He turned away from the register to peruse the aisles. The usual convenience-store crap. Candy. Chips. Those weird, soggy sandwiches stored in triangular plastic containers. Fried pork rinds? He grabbed two granola bars and then a bottle of orange juice from the refrigerator case. Laid a five on the counter, then slipped the change into the plastic donation bucket on the counter, this one bearing a picture of sad-looking shelter animals.
He heard a bell chime against the glass door as it swung shut behind him. Tucking the OJ in the crook of his elbow, he ripped open one of the bars and ate it in three bites before getting settled behind the wheel of the Crown Vic. As he inserted the key into the ignition, he thought about turning around, driving back through the tunnel, and making his way downtown early.
He’d gone nearly two months without checking in on him. Two months since he’d been warned. Officially disciplined, as it had been put to Hank. But not one day had passed in those two months when Hank hadn’t thought about the guy. Wondered what he was doing. Imagined how pleased the guy must have been without Hank around to monitor him.
But it was precisely because Hank had been on good behavior that he was willing to risk this brief check-in. Back before he’d been hauled out to the proverbial woodshed, he’d been watching the subject at night. His intentions had been noble—personal time for personal work—but the guy had noticed the pattern. On the upside, if the guy were still checking his back for Hank, he wouldn’t be suspicious in the middle of the afternoon. No, this was the perfect time. Hank’s field stops had gone faster than planned. He could easily steal ninety minutes out on his own without anyone asking questions. He’d already bought his one-point-six gallons of gas for the round-trip drive to Newark, just in case Tommy wondered about the fuel level when Hank returned the fleet car.
As Hank removed the ring of translucent plastic from the cap of his orange juice, he thought about Ellen. Poor Ellen. He hadn’t realized it when he’d had a chance to make a difference, but his sister had been an addict. No different from the sad sacks he’d encountered (and judged) for years—junkies who told themselves they’d get off the needle next week, career offenders who said they’d retire after one last big score—Ellen had let something other than herself become a necessary part of her identity. In her case, that something was alcohol.
He remembered his sister commenting—usually with pride, but often in a resentful, teasing way if she’d had a glass of chardonnay or two—about his extraordinary discipline. “My little brother is the abstemious one in the family.” “Hank will live to be a hundred, the way he takes care of himself.” “My perfect baby brother.”
He had missed the signs of addiction in his sister, but wondered whether, if Ellen were alive, she would spot them in him. Like a drunk on the wagon never stops craving the bottle, he had managed to restrain himself in the two months that had passed since the reprimand, but he had never stopped thinking about the man who killed his sister. And like an alcoholic assuring himself that this drink will be the last—even as he knows in his heart that he has no intention of ever letting it go—Hank started the engine, telling himself he would cruise down to the apartment in Newark, just this once, just to make sure the man hadn’t gone anywhere without him.
Chapter Five
There was a time when the name of Manhattan’s Meatpacking District required no further explanation. It was the district where the meat was packed. Not only was the name self-evident, so was the neighborhood itself. Refrigerated trucks backed up to open warehouse doors, ready to transport the hanging carcasses that would become the city’s finest steaks. Butchers—the real ones, with thick smears of pink wiped across their aprons—promised the early morning’s finest cuts. The cobblestone streets, left untended since the notorious days of the Five Points slum, were fit only for industrial vehicles and the most seasoned pedestrians, who knew from years of experience precisely where to step to avoid a tumble. Even the air was tinged with the bloody odor of raw meat.
Now the neighborhood’s name was simply a tip of the hat to history. On Alice’s route from stepping off the 14D bus to the address Drew Campbell had given her, she passed an Apple store, the Hotel Gansevoort (site of the most recent bust of a celebrity offspring for drug dealing), and the Christian Louboutin boutique. She did notice as she made her way south that the luxuriousness of the surroundings became relative. As the $700, seven-inch heels at Louboutin faded from view, she passed a modest little wine bar, then a D’Agostino grocery, even a rather ordinary-looking brick apartment complex.
