signal, a warning shot, not intended to kill. Or it could have been an attempt to kill any one of those living with Mr Jake Randall.'
'Hmm. I can't rule it out, but my gut says if you just wanted to send a signal then you would simply use a timer. It's much quicker and easier. Salvaging the circuits for a remote activation takes a fair amount of effort, even if it isn't all that complicated.'
'You're the boss, sir.'
Inspector Brown glared at him. He hated the passive-aggressive types that he often dealt with in the lab.
'If you've got something to say, say it. No? I thought not.' With that, he left the tech to sort through the rubble, and went back to his office to collect his thoughts.
***
Nurse Jayne Heath was desperate to get through.
'Come on, come on. Pick up!' She urged the phone. It was no use; the number kept ringing off to voicemail after eight rings. She shook her head in dismay. At this rate she'd simply have to leave a voicemail. The mobile number wasn't getting through either, and come to think of it she hadn't seen Mr Gershwin for a while. It wasn't unusual for her to miss a patient's visitors though. Guy's worked on a rota basis, so she was often working at different times each week.
She sighed, resigning herself to conveying bad news by voicemail. Dialling through one more time, she waited for the obnoxious voicemail message begging her to leave a message. The tone beeped, and Jayne began to speak. She knew she had to keep the message short and professional.
'Mr Gershwin, Jayne Heath here from Guy's Hospital. Your son's condition has deteriorated. Please come in, or call me back at your earliest convenience.'
She wanted to say more. Yosef wasn't just the father of one of her patients; she had begun to get to know him over a number of cups of tea while he sat at Zachariah's bedside over the past four years. Hospital policy, however, had other ideas. It was against departmental rules to give out details on the phone, both because of data protection concerns and to prevent the parent becoming panicked. Thus Jayne was constrained to using catch-all terms like 'deteriorated' when in reality the situation was much more dire.
Zachariah had suffered with recurrent infections since birth, a complication of being a Tay-Sachs child. For the most part these had been treated with simple antibiotics, albeit at a dose much greater than that usually wielded by general practitioners. The problem with long-term use was that the body built up a tolerance to the antibiotics, necessitating ever-greater concentrations be used.
The most recent infection was mastoiditis. Jayne read from the chart, trying to work out when his next dose was due.
'Looks like you had one dose after your headache this morning.' The boy couldn't hear her. The Tay-Sachs had already rendered him almost deaf, and it was because of this that they missed the first major warning sign of mastoiditis, hearing loss. Without the warning signs the infection had advanced unchecked. Complications had arisen before treatment had even begun, with an epidural abscess arising first.
They needed consent to insert a catheter into the epidural space to drain the pus, but without contacting Yosef they would be unable to proceed unless the procedure became necessary to prevent loss of life. Jayne's hands were tied. She could only act once it was established the treatment was vital, and it would be unsafe to wait for consent, but at the moment Zachariah was stable. He wouldn't remain that way for long.
***
Detective Chief Inspector Morton rubbed his hands with glee. The crime scene was spattered with blood. The last few scenes he had attended were pristine, almost clinical in their presentation, and the lack of forensics had made it nearly impossible to hunt down those responsible.
'The question is, whose blood is it?' WPC Debra Stevenson was quick to jump in with the obvious as always.
'I doubt one man got beaten this badly without the other getting nicked at all. Look.' Morton gestured at the spatters leading away from the body towards the car. The scene was peppered with droplets of blood.
Mitch, the crime scene tech, was pretending not to listen to the detectives' conversation but couldn't prevent himself from chiming in.
'Look at the spatter closely. We've got several clear concentrations of droplets on the scene. Near the body we've got low-velocity spatter.'
'What's that?' WPC Stevenson chirped up again. Morton's face fell to his hands. Didn't they teach the basics anymore?
'Blood drips from an injury. These show us where the bleeder went after being injured. It's mostly gravity moving the drops, but with a little bit of directionality as the person moved. See, there is a thicker concentration near the point of origin.'
'What about this?' She pointed at a thinner line pointing away from the body towards one of the columns supporting the building above.
'Medium-velocity spatter. Probably the victim's. The heart pumps fast-spewing blood out of the fresh wound. It's likely what killed him, although Chiswick will say for sure. It wasn't done with a gun, otherwise the spray would be much finer. I'd hazard a guess at blunt force trauma. Again, don't quote me on that.'
'Thanks, Mitch.' Morton had everything he needed. If the blood didn't match the victim, he'd be able to nail his killer.
Forensics would finish up without any further input from Morton. By noon a manila folder full of scene photos would be on his desk, neatly printed on ten-by-eight-inch photographic paper. At the same time the body would make its way to the morgue for examination. Morton had a few hours before he would be needed at the conclusion of the autopsy.
'C'mon, doll, let's go see if we can get ourselves some CCTV footage.' He gestured at the entrance, where a camera hung over the 'in' lane to the underground car park.
***
Jayne had taken the decision to proceed without Yosef's consent. She had honestly tried to respect his wishes, but she had not been able to reach him after a full day of trying. Her voicemail messages went unanswered, and she had to assume responsibility for making the decisions regarding Zach's care. Pus had built up between the dura, or outer membrane covering the spinal cord, and the skull. Pressure built rapidly, increasing intracranial pressure. His brain was being crushed inside his skull. The boy was being surprisingly stiff-upper-lipped about the whole thing. Jayne had barely heard a peep out of him in hours, and it worried her. The pain should have been immense, and the lack of fanfare made her wonder if he had begun to lose brain function.
In some ways it was a blessing. Zach had suffered immensely during his four short years on the planet. It was immeasurably cruel that someone so young and innocent should suffer so. Now he was preparing once again for surgery. T
he pressure needed to be relieved, and the pus drawn off to prevent the pressure building once again. He was not an ideal candidate for surgery. His tolerance for anaesthesia was low, after being subjected to it innumerable times to help deal with the symptoms of his condition. He was not a healthy boy, but they had no choice but to operate. To fail to act would be a death sentence.
***
'I need the feeds from the camera at the car park entrance,' Morton demanded.
He was in a small office in the building above the car park, surrounded by computer equipment. The ventilation was sadly lacking. Beads of perspiration began to roll down Morton's brow as he felt the heat coming off the mainframes.
'Sure, but it ain't gonna do ya much good.' The reply came from a fat, toad-like man splayed out in a leather office chair, crumbs from his mid-morning snack scattered over his clothing. He clearly didn't get many visitors to his realm.
'Just give me the tapes.'
'There ain't none.'
'They're dummy cameras?' Morton shook his head in disbelief. Only in London would a multi-million-pound building cheap out on basic security.
'Naw. LPR, mate.'
'Damn.' LPR, or licence plate recognition, was a relatively new technology. Rather than storing huge amounts of data recording on analogue video feed, the cameras just focussed on the licence plates of the vehicles entering.
'I can give you the logs.' The man wheezed slightly as he rose to print them off.
'What do you record?'
'A number of data points. The number plate of course, but also which space they park in, as each space has a sensor above them indicating occupancy. We needed that as some of the companies were moaning that the others were using their spaces. They're all pre-allocated, see, goes with the lease. Then we got time logged for both entry and exit.'
'Why use it?'
'Central London, innit? Loads of people looking for a free place to park, especially this close to the station.'
The DCI Morton Box Set Page 21
