"Cheer up, my dear," Amy said, as the wind picked up the ribbons and tore them from the poles and lifted the dust and made the flags flap, "a girl likes a cheerful face." And suddenly she became raucous and merry, slapping Mr. Chalfont on his back, pinching his arm, saying, "Let's have a little Jubilee spirit, dear," taking her revenge for a world of uncongenial partners on old Mr. Chalfont. You couldn't call him anything else now but old Mr. Chalfont.
Brother
The Communists were the first to appear. They walked quickly, a group of about a dozen, up the boulevard which runs from Combat to Ménilmontant; a young man and a girl lagged a little way behind because the man's leg was hurt and the girl was helping him along. They looked impatient, harassed, hopeless, as if they were trying to catch a train which they knew already in their hearts they were too late to catch.
The proprietor of the café saw them coming when they were still a long way off; the lamps at that time were still alight (it was later that the bullets broke the bulbs and dropped darkness all over that quarter of Paris), and the group showed up plainly in the wide barren boulevard. Since sunset only one customer had entered the café, and very soon after sunset firing could be heard from the direction of Combat; the Métro station had closed hours ago. And yet something obstinate and undefeatable in the proprietor's character prevented him from putting up the shutters; it might have been avarice; he could not himself have told what it was as he pressed his broad yellow forehead against the glass and stared this way and that, up the boulevard and down the boulevard.
But when he saw the group and their air of hurry he began immediately to close his café. First he went and warned his only customer, who was practising billiard shots, walking round and round the table, frowning and stroking a thin moustache between shots, a little green in the face under the low diffused lights.
"The Reds are coming," the proprietor said, "you'd better be off. I'm putting up the shutters."
"Don't interrupt. They won't harm me," the customer said. "This is a tricky shot. Red's in baulk. Off the cushion. Screw on spot." He shot his ball straight into a pocket.
"I knew you couldn't do anything with that," the proprietor said, nodding his bald head. "You might just as well go home. Give me a hand with the shutters first. I've sent my wife away." The customer turned on him maliciously, rattling the cue between his fingers. "It was your talking that spoilt the shot. You've cause to be frightened, I dare say. But I'm a poor man. I'm safe. I'm not going to stir." He went across to his coat and took out a dry cigar. "Bring me a bock." He walked round the table on his toes and the balls clicked and the proprietor padded back into the bar, elderly and irritated. He did not fetch the beer but began to close the shutters; every move he made was slow and clumsy. Long before he had finished the group of Communists was outside.
He stopped what he was doing and watched them with furtive dislike. He was afraid that the rattle of the shutters would attract their attention. If I am very quiet and still, he thought, they may go on, and he remembered with malicious pleasure the police barricade across the Place de la République. That will finish them. In the meanwhile I must be very quiet, very still, and he felt a kind of warm satisfaction at the idea that worldly wisdom dictated the very attitude most suited to his nature. So he stared through the edge of a shutter, yellow, plump, cautious, hearing the billiard balls crackle in the other room, seeing the young man come limping up the pavement on the girl's arm, watching them stand and stare with dubious faces up the boulevard towards Combat.
But when they came into the café he was already behind the bar, smiling and bowing and missing nothing, noticing how they had divided forces, how six of them had begun to run back the way they had come.
The young man sat down in a dark corner above the cellar stairs and the others stood round the door waiting for something to happen. It gave the proprietor an odd feeling that they should stand there in his café not asking for a drink, knowing what to expect, when he, the owner, knew nothing, understood nothing. At last the girl said "Cognac," leaving the others and coming to the bar, but when he had poured it out for her, very careful to give a fair and not a generous measure, she simply took it to the man sitting in the dark and held it to his mouth.
"Three francs," the proprietor said. She took the glass and sipped a little and turned it so that the man's lips might touch the same spot. Then she knelt down and rested her forehead against the man's forehead and so they stayed.
"Three francs," the proprietor said, but he could not make his voice bold. The man was no longer visible in his corner, only the girl's back, thin and s four glasses with brandy. They stretched out worn blunted fingers for them.