Despite nearly a lifetime in the city, she always got confused in this neighborhood. She’d spent her childhood in the Upper East Side. Stayed at her parents’ townhouse on trips home from Philly in college. Lived with Bill for two years on the Upper West before the wedding and subsequent move to St. Louis. Briefly back to the folks’ place postdivorce before she’d taken an Upper East Side studio of her own during the MFA program.
Even though she lived downtown now, she was still in the numbered grid, where streets ran east to west, avenues ran north to south, and the numbers on the grid always showed the way. This morning she was turned around in the tangle of diagonals known as Jane, Washington, Hudson, and Horatio, all labeled streets, yet intersecting with one another in knots.
She pulled out her iPhone and opened up Google Maps. After a right turn past the D’Agostino, she found herself on Bethune and Washington. She recognized the intersection, just one block from the dive Mexican joint that served pitchers of fume-exuding margaritas at sidewalk picnic tables.
Her inner naysayer—that voice in her head that kept warning her that Drew’s offer was indeed too good to be true—tugged at her peripheral vision, forcing her to notice that she’d left the swank of the Meatpacking District and was heading away from the better parts of the West Village. A Chinese restaurant called Baby Buddha was boarded shut on the corner, the words “CLOSED Thanks you for your bussiness” spray-painted across the wood.
Past the boarded-up storefront, across the street, stood a prewar tenement with iron gates securing the lowest three floors of apartment windows. She suspected that if she walked a few more blocks, she’d eventually run into a joint needle-exchange, condom-distribution, check-cashing tattoo parlor. She summoned an image of herself, like Lucy in the Peanuts comic strips, sitting beneath a whittled wood sign bearing the words “Modern Art, 5 Cents.”
But as she passed a closet-sized retail space featuring highbrow clothing for spoiled dogs, her outlook began to brighten. She spotted a For Lease sign in the next front window. She took in the remainder of the block. An independent handbag designer. A UK-based seller of luxury sweatshirts, which people now collectively referred to as “hoodies” to justify the prices. A flower shop. High-end shoe store. A ten-table restaurant run by a former finalist on Top Chef. Not a check-cashing tattoo parlor in sight. She crossed her fingers inside her coat pockets as she squinted at the approaching numerals waiting for her above the unoccupied space.
Jackpot. This was the spot. The address Drew had given her. She pressed her forehead against the front glass, cupping her hands at her temples as she peered into the empty space. The ceilings were at least fifteen feet high. Exposed heating ducts, but in a cool way. Smooth white walls, just waiting for art to be hung. She could picture herself there, wearing one of her better black dresses, gesturing toward oversize canvases that would provide the space’s only color.
She jerked backward as a tap on her shoulder startled her from her daydream. She heard a faint beep-beep as Drew Campbell pressed the clicker in his hand, activating the locks of the silver sedan he’d parked curbside.
“So this is it, huh?”
“You sound disappointed,” he said.
For some reason, people thought Alice was down even at her most enthusiastic. She had a theory that this was somehow attributable to a childhood spent with false hopes. She had been raised by parents who told her at every opportunity that she was better, she eventually realized, than s
he actually was. They’d had the best intentions, but their unconditional, unrealistic praise had in fact groomed her for disappointment. Having to serve as her own reality check had made Alice her own harshest critic.
Even now, she was incapable of feeling pride or excitement without immediately focusing on all the reasons she would eventually fail. She flashed back briefly to those comments she’d received periodically during her annual evaluations at the Met. Saw those signals she should have picked up on. Tried to push them into her past as Drew Campbell looked at her with impressed, expectant eyes, ready to give her a fresh start.
Drew tapped six digits into the keypad of the lockbox on the front door, and then caught the key that fell from the box. “I haven’t signed the papers yet,” he said. “Figured the gal who’s going to run the place should have final approval.”
As she watched him slip the key into the lock and push the door open, she tried not to draw the metaphorical link to a new chapter opening in her life. She tried not to get her hopes up. She told herself it still might not happen. But already she could picture herself with that same key in her hand, pushing open that very door, making a name for this still-unnamed gallery in the limitless world of art.
“What do you think?”
Admiring the polished white tile floor, Alice tried to play it cool. “It’s small,” she said, “especially if we need space for storage, but it’s intimate, which would be right for this neighborhood. I like that it’s off the beaten path of the usual Chelsea galleries. This area still has a lot of untapped potential.”
“All those fashionistas need art for their luxury apartments, right?” Drew fiddled with a Montblanc pen as he spoke.
“One would hope.”
He slipped a half-inch-thick laptop from a black leather attaché and opened it. “Let’s see if we can’t freeload off a neighbor’s wireless signal. Yep, here we go.” She watched as he maneuvered the cursor. Several windows opened simultaneously on the screen. The images flashed too quickly for her to process, but she caught black-and-white glimpses of exposed flesh, a nail, beads that made her think of a rosary.
“So I was pretty sure you’d be happy with the location, but as I warned you, there are a couple of catches.”
Alice felt herself ground back down into the roots of reality. She heard Lily’s voice—and her own running internal monologue—tugging at her once again. Too good to be true. No such thing as good luck. She tried her best to sound carefree. “So go ahead and break the news to me. There’s a brothel running out of that back room, right? Something niche? Midget transvestites. Am I close?”
“Maybe I’m overselling the negatives, but just hear me out, okay? As far as I’m concerned, there are two little hitches. And, no, that’s not a reference to two tiny cross-dressers. First”—he held up a thumb—“my client has a name for the place. The Highline Gallery.”
“Nowhere neeeaaar the hurdle I was imagining.”
“Boring, though.”
Dickerings about the name of the gallery were small-time compared to the perils she’d been imagining, but the Highline moniker was pretty white-bread, the brand for both the new aboveground park running above Ninth Avenue and an adjacent multilevel concert hall. The Highline was to the Meatpacking District as Clinton was to Hell’s Kitchen—an innocuous, sterile name created by real estate agents to whitewash the dust and blood and scars from a neighborhood’s history.
Drew continued with the disclosures. “As you’re probably wise enough to expect, the second catch is more of a doozie.”
He turned the laptop to face her and wiggled his index finger along the touchpad. The staccato flashes of black-and-white images she’d previously glimpsed reappeared on the screen. “This, Miss Humphrey, is our toupee-covered bald spot, our makeup-covered wart.”
Four separate images popped into view: a man’s hairy thigh with crucifix-shaped welts scratched into his flesh; a fifty-cent plastic doll of the Virgin Mary dangling from a hangman’s noose of cotton fiber; a metal fish—the kind she associated with evangelicals—with hot pink balls dangling from its gut; and a Bible headed into a steel shredder.
“Oh, Jesus.”
“Nice word choice,” Drew said.
“Please don’t tell me this is the work of my silent partner’s paramour.”
“I’m afraid so, dear.”
“It’s like Mapplethorpe—only without the talent.”
Drew shrugged. “Like I said, the man’s a longtime friend, but I realize the wrinkles. No pun intended. If you want to pull out, I wouldn’t blame you in the least.”
She took a second look at the images. Alice had been raised in a wholly secular existence. She could count the number of times she’d been to church on two hands, and then only on holidays and for weddings. And yet even Alice had a visceral reaction to these images. They had no beauty. They were interesting only because they provoked. They were wrong.
“And what exactly is the Highline Gallery’s loyalty to this artist?”
Drew used his index finger on the mouse to close the image files and open a Web site called www.hansschuler.com. A photograph of an attractive, early-thirtyish man with light brown curls occupied the screen. “Your first showing has to feature this idiot. Then two or three exclusive shows per year—maybe three or four weeks each—after that. In the interim, you can do whatever you want, but you’ll still have to sell the guy. He’s the weak link. All I ask is that you look before you leap. It’s one thing to tell my client now that this might not happen. Quite another to search for someone else two months from now because you bailed.”