"Wait," he said. "I've got something better than this"; then paused, conscious of what was happening across the boulevard. The lamplight splashed down on blue steel helmets; the Gardes Mobiles were lining out across the entrance to the Faubourg, and a machine-gun pointed directly at the café windows.
So, the proprietor thought, my prayers are answered. Now I must do my part not look, not warn them, save myself. Have they covered the side door? I will get the other bottle. Real Napoleon brandy. Share and share alike.
He felt a curious lack of triumph as he opened the trap of the bar and came out. He tried not to walk quickly back towards the billiard room. Nothing that he did must warn these men; he tried to spur himself with the thought that every slow casual step he took was a blow for France, for his café, for his savings. He had to step over the girl's feet to pass her; she was asleep. He noted the sharp shoulder blades thrusting through the cotton, and raised his eyes and met her brother's, filled with pain and despair.
He stopped. He found he could not pass without a word. It was as if he needed to explain something, as if he belonged to the wrong party. With false bonhomie he waved the corkscrew he carried in the other's face. "Another cognac, eh?"
"It's no good talking to them," the Red said. "They're German. They don't understand a word."
"German?"
"That's what's wrong with his leg. A concentration camp."
The proprietor told himself that he must be quick, that he must put a door between him and them, that the end was very close, but he was bewildered by the hopelessness in the man's gaze. "What's he doing here?" Nobody answered him. It was as if his question were too foolish to need a reply. With his head sunk upon his breast the proprietor went past, and the girl slept on. He was like a stranger leaving a room where all the rest are friends. A German. They don't understand a word; and up, up through the heavy darkness of his mind, through the avarice and the dubious triumph, a few German words remembered from very old days climbed like spies into the light: a line from the Lorelei learnt at school, Kamerad with its war-time suggestion of fear and surrender, and oddly from nowhere the phrase mein Bruder. He opened the door of the billiard room and closed it behind him and softly turned the key.
"Spot in baulk," the customer explained and leant across the great green table, but while he took aim, wrinkling his narrow peevish eyes. the firing started. It came in two bursts with a rip of glass between. The girl cried out something, but it was not one of the words he knew. Then feet ran across the floor, the trap of the bar slammed. The proprietor sat back against the table and listened and listened for any further sound; but silence came in under the door and silence through the keyhole.
"The cloth. My God, the cloth," the customer said, and the proprietor looked down at his own hand which was working the corkscrew into the table.
"Will this absurdity never end?" the customer said. "I shall go home."
"Wait," the proprietor said. "Wait." He was listening to voices and footsteps in the other room. These were voices he did not recognize. Then a car drove up and presently drove away again. Somebody rattled the handle of the door.
"Who is it?" the proprietor called.
"Who are you? Open that door."
"Ah," the customer said with relief, "the police. Where was I now? Spot in baulk." He began to c
halk his cue. The proprietor opened the door. Yes, the Gardes Mobiles had arrived; he was safe again, though his windows were smashed. The Reds had vanished as if they had never been. He looked at the raised trap, at the smashed electric bulbs, at the broken bottle which dripped behind the bar. The café was full of men, and he remembered with odd relief that he had not had time to lock the side door.
"Are you the owner?" the officer asked. "A bock for each of these men and a cognac for myself. Be quick about it."
The proprietor calculated: "Nine francs fifty," and watched closely with bent head the coins rattle down upon the counter.
"You see," the officer said with significance, "we pay." He nodded towards the side door. "Those others: did they pay?"
No, the proprietor admitted, they had not paid, but as he counted the coins and slipped them into the till, he caught himself silently repeating the officer's order—"A bock for each of these men." Those others, he thought, one's got to say that for them, they weren't mean about the drink. It was four cognacs with them. But, of course, they did not pay. "And my windows," he complained aloud with sudden asperity, "what about my windows?"
"Never you mind," the officer said, "the government will pay. You have only to send in your bill. Hurry up now with my cognac. I have no time for gossip."
"You can see for yourself," the proprietor said, "how the bottles have been broken. Who will pay for that?"
"Everything will be paid for," the officer said.
"And now I must go to the cellar to fetch more."
He was angry at the reiteration of the word pay. They enter my café, he thought, they smash my windows, they order me about and think that all is well if they pay, pay, pay. It occurred to him that these men were intruders.
"Step to it," the officer said and turned and rebuked one of the men who had leant his rifle against the bar.
At the top of the cellar stairs the proprietor stopped. They were in darkness, but by the light from the bar he could just make out a body half-way down. He began to tremble violently, and it was some seconds before he could strike a match. The young German lay head downwards, and the blood from his head had dropped on to the step below. His eyes were open and stared back at the proprietor with the old despairing expression of life. The proprietor would not believe that he was dead. "Kamerad," he said bending down, while the match singed his fingers and went out, trying to recall some phrase in German, but he could only remember, as he bent lower still, "mein Bruder." Then suddenly he turned and ran up the steps, waved the match-box in the officer's face, and called out in a low hysterical voice to him and his men and to the customer stooping under the low green shade, "Cochons. Cochons."
"What was that? What was that?" the officer exclaimed. "Did you say that he was your brother? It's impossible," and he frowned incredulously at the proprietor and rattled the coins in his pocket.
Proof Positive
The tired voice went on. It seemed to surmount enormous obstacles to speech. The man's sick, Colonel Crashaw thought with pity and irritation. When a young man he had climbed in the Himalayas, and he remembered how at great heights several breaths had to be taken for every step advanced. The five-foot-high platform in the Music Rooms of The Spa seemed to entail for the speaker some of the same effort. He should never have come out on such a raw afternoon, thought Colonel Crashaw, pouring out a glass of water and pushing it across the lecturer's table. The rooms were badly heated, and yellow fingers of winter fog felt for cracks in the many windows. There was little doubt that the speaker had lost all touch with his audience. It was scattered in patches about the hall—elderly ladies who made no attempt to hide their cruel boredom, and a few men, with the appearance of retired officers, who put up a show of attention.
Colonel Crashaw, as president of the local Psychical Society, had received a note from the speaker a little more than a week before. Written by a hand which trembled with sickness, age or drunkenness, it asked urgently for a special meeting of the society. An extraordinary, a really impressive, experience was to be described while still fresh in the mind, though what the experience had been was left vague. Colonel Crashaw would have hesitated to comply if the note had not been signed by a Major Philip Weaver, Indian Army, retired. One had to do what one could for a brother officer; the trembling of the hand must be either age or sickness.
It proved principally to be the latter when the two men met for the first time on the platform. Major Weaver was not more than sixty, tall, thin, and dark, with an ugly obstinate nose and satire in his eye, the most unlikely person to experience anything unexplainable. What antagonized Crashaw most was that Weaver used scent; a white handkerchief which drooped from his breast pocket exhaled as rich and sweet an odour as a whole altar of lilies. Several ladies prinked their noses, and General Leadbitter asked loudly whether he might smoke.
It was quite obvious that Weaver understood. He smiled provocatively and asked very slowly, "Would you mind not smoking? My throat has been bad for some time." Crashaw murmured that it was terrible weather; influenza throats were common. The satirical eye came round to him and considered him thoughtfully, while Weaver said in a voice which carried half-way across the hall, "It's cancer in my case."
In the shocked vexed silence that followed the unnecessary intimacy he began to speak without waiting for any introduction from Crashaw. He seemed at first to be in a hurry. It was only later that the terrible impediments were placed in the way of his speech. He had a high voice, which sometimes broke into a squeal, and must have been peculiarly disagreeable on the parade ground. He paid a few compliments to the local society; his remarks were just sufficiently exaggerated to be irritating. He was glad, he said, to give them the chance of hearing him; what he had to say might alter their whole view of the relative values of matter and spirit.
Mystic stuff, thought Crashaw.