Alice had known in her gut that something about this whole thing was too good to be true, but now she at least knew her enemy. If she took this job, Hans Schuler—artist-slash-paramour—was likely to be the constant pain in her ass for as long as she enjoyed her employment. She reminded herself that the best things in her life had come to her organically.
“Okay, I’m in.”
“Really? All right, then. I can let the leasing company know I’m ready to sign the paperwork now. You want to come with? They’re out in Hoboken, but it’s a nice day for a drive.”
Given the gallery owner’s desire to remain anonymous, Alice supposed that Drew was going to be the closest thing she had to a functional boss. After she’d been laid off from the museum, one of her former coworkers let slip that Alice, unlike her colleagues, hadn’t gone the “extra mile” by participating in activities outside the formal job. It couldn’t hurt to start putting her best foot forward at the start.
“A drive sounds good.”
Chapter Six
Drew accelerated through the loop into the Holland Tunnel. She could tell he enjoyed the way the BMW handled the curves, low and tight. She felt like she should say something impressive. Something about torque or suspension or German engineering. All she came up with was, “I can’t even remember the last time I drove a car.”
Growing up, her parents had a chauffeur for the family in the city, so her only opportunities to drive had been at their house in Bedford or on an infrequent visit to her father’s place in Los Angeles. She went through the teenage ritual of obtaining a license but had never been particularly comfortable behind the wheel. Now she preferred her nondriving existence, tooling around Manhattan by foot, subway, and the occasional taxi in bad weather.
“That’s what happens when you grow up in the city.” Drew hit his fog lights as the sedan hit the tunnel. “You grow up in Tampa, Florida, and you drive. My friends say I’m crazy for keeping a car in the city, but I like the freedom to hop behind the wheel and go whenever and wherever I want.”
She didn’t recall telling Drew she’d been raised in Manhattan. He must have Googled her before offering her the job. Lord knew she’d entered her own name in search engines before, simply out of boredom-induced curiosity.
On the spectrum of Google-able names, Alice Humphrey fell somewhere between Jennifer Smith and Engelbert Humperdink. Most of the hits belonged to a sc
ientist who had written what was apparently a politically divisive book about global warming. More recently, sixteen-year-old Alice Humphrey of Salt Lake City had been kicking butt and taking names on her high school soccer team. But this particular Alice Humphrey had her own online existence. Unfortunately, most of it was not of her own making. Sure, there was her Facebook page, as well as a couple of mentions for her work on museum events. But any marks she had made out there in the virtual world as Alice Humphrey the woman were far outweighed by mentions of Alice Humphrey, former child actress and daughter to Oscar-winning director Frank Humphrey.
She was tempted to ask Drew whether it made a difference. To ask whether she would have gotten the job if she had been just plain old boring Alice Humphrey, with, say, a schoolteacher mother and an accountant father. But to ask that would be unfair, both to Drew and to her. There was no correct answer, and no appropriate response for her to then offer in kind. She no longer wanted to take anything from her father, but she was in fact his daughter. That was never going to change. And so far, Drew hadn’t uttered one word about her family. For her to raise the issue, just because of an innocuous comment about driving, would officially make her the freaky thin-skinned girl.
“So what exactly do you do, Drew?”
“Well, I’ve got two possible responses to that question. One—the answer I might give to a woman on a first date—is that I’m an entrepreneur. Are you suitably impressed?”
“Honestly? I’m not sure I’ve ever understood entrepreneurship as a job description.”
“Which is why there’s a second option—the one my mother might give you. If my mother were here—and not mixing up her it’s-finally-noontime martini down in Tampa—she’d probably tell you I’m a spoiled kid living off his family’s money.”
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