Weaver's high voice began to shoot out hurried platitudes. The spirit, he said, was stronger than anyone realized; the physiological action of heart and brain and nerves were subordinate to the spirit. The spirit was everything. He said again, his voice squeaking up like bats into the ceiling, "The spirit is so much stronger than you think." He put his hand across his throat and squinted sideways at the window-panes and the nuzzling fog, and upwards at the bare electric globe sizzling with heat and poor light in the dim afternoon. "It's immortal," he told them very seriously, and they shifted, restless, uncomfortable, and weary, in their chairs.
It was then that his voice grew tired and his speech impeded. The knowledge that he had entirely lost touch with his audience may have been the cause. An elderly lady at the back had taken her knitting from a bag, and her needles flashed along the walls when the light caught them, like a bright ironic spirit. Satire for a moment deserted Weaver's eyes, and Crashaw saw the vacancy it left, as though the ball had turned to glass.
"This is important," the lecturer cried to them. "I can tell you a story—" His audience's attention was momentarily caught by this promise of something definite, but the stillness of the lady's needles did not soothe him. He sneered at them all. "Signs and wonders," he said.
Then he lost the thread of his speech altogether.
His hand passed to and fro across his throat and he quoted Shakespeare, and then St. Paul's Epistle to the Galatians. His speech, as it grew slower, seemed to lose all logical order, though now and then Crashaw was surprised by the shrewdness in the juxtaposition of two irrelevant ideas. It was like the conversation of an old man which flits from subject to subject, the thread a subconscious one. "When I was at Simla," he said, bending his brows as though to avoid the sunflash on the barrack square, but perhaps the frost, the fog, the tarnished room, broke his memories. He began to assure the wearied faces all over again that the spirit did not die when the body died, but that the body only moved at the spirit's will. One had to be obstinate, to grapple...
Pathetic, Crashaw thought, the sick man's clinging to his belief. It was as if life were an only son who was dying and wit
h whom he wished to preserve some form of communication....
A note was passed to Crashaw from the audience. It came from a Dr. Brown, a small alert man in the third row; the society cherished him as a kind of pet sceptic. The note read: "Can't you make him stop? The man's obviously very ill. And what good is his talk, anyway?"
Crashaw turned his eyes sideways and upwards and felt his pity vanish at the sight of the roving satirical eyes that gave the lie to the tongue, and at the smell, overpoweringly sweet, of the scent in which Weaver had steeped his handkerchief. The man was an "outsider"; he would look up his record in the old Army Lists when he got home.
"Proof positive," Weaver was saying, sighing a shrill breath of exhaustion between the words. Crashaw laid his watch upon the table, but Weaver paid him no attention. He was supporting himself on the rim of the table with one hand. "I'll give you," he said, speaking with increasing difficulty, "proof pos..." His voice scraped into stillness, like a needle at a record's end, but the quiet did not last. From an expressionless face, a sound which was more like a high mew than anything else jerked the audience into attention. He followed it up, still without a trace of any emotion or understanding, with a succession of incomprehensible sounds, a low labial whispering, an odd jangling note, while his fingers tapped on the table. The sounds brought to mind innumerable séances, the bound medium, the tambourine shaken in mid-air, the whispered trivialities of loved ghosts in the darkness, the dinginess, the airless rooms.
Weaver sat down slowly in his chair and let his head fall backwards. An old lady began to cry nervously, and Dr. Brown scrambled on to the platform and bent over him. Colonel Crashaw saw the doctor's hand tremble as he picked the handkerchief from the pocket and flung it away from him. Crashaw, aware of another and more unpleasant smell, heard Dr. Brown whisper: "Send them all away. He's dead."
He spoke with a distress unusual in a doctor accustomed to every kind of death. Crashaw, before he complied, glanced over Dr. Brown's shoulder at the dead man. Major Weaver's appearance disquieted him. In a long life he had seen may forms of death, men shot by their own hand, and men killed in the field, but never such a suggestion of mortality. The body might have been one fished from the sea a long while after death; the flesh of the face seemed as ready to fall as an overripe fruit. So it was with no great shock of surprise that he heard Dr. Brown's whispered statement, "The man must have been dead a week."
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